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Wharfedale 10.1 manual

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Table of contents for the manual

  • Page 1

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  • Page 2

    Warning: T o reduce the risk of fire or electrical shock,do not expose this product to rain or moisture. The product must not be exposed to dripping and splashing and no object filled with liquids-such as a vase of flowers- should be placed on the product.[...]

  • Page 3

    Specifications F ormat Bass Driver Bass/mid driver Midrange Driver T weeter Amplifier power (rec.) Impedance (Nominal) A/V shielded Sensitivity (1W@1M) Nominal F requency Range HF Limit (-10dB) F req. Fb Crossover F requency Dimensions (HxWxD) (mm) ) Height on feet/spikes (mm) Stand mount – 100mm 25mm 15 - 75 w yes 86 dB 55 - 24 44 55 Hz 2.5 kHz [...]

  • Page 4

    Preliminaries Diamond 10 loudspeakers come in many shapes and sizes . I f you are unpacking the larger loudspeakers or a subwoof er, please r emember that these units are heavy. W e suggest that you have someone to assist y ou. Lift the loudspeaker carefully out of the packing. Do NOT try and lift the loudspeaker using the protective bag. Unpack an[...]

  • Page 5

    Delay and LFE Settings The purpose of delay is to enable surr ound and dialogue information to arrive at the listener’ s ears at the same time as the Fr ont channels, even when the listening seat is in a non-ideal position. If the listening position is equidistant from the F ront and Rear speakers, a low delay setting should be set. The closer th[...]

  • Page 6

    Positioning the Front Loudspeakers The 10.3, 10.4,10.5, 10.6 and 10.7 models are designed to be floor standing . W e suggest that they are positioned at least 200 mm from the rear walls and 700 mm from the side walls , facing slightly inwards. The 10.1, and 10.2 models should be stand or wall mounted though they may be placed on a rigid shelf . Th[...]

  • Page 7

    Listening rooms are not ideal . Because of room geometr y and construction there will be areas with severe peaks at some frequencies and severe tr oughs at others. If you site loudspeakers in such areas the response will be highly non-flat. It is easier to treat high frequency irregularities by the use of drapes , sof t furnishings etc., but very [...]

  • Page 8

    Standard Connection Bi-Wiring Bi-Ampifying (Bi-Amping) Choose a suitable length of twin core speaker cable for each channel, and prepar e the ends. Unscrew each terminal a few turns . Connect the red, positiv e (+) terminal of the Left loudspeaker to the corresponding r ed, positive (+) amplifier terminal. Connect the black, negative (-) terminals [...]

  • Page 9

    H F - B A S S - H F + B A S S + H F - B A S S - H F + B A S S + LEFT INPUT OUTPUT RIGHT LEFT INPUT OUTPUT LI NE L EVEL LI NE L EVEL RIGHT LEFT INPUT OUTPUT RIGHT Connecting to a Digital A V Processor Stereo Line Level Connections High Level (loudspeaker) Connections If your A V processor has a line level or LFE subw oofer output you should use this[...]

  • Page 10

    Introduction Preparing the Subwoofer Positioning the Subwoofer Whar fedale subw oofers are intended for use with high quality domestic sound systems . They ar e equally effective in Stereo and Home Cinema applications. Y our subwoof er will probably be used in conjunction with Whar fedale loudspeakers though they will partner any audiophile or top-[...]