Go to page of
A good user manual
The rules should oblige the seller to give the purchaser an operating instrucion of Spirit LIVE 4, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.
What is an instruction?
The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Spirit LIVE 4 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.
Unfortunately, only a few customers devote their time to read an instruction of Spirit LIVE 4. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.
What should a perfect user manual contain?
First and foremost, an user manual of Spirit LIVE 4 should contain:
- informations concerning technical data of Spirit LIVE 4
- name of the manufacturer and a year of construction of the Spirit LIVE 4 item
- rules of operation, control and maintenance of the Spirit LIVE 4 item
- safety signs and mark certificates which confirm compatibility with appropriate standards
Why don't we read the manuals?
Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Spirit LIVE 4 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Spirit LIVE 4, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Spirit service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Spirit LIVE 4.
Why one should read the manuals?
It is mostly in the manuals where we will find the details concerning construction and possibility of the Spirit LIVE 4 item, and its use of respective accessory, as well as information concerning all the functions and facilities.
After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.
Table of contents for the manual
-
Page 1
[...]
-
Page 2
[...]
-
Page 3
Us e r G u i d e Co n t e n t s In tr o d u c ti o n . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Bas i c Pr i n c i p l e s o f PA M i xi n g . . . . . . . . . . . . . . . . . 3 G e tti n g S tar te d . . . . . . . . . . . . . . . . . . . . . . . . . 6 C o n n e ct i o n s a n d C o n n e ct o r s . . . . . . . . . . . . . . . 6 Fa u lt[...]
-
Page 4
I N TR O D U C TI O N Con gra tu l a ti on s on you r p u r c h ase of a SPIRIT LIVE 4 m ixer . Ow ni n g a S ou nd c raf t c onso l e b r i n gs you th e e x p e rti se and su p p ort of on e of th e i nd u stry’ s l ead i n g m an u f ac tu rers an d th e re su l ts of over 20 y ea r s ex p er ien c e su p p or tin g so m e of th e bigg est n a[...]
-
Page 5
B A S I C PR I N C I PL E S O F PA M I X I N G T h er e w a s a tim e w h en t h e P. A . syst em a n d t h e op era tor ex i s ted on l y to i n c r e a s e th e overal l v ol u m e of th e p erf orm ers, so that th ey c ou l d be heard i n a l arge roo m or above h i gh a m b ie n t n o ise lev e ls . Th is j u s t is n ’ t t r u e a n y m o r [...]
-
Page 6
Th e M i x e r As on e w ou l d exp ec t, th e m a i n p u r p o se of t h e m ix er i s to c o mb i n e s o unds , b ut unde r pr e c i s e a n d s mo o t h c o nt r o l . T hi s is w h y lo n g -t h r o w fa d e r s a r e e s s en t ia l o n a n y p r o fe ss io n a l p r od u c t. T h e f a d er s p rov i d e y ou w i th c l ear a nd i n sti n c[...]
-
Page 7
E a c h inp u t c h an n el a n d th e th r ee m a i n ou tp u ts ha ve a n In s e r t ‘ A’ gau ge j ac k so c ket, w hi c h i s a b r e ak p oi nt i n the s i gn al p ath . I t al l ow s the s i gnal to b e t aken ou t of th e m i x er, th rou gh an ex tern al p ie c e of equ i p m ent a n d th en ba c k i n to th e m ixe r d ir ect ly a ft er[...]
-
Page 8
GE T T I N G S T A R T E D C O NNE C T I O NS AND CON N E CT OR S Alth ou gh th i s m ay seem a si m p l e su bj ec t, f a ul ty c o nne c to r s a nd cab l i n g ar e t h e s ou r ce of m os t s ou n d s y s t em p r ob l em s . Cor rec tly- m ad e c a bl es of th e p r op er ty p e, w ith th e r i gh t c on n ec tor s f or th e j ob w il l en s u[...]
-
Page 9
Ba l a n c e d a n d Un b a l a n c e d A ll ch a n n e l in p u t s a r e b a la n c e d , i.e. t h e r e a r e s ep a r a t e +ve ( h ot) an d - ve ( c ol d ) w i res f or eac h si gn al p l u s a gro u nd . Th e d e sig n o f t h e d i f fer e n t ia l in p u t a m p lifie r s is s u ch t h a t i n terf erenc e p ic ked u p on th ese w ires i s [...]
