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Yamaha mc-1202 manual

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Table of contents for the manual

  • Page 1

    YAMAHA ® AUTHORIZED PRODUCT MANUAL MC-Series Mixing Consoles[...]

  • Page 2

    YAMAHA MC-Series Mixing Consoles Operating Manual[...]

  • Page 3

    Congratulations! You are the proud owner of a Yamaha MC-series Mixing Console. Whether you chose the 8, 12 or 16-channel model, your Yamaha mixing console is a high-quality product that will give you superior performance in a wide range of applications. In addition to offering a versatile mixing system, the MC-series consoles offer electron- ically[...]

  • Page 4

    PRECAUTION S PRECAUTIONS 1. AVOID EXCESSIVE HEAT, HUMIDITY, DUST AND VIBRATION Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity–such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which. could cause mechanical damage. 2. AVOID PH[...]

  • Page 5

    FRONT PANEL CONTROL S FRONT PANEL CONTROLS Input Channels PAD Switch This switch attenuates the signal applied to the corresponding rear-panel HI-Z or LO-Z input by 20 dB prior to the head amplifier and input gain control. The PAD switch effectively increases the range of input signal levels that can be handled by the mixer, preventing overloading [...]

  • Page 6

    AUX Controls (1,2 & 3) The MC-series mixing consoles have three independent AUX busses which are fed by the corresponding AUX controls on the input channels. Each AUX control determines the level of the signal sent from that channel to the correspondingly numbered AUX mixing buss, which in turn feeds the correspondingly numbered AUX SEND contro[...]

  • Page 7

    Channel Fader This is the main level control for each input channel. It determines the level of the signal sent from the corresponding input channel to the master stereo buss. The settings of the input channel faders determine the "mix" or balance of sound levels between the instruments or other sources connected to the inputs. * If a cha[...]

  • Page 8

    Master Control Section AUX SEND (1, 2 & 3) Controls & CUE Switches These adjust the overall output level of the auxiliary "mixes" set up using the AUX 1, AUX 2 and AUX 3 con- trols on the input channels. AUX SEND 1 sets the overall level of the AUX 1 mix signal appearing at the AUX SEND 1 jack, AUX SEND 2 sets the overall level of[...]

  • Page 9

    Talkback ON Switch Pressing this switch activates the talkback microphone plugged into the talkback mic connector, allowing voice communication from the console operator to the STEREO, AUX 1, AUX 2 or AUX 3 busses according to the setting of the talkback assignment switches. TB (Talkback) Level Control Adjusts the level of the talkback signal sent [...]

  • Page 10

    VU Meters and METER Assign Switches (AUX1/AUX2/AUX3/CUE) The MC-series mixing console feature three VU meters with built-in LED peak indicators for monitoring signal levels. The rightmost meter pair (L ST R) continuously monitors signals on the main stereo program buss. The AUX/CUE meter can be switched to monitor signals on the AUX 1, AUX 2, AUX 3[...]

  • Page 11

    STEREO Master Faders The STEREO master faders independently adjust the level of the left and right channel main stereo program buss signals appearing at the STEREO OUT connectors. REAR PANEL CONNECTORS AND CONTROLS 9[...]

  • Page 12

    POWER Switch Flip up to turn power ON, and down to turn power OFF. The VU meter lamps will light when the power is ON. PHANTOM MASTER Switch Turn this switch ON to apply +48 volts DC to the LO-Z XLR input connectors when using phantom-powered condenser microphones. * NEVER turn the PHANTOM MASTER switch ON when applying line-sources to the LO-Z inp[...]

  • Page 13

    APPLICATION EXAMPLE In the system shown below the MC1602 is used as the main console in a sound reinforcement system. Three vocal micro- phones, six drum microphones, a microphone from the guitar amplifier and another from the bass amplifier are connected to 11 of the 16 available LO-Z inputs. The line-level stereo outputs from an on-stage keyboard[...]

  • Page 14

    BLOCK DIAGRAM 12[...]

  • Page 15

    LEVEL DIAGRAM DIMENSION CHART 13[...]

  • Page 16

    SPECIFICATIONS Total Harmonic Distortion Frequency Response Less than 0.1%, 20Hz – 20kHz @ +14dB into 600 ohms. +1, –3dB, 20Hz – 20kHz @ +4dB into 600 ohms Hum and Noise* (20Hz –128d B equivalent input noise. – 20kHz, Rs=150 ohms, –90dB residual output noise (balanced Input Gain max., Input outputs). Pad @ 0dB, Input –73dB at STEREO O[...]

  • Page 17

    n n INPUT CHARACTERISTICS INPUT PAD INPUT INPUT LEVELS SOURCE MAXIMUM GAIN SENSITIVITY** CONNECTOR IMPEDANCE IMPEDANCE RATED LEVEL NON CLlPPING TYPE LEVEL –60dB 50 ~ 600 ohms –80dB (0.08mV) –60dB (0.8mV) –34dB (15.5mV) XLR-3-31 type ( Balanced) CH INPUT OFF(0dB) LO-Z 4k ohms Microphones –20dB HI-Z 10k ohms –40dB (7.75mV) or ON(20dB) 600[...]

  • Page 18

    YAMAHA ® Yamaha Corporation of America 6600 Orangethorpe Avenue, P.O. Box 6600, Buena Park, CA 90622-6600 12/2/96[...]