Go to page of
Similar user manuals
-
Electronic Keyboard
Yamaha dx100
61 pages 0.66 mb -
Electronic Keyboard
Yamaha PSR-9000
214 pages 3.96 mb -
Electronic Keyboard
Yamaha Portasound PC-50
24 pages 5.4 mb -
Electronic Keyboard
Yamaha L-85
2 pages 0.19 mb -
Electronic Keyboard
Yamaha PRO Series
14 pages 5.54 mb -
Electronic Keyboard
Yamaha PSR-85
48 pages 3.35 mb -
Electronic Keyboard
Yamaha PSR-100
12 pages 0.39 mb -
Electronic Keyboard
Yamaha MOTIF XS8
320 pages 11.8 mb
A good user manual
The rules should oblige the seller to give the purchaser an operating instrucion of Yamaha DGX-300, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.
What is an instruction?
The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Yamaha DGX-300 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.
Unfortunately, only a few customers devote their time to read an instruction of Yamaha DGX-300. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.
What should a perfect user manual contain?
First and foremost, an user manual of Yamaha DGX-300 should contain:
- informations concerning technical data of Yamaha DGX-300
- name of the manufacturer and a year of construction of the Yamaha DGX-300 item
- rules of operation, control and maintenance of the Yamaha DGX-300 item
- safety signs and mark certificates which confirm compatibility with appropriate standards
Why don't we read the manuals?
Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Yamaha DGX-300 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Yamaha DGX-300, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Yamaha service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Yamaha DGX-300.
Why one should read the manuals?
It is mostly in the manuals where we will find the details concerning construction and possibility of the Yamaha DGX-300 item, and its use of respective accessory, as well as information concerning all the functions and facilities.
After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.
Table of contents for the manual
-
Page 1
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl © 2002 Yamaha Corporation Ç·-Ò‡ÈÚ ÍÎÛ·‡ β·ËÚÂÎÂÈ ÔÓÚ‡ÚË‚Ì˚ı ÒËÌÚÂÁ‡ÚÓÓ‚ Yamaha PK CLUB (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ): http://www.yamahaPKclub.com/ ëÓ·‡ÌË Û?[...]
-
Page 2
2 PLEASE KEEP THIS MANUAL This product utilizes batteries or an e xternal power supply (adapter). DO NO T connect this product to any po wer supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Y amaha. This product should be used only with the components supplied or; a cart, rack, or stand th[...]
-
Page 3
3 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approv ed by Y amaha may v oid your authority , granted b y the FCC, to use the product. 2. IMPORT ANT : When connecting this product to accessories and/or anoth[...]
-
Page 4
4 åÖêõ ÅÖáéèÄ ëçéëíà ÇçàåÄ íÖãúçé èêé óàí ÄâíÖ èÖêÖÑ ùä ëèãì Ä í ÄñàÖâ * ëÓı‡ÌËÚ ˝ ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÏÓ ÊÌÓ ·˚ÎÓ Ó·‡ÚËÚ¸Òfl Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂȯÂÏ. èêÖÑìèêÖÜÑÖçàÖ ÇÓ ËÁ·ÂʇÌË Ò¸ÂÁÌ[...]
-
Page 5
5 ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÔÓÒΠÓÍÓ̘‡ÌËfl ‡·Ó Ú˚. èË ËÒÔÓθÁÓ‚‡ÌËË ‡‰‡ÔÚ‡ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇, ‰‡Ê  ÂÒÎË ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ‚ ÒÓÒÚÓ flÌËË STANDBY, ËÌÒÚÛÏÂÌÚ Ô[...]
-
Page 6
6 èÓÁ‰‡‚ÎflÂÏ Ò ÔÓÍÛÔÍÓÈ ÒËÌÚÂÁ‡ÚÓ‡ Yamaha DGX-500/300 Portable Grand ™ ! Ç˚ ÒÚ‡ÎË ‚·‰ÂθˆÂÏ ÔÓÚ‡ÚË‚ÌÓ„Ó ÒËÌÚÂÁ‡ÚÓ‡, Ó·˙‰ËÌË‚¯Â„Ó Ò‡Ï˚ Ô‰ӂ˚ ÚÂıÌÓÎÓ„ËË, ‚ÂÎËÍÓÎÂÔÌ˚È Á‚ÛÍ Ë ÔÓÒÚ[...]
-
Page 7
7 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ ............................ 8 ç‡ÒÚÓÈ͇ ............................................................... 10 • í·ӂ‡ÌËfl Í ˝ÎÂÍÚÓÔËÚ‡Ì˲................................ 10 • ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ...............................[...]
-
Page 8
8 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ q Ç˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl [STANDBY/ON] w ÑËÒÍ ÛÔ‡‚ÎÂÌËfl „ÓÏÍÓÒÚ¸˛ [MASTER VOLUME] ᇉ‡ÂÚ Ó·˘Û˛ „ÓÏÍÓÒÚ¸ ÒËÌÚÂÁ‡ÚÓ‡ DGX-500/300. e äÌÓÔ͇ [TOUCH] ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË Ù?[...]
-
Page 9
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ 9 !9 äÌÓÔ͇ [SYNC STOP] ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Sync Stop (ÒÚ. 43). @0 äÌÓÔ͇ [SYNC START] / [PAUSE] ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Sync Start (ÒÚ. 40). Ç ÂÊËÏ SONG ËÒÔÓθÁÛÂÚÒfl ‰[...]
-
Page 10
10 ç‡ÒÚÓÈ͇ ùÚÓÚ ‡Á‰ÂÎ ÒӉ ÊËÚ ËÌÙÓχˆË˛ Ó Ì‡ÒÚÓÈÍ ÒËÌÚÂÁ‡ÚÓ‡ DGX-500/300 ‰Îfl ÔÓË„˚‚‡ÌËfl. è‰ ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ‚ÌËχÚÂθÌÓ ÔÓ ˜ËÚ‡ÈÚ ˝ÚÓÚ ‡Á‰ÂÎ. í·?[...]
-
Page 11
ç‡ÒÚÓÈ͇ 11 ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ÖÒÎË ÔÓ‰Íβ˜ÂÌ ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ËÎË ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ·‡Ú‡ÂË, ÔÓÒÚÓ Ì‡ÊÏËÚ ‚˚Íβ˜‡ÚÂθ Ú‡Í, ˜ÚÓ·˚ ÓÌ Á‡ÙËÍÒËÓ‚‡ÎÒfl ‚ ÔÓÁˈËË ON. Ç˚Íβ˜‡È?[...]
-
Page 12
12 Live!Gnd 001 001 z w z q z ç‡ÊÏËÚ ÍÌÓÔÍÛ [PORTABLE GRAND]. x à„‡ÈÚ ̇ Í·‚˯‡ı. ïÓÚËÚ ÛÁ̇ڸ ·Ó θ¯Â? ëÏ. ÒÚ. 22. Live!Gnd 001 à„‡ ‚ ÚÂÏ·Â Piano äÌÓÔ͇ [PORTABLE GRAND] ‡‚ÚÓχÚ˘ÂÒÍË Ô‚ӉËÚ DGX-500/300 ‚ ÂÊËÏ ÙÓ?[...]
-
Page 13
ò‡„ 1 íÂÏ·˚ 13 q ç‡ÊÏËÚ ÍÌÓÔÍÛ [VOICE]. Live!Gnd 001 Ç˚·Ó ‰Û„Ëı ÚÂÏ·Ó‚ DGX-500/300 ËÏÂÂÚ 619 ‡ÎËÒÚ˘Ì˚ı ÚÂÏ·Ó‚ ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚. èÓÔÓ·ÛÈÚ ÌÂÍÓÚÓ˚ ËÁ ÌËı ÔflÏÓ ÒÂȘ‡Ò. w Ç˚·ÂËÚ Ú[...]