-
Page 10
I f th e u se of u nba l a n c ed c on n ec tions i s u n a void able , you c a n m im im is e n o is e b y f o llo w in g t h e s e w ir in g g u id e lin e s : • O n I NP U T S , un b a l a n c e a t t he s o ur c e a n d us e a t wi n, sc reen e d c a bl e a s th ou gh i t w ere bal an c ed . ( s ee be l ow ) • O n O UT PU T S , c on n ec t [...]
-
Page 11
F a u lt F in d in g G u id e R e pa irin g a s o u n d m ixin g co n s o le r e q u ir es s p e cia list s k ills , b u t basi c F a ul t F i nd i ng i s w i th i n th e s c op e of an y u s er if a f ew ba si c ru les ar e f oll ow ed . • Get to kn ow th e B l oc k D i agr am of you r c on sol e ( see i n si d e r e a r co v e r ) • Get to kn[...]
-
Page 12
GE T T I N G T O K N OW Y OU R CON S OL E R ef er to th e f ol d - ou t f r on t p a n el d i a gra m w h i c h sh ow s th e c on trol f u nc tions on th e SPIRIT LIVE 4 . Ea ch fa cil it y is d es c ribe d bel ow , a nd is i d en tif i ed by th e ref eren c e nu m ber. FA C I L I T I ES I NP U T C H ANNE L 1. M IC R O P H O N E IN P U T T h e Mi c[...]
-
Page 13
3. L IN E IN P U T Th e LIN E In p u t is a 3-p o le 1 ⁄ 4 " ‘ A’ gau ge j ac k so c ket, to ac c e p t b al anc e d o r unba l anc e d l i ne l e ve l s o u rc e s w he n t he L I N E s w itch (5 ) is p r e ss e d . U n lik e t h e low im p ed a n ce M icr o p h o n e i n p u t, th i s st a ge p rese n ts a h i gh i m p ed an c e( >1[...]
-
Page 14
7 . H I - P A SS F I LT ER Pr essin g t h i s sw i tch i n ser ts a 1 2 d B p er o c ta ve 1 00 H z H i - Pa ss F i l te r i n th e s i gnal p ath , i m m ed i ate l y af te r th e i n p u t am p l i f i er. Th is is p a r t icu la r ly u s efu l o n liv e v o ca ls, a n d it s u s e is s tr o n g ly r eco m m e n d e d , ev en o n m a le v o ca ls[...]
-
Page 15
9. AU XI L IAR Y S E ND S T h es e c on trols r ou te th e i n p u t c h an n el si gn a l to a n y on e or m or e Au xi li ar y b u sses. T h ese a re sep a ra te f r om th e m ain ou tp u ts a n d c a n th er e f or e p r ovid e a d d iti on al ou tp u t s f or fold b a c k , e ch o u n it s o r ext r a lo u d s p ea k e r ‘ fills ’ . A U X 1[...]
-
Page 16
10. P A N Th e PA N c on trol d ete r m i n e s th e p osi ti on of th e si gn al w i th i n th e s tereo m i x i m age or m ay be u se d to rou te the c h an n el s i gn al to p arti c u l ar ou tp u t GR OUP S as se l ec ted by th e R OUT I N G SW I T C HE S ( 1 3 ) . R otati on f u l l y an ti c l oc kw i se f eed s t h e si g n al solel y t o t[...]
-
Page 17
ST EREO SEC T I O N S 1 . ST ER EO I N P U T S E a c h S t er eo I n p u t secti o n c om p r i ses a p air o f si m il a r in p u ts. T h e i n p u ts ar e el ec tr on i c a l l y ba l an ced a n d sep ar ate j acks ar e p rovi d e d f or the L ef t an d R i ght so u rc e s i gn al s. A m on o s i gn al m ay be p l u g ged i n t o th e u p p er so[...]
