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VistaQuest VQ 350 manual

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Table of contents for the manual

  • Page 1

    U s er’ s M an ua l[...]

  • Page 2

    Co n te n t s 1 .0 I n tr o d u c t i o n - - - - - -- - -- -- - - - - - - - - - - - - - - - -- -- -- - - - - - - - - - - - -- -- -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1 1 .1 O v e r v i e w - - - - - - - -- -- -- - - - - - - - - - - - -- -- -- - -- - - - - - - - - - - -- - - - - - - - - - - - - [...]

  • Page 3

    C on t en t s 3 .1 1 H i g h /L o w I m a g e C o m p r e s s i o n - -- -- - - - - - - - - - - - -- -- -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1 2 3 .1 2 L i g h t i n g F r e q u e n c y - - - - - - - - -- -- -- - - - - - - - - - - - -- -- -- - - - - - - - - - - - - - - - - - - - - - - - - - [...]

  • Page 4

    02 0 60 6 W A RN I N G     W he n th e b at te ry ic o n i s b l i nk in g , d o w n l o ad th e p i ct u r es to y o u r co m pu te r , im me d ia te l y , an d c h a ng e t he ba t te ri es ; o th e rwi s e, y o u r i ma ge s w i ll b e l o st .    [...]

  • Page 5

    -1- 1 . 0 I n tr o d u c t i o n 1 . 1 O v e r v i e w T h an k y ou f or p ur cha si ng a V is t aQ ue s t di gi t al c am er a. It c an c apt ur e di gi t al i ma g es , s ho rt v i d e o - c l i p s ( c o n t i n u o u s s h o o t i n g m o d e ) , a n d i t c a n a l s o s e r v e a s a P C / W e b c a m e r a . T h e c a m e r a i s e qu i pp [...]

  • Page 6

    -2- 1 . R eo ri en t or r el oc at e th e re ce iv i ng an te nn a 2 . I nc r ea s e th e se p ar at i on b et w een t he e qui pm en t and r ec ei v er 3 . C on n ec t t he eq u i p m en t i n t o a n o u t l e t on a c i rc ui t d i f f e r en t f ro m t h a t t o w h i ch t he re c e i v er i s c on ne c te d 4 . C on su lt t he de al er o r an [...]

  • Page 7

    -3- 1 .2 .3 T R AD EM A RK I N F O RM A T IO N M i cr oso f t ® an d Wi nd ow s® ar e U. S . r eg is te re d tr ad em ar k s of M ic ros of t C or po r at i on . P en ti um ® i s a r eg i st er ed t r ad em ar k o f I nt el Co r po ra t i on . O t he r na m es a nd pr od uc t s m ay be t r ad em ark s or re gi st er ed t ra de m a rk s o f th ei[...]

  • Page 8

    -4- 1 . 5 C a me r a F e a tu r es 1 . Sh u tt er B ut to n 2 . Fl as h 3 . V i ew fi nd er 4 . Le ns 5 . US B P or t 6 . S tr a p E y el et 7 . In d ic at or L am p 8 . LC D 9 . M O DE 1 0. O N/ O F F 1 1. B at t er y Co mp ar tm en t C ov er 1 2. T r ip od S oc k et[...]

  • Page 9

    -5- 2 . 0 I n s t a l l i n g t h e B a tt e r ie s S te p 1 : Op en t he b at te ry d oor b y l if t i ng t he t ab on th e do or . S t ep 2: I ns er t t hr ee AA A ba t t er i es w i th t he po la ri ty as sh ow n . S t ep 3: C l os e t he ba t t er y c ov er . W ar ni n g: Do n o t o pe n th e ba t te r y d oo r wh en th e c am e ra is p o wer e[...]

  • Page 10

    -6- 3 . 0 C a p tu r i n g I ma g e s U si ng y ou r ne w ca m er a i s fu n an d ea s y . T h er e ar e tw o ba si c st ep s to c ap t ur i ng y o ur fi rs t i m ag e. S t ep 1: T u rn o n t he c am er a by h ol di ng do w n th e P ow e r Bu t to n f or tw o se co n ds . S t ep 2: P re ss t he S h ut te r Bu t t on t o c ap tu re an i ma ge . I t [...]

  • Page 11

    -7- 3 . 2 C a p tu r e an Im ag e I n fi l m ph ot og ra p hy w e s ay : “ T a k e a P ho to .” In di gi t al ph ot og ra p hy w e s ay : “C ap t ur e an Im ag e. ” C ap tu ri ng a n i ma ge w it h th e VQ 3 50 is e asy . S t ep 1: Po w er -o n th e ca m er a an d l ook th ro ug h th e v i ew fi nd er t o f ra me y ou r s ub je ct . M ak e [...]

