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Bom manual de uso
As regras impõem ao revendedor a obrigação de fornecer ao comprador o manual com o produto Casio WK-7600. A falta de manual ou informações incorretas fornecidas ao consumidor são a base de uma queixa por não conformidade do produto com o contrato. De acordo com a lei, pode anexar o manual em uma outra forma de que em papel, o que é frequentemente utilizado, anexando uma forma gráfica ou manual electrónicoCasio WK-7600 vídeos instrutivos para os usuários. A condição é uma forma legível e compreensível.
O que é a instrução?
A palavra vem do latim "Instructio" ou instruir. Portanto, no manual Casio WK-7600 você pode encontrar uma descrição das fases do processo. O objetivo do manual é instruir, facilitar o arranque, a utilização do equipamento ou a execução de determinadas tarefas. O manual é uma coleção de informações sobre o objeto / serviço, um guia.
Infelizmente, pequenos usuários tomam o tempo para ler o manual Casio WK-7600, e um bom manual não só permite conhecer uma série de funcionalidades adicionais do dispositivo, mas evita a formação da maioria das falhas.
Então, o que deve conter o manual perfeito?
Primeiro, o manual Casio WK-7600 deve conte:
- dados técnicos do dispositivo Casio WK-7600
- nome do fabricante e ano de fabricação do dispositivo Casio WK-7600
- instruções de utilização, regulação e manutenção do dispositivo Casio WK-7600
- sinais de segurança e certificados que comprovam a conformidade com as normas pertinentes
Por que você não ler manuais?
Normalmente, isso é devido à falta de tempo e à certeza quanto à funcionalidade específica do dispositivo adquirido. Infelizmente, a mesma ligação e o arranque Casio WK-7600 não são suficientes. O manual contém uma série de orientações sobre funcionalidades específicas, a segurança, os métodos de manutenção (mesmo sobre produtos que devem ser usados), possíveis defeitos Casio WK-7600 e formas de resolver problemas comuns durante o uso. No final, no manual podemos encontrar as coordenadas do serviço Casio na ausência da eficácia das soluções propostas. Atualmente, muito apreciados são manuais na forma de animações interessantes e vídeos de instrução que de uma forma melhor do que o o folheto falam ao usuário. Este tipo de manual é a chance que o usuário percorrer todo o vídeo instrutivo, sem ignorar especificações e descrições técnicas complicadas Casio WK-7600, como para a versão papel.
Por que ler manuais?
Primeiro de tudo, contem a resposta sobre a construção, as possibilidades do dispositivo Casio WK-7600, uso dos acessórios individuais e uma gama de informações para desfrutar plenamente todos os recursos e facilidades.
Após a compra bem sucedida de um equipamento / dispositivo, é bom ter um momento para se familiarizar com cada parte do manual Casio WK-7600. Atualmente, são cuidadosamente preparados e traduzidos para sejam não só compreensíveis para os usuários, mas para cumprir a sua função básica de informação
Índice do manual
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Página 1
E CTK7200/WK7600E1A USER’S GUIDE Please keep all information for future reference. Safety Precautions Bef ore tr ying to use the ke yboard, be sure to read the separate “Saf ety Precautions”. CTK - 7200 WK - 7600[...]
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NO TICE This equipment has been tested and found to comply with the limits for a Class B digital device, p ursuant to Part 15 of the FCC Rules. These limits are designed to provide re asonable protec tion against harmful interferen ce in a residential installation. This equipment generate s, uses and can radiat e radio frequency energy and, if not [...]
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Important! Please note the follo wing impo r tant info rmation before using this product. • Before using the optional AC Adap tor to power the unit, be su re to check the AC Adaptor fo r any damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious damage. Never let children use an AC adaptor that is seriousl[...]
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E-2 Contents General Guide ............................. E-4 Reading t he Display .................... .......... ............. .... E-6 Modes ............................ .................... .................. ... E-7 Menus ............................ .................... .................. ... E-7 , Precautions while “Please Wait” is displa[...]
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Contents E-3 Using the Pattern Sequencer .................. E-102 About the Pattern Seq uencer ............. .......... ...... E-102 Creating a User Rh ythm ... ............. ............. ........ E -103 Creating a User Rhythm by Combinin g Exiting Rhythm Parts ( Easy Edit ) .. ............. ........ E -112 Editing Indivi dual Events (Event Editor[...]
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E-4 General Guide • Illustrations in this User’s Guide sh ow the WK-7600. • There is a button numbe r reference at the back of this manual. You can tear it out and refer to th e button numbers as required. Back Dial L-1 - L-17 C-1 - C-17 R-1 - R-20 D-1 - D-12 S-1 T-1 - T-10 S-2[...]
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General Guide E-5 • In this manual, the term “Digital Keyboard” refers to the CTK-7200/WK-760 0. • This manual uses the numbers and names below to refer to butt ons and controllers. • The following explains the meanin gs of the # and $ symbo ls that appea r on the product console and with t he key names below. # : Indicates a function tha[...]
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General Guide E-6 This section explains the cont ents of the Digital Keyboard’s display screen. 1 Detailed information area This area displays a variety of information while the Digital Keyboard is being used. Use th is area to confirm proper operation when changing values, when selecting a menu item, and when performing other operations. 2 Level[...]
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General Guide E-7 Your Digital Keyboard has th ree modes: a rhythm mode, a card mode, and a song sequencer mode. The currently selected mode is shown as an indicator on the display. •R h y t h m m o d e ( : indicator d isplayed) Under its initial factory defaul t settings, the Digital Keyboard enters the rhythm mode whenever it is turned on. The [...]
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General Guide E-8 Your Digital Keyboard is equi pped with a song sequencer and other features that you can use t o store data you create. This stored data is retained even when the Digital Keyboard is turned off. * However, the tone, rhythm, and other settings you configure on the Digital Keyboard’s console normally are returned to their initial [...]
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E-9 Getting Read y to Pla y Prepare a household power out let or batteries. • Be sure to comply with the separate “Safety Precautions”. Incorrect use of this product creates the risk of electric shock and fire. • Always make sure that the product is turned off before pluggin g in or unpl ugging t he AC adap tor, or bef ore loading or removi[...]
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Getting Ready to Play E-10 You can use six D-size batteries for p ower. • Use alkaline or zinc-carbon batteries. Never use oxyride or any ot her nickel based batteries. 1. Open the battery cover on the bottom of the Digital Keyboard. 2. Load six D-size batteri es into the battery compartment. • Make sure the positive + and negative - ends of th[...]