-
Page 18
4 . A U X SEN D A si n g l e con tr ol f eed s a m on o su m of t h e ster eo sign a l to a ch o ice o f A u x Se n d b u s s e s (s e e 5 b e lo w ). 5 . A U X SEL EC T I O N Th e flexib ilit y o f t h e A u x s e n d co n t r o l (4 ) is m a xim ise d b y a c h oi c e of d es ti n at i o ns on th e tw o S tereo sec tio n s. On th e u p p e r se c[...]
-
Page 19
10. F ADE R L i n ea r f ad er s ar e p ro vid ed f or p rec ise an d sm o oth lev el c ontro l f o r e ac h S t ere o s ec ti on. GR OU P S E CT I ON 1 . RET U RN A m on o R etu r n is p rov i d ed to eac h ou tp u t Gr ou p , w h i c h i s i n tend ed f or u se as a su b- m i x f r om an oth er d e sk or as an e ff e cts in p u t . Th e in p u t [...]
-
Page 20
7 . GR OU P OU T P U T T h e Gr ou p ou tp u t s are d r i v en by gr ou n d c om p en sated am p l i f i e r s to a st an d ard 1 ⁄ 4 " 3 p o le ‘ A ’ g a u g e j a ck s o ck e t . M A ST ER SEC T I O N 8 . D . C. P O W E R S O CK E T T h e c a bl e f rom th e p ow e r s u p p l y c onn ec ts to th e c on sol e v i a t h is 5-p in s o c[...]
-
Page 21
13. M O N O T h e l ev el of th e MON O ou tp u t ( 9 ) i s s et by a rotar y f a d er. T h e a ssoc i a ted AF L s w i t c h w i th i nd i c a ti ng L E D m o ni t o rs the f ina l ou tp u t a f te r th e f a d e r . 14 . AU X IL IAR Y M AS T E R S E a c h of th e Au x i l i ar y S en d bu sse s i s p rov i d ed w i th a r otar y ma s t e r l e v [...]
-
Page 22
US I N G Y O UR SPIRIT LIVE 4 CO N S O L E T h e f i n a l sou n d f r om you r P. A . system c a n on ly ev er be a s goo d as th e qu al i ty o f th e s ou rc e s i gn al . J u st as you n e ed to bec om e f a m il iar w i th th e c on tr ol f u n c ti on s of you r m i xe r , so y o u m u s t r e co g n i s e t h e im p o r t a n ce o f co r r e[...]
-
Page 23
• I f you c a n n ot obtai n a sati sf ac tory se tti n g, e. g. th e gai n c on tr ol i s r i g h t a t th e extr em e low en d o f th e s c a le on Mic rop h on e I n p u t, try u si n g th e L i n e I n p u t i n ste a d . • L i st en c a refu ll y f o r t h e c h ar acter i stic sou n d of ‘ f eed b ac k ’ . I f you c an n ot ac h i eve[...]
-
Page 24
AP P L IC AT IO NS SPIRIT LIVE 4 i s d es i gned p ri m ari l y as a s ou n d r ei n f or c em en t m ix er, bu t m ay also be u sed f or ba si c m u l ti trac k rec ord i n g. T h e f ol l ow i ng d i agra m s s how typ i c al c o nf i gura t i o ns w hi c h w i l l i l l u s t r at e how the m i x e r i s c on n ec ted to oth er equ i p m en t. E[...]
-
Page 25
ou tp u t si gn al p ath v i a th e L e f t an d R i ght i n s ert p oi n ts . Ex a m p l e 2 : P u b l i c A d d r e ss - St e r e o + C e nt r e F e e d I n th is sec on d exam p l e th e Gr ou p 1 Ou tp u t i s u sed to d r i v e an a ddi t i o na l c e nt r e s pe a k e r , wi t h i ndi v i dua l f a de r c o nt r o l . T he r o u t in g o n t [...]
-
Page 26
EFFECTS PROCESSOR f ina l ou tp u t. Ex a m p l e 4 : S t er eo R eco r d i n g T h e c on s ol e m ay al s o be u s ed f or 2 - T r ac k or basi c m u lt i trac k rec ord i n g l i v e or i n th e s tu d i o. T h e s et u p i s s i m i l ar to th e p r e v i ou s ex a m p le s bu t w i th th e Mix L / R Ou tp u t f ee d i n g a 2- t r a ck Ta p e [...]