-
Page 14
14 é·ÁÓ ò‡„ 2 èÂÒÌË Live!Gnd 001 001 z x w q zx x c e ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ç ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ‚Íβ˜ÂÌÓ 100 ÔÂÒÂÌ, ‚ ÚÓÏ ˜ËÒΠÚË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı, ÒÔˆˇθÌÓ ÒÓÁ‰‡ÌÌ˚ı ‰Îfl ‰ÂÏÓÌÒÚ‡ˆËË ‚ÒÂ„Ó Ò[...]
-
Page 15
ò‡„ 2 èÂÒÌË 15 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ò ‰ËÒÍÂÚ˚ ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Disk Song ÏÓÊÌÓ ÔÓË„˚‚‡Ú¸ ÔÂÒÌË Ò ‰ËÒÍÂÚ˚, ‚Íβ˜ÂÌÌÓÈ ‚ ÍÓÏÔÎÂÍÚ, ËÎË ‰Û„Ëı ‰ËÒÍÂÚ. q ÇÒÚ‡‚¸ Ú ‰ËÒÍ ÂÚÛ. w Ç˚·ÂËÚ ÌÛÊ[...]
-
Page 16
16 é·ÁÓ Live!Gnd 001 001 x zb z v z ç‡ÊÏËÚ ÍÌÓÔÍÛ [M.D.B.] (MUSIC DATABASE). x Ç˚·ÂËÚ ÏÛÁ˚͇θÌÛ˛ ·‡ÁÛ ‰‡ÌÌ˚ı. ëÓ‰ÂʇÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı (ÒÚ. 99). AlvFevr 001 Croco RK 002 åÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı ùÚ‡ ÙÛÌÍ[...]
-
Page 17
ò‡„ 3 åÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı 17 ä‡Í ÔÓÒÏÓÚ ڸ ‡ÍÍÓ‰˚ ‚ ÒÎÓ‚‡Â ì‰Ó·Ì‡fl ÒÎÓ‚‡Ì‡fl ÙÛÌ͈Ëfl (Dictionary) Ó·Û˜‡ÂÚ Ë„Â ‡ÍÍÓ‰‡ÏË, ÔÓ͇Á˚‚‡fl ÓÚ‰ÂθÌ˚ ÌÓÚ˚. çËÊ ÔÓ͇Á‡ÌÓ, Í‡Í ?[...]
-
Page 18
18 é·ÁÓ Live!Gnd 001 001 v z x x z z Ç˚·ÂËÚ ӉÌÛ ËÁ ۘ·Ì˚ı ÔÂÒÂÌ. ì͇Á‡ÌËfl ÔÓ ‚˚·ÓÛ ÔÂÒÂÌ ÒÏ. ̇ ÒÚ. 67. x Ç˚·ÂËÚ ԇÚ˲, ̇‰ ÍÓ ÚÓÓÈ ıÓÚËÚ ÔÓ‡·Ó- Ú‡Ú¸ (΂ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË), Ë ˝Ú‡Ô Ó·Û˜[...]
-
Page 19
ò‡„ 4 ìÔ‡ÊÌÂÌËfl 19 éˆÂÌ͇ (Grade) ëËÌÚÂÁ‡ÚÓ DGX-500/300 ËÏÂÂÚ ‚ÒÚÓÂÌÌÛ˛ ÙÛÌÍˆË˛ ÓˆÂÌÍË, ÍÓÚÓ‡fl ÒΉËÚ Á‡ ‚‡¯ËÏË ÛÒÔÂı‡ÏË ‚ ‡Áۘ˂‡ÌËË ÔÂÒÂÌ Ë, Í‡Í Ì‡ÒÚÓfl˘ËÈ ÔÂÔÓ‰‡‚‡ÚÂθ, ÒÓÓ·˘‡[...]
-
Page 20
20 é·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔΠëËÌÚÂÁ‡ÚÓ DGX-500/300 ÓÒ̇˘ÂÌ ·Óθ¯ËÏ ÏÌÓ„ÓÙ ÛÌ͈ËÓ̇θÌ˚Ï ‰ËÒÔÎÂÂÏ, ̇ ÍÓ ÚÓÓÏ ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò ‚‡ÊÌ˚ ̇ÒÚÓÈÍË ËÌÒÚÛÏÂÌÚ‡. Ç ˝ ÚÓÏ ‡Á‰ÂΠ͇ÚÍÓ Ó·?[...]
-
Page 21
é·ÓÁ̇˜ÂÌËfl ̇ ‰ËÒÔΠ21 r í ‡ÍÚ èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË ËÎË ÒÚËÎfl ÓÚÓ·‡Ê‡ÂÚÒfl ÚÂÍÛ˘ËÈ ÌÓÏ ڇÍÚ‡. t ì͇Á‡ÚÂÎË ‰Ó ÎÂÈ ùÚË Ë̉Ë͇ÚÓ˚ (Ӊ̇ ·Óθ¯‡fl ÒÚÂÎ͇ Ë ÚË Ï‡ÎÂ̸ÍËı)[...]
-
Page 22
22 îÛÌ͈Ëfl Portable Grand ùÚ‡ Û ‰Ó·Ì‡fl ÙÛÌ͈Ëfl ÔÓÁ‚Ó ÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á‚‡Ú¸ ÚÂÏ· ÓflÎfl. à„‡ ‚ ÂÊËÏ Portable Grand ç‡ÊÏËÚ ÍÌÓÔÍÛ [PORTABLE GRAND] ÅÛ‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·‡Ì ÚÂÏ· ÒÚÂÂÓÒ˝ÏÔÎ?[...]
-
Page 23
îÛÌ͈Ëfl Portable Grand 23 3 ÇÍβ˜ËÚ ÏÂÚÓÌÓÏ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [METRONOME]. óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÏÂÚÓÌÓÏ, ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME] ¢ ‡Á. 1 çÓÏ ‰ÓÎË ‚ Ú‡ÍÚ ç‡ÒÚÓÈ͇ ˜‡ÒÚÓÚ˚ Ò˄̇· ÏÂÚÓÌÓχ ó‡ÒÚÓ?[...]
-
Page 24
24 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â Ç DGX-500/300 ÂÒÚ¸ 619 ÚÂÏ·Ó‚ (Á‚Û˜‡ÌËÈ ËÌÒÚÛÏÂÌÚÓ‚). ÇÒ ÓÌË ·˚ÎË ÒÓÁ‰‡Ì˚ ÔË ÔÓÏÓ˘Ë ÒÎÓ ÊÌÓÈ ÒËÒÚÂÏ˚ ÚÓÌ-„Â̇ÚÓ‡ AWM (Advanced Wave Memory) ÍÓÔÓ‡ˆËË Yamaha. ë˛ ‰‡ ‚ı[...]
-
Page 25
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 25 íÂÏ· ÏÓÊÌÓ ‚˚·‡Ú¸ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË: 1) ‚‚ÂÒÚË ÌÓÏ ÚÂÏ·‡ ̇ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ ËÎË 2) ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍË [+]/[-] ‰Îfl ÔÂÂÏ¢ÂÌËfl ÔÓ ÒÔËÒÍÛ ‚‚Âı [...]
-
Page 26
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 26 îÛÌ͈Ëfl Dual V oice îÛÌ͈Ëfl Dual Voice ÔÓÁ‚ÓÎflÂÚ ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ‡Á΢Ì˚ı ÚÂÏ·‡ — Ó‰ËÌ ÓÒÌÓ‚ÌÓÈ, ÍÓÚÓ˚È ‚˚·Ë‡ÂÚÒfl Í‡Í Ó·˚˜ÌÓ, Ë ‰Û„ÓÈ, Ó ÍÓÚÓÓÏ „Ó‚ÓËÚÒ?[...]