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E-11 Connections Using headphones cuts off output from the built-in speakers, which means you can practice playing even late at n ight without disturbing others. • Be sure to turn down the volume level before connecting headphones. • Headphones do not come with the Digital Keyboard. • Use commercially available headphones. • Do not listen t[...]
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Connections E-12 You can use the Digital Keyboar d’s speakers to output sound from a CD player, another digita l keyboard, or other external device, or from a microphone. • Whenever connecting something to the Digital Keyboard, first use the L-2 (VOLUME) kno b to set the volume to a low level. After connecting, you can adjust the volume to the [...]
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E-13 Selecting and Pla ying a T one 1. Rotate the L-2 (VOLUME) knob towards MIN to set the volume to a low level. 2. Referring to “Connections” (page E-11), connect headphones, ampl if ier, or other device. 3. Use the L-1 (POWER) button to turn on power. • The Digital Keyboard disp lay screen will appear as shown below, which indicates that i[...]
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Selecting and Playing a Tone E-14 ■ To disable Auto Power Off 1. While the Digital Keyboa rd is turned on, press the L-1 (POWER) button to turn it off. 2. While holding do wn the L-3 ([ A] POPS/ROCK/ DANCE) button, press th e L-1 (POWER) button to turn on the Digital Keyboard. • Auto Power Off will be disabled at this time. • Turning off the [...]
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Selecting and Playing a Tone E-15 5. Now you can play on the keyboard using the tone you selected. • You also can use the R-14 (–, +) buttons to select a tone. Holding down either button will scroll through tone numbers at high speed. Pressing both of the R-14 (–, +) buttons at the same time will select tone 001 in the currently se lected gro[...]
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Selecting and Playing a Tone E-16 1. Refer to the separate “App endix” to look up the group(s) and numbers of the two tones (UPPER 1 part tone and UPPER 2 part tone) you want to use. 2. Check to make sure that the @ and A indicators are not on the display. • If they are displayed, press the R-19 (SPLIT) button and/or R-20 (LAYER) button to cl[...]
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Selecting and Playing a Tone E-17 1. While holding down the R-19 ( SPLIT) button, press the keyboar d key that you want to be the leftmost key in the ri ght side (UPPER 1 part) range. • The name of the key you press will appear on the display as the new split point key name. • You also can use the R-14 (–, +) buttons to change the displayed s[...]
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Selecting and Playing a Tone E-18 The transpose feature lets you raise or lower the overall tuning of the keyboard in semi tone steps. You can use this feature to adjust keyboard tuning to a key that better matches a vocalist, another musical instrument, etc. 1. While holding down the R-13 (FUNCTION) button, press one of the R-14 (–, +) buttons. [...]
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Selecting and Playing a Tone E-19 1. Press the L-9 (METRONOME) button. • This will start the metronome. • The display will show the tempo along with a count of the measures and beats since you started the metronome. 2. Press the L-9 (METRONOME ) button again to stop the metronome. 1. Hold down th e L-9 (BEAT) button until the metronome beat scr[...]
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Selecting and Playing a Tone E-20 ■ To adjust the tempo by tappi ng a beat 1. While holding down the R-13 (FUNCTION) button, tap the L-11 (TAP) button four times at the speed (tempo) you want to set. • The first tap of the L-11 (TAP) button will cause the display shown below to appear. • The tempo setting will change in accordance with your t[...]
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Selecting and Playing a Tone E-21 Use the scale function to select one of the 17 preset temperaments (tunings) for the built-in sound so urce. You also can fine tune each note of a scale (from C to B) in one-cent units. After selecting one of the preset temperaments, you can edit it to suit your particular needs. You also can specify whether the cu[...]
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Selecting and Playing a Tone E-22 5. When you are finished, press the R-15 (EXIT) button twice. • This will return to the scr een that was displayed before you displayed the scale screen. • The root note setting you spec ify here is retained, even if you later change to a different preset temperament. 1. If required, perform the procedure under[...]
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Selecting and Playing a Tone E-23 With the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from a number of different arpeggiator options, including play ing arpeggios from a chord, playing various phrases automatically, and more. 1. Hold down the R-18 (AUTO HARMONI[...]
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E-24 Using A uto Accompaniment With Auto Accompaniment, simply select the accompaniment rhythm you want and the matching accompaniment (drums, guitar, etc.) will play automatical ly when you play a chord with your left hand. It’s like having your own personal backup group along with you wherever you go. This Digital Keyboard has 260 built-in Auto[...]
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Using Auto Accompaniment E-25 6. Press the L-15 (SYNCHRO/ENDING) button. • This enters synchro standby (Auto Accompaniment waiting for you to play a chord), with the F indicator flashing on the display. The flashing F indicator means that the normal Auto Accompaniment pattern is standing by. 7. You also can use the bu ttons described below to cha[...]
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Using Auto Accompaniment E-26 While Auto Accompaniment is playing, you use the chord keyboard to specify the chord root and type. The area of the keyboard to the left of the spli t point (p age E-17) is the chord keyboard. The illustration bel ow shows the chord keyboard range under WK-7600 initial default settings. You can select from among the fo[...]
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Using Auto Accompaniment E-27 There are six different Auto Accompaniment patterns, shown below. You can switch between patterns during accompaniment play and even modify patterns. Use buttons L-12 through L-15 to select the pattern you want. One-Touch Preset gives you one-touch access to tone and tempo settings that go well with the currently selec[...]
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Using Auto Accompaniment E-28 Auto harmonize lets you add har mony to melody no tes you play with your right hand. You can select any one of 12 Auto harmonize settings. 1. Hold down the R-18 (AUTO HARMONIZE/ ARPEGGIATOR) bu tton until the type selection screen sho wn below appears on the disp lay. 2. Use the di al or R- 14 (–, +) buttons to selec[...]
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E-29 Appl ying Eff ects to a Sound You can apply a variety of different acoustic effects to the s ounds produced by the Digital Keyb oard. The built-in effects incl ude a wide variety of variations that give you access to a selection of general digital effects. • The Digital Keyboard also lets y ou apply effects to input from the T-4 (INST IN) ja[...]