-
Page 27
CA R E OF Y OU R MI X E R Gen e r a l P r ec a u t i o n s A v o id s t o r in g o r u s in g t h e m ixer in con d it io n s o f e xces si v e h eat or c ol d , or i n p osi ti on s w h e r e i t is l i kel y to be su bj e c t to v ib r a t io n , d u s t o r m o is t u r e. K e ep the m i x er c l ean u s i n g a s of t d ry bru sh, an d an oc c [...]
-
Page 28
feedba c k th e ‘ h ow li n g ’ sou n d c au se d by br i n g i n g a m i c rop h on e too c los e to a l ou d sp eaker d r i ven f r om i ts am p l i f i ed si gn al. foldba c k a f ee d se n t bac k to th e ar tis tes vi a l ou d s p eakers or h ead p h on es to en abl e th em to m on i tor th e sou n d s th ey are pr o duc i ng . fr equenc y[...]
-
Page 29
S el ect a b l e Op t i o n s R e m o v a l o f + 48V o n M i c Inp ut s T o d is able th e +4 8 V p h an tom p ow eri n g on the m i c rop h on e in p u t s , r e m o v e lin k J 3 fr o m In p u t P C B SC 3209. Th is ca n b e d one w i th ou t rem ovi n g th e PCB as s h ow n bel ow , by c ar ef u l l y c u tting th e l ead s of th e l i n k abov[...]
-
Page 30
R e c o nf i g ur i ng A ux 2 a s a P o s t F a d e S e nd Au x 2 i s c on f i gu re d as a PR E F ADE s en d at the f ac tory, bu t m ay be al tered to be PO S T F ADE i f r e q u i red by rep osi tioni n g a l in k o n t h e In p u t P C B S C 3209 a s s h o w n b e lo w . R52 R56 R54 J1 J1 PRE PRE J2 J2 POST POST INPUT BOARD SC3209 R48 C28 C27 R[...]
-
Page 31
SP EC I FI C A T I O N S T yp ic al F i gu re s f or a 1 6 Chan n el Conso l e NO IS E M e a s u r e d RM S , 22H z t o 22k H z B a n d w id t h Lin e in p u t s s e le ct e d a t u n it y g a i n a n d t e r m i n a t e d 150R MI X N OI S E In p u t fa d e r s d o w n , ch a n n e l s r o u t e d t o L-R, P a n s ce n t r a l, M a s t e r s a t m [...]
-
Page 32
DI S T O R T I O N T H D m eas u r ed at +2 0 d B u Lin e In p u t t o M ix O u t p u t < 0.0025% @ 1k H z , < 0.015% @ 10k H z I N P U T & O U TP U T I M P E D A N C E S M icr o p h o n e In p u t > 2k Ω Lin e In p u t > 10k Ω I n ser t S en d s 7 5 Ω I n s ert R e tu rns 1 0 k Ω O u t p u t s 75 Ω I N P U T & O U TP [...]
-
Page 33
[...]
-
Page 34
INPUT STEREO GROUPS & MASTER MIC LINE STE 1 STE 1 GRP 1 GRP 1 GRP 2 GRP 2 GRP 3 GRP 3 GRP 4 GRP 4 AUX 1 AUX 1 AUX 2 AUX 2 AUX 3 AUX 3 AUX 4 AUX 4 AUX 5 AUX 5 DC POWER INPUT DC POWER INPUT MONO MIX RET 1 RET 1 RET 2 RET 2 RET 3 RET 3 RET 4 RET 4 INS L INS L INS 1 INS 1 INS 2 INS 2 INS 3 INS 3 INS 4 INS 4 INS R INS R STE 2 STE 2 1 DIRECT INS LINE[...]
-
Page 35
[...]
-
Page 36
Unit C6, Hastingwood Trading Estate 35, Harbet Road, London, N18 3HU Phone 020 8803 7400 email office@gradav.co.uk FAX 020 8803 5060 Web www.gradav.co.uk[...]