Canon EF Lenses manual

47 Le ns Attachment EF 135mm EF 180mm EF 200mm EF 200mm EF 300mm EF 300mm EF 400mm EF400mm f/2L USM f/3.5L Macro US M f/1.8L USM f/2.8L II USM f/2.8L IS US M f/4L IS US M f/2.8L IS US M f/4.0L DO IS US M Focal Leng th (mm) 189 252 280 280 420 420 560 560 f-st op (f) 2.5 ~ 45 4.5 *4 ~ 45 2.5 ~ 32 2.5 ~ 32 4 ~ 45 5.6 ~ 45 4 ~ 45 5.6 ~ 45 Max. Magnifi[...]

Imag es From Y our Imagination, D elivered by C anon EF L enses Ev er noticed that “imagination” c ontains the word “image”? That’s bec ause creating an im age starts w ith your im agination. When you h ave an image in mind, you must choose a lens which c an c apture that image. And whatever th at imag e may be, you c an be sure that C an[...]

UL TRA-WIDE Z OOM LEN SES 5 EF 20-35mm f/3.5-4.5 USM A superior performance ultra-w ide- angle zoom lens, c overing the entire ra nge of popular wide-angle foc al le ngths. A ring-type USM and an inner fo cus design provide f ast and s ilent AF , along with full-time manual focus ov erride. Priced within the rang e of serious photo enthusias ts, it[...]

ST ANDARD Z OOM LEN SES 7 EF 28-80mm f/3.5-5.6 II F or many E OS users, this is their first EF len s. Light, compact and affordab le, it co ve rs a practical r ange of focal lengths — ideal for almost everything from f amily sn apshots and travel to event photography . A lightw eight DC -focus ing motor provides bri sk autofocus, a s close as 1.3[...]

ST ANDARD Z OOM LEN SES 9 EF 28-135mmf/3.5-5.6 IS USM An unbeatab le combination of zoom ra nge, silent and f ast USM autofocu s, excel lent optics and Canon’s Image Stabilization tec hnology. IS allows st ea dy hand-held operation at shutter s peeds up to two full s tops slower than would normally be possible, and makes this a practical l ens ev[...]

TELEPHOT O ZOOM LENSES 11 EF 75-300mm f/4-5.6 III USM W ith the addition of a Micro US M for fa st er and even quieter aut ofocus, this ve rsion of the EF 75-300mm is well- s uited for sports and other applications r equiring fast AF . The USM version shares the compact size, close focusing ra nge, and acc essory compatibility of the non-USM lens. [...]

TELEPHOT O ZOOM LENSES 13 EF 35-350mm f/3.5-5.6L USM A unique profes sional L -series lens, cov ering an amazing 10x z oom range from wide-angle to s uper-telephoto. It’s a m agnific ent c hoice for travel photography and other outdoor application s. The zo om control has a separate ring to adjust or lock the zooming action, enhancing its already[...]

UL TRA-WIDE & WIDE LEN SES 15 EF 20mm f/2.8 USM The optical performanc e, fa st f/2.8 s peed and ultra-wide-angle c overage ma ke this a great choic e for many applications, lik e interiors, scenic s, travel and photojournali sm. It uses a “floating” optical sys tem for exc ellent sharpness even at its minimum focusing distanc e of under 10[...]

UL TRA-WIDE & WIDE LEN SES 17 EF 28mm f/1.8 USM C ombine a f ast f/1.8 aperture with 28mm wide-angle focal length, and add C anon’s Ultr asonic Motor AF . The result is this surpris ingly affordable fi xed focal le ngth alternative to wide-angle zooms that’s ideal for low-light shooting. Internal, rear-group focus ing means the front elemen[...]

M edium and St andard A medium telephoto lens w ith a large aperture brings the subject closer , creates ex cellent bac kground b lur, gives a long er flash r ange, and affords a fast er shutter speed to freeze the action. A st andard zoom len s, with its natur al angle of view and perspective, captures the subj ec t pla in ly , w ith no special ef[...]

TELEPHOT O LENSES 21 EF 135mm f/2L USM One of the finest len ses of its type in the w orld today . This magnificent telephoto le ns us es two UD-glass elements to provide incredibl e sh arpnes s and c ontr ast, even wide-open. It’s perfect f or outdoor portraits, but c om es in to i ts o wn in low-light s ituations. It fo cus es down to 3 feet (0[...]