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Applying Effects to a Sound E-30 ■ DSP Effect Mode Configuration The DSP effect mode is enabled while “DSP” is selected for the “C horus/DSP”effect parameter. D SP and reverb can be used in the DSP effect mode. • Reverb This type of effect simulates acoustic spaces. There are 10 different reverb effects, includin g room and hall. •C h[...]
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Applying Effects to a Sound E-31 Effects are divided among different types (reverb, chorus, DSP), so first you need to use the procedure below to select an effect type. 1. While holding down the R-13 (FUNCTION) button, press the C-7 (EFFECT) button. • This displays the effect setting screen shown below. 2. Use the di al or R- 14 (–, +) buttons [...]
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Applying Effects to a Sound E-32 2. If you want, use the R-17 ( t , y ) buttons to move the thick brackets ( % ) to the “DSP Disable”setting, and then use the R -14 (–, +) buttons to change th e setting to “on”. • For more information about this setting, see the “Important!” note below. • If you turning on the “DSP Disable” se[...]
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Applying Effects to a Sound E-33 4. Use the R-17 ( t , y ) buttons to move the thick brackets ( % ) to the “DSP” setting. • This causes the number and name of the currently selected preset DSP to appear within the thick brackets ( % ) on the display. 5. Use the di al or R- 14 (–, +) buttons to select the preset DSP you want to use. • DSPs[...]
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Applying Effects to a Sound E-34 5. Use the R-17 ( t , y ) buttons to move the 0 to the parameter you want to change. • For information about the operation and the setting range of each parameter, see “DSP Parameter Settings” (page E-35). 6. Use the dial or R-14 (–, +) buttons to change the setting value. • Pressing the R-14 (–, +) butt[...]
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Applying Effects to a Sound E-35 The table below shows the parameters that can be configured on the DSP editor screen. The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults. DSP Parameter Settings Parameter Name Description Setting Ra nge Parameters 1 through 8 The number of parameter s and settings avail[...]
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E-36 Using the Mixe r The sound source of this Digital Keyboard is capable of sounding up to 32 individual parts simultaneously. Each part can be controlled indivi dually, and each part can be configured to sound a different musical instrument. Different tones can be assign ed to each part when using la yer and split to sound multiple tones at the [...]
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Using the Mixer E-37 1. Press the C-7 (MIXER) button. • This causes the mixer screen to appear. 2. Use the R-17 ( u , i ) buttons to select the mixer parameter you want to cha nge. • You can select master (MASTER), effect (DSP), microphone input (MIC/INST), or a part (A01 through A16, B01 through B16). The currently selected setting is shown in[...]
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Using the Mixer E-38 While the mixer screen is displayed, use sliders D-4 (1/9/EXT) to D-12 (MASTER) to change the displayed paramete r settings. The D-1 (PART/COMMON) , D-2 (GROUP A/B) and D-3 (1-8/9-16) buttons are used to specify the parts that correspond to sliders D-4 (1/9/EXT) to D-11 (8/16) . The following describes the operation of these bu[...]
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Using the Mixer E-39 ● Sliders D-4 (1/9/EXT) through D-1 1 (8/16): Allow configuration of the fo llowing parameter settings in accordance with the current ly displayed mixer setting. * Operating a slider whose se tting does not correspond to anything on the currently di splayed setting screen will automatically switch to the setting screen that c[...]
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Using the Mixer E-40 • For details about how initial default settings are configured when you perform the following procedure, see “Paramete r List” (page E-162). 1. While the mixer screen is di splayed, h old down the R-13 (FUNCTION) button as you press the C-17 (MENU) button. • This displays the mixer menu screen with the 0 next to “Ini[...]
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Using the Mixer E-41 The tables below show the parameters that can be configured on the mixe r screen. The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults. MASTER parameters include items for adjusting the volume level, pan p osition, and other settings that are applied glo bally to a ll parts. DSP para[...]
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Using the Mixer E-42 MIC/INST parameters include settings related to the T-4 (INST IN) and T-6 (MIC IN) terminals. MIC/INST Parameters Parameter Name Description Setting Range Part (Mic/Inst Enable) Specifies if sound input should be output (on) or not output (oFF). oFF, on * Volume (Mic/Inst Volume) *1 Specifies the volume level of soun d input. 0[...]
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Using the Mixer E-43 Part parameters include setting items that can be adjusted for parts A01 through A16 and B01 throug h B16. Part Parameters Parameter Name Description Setting Range TONE (Part Tone) Specifies a tone for each part. When configuring this p arameter, you can use the buttons R-1 ([A] PIANO) through R-12 ([L] DRAWBAR ORGAN) to select[...]
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E-44 Using the T one Editor You can create a user tone by editing one of the built-in preset tones. • This section covers editing of preset tone groups A through J. • For information about editing group L (drawbar organ) tones, see “Editing Drawbar Organ Tones” (page E-52). The preset tones built into this Digita l Keyboard consist of a num[...]
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Using the To ne Editor E-45 •T o n e S e t t i n g Specifies which of the preset tones should be used as the original tone. These parameters control how t he tone changes o ver time, from when the keyboard key is pre ssed until the tone decays. You can specify changes in volume and sound characteristics. • Attack time This is the rate or time i[...]
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Using the Tone Editor E-46 Tone areas numbered K:001 through K:100 are for storage of user tones. You can have u p to 100 user tones stored in memory at one time. You can recall a stored user tone by pressing the R-11 ([K] USER TONES) button. See “To select a tone” (page E-14). 1. Select the tone you want to edit in order to create yo ur user t[...]
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Using the To ne Editor E-47 • The message “Please Wait” will remain on the display while a data save operation is in pro gress. Do not perform any other operation while it is disp layed. Turning off the Digital Keyboard o r removing the memory card can cause Digital Keyb oard data to be deleted or become corrup ted. It also can cause the Digi[...]
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Using the Tone Editor E-48 The table below shows the parameters that can be configured on the tone editor sc reen. For information about each parameter, also refer to “Tone Creat ion Overview” (page E-44). The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults. T one P arameter Settings Parameter Name [...]
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Using the To ne Editor E-49 DSP Parameters 1 through 8 Shows up to eight parameters for “DSP Type”. * 2 * 2 DSP RevSend (DSP Reverb Send) Adjusts how much reverb is applied to the post-DSP note. 0 to 40 * to 127 Mod Setting (Modulation Setting) Assigns either vibrato or DSP to the S-2 (MODULAT ION) button. Vib * , DSP Mod Depth (Modulation Dept[...]
