Go to page of
Similar user manuals
-
Speaker
Vienna Acoustics BERG
20 pages 5.14 mb -
Speaker
Vienna Acoustics Beethoven Concert Grande
5 pages 0.32 mb -
Speaker
Vienna Acoustics Mahler
1 pages 0.02 mb -
Speaker
Vienna Acoustics Webern
20 pages 5.14 mb -
Speaker
Vienna Acoustics Klimt Series
13 pages 0.2 mb -
Speaker
Vienna Acoustics Subson
7 pages 0.36 mb -
Speaker
Vienna Acoustics Concert Grande
5 pages 0.31 mb -
Speaker
Vienna Acoustics Schonberg Series
10 pages 0.34 mb
A good user manual
The rules should oblige the seller to give the purchaser an operating instrucion of Vienna Acoustics The Kiss, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.
What is an instruction?
The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Vienna Acoustics The Kiss one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.
Unfortunately, only a few customers devote their time to read an instruction of Vienna Acoustics The Kiss. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.
What should a perfect user manual contain?
First and foremost, an user manual of Vienna Acoustics The Kiss should contain:
- informations concerning technical data of Vienna Acoustics The Kiss
- name of the manufacturer and a year of construction of the Vienna Acoustics The Kiss item
- rules of operation, control and maintenance of the Vienna Acoustics The Kiss item
- safety signs and mark certificates which confirm compatibility with appropriate standards
Why don't we read the manuals?
Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Vienna Acoustics The Kiss alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Vienna Acoustics The Kiss, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Vienna Acoustics service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Vienna Acoustics The Kiss.
Why one should read the manuals?
It is mostly in the manuals where we will find the details concerning construction and possibility of the Vienna Acoustics The Kiss item, and its use of respective accessory, as well as information concerning all the functions and facilities.
After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.
Table of contents for the manual
-
Page 1
Klimt Series™ – Owners Manu al THE MUSIC / THE KISS / POETRY Thank you for your investm ent in one of the world ´s most advanced l oudspeaker designs available. We have worked ti relessly to produce this l oudspeaker system and trust that you will enjoy the musical performa nce this product offers. To achieve this new l evel of perform ance, s[...]
-
Page 2
Table of Conte nts Product Descri ption 1.1 Technology 1.2 Constr uction 1.3 Constr uction De tails – The Mu sic 1.4 Constr uction De tails – The Kiss 1.5 Constr uction Deta ils - Poetry Connection Ins tructio ns 2.1 Am plification 2.2 Cabl e selection 2.3 Connecti on 2.4 Setup Instructions Setup Instructi ons 3.1 Break- In 3.2 Positi oning The[...]
-
Page 3
Product Descri ption 1.1 Technology The Klimt Series™ loudspeakers feature an extensive list of new technologies. Beginni ng with the new patented Flat-Spider- Cone™ midr ange driver, special care has been taken with the choice of materials and crafting. This driver is created from a compound of several thermal plasti c polymers as well as adde[...]
-
Page 4
enclosure i s a solid alloy shoe. Thi s single piece alloy shoe attaches to the Music Center´s cabinet in two points in the f ront and a s ingl e point in the rear. T o further elimi nate th e potential for extraneous m echanical informati on to r each up from the bass cabinet, the aluminum sh oe is s imila rly attached through one large a ll oy c[...]
-
Page 5
In additi on to the special care given to the complete speaker design, we a lso believed that i t was necessary to design a stand that is not o nl y beautiful, but more import antly offers the requisi te stability necessary to take ful l advantag e of the speaker´s capabilities. T he most obvious design element of this new dedicat ed speaker p lat[...]
-
Page 6
volum e level s? If so, you should consider a more powerful amplifi er. Second, do you have an unusually large space that these speakers are being installed in? If so, again you should consider a higher powered ampli fier. Otherwise, our recommendati on is to select the fi nest sounding quality amplifier in the fifty and above wattage range (see sp[...]
-
Page 7
The second stage is much more gradual and one that may not be noticed imm ediately. This is the fifty to approximately three -hundred hour period. During this final period of break-in, th ere i s a further refinement i n the micro- dynami cs or inner detail that w ill become more defined. In other words, the presence of the musi cians becomes more [...]
-
Page 8
Followi ng the p ositioning or toeing-in, attention needs to be turned to th e distance of the speakers with respect to the back and side walls of your listeni ng room. While it is po ssi ble to achieve positive results positioning the speakers close to the rear wall , thi s position typically gi ves up some potential bass extension as wel l as som[...]
-
Page 9
recommended starti ng point from the side walls. However, because of the driv er selecti on and th eir dispersion characteristics, it is possible to get quite close to the side walls with c are. In the event that the room does not allow anything else, distance apart will be far more critical than the actua l distance from the side wall s. With The [...]
-
Page 10
3.3 Positi oning Poetry As with other sophi sticated center channel loudspeakers, specifi c setup instructi ons from your processor shoul d be read and followed before continui ng. There are still a couple specific recommendati ons that should be followed in conjunction with the processor´s instructions. First, this is a full rang e speaker system[...]
-
Page 11
To e-in of the overall cabinet as well as distance between the speakers can also result in im provements in overall clarity and resoluti on. If there appears to be a doubling or sluggishness to th e center of th e sound stag e, try pulli ng the speakers slightly further apart or aim the overall cabinet further away from the listening position. If t[...]
-
Page 12
rooms. The second swi tch is the B -swi tch. T he upper setting of the B-switch allows for the greater bass content. The advantage of this setting is that it results in the greatest power as well as resolution of extended or low bass. A secondary advantage of this position is the possibility of greater air and focus around the u pper frequ encies a[...]
-
Page 13
The Kiss System Type 3-way stand-moun ted system, empl oying integr ated sub-woofer Frequency Resp onse 36Hz – 20kHz Bass Driv er 23cm P atented Vienna Acoustics Sp ider-Cone Midrang e – Tweeter Coincident 18cm Patented Vienna Acoustics Fla t-Spider-Cone midrang e with 2.5cm hand crafted neodymium center vented si lk d ome tweeter Sensitivi ty [...]