  • Page 12

    -8- 3 . 3 C a me r a S t a t u s Ic o n s B ey on d th e ba si c s of c ap tu ri ng an i m ag e, t he V Q 3 50 h as ma ny ot h er fe at ur es . T ur n on th e ca m er a an d no t i ce th e m an y i co ns an d sy m bo l s on th e s t at us LC D. A s y ou pr es s t he M od e b ut t on t he LC D di sp l ay w i l l ch an ge i n th e fo ll ow in g or d [...]

  • Page 13

    -9- 3 . 4 P o w e r - O f f t h e C a m e r a H ol d d ow n th e P o wer O N/ O F F bu tt on fo r 2 se c on d to tu rn -o f f t he c am er a im m ed i at el y . Y o u ca n al so p res s Mo de b u tt on u n ti l “ O ff ” ap pe a rs o n th e LC D; t he n pr es s th e S h u tt er bu t t on w i t hi n th re e se co nd s to p ow er -o f f th e c am [...]

  • Page 14

    -10- 3 . 7 A V I Ca p tu re Y o u ca n ca pt ur e mo t i on - v i de o cl ip s u s i ng th e A V I C ap t ur e fe at ur e. Th e i ma ge i s st ore d i n th e A VI fo rm at . Th e i ma ge c ou nt er co un t s i n i nc re me nt s by on e af te r m ov i e cl i p s ar e st or ed . V id eo c l ip s a r e c ap t ur e d at a r es ol ut io n of 32 0 x 2 40[...]

  • Page 15

    -1 1- 3 . 9 D e l e t in g I ma g es Y o u ca n de le te th e l as t im ag e c ap t ur e d or d el et e a ll i m ag es i n m em or y . 3 .9 .1 De l et e th e L as t I ma g e S t ep 1: P ow er -o n c am er a. Pr es s th e Mo d e but to n un ti l t he “ ” ic on a pp ea r s on th e LC D di s pl ay . S t ep 2: Pr ess t he sh ut te r b u tt on to de[...]

  • Page 16

    -12- r es ol ut io n i s t ha t y ou m ay s to r e m or e i ma ge s (f our t i m e s m or e ) th an V G A r es ol ut i on i m ag es . I f y o u w ou l d l i ke to us e th e Q VG A re s ol ut io n, t ur n o n t he ca m er a . P re ss t he M o de bu t to n u nt i l “ ” ap pe ar s on th e LCD di s pl a y an d “ H i ” s t art s fl as hi ng on a[...]

  • Page 17

    -13- 3 . 14 T e c h n i q u e s f o r C a p t u r i n g t h e B e s t I m a g e s T h e V Q 35 0 ca pt ur es i ma ge s t o re co r d s pe c ia l me mo ri e s a n d l s c e n e s y o u ’ l l w a n t t o s h ar e . H e r e a re a fe w t ip s f or g et ti ng t he b es t po s si bl e i m ag es f r om y ou r ca m er a. 1 . U se go o d l i gh t i ng . [...]

  • Page 18

    -14- 4 . 0 I n s t a l l i n g C a me r a Dr i v e a n d S o f t w a r e • In st al l in g D r iv er 1 . T ur n on th e c o mp ut er . 2 . In s er t i ns t al la ti on C D i nt o t he CD -RO M d ri v e an d t he i ns t al l at io n C D m en u w il l a p pe ar . 3 . Whe n y ou s ee t he f ol l ow i ng s cr ee n, ch oo s e “ C am er a Dr i v er ?[...]

  • Page 19

    -15- 4 . 1 U n in st a l l i n g S o f t w a r e a n d C a m e r a D r i v e r T h e f ol l ow in g in st ruc t io n s gu id e y o u t o u ni ns t al l (r em ov e) so f tw ar e fr om y our c o mp ut er . U n in st al li n g So f twa r e 1 . Cl ic k “S t ar t ” f ro m t he t a sk b ar a nd c ho ose “ Se t ti ng s -> ”C on tr ol P an el ?[...]

  • Page 20

    -16- 5 . 0 D o w n lo a d I m a g e s t o y o u r C o mp u te r N o te : B ef or e co nn ec ti ng yo ur V is t aQ ue s t d i gi t al ca m er a t o yo ur PC f or t he fi rs t ti m e y ou m us t f i r s t i n s t a l l t h e c a m e r a d r i v e r f i r s t . A f t er t h e d r i v e r s o f t wa r e h a s b e e n i n s t a l l e d , y o u r s t i l[...]