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E-50 Using Dra wbar Or gan T ones Your Digital Keyboard comes wi th drawbar organ tones built in that you can use for mixing waveform ratios, just like a drawbar organ. The nine sli ders, which correspond to drawbars, can be used to change harmonic overtone level settings and to create sounds by adding percussion and click sounds in real time as yo[...]
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Using Drawbar Organ Tones E-51 Use the sliders and buttons to adjust drawbar organ tones in real time. 1. Perform st eps 1 thr ough 3 of the proce dure under “To select and play with a drawbar organ tone” (page E-50). • The level meter shows the harmonic overtone levels for the foot “lengths” preset for the currently selected drawbar orga[...]
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Using Drawbar Organ Tones E-52 Tone areas numbered L:051 throu gh L:100 are for storage of user drawbar organ tones. You can have up to 50 user drawbar organ tones stored in memory at one time. You can recall a user drawbar organ tone by pressing the R-12 ([L] DRAWBAR ORGAN) button and then using the dial or the R-14 (–, +) buttons to specify the[...]
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Using Drawbar Organ Tones E-53 The table below shows the parameters that c an be configured on the drawbar editor screen. The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults. • While the drawbar edit screen is disp layed, you can cha nge the parameters of drawbar 16' through 1' using sliders[...]
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E-54 Music Presets Music presets provide one -touch access to Auto Accompaniment, tone, reverb, and othe r settings that are configured in accordance with preset chord progressions. A total of 305 presets let you easily configure the keyboard for a wide variety of different musi cal styles. Chor d progressions include both short loops of a few meas[...]
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Music Presets E-55 3. Use the buttons from L-3 ([A] POPS/ROCK/ DANCE) to L-8 ([F] USER RHYTHMS) to sele ct a music preset group. • The L-8 ([F] USER RHYTH MS) button is for the user preset group. For details, s ee “Creating a User Preset” (page E-58). 4. Use the dial o r R-14 (–, +) butto ns to scroll through the musi c preset numbers until[...]
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Music Presets E-56 The settings listed in the table below are recalled when a music preset is selected. • Except for the chord progression, all of th e settings can be modifie d after a music pres et is selected. Refer to the informati on noted in the “Go here for more information” column of the table for details about mod ifying a particular[...]
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Music Presets E-57 While the music preset screen is displayed, you can use the L-17 (ACCOMP ON/OFF) button to change Auto Accompaniment settings. • Each press of the L-17 (ACCOMP ON/OFF) button cycles through settings as shown below. • When a preset chord progressi on or accompaniment off is selected, the keyboard can be used fo r melody play. [...]
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Music Presets E-58 Preset areas numbered F:001 through F:100 are for storage of user presets. You can have up to 100 user presets stored in memory at one time. You can recall a stored user preset after pressing the L-8 ([F] USER RHYTHMS) button. See “T o perform using a music pres et” (page E-54) for more information. 1. Perform steps 1 through[...]
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Music Presets E-59 6. Use the R-17 ( y ) button to move the 0 to “Store” and then press the R-16 (ENTER) button. • This displays a screen for specifying the destina tion user preset number and name. 7. Use the di al or R- 14 (–, +) buttons to select the destination user preset number you want. 8. Use the R-17 ( u , i ) buttons to move the c[...]
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Music Presets E-60 This section explains how chord progressions are p layed in accordance with the “T iming ” (Timing set) settings in step 5 u nder “ To create and save a user preset” (page E-58). Note that this setti ng affects playback only. It d oes not change the chord progress io n data. •N o r m a l Plays chords at the same timing [...]
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Music Presets E-61 •3 / 4 Plays chords measure-by-measure at a timing t hat is 3/4 time s that of the recording. This setting is best for use wit h a 6/8 ti me rhythm. Playing back a chord pro gression like that shown for “Half” above while “3/4” is spec ified results in the progression shown bel ow. 3/4 Playback when a 4/4 time rhythm is[...]
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Music Presets E-62 You can modify the preset chor d progression and save it as a user preset, or you can create a new chord progression from scratch and save it. 1. Perform steps 1 through 4 under “To pe rform using a music preset” (page E-54) and select the music preset you want to edit in order to create yo ur user music pr eset. 2. Configure[...]
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Music Presets E-63 1. Perform steps 1 through 4 of the procedure under “Chord Progre ssion Editing Flow ” on page E-62. 2. Use the R-17 ( t , y ) buttons to move the cursor to the chord you want to edit. • You can use the L-14 ( d FF) and L-13 ( s REW) buttons to move the cursor by measure-by-measu re. 3. Use the R-17 ( u , i ) buttons to mov[...]
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Music Presets E-64 4. Specify the location of th e new chord insert as a number of beats afte r the current cur sor position. • Except for the R-8 ( 7 ) button, pressing the R-4 ( • ) button after you press any one of the above buttons will increase number of beats by 1.5. • Pressing the R-10 ( , ) button after you press any one of the above [...]
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Music Presets E-65 1. Perform steps 1 through 4 of the procedure under “Chord Progre ssion Editing Flow ” on page E-62. 2. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button. 3. This displays a screen like the one shown below. 4. Execute the desired menu operation. 5. In response to the “Sure?” me ssage that appears[...]
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E-66 Sa ving K eyboar d Setups to Registration Memor y Registration memory lets you store Digital Keyboard setups (tone, rhythm, etc.) for instant recall whenever you need them. • For information about items that can be part of a registration setup, see “Par ameter List” (page E-162). • When recalling a registration se tup , you can recall [...]
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Saving Keyboard Setups to Registration Memory E-67 1. Configure the tone, rhythm, an d other settings you want to include in the setup. 2. Press the C-10 (BANK) button to select the bank you want. • Each press of the C-10 (BANK) button cycles through the bank numbers. • While the “BANK” screen is displayed after pressing the C-10 (BANK) but[...]
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Página 70
E-68 Using the Song Sequencer You can use the song sequencer to record keyboard play (including Auto Accompaniment), or to record individual parts (multi-track recording) and combine them into a final song. After recording data, you can ed it each individual note (event). You can have up to five re corded songs (approximately 30,000 notes total) st[...]
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Página 71
Using the Song Sequencer E-69 2. Press the C-3 (RECORD) button. • The button will start flashing and the EASY REC screen shown below will appear on the display. • An asterisk ( * ) next to a song area number indicates that there is already data recorded in that area. Selecting a song area that already contains record ed data and starting a new [...]