-
Page 27
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 27 2 Ç˚·ÂËÚ ӉËÌ ËÁ Ô‡‡ÏÂÚÓ‚ ‰Îfl ÓÒÌÓ‚ÌÓ„Ó Ë ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ÚÂÏ·Ó‚. ç‡ÊËχÈÚ ÍÌÓÔÍÛ [SETTING ▲ ] ËÎË [SETTING ▼ ] ‰Ó ÚÂı ÔÓ, ÔÓ͇ ̇ ‰ËÒÔΠ̠ÔÓfl‚ËÚÒfl [...]
-
Page 28
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 28 Split V oice îÛÌ͈Ëfl ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Split Voice ÔÓÁ‚ÓÎflÂÚ Ì‡Á̇˜ËÚ¸ ‰‚‡ ‡ÁÌ˚ı ÚÂÏ·‡ ‰Îfl ÓÚ‰ÂθÌ˚ı ӷ·ÒÚÂÈ Í·‚ˇÚÛ˚. ç‡ÔËÏÂ, ΂ÓÈ ÛÍÓÈ ÏÓÊÌÓ ?[...]
-
Page 29
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 29 îÛÌ͈ËË T ranspose Ë T uning èË ÔÓÏÓ˘Ë ÙÛÌ͈ËÈ Transpose Ë Tuning Ú‡ÍÊ ÏÓÊÌÓ ÓÚ„ÛÎËÓ‚‡Ú¸ ‚˚ÒÓÚÛ ÚÂÏ·‡ Ë Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ Á‚ÛÍ ‚ÒÂ„Ó ÒËÌÚÂÁ‡ÚÓ‡ DGX-500/300. ■ îÛÌ͈?[...]
-
Page 30
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 30 ■ îÛÌ͈Ëfl Tuning • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • îÛÌ͈Ëfl Tuning Á‡‰‡ÂÚ ‚˚ÒÓÚÛ Á‚Û͇ Í‡Í ‰Îfl ÓÒÌÓ‚ÌÓ?[...]
-
Page 31
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 31 臇ÏÂÚ PITCH BEND RANGE ëËÌÚÂÁ‡ÚÓ DGX-500/300 ÓÒ̇˘ÂÌ ÍÓÎÂÒÌ˚Ï Â„ÛÎflÚÓÓÏ [PITCH BEND], ÍÓÚÓ˚È ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl ÚÂÏ·Ó‚ ‚Ó ‚ÂÏfl Ë„˚. è‡?[...]
-
Page 32
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 32 îÛÌ͈Ëfl T ouch Ë Ô‡‡ÏÂÚ T ouch Sensitivity îÛÌ͈Ëfl Touch ÔÓÁ‚ÓÎflÂÚ ‰Ë̇Ï˘ÌÓ Ë ÚÓ˜ÌÓ ÛÔ‡‚ÎflÚ¸ ÚÂÏ·‡ÏË. ìÒÚ‡ÌÓ‚Ë‚ ˝ÚÓÚ Ô‡‡ÏÂÚ, ‚˚ ÏÓÊÂÚ ҇ÏË Â„ÛÎËÓ‚‡?[...]
-
Page 33
33 ùÙÙÂÍÚ˚ ëËÌÚÂÁ‡ÚÓ DGX-500/300 ËÏÂÂÚ ·Óθ¯ÓÈ Ì‡·Ó ˝ÙÙÂÍÚÓ‚, Í ÓÚÓ˚ ÏÓ ÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Û ÎÛ˜¯ÂÌËfl Á‚Û͇ ÚÂÏ·Ó‚. Ç ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ÂÒÚ¸ ÚË ÓÚ‰ÂθÌ˚ı „ÛÔÔ˚ ˝ÙÙÂÍÚÓ‚ (Reverb, DSP[...]
-
Page 34
ùÙÙÂÍÚ˚ 34 ùÙÙÂÍÚ DSP Ç ‡Á‰ÂΠDSP (ˆËÙÓ‚ÓÈ Ó·‡·ÓÚÍË Ò˄̇ÎÓ‚) Ô‰ÒÚ‡‚ÎÂÌ˚ ËÒ͇ʇ˛˘ËÂ Ë ıÓÓ‚˚ ˝ÙÙÂÍÚ˚, ‡ Ú‡ÍÊ ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı ÔÓÎÂÁÌ˚ı Ë ‰Ë̇Ï˘ÂÒÍËı ˝ÙÙÂÍÚÓ‚ ‰Îfl ÛÎÛ˜¯ÂÌ[...]
-
Page 35
ùÙÙÂÍÚ˚ 35 ùÙÙÂÍÚ˚ Harmony ÉÛÔÔ‡ Harmony ‚Íβ˜‡ÂÚ ‡ÁÌÓÓ·‡ÁÌ˚ ˝ÙÙÂÍÚ˚, ÛÎÛ˜¯‡˛˘Ë ËÒÔÓÎÌÂÌËÂ, ÍÓ„‰‡ ËÒÔÓθÁÛ˛ÚÒfl ‡ÁÌ˚ ÒÚËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÇÒÂ„Ó ‰ÓÒÚÛÔÌÓ ‰‚‡‰ˆ‡Ú¸ ¯ÂÒÚ¸ ÚË[...]
-
Page 36
ùÙÙÂÍÚ˚ 36 ■ í ËÔ˚ ˝ÙÙÂÍÚÓ‚ ● í ËÔ˚ ‚·‡ˆËË ● í ËÔ˚ DSP çÓÏ íËÔ Â‚Â·Â‡ˆËË ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌË 1 Hall 1 Hall1 ê‚·‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡. 2 Hall 2 Hall1 3 Room 1 Room1 ê‚·Â?[...]
-
Page 37
ùÙÙÂÍÚ˚ 37 ● í ËÔ˚ ˝ÙÙÂÍÚÓ‚ Harmony çÓÏ íËÔ Harmony ç‡Á‚‡ÌË ̇ ‰ËÒÔΠéÔËÒ‡ÌË 1 Duet Duet íËÔ˚ Harmony 1 – 5 ÓÒÌÓ‚‡Ì˚ ̇ ‚˚ÒÓÍËı ÚÓ̇ı Ë ‰Ó·‡‚Îfl˛Ú Í Ó‰ÌÓ„ÓÎÓÒÌÓÈ ÏÂÎÓ‰ËË, ÔÓË„˚‚‡ÂÏÓÈ Ô‡?[...]
-
Page 38
38 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ Ç ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ÂÒÚ¸ „ÓÚÓ‚˚ ÒÚËÎË (‰Ë̇Ï˘ÂÒÍË ÒÓ ˜ÂÚ‡ÌËfl ËÚχ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) Ë ÚÂÏ·˚ ‰Îfl ÌÂÒÍ ÓθÍËı ÔÓÔÛ ÎflÌ˚ı ÏÛÁ˚͇θÌ˚ı ̇Ô?[...]
-
Page 39
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 39 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ÑÎfl ÛÔ‡‚ÎÂÌËfl ÒÚËÎÂÏ ËÒÔÓθÁÛ˛ÚÒfl ÒÎÂ‰Û˛˘Ë ÍÌÓÔÍË Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl. 1 ÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÑÎfl ‚Íβ˜ÂÌËfl ‡?[...]
-
Page 40
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 40 èÂʉ ˜ÂÏ Ì‡ÊËχڸ ÍÌÓÔÍÛ [START/STOP], ÏÓÊÌÓ ‚˚·‡Ú¸ „·‚ÌÛ˛ ˜‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË [MAIN A/B]. (ÑËÒÔÎÂÈ ‚ Ú˜ÂÌË ÍÓÓÚÍÓ„Ó ‚ÂÏÂÌË ÔÓÍ?[...]