TELEPHOT O LENSES 23 EF 300mm f/2.8L IS USM Image Stabilization adds to what’s already a legendary profession al lens. The 300mm f/2.8L IS lens focuses closer (down to 8.2 feet/2.5m), offers the world’s fast est autofocus when u sed with EO S bodies h aving 45-point AF , is gasketed and sealed again st dust and moisture, and ha s a lightweight [...]

W orld’s First Diffractive Optics L ens f or Photography EF 400mm f/4 IS DO USM •f/4 •1/1250 sec. SUPER TELEPHOT O LENSES 25 EF 400mm f/5.6L USM Light. Portable. Exc ellent h andling. Sharp. And amaz ingly fas t autofocus. The 400mm f/5.6L is all of these things, and a premier choic e for wildlife and natu re photographers — one of the fine[...]

SUPER TELEPHOT O LENSES 27 ● Fluorite lens ● UD lens 26 EF 600mm f/4L IS USM An outstanding professional lens for bridging distanc es in sports, wildlife, and many other application s — including c ommercial and fashion for the distinct “compressed” telephoto c haracter and totally out-of-focus backgrou nds its images c an possess. Fluori[...]

MA CRO 29 EF 50mm f/2.5 C ompact Macro A versatile macro len s with focusing from infinity down to half life-siz e (0.5x), and floating optics to ins ure sharpness and c ontrast at any focusing distanc e. With f/2.5 speed, it’s actually an ideal gener al-purpose normal lens that adds true macro c apability, and it’s great for photographing fl a[...]

A bout Macr o Magnific ation A life-size macr o lens—that is, a 1x magnification rec ords an image on film at its actual siz e. If you’re photogr aphing a flower , for example, and it has a diameter of 1 in., it wil l occupy 1 in. on your film. Other macro lenses have lower or higher magnifications. A lens with 0.5x magnification would produc e[...]

TS-E LENSES 33 ● Aspherical lens Fo r Advanc ed Photo W ork W ith a C anon TS-E lens, you c an contr ol the angle of the plane of focus and the picture’s perspectiv e. The effects of lar ge-format camer a movements c an be obtained w ith T S-E lense s for E OS cameras. Although manual focu sing is required, automatic aperture c ontrol enables a[...]

Aspherical Len ses Ordinary spherical elements have an inherent flaw in that the point of focus for the lens c enter does not mat ch that of the lens periphery . Spheric al aberrations of l arge-aperture lenses and distortion by ultra-wide-angle lenses c annot be resolved with spheric al elements alone. The Aspheric al lens element was therefor e d[...]

Image Stabiliz er No matter how great the lens is, camera shake c an spoil the shot. Blurred photos due to camera sh ake usually occur when the shutter speed is slower than the reciprocal of the lens focal le ngth. For example, a shutter speed sl ower than 1/200 sec. at the 200mm focal lengt h can invite a blurred photo caus ed b y came ra shake. I[...]

General Purpose Filters f or Black and White or Color Film Sky (1A), Haze (UV -1), ND (03 • 0.6) • 52mm • 58mm • 72mm Con v er s i on Filters for Color Film 80A, 80B, 85, 85B, FCB, FCD • 52mm • 58mm • 72mm General Purpose Filters f or Black and White Film Ye ll ow 2, Green 11, Orange 15, Red 25A • 52mm • 58mm • 72mm Softmat Filt[...]

41 42 43 C anon EF L enses Limited only b y y our imagination. Macro Lenses Ultra-Wide Z oom TS-E Lenses Life Size Con ve rt er EF EF 100mm f/2.8 Macro USM EF 15mm f/2.8 Fisheye EF 135mm f/2.8 w/ Softfocus Extension Tub e EF 12 II Extension Tu be EF 25 II EF 28-80mm f/3.5-5.6 II EF 16-35mm f/2.8L USM EF 75-300mm f/4-5.6 llI EF 35-80mm f/4-5.6 lll E[...]

44 45 46 C anon EF Len s Spec ific ations & Ac c e ssories T able E E F F 1 1 6 6 - - 3 3 5 5 m m m m f f / / 2 2 . . 8 8 L L U U S S M M 98˚~ 54˚ • 74˚10´~ 38˚ • 108˚10´~ 63˚ 14 / 10 7 22 E E F F 1 1 7 7 - - 4 4 0 0 m m m m f f / / 4 4 L L U U S S M M 84˚~ 34˚ • 53˚~ 19˚ 30´ • 74˚~ 29˚ 12 / 9 7 22 E E F F 2 2 0 0 - - 3 3[...]