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Página 72
Using the Song Sequencer E-70 1. Perform steps 1 through 4 under “To pe rform using a music preset” (page E-54). 2. Press the C-3 (RECORD) button. • The button will start flashing and the EASY REC screen will appear on the display. 3. Start to play something using a music preset. For details, see “To perform using a music preset” (page E-[...]
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Página 73
Using the Song Sequencer E-71 ■ Recording Start • Beat setting •R h y t h m s e l e c t i o n • Tempo setting • Scale setting • The mixer settings below – All part parameters from A04 through A07 and B01 through B16 (Excluding part on/off) – Part parameters from A09 through A16: par t on/off, coarse tune, fine tune, scale enable, DS[...]
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Página 74
Using the Song Sequencer E-72 This section explains how to record to the system track and how to record to Tracks 01 through 1 6. For details about track configuration and what is recor ded to each track, see “Wha t you can do with the song sequencer” (page E-70). 1. Press the C-4 (SONG SEQU ENCER) button to enter the song sequencer mode . • [...]
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Página 75
Using the Song Sequencer E-73 • Page 2 of the menu screen has a “RecType” setting, but this setting cannot be used when recording a performance to the system track. 7. Start playing something on the keyboard. • Recording starts automatica lly when you perform any one of the following operations. • Starting recording will cause the C-3 (RE[...]
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Página 76
Using the Song Sequencer E-74 4. Use the R-17 ( u , i ) buttons to select a track (Track 01 through Track 16). 5. Configure panel setti ngs as required for your performance. • Configure the following settings: tone selection, tempo, mixer settings, etc. For details about set tings that can be configured, see “Recor ding Start” under “System[...]
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Página 77
Using the Song Sequencer E-75 1. While the song sequencer mode in itial screen is on the display after trac k recording is complete, hold down the R-13 (F UNCTION) button as you press the C-17 (MENU) button. • This displays the song sequencer menu with the 0 located at “ClearTrack”. 2. Press the R-16 (ENTER) button. • This causes the “Cle[...]
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Página 78
Using the Song Sequencer E-76 You can access the mixer dur ing playback, playback standby, or record standby ( C-3 (RECORD) button flashing), or while recording is in progress ( C-3 (RECORD) button lit) . Press the C-7 (MIXER) button to display the mixer screen. To retu rn to the song sequencer mode screen, press the C-7 (MIXER) button again or pre[...]
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Página 79
Using the Song Sequencer E-77 6. Press the L-16 (START/STOP) button. • This starts punch-in playback. • The following operations ar e supported during punch-in playback. They help you move to the re-recording start point quickly and easily. 7. When playbac k reaches the point fr om which you want to start re-rec ording, star t playing something[...]
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Página 80
Using the Song Sequencer E-78 6. Use the R-17 ( u , i ) buttons to move the cursor, use the dial or the R-14 (– , +) buttons to change the value at the cursor position, and then press the R- 16 (ENTER) button. • If you have already specifi ed a range using the locator screen (page E-80), you can copy that range to this screen by holding down th[...]
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Página 81
Using the Song Sequencer E-79 5. Use the R-17 ( y ) button to move the 0 to “PanelReco rd”. 6. Press the R-16 (ENTER) button. 7. In response to the “Sure?” me ssage that appears, press the R-14 (YES) button to execute the panel record operati on or the R-14 (NO) button to cancel. This section explains how to perform the following operations[...]
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Página 82
Using the Song Sequencer E-80 1. Press the C-4 (SONG SEQU ENCER) button to enter the song sequencer mode . 2. Use the dial or R-14 (–, +) buttons to select a song area number. 3. Press the C-7 (MIXER) button to display the mixer screen. 4. Use the R-17 ( u , i ) buttons to select the part you want to pla y (A04 through A 16, B01 through B16). •[...]
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Página 83
Using the Song Sequencer E-81 7. To stop playback, press the L-16 (START/STOP) button. • Pressing the R-15 (EXIT) button without pressing the R-16 (ENTER) button in step 4 above will ca ncel the phrase setting operation and close the locator screen. • The start point and end point specified on the locator screen by the above operation will be d[...]
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Página 84
Using the Song Sequencer E-82 1. Perform the procedure un der “To start a song editor operation” on page E-81 to display the song editor menu, with the 0 located at “Clear”. 2. Press the R-16 (ENTER) button. • This displays the “Clear Song” screen. 3. Use the dial or R-14 (–, +) buttons to specify the song area number you want to cl[...]
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Página 85
Using the Song Sequencer E-83 1. Perform the procedure un der “To start a song editor operation” on page E-81 to display the song editor menu. 2. Use the R-17 ( t , y ) buttons to move the 0 to “DeleteMeas.” and then press the R-16 (ENTER) button. • This causes “Delete Measure” screen to appear. At this time the thick brackets ( % ) w[...]
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Página 86
Using the Song Sequencer E-84 As explained in detail under “Songs, tracks, and parts” (p age E-70), the system track is an individ ual track, while the keyboard play and Auto Accompaniment data are recorded individually to mult iple parts (A04 thr ough A07, A09 through A16). The data of these parts is extracted to Tracks 04 through 07 and 09 th[...]
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Página 87
Using the Song Sequencer E-85 The following operations are supported during track (system track, Tracks 01 through 16) editing. • Clearing a single track • Copying one track to another track (Tracks 01 through 16 only) • Combining two tracks into a single track (T racks 01 through 16 only) 1. Press the C-4 (SONG SEQU ENCER) button to enter th[...]
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Página 88
Using the Song Sequencer E-86 1. Perform the procedure under “To start a track editor operation” on page E-85 to display the track editor menu. 2. Use the R-17 ( t , y ) buttons to move the 0 to “Copy” and then press the R-16 (ENTER) button. • This causes the “Copy Trac k” screen to appear. At this time the thick brackets ( % ) will b[...]
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Página 89
Using the Song Sequencer E-87 7. After everything is the way you want, press the R-16 (ENTER) button. • If the destination track does not contain recorded data, combination of the trac ks starts immediately. • If the destination track alr eady contains recorded data, the confirmation message shown below appears asking if you want to overwrite t[...]