-
Page 41
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 41 á‡ÔÛÒÍ ÒÓ ‚ÒÚÛÔÎÂÌËfl (Intro) ì Í‡Ê‰Ó„Ó ÒÚËÎfl ÂÒÚ¸ Ò‚Ó ÒÓ·ÒÚ‚ÂÌÌÓ ‚ÒÚÛÔÎÂÌË ËÁ ‰‚Ûı ËÎË ˜ÂÚ˚Âı Ú‡ÍÚÓ‚. äÓ„‰‡ ˝ÚË ‚ÒÚÛÔÎÂÌËfl ËÒÔÓθÁÛ˛ÚÒfl Ò ÙÛÌÍ[...]
-
Page 42
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 42 3 àÁÏÂÌËÚ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ Ù ÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓÔÓ·ÛÈÚ Ò˚„‡Ú¸ ÌÂÒÍÓθÍÓ ÔÓÒΉӂ‡ÚÂθÌ˚ı ‡ÍÍÓ‰Ó‚ ΂ÓÈ ÛÍÓÈ, Ó·‡˘‡fl ‚ÌËÏ?[...]
-
Page 43
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 43 îÛÌ͈Ëfl Sync Stop ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ Û‰Ó·ÌÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ÔÂ͇ÚËÚ¸ (ËÎË ÔËÓÒÚ‡ÌÓ‚ËÚ¸) ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl, ÔÓÒÚÓ Û·‡‚ ÛÍÛ Ò Í·‚ˇÚÛ˚ ‡‚ÚÓ?[...]
-
Page 44
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 44 àÁÏÂÌÂÌË ÚÂÏÔ‡ íÂÏÔ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸ ‚ ‰Ë‡Ô‡ÁÓÌ 32 – 280 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ. 1 Ç˚ÁÓ‚ËÚ ԇ‡ÏÂÚ Tempo. ç‡ÊÏËÚ ÍÌÓÔÍÛ [TEMPO[...]
-
Page 45
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 45 ó‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Main A/B Ë ‚ÒÚ‡‚ÍË) ÇÓ ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÒÚËÎfl ÏÓÊÌÓ ‚ÌÓÒËÚ¸ ËÁÏÂÌÂÌËfl ‚ ËÚÏ/ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [MAIN/AUTO FILL]. ç‡?[...]
-
Page 46
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 46 ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÉÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸. ùÚ‡ „ÛÎËӂ͇ ‚ÎËflÂÚ ÚÓθÍÓ Ì‡ „ÓÏÍÓÒÚ¸ ‡ÍÍÓ?[...]
-
Page 47
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 47 Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ – Multi Fingering ÖÒÎË Á‡‰‡Ì‡ ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 39), Ó̇ ‡‚ÚÓχÚ˘ÂÒÍË „ÂÌÂËÛÂÚ ·‡Ò˚ Ë ‡ÍÍÓ‰˚ ÒÓÔÓ‚ÓʉÂÌËfl ‚[...]
-
Page 48
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 48 ç‡Á‚‡ÌË ‡ÍÍÓ‰‡/[ëÓ͇˘ÂÌËÂ] èflÏÓ ËÁÎÓÊÂÌË ÄÍÍÓ‰ (C) ÑËÒÔÎÂÈ å‡ÊÓÌÓ ÚÂÁ‚ۘˠ[M] 1 - 3 - 5 C C çÓ̇ÍÍÓ‰ [(9)] 1 - 2 - 3 - 5 C(9) C(9) ëÂÍ ÒÚ‡ÍÍÓ‰ [6] 1 - (3) - 5[...]
-
Page 49
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 49 ìÒÚ ‡Ìӂ͇ Ô‡‡ÏÂÚ‡ Split Point 臇ÏÂÚ Split Point (íӘ͇ ‡Á‰ÂÎÂÌËfl) Á‡‰‡ÂÚ Í·‚Ë¯Û Ò‡ÏÓÈ ‚˚ÒÓÍÓÈ ÌÓÚ˚ ‰Îfl ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ä ӷ·Ò?[...]
-
Page 50
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 50 ëÎÓ‚‡Ì‡fl Ù ÛÌ͈Ëfl (Dictionary) î‡ÍÚ˘ÂÒÍË, ÒÎÓ‚‡Ì‡fl ÙÛÌ͈Ëfl — ˝ÚÓ ‚ÒÚÓÂÌ̇fl ÍÌË„‡ ‡ÍÍÓ‰Ó‚, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ‚ˉÂÚ¸ ÌÓÚ˚ ‡ÍÍÓ‰‡. ùÚÓ Ó˜Â[...]
-
Page 51
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 51 4 èÓË„‡ÈÚ ‡ÍÍÓ‰. ë˚„‡ÈÚ ‡ÍÍÓ‰ (Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ‰ËÒÔÎÂÂ) ‚ ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ Í·‚ˇÚÛÂ. ÖÒÎË ‚˚ ̇ʇÎË Ë ‰ÂÊËÚ ԇ?[...]
-
Page 52
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 52 í‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ Ó˜Â̸ ·Î‡„ÓÁ‚Û˜Ì˚ ËÌÚ‚‡Î˚ Ë ‡ÍÍÓ‰˚. àÌÚ‚‡Î˚ Ë ‡ÍÍÓ‰˚ fl‚Îfl˛ÚÒfl Ó‰ÌËÏË ËÁ Ò‡Ï˚ı ‚‡ÊÌ˚ı ˝ÎÂÏÂÌÚÓ‚ ‚ ÏÛ[...]
-
Page 53
53 àÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı ÖÒÎË ‚˚ ı ÓÚËÚ ˄‡Ú¸ ÏÛÁ˚Í Û ÓÔ‰ÂÎÂÌÌÓ„Ó Ì‡Ô‡‚ÎÂÌËfl, ÌÓ Ì Á̇ÂÚÂ, ͇ÍË ÛÒÚ‡ÌÓ‚ÍË ÒÚËÎfl Ë „ÓÎÓÒ‡ ‰Îfl ˝ ÚÓ„Ó ÔÓ‰ÓȉÛÚ, ÔÓÒÚÓ ‚˚·[...]
-
Page 54
àÒÔÓθÁÓ‚‡ÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı 54 4 èÓ‰Óȉfl Í ÏÂÒÚÛ ‚ ÌÓÚ‡ı, Ó·ÓÁ̇˜ÂÌÌÓÏÛ ÒÚÂÎÍ ÓÈ ‚‚Âı, ̇ÊÏËÚ ÍÌÓÔÍÛ [ENDING]. ëÚËθ ÔÓË„˚‚‡ÂÚ ÍÓ̈ӂÍÛ Ò ËÚ‡‰‡Ì‰Ó. äÓ„‰‡ ÍÓ̈ӂÍ[...]
-
Page 55
55 ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ — ˝ ÚÓ „˷͇fl Ë Û ‰Ó·Ì‡fl ÙÛÌ͈Ëfl, Í ÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ·˚ÒÚÓ ÔÂÂ̇ÒÚÓËÚ¸ ÒËÌÚÂÁ‡ÚÓ DGX-500/300 Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ÍÌÓÔÍË. ÑÎfl ˝ÚÓ?[...]
-
Page 56
ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ 56 àÒÔÓθÁÓ‚‡ÌË ̇·Ó‡ Ô‡‡ÏÂÚÓ‚ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË 1 Ç˚·ÂËÚ ·‡ÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ Registration Memory [1] ËÎË [2] ‰Îfl ‚˚·Ó?[...]
-
Page 57
57 Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÔÂÒÂÌ Ç ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ÂÒÚ¸ ·Ë·ÎËÓÚÂ͇ ËÁ 105 ÔÂÒÂÌ. é̇ ‚Íβ˜‡ÂÚ 100 ÔÂÒÂÌ, Í ÓÚÓ˚ ÔÓ͇Á˚‚‡˛Ú ·Ó„‡ÚÓÂ Ë ‰Ë̇Ï˘ÂÒÍÓ Á‚Û˜‡ÌË ËÌÒÚÛÏÂÌÚ‡. 100 ÔÂÒÂÌ ÏÓ„?[...]