  • Page 21

    -17- i m ag e s. Th e de fa ul t d i re c t or y w i ll be “ M y Do cum en t s”   Al l se le c te d im ag e s w i ll b e sa ve d se qu en t i al ly b eg in ni ng w it h t he n am e Ph ot o0 0 1. Y o u m ay sp ec i fy a d i f f er ent pr ef ix by t y pi ng th e de si re d n am e in th e “ F il e na m e” sp ac e.   C li ck o n th [...]

  • Page 22

    -18- 5 . 3 A rc S o f t P h o to Im p re s s i o n 5 A rc s of t Ph ot oI mp re ss io n 5 i s a c om pl et e di gi t al i ma ge e di t in g a pp li ca ti on d es ig ne d w i th r ea l peo pl e i n m i nd . Ea s y -t o- us e “G et ti ng S t ar t ” g ui de s , u se r-f ri en dl y U I, an d c om pl et e i m ag e e di ti ng f un ct io na li ty g i [...]

  • Page 23

    -19- 1 . G et P h ot o: Ch o os e ho w to v i ew or ac qui re ph ot os . 2 . E n h an ce : Cr op , br i gh te n, r ot a te , re si ze an d m od if y ph ot os . 3 . C r ea te : Ad d cl i p a rt , sp ec i al e f fe c t s , fr am es a nd m or e. 4 . P r o j ec t: M ak e ca l en dar s, ph ot o bo ok s an d gr e et i n g c ar ds . 5 . P r i n t: Pr in t[...]

  • Page 24

    -20- 5 . 4 A rc S o f t V i d eo Im p r e s s io n 2 V i d e o I m p r e s s i o n c r e a t e s h o m e m o v i e s a n d s l i d e s h o w s b y c o m b i n i n g ex i s t i n g v i d e o s , s t i l l i m a g e s , e x c i t i n g s c en e t r a ns i t i o n s , a n d m u l t i pl e a u d i o t r a c k s . T h o u g h s i m p l e t o u s e , t h[...]

  • Page 25

    -21- w il l en te r t he ed i ti n g i nt er fa ce a s bel ow . Y ou ca n u s e t he s i x s t ep s in t he F un ct io n M en u to cr eat e v i de o cl ip s a nd s l i de s ho w s. 1 . M ed ia : Se l e ct t he v i de os a nd i ma ge s th a t w i ll c o mp ri s e y ou r f i na l mo v i e or s li de sh ow . 2 . E d it : M od if y v i de o, im ag e c [...]

  • Page 26

    -22- 6 . 5 C h ec k i n g t h e C o n n e c t i o n o f Y o u r C a m e r a F o r W i nd o ws 98 / M e o n ly D ou b le cl ic k “M y C om pu te r” i co n -> C on tr ol P an el - > S y s t em -> D ev i ce -> M an ag er - > Im ag i ng De v ic e; Wh en y ou se e “D ual Ca me ra ” t ha t m ea ns th e ca m er a is i ns t al le d. [...]

  • Page 27

    -23- 6 . 0 P C / W e b C a m e r a V i d eo F u n ct i o n 6 . 1 U s i n g th e C a m e r a i n V id e o M o d e P C us e rs m ay us e t he i r ca m er a as a P C/ We b Cam . N o te t h a t t h e c a m e r a i s a d u a l m o de c a m er a. I t i s bo th a D i gi t al -S ti ll Ca m er a an d a P C Ca me ra . T o u se y ou r ca m er a as a P C/ We b[...]

  • Page 28

    -24- 6 . 4 U s i n g th e V i s t a Q u e s t d i g i t a l c a me r a wi th Mo v i e Ma k e r o n W i n d o ws X P – Wi n do w s X P u se rs c an u se Wi nd ow s M ov ie M ak er . C l ic k o n S t ar t , P r og r am s , A cc e ss o r ie s , W in d o ws Mo v ie Ma ke r t o s t ar t M o v i e M ak e r: A f te r M ov ie M ak er s t a rt s - a . C l[...]

  • Page 29

    -25- 7 . 0 S p ec i f i c a t i o n s I m ag e Re so lu t i on : 64 0 x 4 80 P ix e ls ( V G A ), o r 32 0 x 2 40 P i x el s (Q VG A) B ui l t- i n M em or y : 8 M B (S DR A M ) I m ag e S to r ag e Ca p ac it y ( app ro x i m at e) : R es o l ut io n N um be r o f I m ag e s 6 40 x 4 80 ( V G A) / H D 2 5 6 40 x 4 80 ( V G A) / LD 1 19 3 20 x 2 40[...]