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Página 90
Using the Song Sequencer E-88 The event editor screen displays the individual events that make up a song as values and characters as shown in the sample screen below. The event editor screen shows three events at one time. The event in the middle line is t he selected event. You can change the value where the solid-line curs or is located. A broken[...]
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Página 91
Using the Song Sequencer E-89 ■ Event Data List The following table shows the event types that correspond to t he abbreviations that app ear on the display, as well as the parameters of each event type and setting ranges. •“ 2 display” and “ 4 display” in the table headings corresp ond to the 2 , 4 screen positions under “R eading Eve[...]
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Página 92
Using the Song Sequencer E-90 System Track Events Event Type 2 display during insert 4 display Parameter Name Setting Range 2 display Event Name TnU1 UPPER 1 Tone [ Tone_U1 ] VALU Tone Number A:001 - L:100 TnU2 UPPER 2 Tone [ Tone_U2 ] VALU Tone Number A:001 - L:100 TnLo LOWER Tone [ Tone_Lo ] VALU Tone Number A:001 - L:100 TnHm Auto Harmonize Tone[...]
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Página 93
Using the Song Sequencer E-91 1. Perform steps 1 to 3 of th e procedur e under “To start an event editor opera tion” on page E-87 to display the event editor screen. 2. While holding down th e R-13 (FUNCTION) button, use the R-17 ( u , i ) buttons to select the track you want to edit. FTun Part Fine Tune [ F inTune ] PART Part HARM, UPP1, UPP2,[...]
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Página 94
Using the Song Sequencer E-92 1. Perform steps 1 to 3 of the procedure under “To start an event editor operation” on page E-87 to display the event editor screen. 2. Press the L-16 (START/STOP) button. • This starts playback of the song being edited from the first measure where the curs or is currently located. • Playback stops automaticall[...]
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Página 95
Using the Song Sequencer E-93 1. Display the event editor sc ree n of the track that includes the events you want to delete. • See “To select a track for editing” (pa ge E-91). 2. While holding down the R-13 (FUNCTION) button, press the C-17 (ME NU) button to display the event editor menu. 3. Use the R-17 ( t , y ) buttons to move the 0 to ?[...]
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Página 96
Using the Song Sequencer E-94 1. Display the event editor screen of the track where you want to insert the event. • See “To select a track for editing” (pa ge E-91). 2. Use the R-17 ( t , y ) buttons to move the cursor to the position wh ere you want to insert an event. • The new event will be inserted at the same timing as the event where [...]
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Página 97
Using the Song Sequencer E-95 3. Press the C-12 (COPY) button. • This displays the “Copy” screen. • If you have already specifi ed a range using the locator screen (page E-80), that range will be displayed on the range specification screen. 4. Use the R-17 ( u , i ) buttons to move the cursor, and the n use the dial or R-14 (–, +) buttons[...]
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Página 98
Using the Song Sequencer E-96 1. Display the event e ditor screen of the track you want to quantize. • See “To select a track for editing” (pa ge E-91). 2. Press the C-13 (QUANTIZE) button. • This displays the “Quantize” screen. 3. Use the dial or R-14 (–, +) buttons to change the setting in the thick brackets ( % ) to “A ll”. 4. [...]
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Página 99
Using the Song Sequencer E-97 You can use the procedures in th is section to delete all pitch bender events from a track or from a specific range in a track. • To delete individual pitch bender events, perform the operation under “To delete an individua l event” (page E-92). • After deleting the pitch bender events in one track from Track 0[...]
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Página 100
Using the Song Sequencer E-98 1. Display the event e ditor screen of the track you want to edit. • See “To select a track for editing” (pa ge E-91). 2. Depending on the type of adj ustment you want make, perform one of the operations below. 3. While holding down the R-13 (FUNCTION) button, press the C-17 (ME NU) button to display the event ed[...]
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Página 101
Using the Song Sequencer E-99 1. Perform steps 1 throug h 5 under “To adjust the velocity value of a note event” (page E-98). In step 4, select “Gatet imeMod.” instea d of “VelocityMod.”. 2. Press the R-16 (ENTER) button. • This will display the setting screen like the one shown below. • The following explains the meanings and setti[...]
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Página 102
Using the Song Sequencer E-100 1. Perform step s 1 and 2 under “To dele te a beat event” (page E-99). 2. Move the cursor to the beat event that comes immediately before the lo cation where you want to insert a new beat event. 3. Press the C-11 (INSERT) button. • This will insert a new beat event into the next measure after the cursor position[...]
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Página 103
Using the Song Sequencer E-101 5. Use buttons R-1 ( 5 ) to R-4 ( • ) and buttons R-7 ( 6 ) to R-10 ( , ) to specify the length of the note you want to input. • For information about how to specify note lengt hs , see step 4 under “To insert an event” (page E-94). • You can perform the following operations durin g step input to insert ties[...]
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Página 104
E-102 Using the P attern Sequencer You can use the pattern sequencer to create accompaniment patterns that sound while using the Digital Keyboard’s Auto Accompaniment function and st ore them as user rhyth ms. Each of the Digital Keyboard’s rhythms provides six different accompaniment patterns named INTRO, NORMAL, NORMAL FILL-IN, VARIATION, VAR[...]
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Página 105
Using the Pattern Sequencer E-103 The following describes each of the differen t instrument part statuses that appear in the lower left corner of the screen. Rhythm areas numbered F :001 through F:100 are for storage of user rhythms. You can have up to 100 user rhythms stored in memory at one time. You can recall a sto red user rhythm by pressing t[...]
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Página 106
Using the Pattern Sequencer E-104 ■ Replacing the Accompan iment Patterns of an Existing Rhythm with New Recordings With this procedure, you re-record one or more of the accompaniment patterns of an ex isting preset rhythm or previously stored user rhyt hm to create a new rhythm. In this case, you clear all of the rec areas included in an accompa[...]
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Página 107
Using the Pattern Sequencer E-105 3. Use buttons L-12 (INTRO) through L-15 (SYNCHRO/ENDING) to select the accompaniment pattern you want to play. If you want to play the INTRO accompaniment pa ttern, for example, press the L-12 (INTRO) button. • Each press of the L-13 (NORMAL/FILL-IN) button toggles between NORMAL and NORMAL FILL-IN, and each pre[...]
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Página 108
Using the Pattern Sequencer E-106 1. While the pattern sequencer screen is displayed, press the C-3 (RECORD) button. • The button will start to flash and the Digital Keyboard will enter record standby. 2. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button. • This displays a rec menu screen like the one shown below. 3. U[...]