-
Page 58
Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÔÂÒÂÌ 58 3 ÇÍβ˜ËÚ ‚˚·‡ÌÌÛ˛ ÔÂÒÌ˛. ç‡ÊÏËÚ ÍÌÓÔÍÛ [START/STOP]. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Ì‡ ‰ËÒÔΠÓÚÓ·‡Ê‡˛ÚÒfl ÌÓχ Ú‡ÍÚÓ‚ Ë ‡ÍÍÓ‰˚. 4 éÒÚ‡Ìӂ͇ ÔÂÒÌË. ç[...]
-
Page 59
Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÔÂÒÂÌ 59 3 èËÓÒڇ̇‚ÎË‚‡ÈÚ ËÎË ÔÂ͇˘‡ÈÚ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ÍÓ„‰‡ ı ÓÚËÚÂ. àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ [PAUSE] ËÎË [START/STOP]. èÂ͇˘ÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ì ÓÚÏÂÌflÂÚ[...]
-
Page 60
Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÔÂÒÂÌ 60 3 ç‡ÊÏËÚÂ Ë ‰ÂÊËÚ ÍÌÓÔÍÛ [VOICE] Ì ÏÂÌ ÒÂÍÛ̉˚. ç‡ ‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË MELODY VOICE CHANGE, ÓÁ̇˜‡˛˘ÂÂ, ˜ÚÓ ËÒıÓ‰Ì˚È ÚÂÏ· ÏÂÎÓ‰ËË ÔÂÒÌË Á‡ÏÂÌÂÌ ÚÂÏ·[...]
-
Page 61
Ç˚·Ó Ë ÔÓË„˚‚‡ÌË ÔÂÒÂÌ 61 êÂ„Û ÎËӂ͇ „ÓÏÍÓÒÚË ÔÂÒÌË ÉÓÏÍÓÒÚ¸, Ò ÍÓÚÓÓÈ ÔÓË„˚‚‡ÂÚÒfl ÔÂÒÌfl, ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸. ùÚÓÚ ˝ÎÂÏÂÌÚ ÛÔ‡‚ÎÂÌËfl ‚ÎËflÂÚ ÚÓθÍÓ Ì‡ „ÓÏÍÓÒÚ¸ ?[...]
-
Page 62
62 á ‡ÔËÒ¸ ÔÂÒÂÌ ëËÌÚÂÁ‡ÚÓ DGX-500/300 ËÏÂÂÚ ÏÓ˘Ì˚Â Ë ÔÓÒÚ˚ ‚ ËÒÔÓθÁÓ‚‡ÌËË Ò‰ÒÚ‚‡ Á‡ÔËÒË ÔÂÒÂÌ, ÍÓ ÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú Á‡ÔËÒ˚‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ë„Û Ì‡ ÌÂÁ‡‚ËÒËÏ˚ı ‰ÓÓ Ê͇ı Ë ÒÓÁ‰?[...]
-
Page 63
á‡ÔËÒ¸ ÔÂÒÂÌ 63 2 Ç˚·Ó ÌÓχ ÔÓθÁÓ‚‡ÚÂθÒÍ ÓÈ ÔÂÒÌË ‰Îfl Á‡ÔËÒË Ç˚·ÂËÚ ÔÂÒÌ˛ Ò ÔÓÏÓ˘¸˛ ˆËÙÓ‚ÓÈ Í·‚ˇÚÛ˚: 201 - 205. ÖÒÎË ÔÂÒÌfl Ì ‚˚·‡Ì‡ ‚Û˜ÌÛ˛, ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ‡‚ÚÓχÚ˘?[...]
-
Page 64
á‡ÔËÒ¸ ÔÂÒÂÌ 64 ■ á‡ÔËÒ¸ ‰ÓÓ ÊÍË ÏÂÎÓ‰ËË (1 - 5) ÑÎfl Á‡ÔËÒË ‚‡¯ÂÈ ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚ ÂÒÚ¸ ÔflÚ¸ ÌÂÁ‡‚ËÒËÏ˚ı ‰ÓÓÊÂÍ. é·˚˜ÌÓ ‚˚ Á‡ÔËÒ˚‚‡ÂÚ Ëı ÔÓÒΠÁ‡ÔËÒË ‰ÓÓÊÍË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. åÓ?[...]
-
Page 65
á‡ÔËÒ¸ ÔÂÒÂÌ 65 ì ‰‡ÎÂÌË ÔÂÒÌË éÔ‡ˆËfl Û‰‡ÎÂÌËfl ÔÂÒÌË Song Clear ÔÓÎÌÓÒÚ¸˛ Û‰‡ÎflÂÚ ‚Ò ‰‡ÌÌ˚ ‚˚·‡ÌÌÓÈ ÔÂÒÌË ÔÓθÁÓ‚‡ÚÂÎfl ÒÓ ‚ÒÂı ‰ÓÓÊÂÍ. àÒÔÓθÁÛÈÚ ˝ÚÛ ÓÔ‡ˆË˛ ÚÓθÍÓ ‚ ÒÎÛ˜?[...]
-
Page 66
á‡ÔËÒ¸ ÔÂÒÂÌ 66 é˜ËÒÚ͇ ‰ÓÓÊÍË éÔ‡ˆËfl Track Clear ÔÓÎÌÓÒÚ¸˛ Û‰‡ÎflÂÚ ‚Ò ‰‡ÌÌ˚Â Ò Û͇Á‡ÌÌÓÈ ‰ÓÓÊÍË ‰Îfl ‚˚·‡ÌÌÓÈ ÔÂÒÌË ÔÓθÁÓ‚‡ÚÂÎfl, Ì Á‡Ú‡„Ë‚‡fl ‰Û„Ë ‰ÓÓÊÍË. àÒÔÓθÁÛÈ[...]
-
Page 67
67 ê ‡Áۘ˂‡ÌË ÔÂÒÌË îÛÌ͈Ëfl Ó·Û˜ÂÌËfl Lesson — ˝ÚÓ ÌÂÓ·˚˜‡ÈÌÓ Á‡ÌËχÚÂθÌ˚È Ë ÔÓÒÚÓÈ ÒÔÓÒÓ· Ó·Û˜ÂÌËfl ˜ÚÂÌ˲ ÌÓÚ Ë Ë„Â Ì‡ ËÌÒÚÛÏÂÌÚÂ. Ç Ó·˘ÂÈ ÒÎÓ ÊÌÓÒÚË ‰Îfl Ó·Û˜ÂÌËfl ËÒÔÓθÁÛÂÚÒfl 100 [...]
-
Page 68
ê‡Áۘ˂‡ÌË ÔÂÒÌË 68 2 Ç˚·ÂËÚ ԇÚ˲, ̇‰ ÍÓ ÚÓÓÈ ıÓÚËÚ ÔÓ‡·Ó Ú‡Ú¸ (‰Îfl ΂ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË), Ë ÛÓÍ. ÑÎfl ‡Áۘ˂‡ÌËfl Ô‡ÚËË Ô‡‚ÓÈ ÛÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [R]. ÑÎfl ΂ÓÈ ÛÍ?[...]
-
Page 69
ê‡Áۘ˂‡ÌË ÔÂÒÌË 69 Ç˚·Ó ۘ·ÌÓÈ ‰ÓÓÊÍË ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÌÓÏ ‰ÓÓÊÍË ÔÂÒÌË, Á‡„ÛÊÂÌÌÓÈ Ò ‰ËÒÍÂÚ˚ (ÚÓθÍÓ SMF, ÙÓÏ‡Ú 0). (éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ ÒÏ. ̇ ÒÚ. 73.) 1 äÓ„‰[...]