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Página 109
Using the Pattern Sequencer E-107 1. Perform steps 1 through 6 under “To re hearse before editing an existing rhythm” (page E-104). 2. Perform the procedu re under “To configure pattern rec setti ngs (Rec Menu)” (page E-106). • This step is not necessary if you want to perform operations using initial default settings or if you want to us[...]
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Página 110
Using the Pattern Sequencer E-108 6. If you want to record notes you play on the keyboard in real time , perform the following steps. • The operation you can perform here depends on the status (page E-103) of the currently selected part, as described below. 7. If required, perform the procedure un der “To edit events with the pattern sequencer?[...]
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Página 111
Using the Pattern Sequencer E-109 8. Repeat ste ps 4 thro ugh 7 for all of th e parts y ou want to edit. • It is recommended that you save the rhythm as a user rhythm each time you finish editing each accompaniment pattern. For details about how to do this, see “To store an edited or newly created rhythm” (page E-111). 9. Repeat steps 3 throu[...]
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Página 112
Using the Pattern Sequencer E-110 6. Configur e mixer settin g s for the selected instrument part. You can sk ip this step if y ou do not want to configure mixer settings. • For details about mixer setting operations, see step 5 under “To edit an existing rhythm” (page E-107). 7. Configure part parame ter settings for the selected instrument [...]
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Página 113
Using the Pattern Sequencer E-111 1. Press the C-5 (PATTERN SEQUENCER) button. • This displays the pattern sequencer screen. For details about screen contents, see step 2 under “To rehearse before editing an existing rhythm” (page E-104). 2. Perform the procedu re under “To clear all rec areas included in the currently selected rhythm” (p[...]
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Página 114
Using the Pattern Sequencer E-112 • Pressing the R-15 (EXIT) button in place of the operation in step 1 displays the confirmation screen shown belo w. Pressing the R-14 (YES) button at this time will display the user rhythm store screen in step 2. To cancel the editor operation without saving the edited results, press the R-14 (NO) button. 1. Pre[...]
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Página 115
Using the Pattern Sequencer E-113 6. Use the R-17 ( u , i ) buttons to select the instrument part you want to edit. 7. Edit the selected accompaniment pattern instrument part as desired. • While performing the procedure below , you can press the L-16 (START/STOP) button and perform repeat playback of only the accompaniment pattern you are editing[...]
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Página 116
Using the Pattern Sequencer E-114 The event editor screen shows the individual events recorded to an instrument part as shown in the sample screen below. • The event editor screen show s three events at one time. The event in the middle line is the selected event. You can change the value where the solid- line cursor is located. A broken line und[...]
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Página 117
Using the Pattern Sequencer E-115 1. On the pattern sequencer screen, select the “Recorded Data” or “Empty” status instrument part whose events you want to edit. • You can perform event editing on one of the following types of parts. 2. While holding down the R-13 (FUNCTION) button, press the C-5 (E DIT) button to display the edit menu. 3[...]
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Página 118
Using the Pattern Sequencer E-116 The settings in this section c ontrol how instruments parts you are currently editing or creat ing are soun ding when played back as Auto Accompaniment after being saved as a user rhythm. These settings are conf igu red using the “PartPara” (Part Parameter) item on the edit menu. • You can configure part p ar[...]
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Página 119
Using the Pattern Sequencer E-117 ■ Table (Chord conversion table) Recording of each accompaniment pattern is normall y performed using C major (root of C, major type). * When playing an Auto Accompaniment, you can use a root other than C and a chord type ot her than major, if you want. Th is is accomplished by using a “chord conversion table?[...]
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Página 120
Using the Pattern Sequencer E-118 ■ BreakPoint (Break Point) This parameter specifies the key, from C to B, that is the point at which Auto Accompaniment bass and chord notes drop one octave. For example when F is specified as the break point, a C major chord recorded as C3E3G3 (CEG) becomes D3F # 3A3 (DF # A raised one note each) when D is finge[...]
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Página 121
Using the Pattern Sequencer E-119 • This procedure copies no te events only. • You will not be a ble to perform this procedure if an INTRO or ENDING is selected as th e accompaniment pattern. • When a percussion part or drum part is sp ecified as the copy destination instrum ent part, you can specify a percussion part or drum part as the copy[...]
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Página 122
Using the Pattern Sequencer E-120 1. While the pattern sequencer screen is display ed, hold down the R-13 (FUNCTION) button and press the C- 5 (EDIT) button to display the edit menu. 2. Use the R-17 ( t , y ) buttons to move the 0 to “ElementEdit” and then press the R-16 (ENTER) button. • This displays the “ElementEdit” screen. 3. The 0 s[...]
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Página 123
E-121 Recor ding and Play ing A udio All of the sound out put by th e Digital Keyboard can be reco rded as audio files on a memory ca rd. The maximum recording t ime for a single aud io file is approximate ly 13 minutes . Up to 20 audio files (actual numb er of files dep ends on card capacity) c an be record ed on a single me mory card. • To perf[...]
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Página 124
Recording and Playing Audio E-122 You can record keyboard play while in the rhythm mode or song sequencer mode. • Recording is actually performed in the audio record mo de, but you can switch between the rhythm mode screen and song sequencer mode screen from the audio record mode screen. A : or < indicator on the display indicates whether the [...]
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Página 125
Recording an d Playing Audio E-123 1. Referring to “Audio Reco rding” (page E-121), determine what type of perf ormance you want to record. 2. If you plan to use a microphone, CD player or some other external de vice as a sound source during recordin g, turn off both the external device and the Digital Keyboard and then connect them . • For d[...]
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Página 126
Recording and Playing Audio E-124 4. If required, perform the steps below to switch from the time counter screen to the tempo, measure, beat screen. If you wa nt to leave the time counter displayed, go straight to step 5. 5. Use the dial or the R-14 (– , +) buttons to select an audio file number. 6. To start recording, press the C-2 (AUDIO RECORD[...]
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Página 127
Recording an d Playing Audio E-125 1. Perform the procedure un der “To get ready for audio recording” (page E-123). • This enters the rhythm mode. 2. Perform steps 1 through 4 under “To pe rform using a music preset” (page E-54). • This enters music preset record standby. 3. Perform steps 3 through 6 under “To re cord play in the rhyt[...]