-
Page 70
ê‡Áۘ˂‡ÌË ÔÂÒÌË 70 ìÓÍ 2 – 臂ËθÌ˚ ÌÓÚ˚ ÇÓ ‚ÂÏfl ˝ÚÓ„Ó ÛÓ͇ ÒËÌÚÂÁ‡ÚÓ DGX-500/300 ÔÓ‰ÓÎʇÂÚ ‚ÓÒÔÓËÁ‚Â- ‰ÂÌË ÔÂÒÌË ÚÓθÍÓ ÔÓÒΠÚÓ„Ó, Í‡Í ‚˚ Ô‡‚ËθÌÓ ‚ÓÁ¸ÏÂÚ ÌÛÊÌ˚ ÌÓÚ˚[...]
-
Page 71
ê‡Áۘ˂‡ÌË ÔÂÒÌË 71 3 à„‡ÈÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡Ú˲. èÂÒÌfl ̇˜Ë̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ ‚ÒÚÛÔËÚÂθÌÓÏÛ Ò˜ÂÚ˜ËÍÛ (Á‡Ú‡ÍÚÛ), Ë Ì‡ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚. ÇÓ ‚?[...]
-
Page 72
ê‡Áۘ˂‡ÌË ÔÂÒÌË 72 îÛÌ͈Ëfl ÓˆÂÌÍË (Grade) îÛÌ͈Ëfl Ó·Û˜ÂÌËfl ËÏÂÂÚ ‚ÒÚÓÂÌÌÛ˛ ÙÛÌÍˆË˛ ÓˆÂÌÍË (Grade), ÍÓÚÓ‡fl ÒΉËÚ Á‡ ‚‡¯ËÏË ÛÒÔÂı‡ÏË ‚ ‡Áۘ˂‡ÌËË ÔÂÒÂÌ Ë, Í‡Í Ì‡ÒÚÓfl˘ËÈ ÔÂÔÓ‰‡‚?[...]
-
Page 73
73 éÔ‡ˆËË Ò ‰ËÒÍ ÚÓÈ ëËÌÚÂÁ‡ÚÓ DGX-500/300 ËÏÂÂÚ ‚ÒÚÓÂÌÌ˚È ‰ËÒÍÓ‚Ó‰. ë ÔÓÏÓ˘¸˛ ˝ ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ ÏÓ ÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ ÔÂÒÌË, ‡ Ú‡ÍÊ Â ÒÓı‡ÌflÚ¸ Ë ?[...]
-
Page 74
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 74 àÒÔÓ Î¸ÁÓ‚‡ÌË ‰ËÒÍ Ó‚Ó‰‡ (Floppy Disk Drive, FDD) Ë ‰ËÒÍ ÂÚ˚ (Floppy Disk) é·‡˘‡ÈÚÂÒ¸ ·ÂÂÊÌÓ Ò ‰ËÒÍ ÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. Ç˚ÔÓ ÎÌflÈÚ ‚Ò Û͇Á‡ÌÌ˚ ÏÂ˚ Ô‰ÓÒÚÓÓ ÊÌÓÒÚË.[...]
-
Page 75
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 75 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÔÓË„˚‚‡Ú¸ ÍÓÏϘÂÒÍË Á‡ÔËÒË Ò ‰ËÒÍÂÚ ‚ ÙÓχڇı GM (General MIDI), Yamaha DOC (Disk Orchestra Collection) Ë Clavinova Disklavier Piano Sof[...]
-
Page 76
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 76 ëÓ ı‡ÌÂÌË èÂÒÌË ÔÓθÁÓ‚‡ÚÂÎfl (#201 - #205) ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ ̇ ‰ËÒÍÂÚÂ. 1 ÇÒÚ‡‚¸ Ú ‚ ‰ËÒÍÓ‚Ó‰ ÓÚÙÓχÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍ ÂÚÛ. 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [SAVE]. àÁÏÂÌÂÌË ԇ‡?[...]
-
Page 77
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 77 ÖÒÎË ‚˚ ıÓÚËÚ ÔÂÂÁ‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚ ÛÊ ÒÛ˘ÂÒÚ‚Û˛˘Â„Ó Ù‡È·, ‚˚·ÂËÚ ˝ÚÓÚ Ù‡ÈÎ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [+]/[-]. ÑÎfl ‚˚ıÓ‰‡ ËÁ ˝Í‡Ì‡ Save ̇ÊÏËÚ ÌÂÒÍÓθÍÓ ‡Á ÍÌÓÔÍÛ [[...]
-
Page 78
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 78 5 Ç˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ ÒÓ ı‡ÌÂÌËfl (Save). ç‡ÊÏËÚ ÍÌÓÔÍÛ [+] («YES»), Ë Ì‡˜ÌÂÚÒfl ÓÔ‡ˆËfl ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı. éÚÏÂÌËÚ¸ ̇˜‡ÚÛ˛ ÓÔ‡ˆË˛ ÒÓı‡ÌÂÌËfl Ì‚ÓÁÏÓÊÌÓ. ÇÓ ‚[...]
-
Page 79
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 79 ᇄ ÛÁ͇ ëÓı‡ÌË‚ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ, ÏÓÊÌÓ ÒÌÓ‚‡ Á‡„ÛÁËÚ¸ Ëı ‚ ÒËÌÚÂÁ‡ÚÓ DGX-500/300. åÓÊÌÓ Ú‡ÍÊ Á‡„ÛÁËÚ¸ ‰‡ÌÌ˚ ÒÚËÎfl Ò ‰ËÒÍÂÚ˚, ‚Íβ?[...]
-
Page 80
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 80 Utility – ÙÛÌ͈Ëfl Delete ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Û‰‡ÎflÚ¸ ÓÚ‰ÂθÌ˚ هÈÎ˚ ÔÓθÁÓ‚‡ÚÂÎfl, ÒÓı‡ÌÂÌÌ˚ ̇ ‰ËÒÍÂÚÂ. 1 ÇÒÚ‡‚¸ Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍ Ó‚Ó‰. 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [UTIL[...]
-
Page 81
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 81 Utility – ÙÓχÚËÓ‚‡ÌË ÌÓ‚ÓÈ ‰ËÒÍÂÚ˚ 1 ÇÒÚ‡‚¸ Ú ÌÂÓÚÙÓχÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍ Ó‚Ó‰. Ç‚ÂıÛ ‰ËÒÔÎÂfl ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Format?». óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ?[...]
-
Page 82
éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ 82 Utility – ÔÂÂÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚ ùÚ‡ ÓÔ‡ˆËfl ÔÓÎÂÁ̇, ÂÒÎË ÌÛÊÌÓ ·˚ÒÚÓ ÒÚÂÂÚ¸ ÌÂÌÛÊÌ˚ هÈÎ˚ Ò ‰ËÒÍÂÚ˚. ÅÛ‰¸Ú ‚ÌËχÚÂθÌ˚: ˝Ú‡ ÓÔ‡ˆËfl ‡‚ÚÓχÚ˘Â?[...]
-
Page 83
83 îÛÌ͈ËË MIDI ëËÌÚÂÁ‡ÚÓ DGX-500/300 – ˝ÚÓ MIDI-ÒÓ‚ÏÂÒÚËÏÓÂ Û ÒÚÓÈÒÚ‚Ó Ò ‡Á˙ÂχÏË MIDI IN Ë MIDI OUT Ë ‡Á΢Ì˚ÏË ÙÛÌ͈ËflÏË ÛÔ‡‚ÎÂÌËfl ‰Îfl MIDI-ËÌÚÂÙÂÈÒ‡. àÒÔÓ Î¸ÁÓ‚‡ÌË ÙÛÌ͈ËÈ MIDI ‡Ò¯ËflÂÚ ?[...]
-
Page 84
îÛÌ͈ËË MIDI 84 MIDI ÓÁ̇˜‡ÂÚ Musical Instrument Digital Interface (ñËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ‰Îfl ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚). ùÚÓÚ ËÌÚÂÙÂÈÒ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÏÛÁ˚͇θÌ˚Ï ËÌÒÚÛÏÂÌÚ‡Ï ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ò‚flÁ¸ ‰Û?[...]
-
Page 85
îÛÌ͈ËË MIDI 85 èÓ‰Íβ˜ÂÌËÂ Í ÔÂÒÓ̇θÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ èÓ‰Íβ˜Ë‚ MIDI-‡Á˙ÂÏ˚ ÒËÌÚÂÁ‡ÚÓ‡ Í ÍÓÏÔ¸˛ÚÂÛ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‰ÓÒÚÛÔ Í ˜ÂÁ‚˚˜‡ÈÌÓ ‡ÁÌÓÓ·‡ÁÌÓÏÛ ÏÛÁ˚͇θÌÓÏÛ ÔÓ„‡ÏÏÌÓÏ[...]
-
Page 86
îÛÌ͈ËË MIDI 86 ãÓ͇θÌÓ ÛÔ‡‚ÎÂÌË ùÚ‡ ÙÛÌ͈Ëfl ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÛÔ‡‚ÎflÚ¸ ÚÂÏ·‡ÏË ÒËÌÚÂÁ‡ÚÓ‡ DGX- 500/300 Ò Í·‚ˇÚÛ˚. ùÚÓ Û‰Ó·ÌÓ ÔË Á‡ÔËÒË ÌÓÚ ‚ MIDI-ÒÂÍ‚ÂÌÒÂ. ÖÒÎË ÒÂÍ‚ÂÌÒ Ë?[...]
-
Page 87
îÛÌ͈ËË MIDI 87 èÓÒ˚Î͇ ̇˜‡Î¸ÌÓÈ ÍÓÌÙË„Û‡ˆËË îÛÌ͈Ëfl Initial Setup Send ˜‡˘Â ‚ÒÂ„Ó ÔËÏÂÌflÂÚÒfl ÔË Á‡ÔËÒË ‚ ÒÂÍ‚ÂÌÒ ÚÂı ÔÂÒÂÌ, ÍÓÚÓ˚ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ̇ ÒËÌÚÂÁ‡ÚÓÂ. î‡ÍÚ˘?[...]
-
Page 88
îÛÌ͈ËË MIDI 88 5 燘ÌËÚ Á‡ÔËÒ¸ ̇ ÒÂÍ‚ÂÌÒÂÂ, Á‡ÚÂÏ ÔÓ¯ÎËÚ ‰‡ÌÌ˚ Initial Setup. 燘ÌËÚ Á‡ÔËÒ¸ ̇ ÒÂÍ‚ÂÌÒ ӷ˚˜Ì˚Ï ÒÔÓÒÓ·ÓÏ, ‡ Á‡ÚÂÏ, Ò ÏËÌËχθÌÓ ‚ÓÁÏÓÊÌÓÈ Á‡‰ÂÊÍÓÈ, ̇ÊÏËÚ ÍÌÓÔÍÛ [+[...]
-
Page 89
89 ì ÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ èÓ·ÎÂχ ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl èË ‚Íβ˜ÂÌËË ËÎË ‚˚Íβ˜ÂÌËË ÒËÌÚÂÁ‡ÚÓ‡ DGX-500/ 300 ͇ÍÓÂ-ÚÓ ‚ÂÏfl ÒÎ˚¯‡ÚÒfl ˘ÂΘÍË. í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸ – ˝ÚÓ ?[...]
-
Page 90
90 ëÓ ı‡ÌÂÌËÂ Ë ËÌˈˇÎËÁ‡ˆËfl ‰‡ÌÌ˚ı ■ ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • ᇠËÒÍβ˜ÂÌËÂÏ ‰‡ÌÌ˚ı, Ô˂‰ÂÌÌ˚ı ÌËÊ[...]
-
Page 91
91 ëÔËÒÓÍ ÚÂÏ·Ó‚ ■ å‡Í ÒËχθ̇fl ÔÓÎËÙÓÌËfl • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • å‡ÍÒËχθ̇fl ÔÓÎËÙÓÌËfl ÒËÌÚÂÁ‡ÚÓ‡ DGX-500/300 – 32 ÌÓÚ˚. ùÚÓ Á̇˜ËÚ, ?[...]
-
Page 92
ëÔËÒÓÍ ÚÂÏ·Ó‚ 92 086 000 114 062 Techno Brass FLUTE 087 000 114 073 Sweet Flute 088 000 112 073 Flute 089 000 112 072 Piccolo 090 000 112 075 Pan Flute 091 000 112 074 Recorder 092 000 112 079 Ocarina SYNTH LEAD 093 000 112 080 Square Lead 094 000 112 081 Sawtooth Lead 095 000 112 085 Voice Lead 096 000 112 098 Star Dust 097 000 112[...]
-
Page 93
ëÔËÒÓÍ ÚÂÏ·Ó‚ 93 188 000 096 014 Church Bells 189 000 097 014 Carillon 190 000 000 015 Dulcimer 191 000 035 015 Dulcimer 2 192 000 096 015 Cimbalom 193 000 097 015 Santur ORGAN 194 000 000 016 DrawOrg 195 000 032 016 Detuned DrawOrg 196 000 033 016 60 ’ s DrawOrg 1 197 000 034 016 60 ’ s DrawOrg 2 198 000 035 016 70 ’ s DrawOr[...]
-
Page 94
ëÔËÒÓÍ ÚÂÏ·Ó‚ 94 297 000 032 039 Smooth Synth Bass 298 000 040 039 Modular Synth Bass 299 000 041 039 DX Bass 300 000 064 039 X Wire Bass STRING 301 000 000 040 Violin 302 000 008 040 Slow Violin 303 000 000 041 Viola 304 000 000 042 Cello 305 000 000 043 Contrabass 306 000 000 044 Tremolo Strings 307 000 008 044 Slow Tremolo String[...]
-
Page 95
ëÔËÒÓÍ ÚÂÏ·Ó‚ 95 408 000 000 081 Sawtooth Lead 409 000 006 081 Sawtooth Lead 2 410 000 008 081 Thick Sawtooth 411 000 018 081 Dynamic Sawtooth 412 000 019 081 Digital Sawtooth 413 000 020 081 Big Lead 414 000 024 081 Heavy Synth 415 000 025 081 Waspy Synth 416 000 040 081 Pulse Sawtooth 417 000 041 081 Dr. Lead 418 000 045 081 Veloc[...]
-
Page 96
ëÔËÒÓÍ ÚÂÏ·Ó‚ 96 ● ëÔËÒÓÍ ÚÂÏ·Ó‚ DJ 523 000 035 104 Sitar 2 524 000 096 104 Tambra 525 000 097 104 Tamboura 526 000 000 105 Banjo 527 000 028 105 Muted Banjo 528 000 096 105 Rabab 529 000 097 105 Gopichant 530 000 098 105 Oud 531 000 000 106 Shamisen 532 000 000 107 Koto 533 000 096 107 Taisho-kin 534 000 097 107 K[...]
-
Page 97
ëÔËÒÓÍ ÚÂÏ·Ó‚ 97 ● ëÔËÒÓÍ ÚÂÏ·Ó‚ DJ çÓÏÂ ÚÂÏ·‡ 615 616 617 618 619 MSB/LSB/PC 0/123/118 0/123/119 0/123/120 0/123/121 0/123/122 çÓÏÂ ÌÓÚ˚ çÓÚ‡ DJ Set 1 DJ Set 2 DJ Set 3 DJ Set 4 DJ Set 5 036 C 1 BD Analog H Bass Drum Soft BD Analog H BD Analog H BD Analog H 037 C # 1 Analog Side Sti[...]
-
Page 98
98 ëÔËÒÓÍ ÒÚËÎÂÈ ëÂËÈÌ˚È ÌÓÏ ç‡Á‚‡ÌË ÒÚËÎfl 8 BEAT 001 8BeatModern 002 60 ’ sGtrPop 003 8BeatAdria 004 60 ’ s8Beat 005 8Beat 006 OffBeat 007 60 ’ sRock 008 HardRock 009 RockShuffle 010 8BeatRock 16 BEAT 011 16Beat 012 PopShuffle1 013 PopShuffle2 014 GuitarPop 015 16BtUptempo 016 KoolShuffle 017 J[...]
-
Page 99
99 ëÔËÒÓÍ ÏÛÁ˚͇θÌ˚ı ·‡Á ‰‡ÌÌ˚ı çÓÏ ·‡Á˚ ‰‡ÌÌ˚ı ç‡Á‚‡ÌË ·‡Á˚ ‰‡ÌÌ˚ı POP HITS 001 AlvFever 002 Croco Rk 003 DayPdise 004 EasySday 005 GoMyWay 006 HowDeep! 007 HurryLuv 008 I ’ m Torn 009 Imagine 010 ISurvive 011 JustCall 012 JustWay 013 NikitTrp 014 ProudGtr 015 SailngSx [...]
-
Page 100
100 ëÔËÒÓÍ Ì‡·ÓÓ‚ Û‰‡Ì˚ı • ëÂ˚È ÙÓÌ « » ÔÓ͇Á˚‚‡ÂÚ, ˜ÚÓ Á‚ÛÍ ·‡‡·‡Ì‡ Ú‡ÍÓÈ ÊÂ, Í‡Í ‚ ̇·ÓÂ Û ‰‡Ì˚ı «Standard Kit 1». • ä‡Ê‰˚È ÔÂÍÛÒÒËÓÌÌ˚È ÚÂÏ· ËÒÔÓθÁÛÂÚ Ó‰ÌÛ ÌÓÚÛ. • MIDI- ‰‡ÌÌ[...]
-
Page 101
ëÔËÒÓÍ Ì‡·ÓÓ‚ Û‰‡Ì˚ı 101 Voice No. 123 129 130 131 132 133 134 MSB/LSB/PC 127/000/000 127/000/27 127/000/32 127/000/40 127/000/48 126/000/000 126/000/001 Keyboard MIDI Key Off Alternate assign Standard Kit 1 Dance Kit Jazz Kit Brush Kit Symphony Kit SFX Kit 1 SFX Kit 2 Note# Note Note# Note 25 C # 01 3C # -1 3 Surdo Mute[...]
-
Page 102
102 í ‡·Îˈ‡ ‡ÎËÁ‡ˆËË MIDI YAMAHA [ Portable Grand™ ] Date:12-MAR-2002 Model DGX-500,DGX-300 MIDI Implementation Chart Version : 1.0 Transmitted Recognized Remarks Function... Basic Default 1 - 16 1 - 16 *1 Channel Changed x x Default 3 3 Mode Messages x x Altered ************** x Note 0 - 127 0 - 127 Number : True voice *[...]
-
Page 103
í ‡·Îˈ‡ ‡ÎËÁ‡ˆËË MIDI 103 èêàåÖóÄçàÖ *1 èÓ ÛÏÓ Î˜‡Ì˲ (̇ÒÚÓÈÍË ÔÓËÁ‚Ó‰ËÚÂÎfl) ÒËÌÚÂÁ‡ÚÓ DGX-500/300 Ó·˚˜ÌÓ ‡·ÓÚ‡ÂÚ Í‡Í 16-͇̇θÌ˚È ÏÌÓ„ÓÚÂÏ·Ó‚˚È ÚÓÌ-„Â̇ÚÓ, Ë ‚ı Ó‰fl˘Ë ‰‡Ì[...]
-
Page 104
í ‡·Îˈ‡ ‡ÎËÁ‡ˆËË MIDI 104 ● REVERB ● CHORUS ● DSP TYPE MSB TYPE LSB 00 01 02 08 16 17 18 19 20 000 No Effect 001 (1)Hall1 (2)Hall2 002 Room (3)Room1 (4)Room2 003 Stage (5)Stage1 (6)Stage2 004 Plate (7)Plate1 (8)Plate2 005...127 No Effect TYPE MSB TYPE LSB 00 01 02 08 16 17 18 19 20 000...064 No Effect 065 Chorus Choru[...]
-
Page 105
105 • ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒڇ̇‚ÎË‚‡ÈÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ ËÌÒÚÛ͈ËË. • ÑÎfl Ò·ÓÍË Ú·ÛÂÚÒfl Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ. • [...]
-
Page 106
106 x x x x èËÍÂÔËÚ ۄÎÓ‚˚ ÒÍÓ·˚. èËÍÂÔËÚ ۄÎÓ‚˚ ÒÍÓ·˚ y Í ·ÓÍÓ‚˚Ï Ô‡ÌÂÎflÏ Ò ÔÓÏÓ˘¸˛ Ò‡ÏÓÂÁÓ‚ 3,5 x 16 ÏÏ e . 2 c c c c èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ Ò ÔÓÏÓ˘¸˛ ‚ËÌ[...]
-
Page 107
107 v v v v èÓÒÚ‡‚¸ Ú Í·‚ˇÚÛÛ Ì‡ ÔÓ‰ÒÚ‡‚ÍÛ ÄÍÍÛ‡ÚÌÓ ÔÓÏÂÒÚËÚ Í·‚ˇÚÛÛ Ì‡ ·ÓÍÓ‚˚ ԇÌÂÎË. å‰ÎÂÌÌÓ ÔÓ‰‚Ë„‡ÈÚ Í·‚ˇÚÛÛ Ë ÒÓ‚ÏÂÒÚËÚ ÓÚ‚ÂÒÚËfl ̇  ÌËÊÌÂÈ Ô‡ÌÂÎË Ò ÓÚ?[...]
-
Page 108
108 í  ıÌ˘ÂÒÍË ı ‡‡ÍÚÂËÒÚËÍË ä·‚ˇÚÛ‡ • DGX-500 ........ 88 Í·‚˯ Òڇ̉‡ÚÌÓ„Ó ‡Áχ (A-1 - C7), Ò ÙÛÌ͈ËflÏË Touch Response Ë Dynamic Filter. • DGX-300 ........ 76 Í·‚˯ Òڇ̉‡ÚÌÓ„Ó ‡Áχ (E0 - G6), Ò Ù[...]
-
Page 109
109 ëËÏ‚ÓÎ˚ +/-, ÍÌÓÔÍË .................................... 25 D DEMO, ÍÌÓÔ͇ .............................. 14 Dictionary ........................................ 50 DISK ORCHESTRA ...................... 73 DSP ................................................. 34 Dual Voice DSP .............................. 27 Dual Voice Oct[...]
-
Page 110
L imited W arr anty 90 D A YS LABOR 1 YEAR P AR TS Y amaha Corporation of America, hereafter referred to as Y amaha, warrants to the original consumer of a product included in the categories listed below , that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models in[...]
-
Page 111
HEAD OFFICE Y amaha Corporation, Pro Audio & Digital Musical Instrument Di vision Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 T el: 053-460-3273 [PK] 22 For details of products, please contact your nearest Y amaha or the authorized distributor listed belo w . Pour plus de détails sur les produits, v euillez-vous adresser à Y amaha ou au dist[...]
-
Page 112
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl © 2002 Yamaha Corporation Ç·-Ò‡ÈÚ ÍÎÛ·‡ β·ËÚÂÎÂÈ ÔÓÚ‡ÚË‚Ì˚ı ÒËÌÚÂÁ‡ÚÓÓ‚ Yamaha PK CLUB (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ): http://www.yamahaPKclub.com/ ëÓ·‡ÌË Û?[...]