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Página 128
Recording and Playing Audio E-126 • You can start audio playback oper ations from the rhythm mode or the song sequencer mo de. You cannot start from the card mode. • You can perform normal key board play along with audio playback, and you can use la yer and split. The procedures for selecting UPPER 1, UPPER 2, and LOWER parts are the same as th[...]
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Página 129
Recording an d Playing Audio E-127 4. Press the L-16 (PLA Y/STOP) button. • This will start playback of the audio file and cause the L-16 (PLAY/ST OP) button to change from flashing to lit. The time counter also will start counting up. • The following operations are supported during playback. * Dial operation is supported only while the audio p[...]
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Página 130
Recording and Playing Audio E-128 1. Perform steps 1 through 4 under “To pl ay back a recorded audi o file” (page E-126) to start playback. 2. When playback reache s the location you want to specify as the repeat start point, press the L-12 (REPEAT) button. • This will display a screen like the one shown below, which shows the start point you[...]
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Página 131
Recording an d Playing Audio E-129 1. Press the C-6 (AUDIO PLAY) button to enter the audio play mode. 2. Use the dial or the R-14 (–, +) buttons to display the audio file you w ant to clear or delete. • To clear the audio data in a file, display the number of the file. File numbers run from 001 up to the maximum number of audio recordings that [...]
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Página 132
E-130 Using the Function Menu The function menu includes setti ngs that normally need to be accessed relatively infrequently, such as overall tuning, equalizer, touch response, local control on/off, etc. It also includes some memory card operations (format, etc.). This section explains functi on menu operations. For details about specific function [...]
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Página 133
Using the Function Menu E-131 4. To exit the function menu, press the R-13 (FUNCTION) button or R-15 (EXIT) button. • Note that all function m enu settings you configure are returned to their initial defaults whe never you turn off the Digital Keyboard. You can configure the Digital Keyboard so it remembers its latest settings or to apply predete[...]
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Página 134
Using the Function Menu E-132 Specifies the range of pitch change that occurs when the PITCH BEND wheel (S-1) is rotated. 00 - 02 * - 24 semitones Specifies the how arpeggio is played in accordance with pressed keyboard keys when the arpeggiator (page E-23) is being used. • When “on” is selected for this setting, you can turn off arpeggio pla[...]
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Página 135
Using the Function Menu E-133 See “To delete a file from a memory card” (page E-141). See “To rename a file on a memory card” (page E-141). • For details about “parts” mentioned here, see “How Parts are Organized” (page E-36). Adjusts the Auto Accompaniment volume level (master volume of parts A09 through A16). This setting does n[...]
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Página 136
Using the Function Menu E-134 Specifies if Auto Power Off (page E-13) is enabled (on * ) or disabled (oFF). Even when “on” is selected for this setting, you can temporarily disable Au to Power Off by holding down the L-3 ([A] POPS/ROCK/DANCE) button as you press the L-1 (POWER) button to turn on power. Specifies whether the Digital Keyboard sho[...]
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Página 137
Using the Function Menu E-135 This item can be used to initialize all data and settings, or parameter settings only. • For information about what settings are initialized when “Parameter” is selected for initialization in step 4 of the procedure below, see “Param eter List” (page E-162). ■ To initializ e all da ta an d settings (o r par[...]
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Página 138
E-136 Using a Memory Car d You can save Digital Keyboard user area data to a memory card and load data from a memory card to Digital Keyboard memory. You also can play musi c files (MIDI files) stored on a memory card on the Digital Keyboard. • Use a memory card that satisfies the conditions below. Format: SDHC or SD Capacity: 2GB to 32GB Use of [...]
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Página 139
Using a Memory Card E-137 • Electrostatic charge from your fingers or the memory card to the card slot can cause malfunction of the Digital Keyboard. If this happens, turn the Digital Keyboard off and then back on again. • A memory card can beco me quite warm after very long use in the card slot. This is normal and does not indicate malfunction[...]
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Página 140
Using a Memory Card E-138 4. Use the R-17 ( t , y ) buttons to move the 0 to “CardFormat”. 5. Press the R-16 (ENTER) button. • This will display a value indicating the maximum number of audio recordings that can be recorded. 6. Use the dial or R-14 (–, +) buttons to specify the number of audio recordin gs yo u want to format the card for. ?[...]
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Página 141
Using a Memory Card E-139 5. Press the R-17 ( y ) button to ch ange to the “Xxxx Save” * 1 screen. • To save a song sequencer s ong in SMF format, press the R-17 ( y ) button one more time here to display the “Seq SmfSave” screen. You can sw itch between the “Xxxx Load”, “Seq Save”, and “Seq SmfSave” screens using the R-17 ( t[...]
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Página 142
Using a Memory Card E-140 ■ Memory card Data Storage The above procedure stores Digita l Keyboard data in a folder named MUSICDAT on the memory card. • The MUSICDAT folder is cr eated automatically when you format the memory card on the Digital Keyboard (page E-137). • Note that files not in the MUSICDAT folder cannot be loaded, deleted, or r[...]
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Página 143
Using a Memory Card E-141 1. Insert the memory card into the card slot. 2. Press the C-9 (CARD) button to enter the card mode. 3. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button. • This displays the function menu “Play/CardUtl” screen. 4. Use the R-17 ( t , y ) buttons to move the 0 to “FileDelete” and then pre[...]
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Página 144
Using a Memory Card E-142 You can use the Digital Keyboard to play music files you saved to a memory card with your computer. • Supported music files are SMF form at 0 or 1 MIDI files (MID). • Playback of audio files (WAV, MP3, etc.) is not supported . • Data Manager computer software (page E-146) can be used to convert WAV format files to a [...]
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Página 145
Using a Memory Card E-143 When playing a music file of a piano piece that has the left hand and the right hand parts recorded in separate MIDI channels, you can turn off play back of one of the parts a nd play it on the keyboard along with playback of the o ther part. 1. Enter the card mode and se lect the MIDI file you want to play. 2. Press the L[...]
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Página 146
Using a Memory Card E-144 You can perform the followi ng operations and play on the keyboard along with playback of a music file on a memory card. • Select UPPER 1 part, UPPER 2 part, and LOWER p art tones. • Specify layer, split on/off, and the split point The procedures for performing t hese operations are the same as those performed in the r[...]
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Página 147
E-145 Connecting to a Computer You can connect the Digital Keyboard to a computer and exchange MIDI data between them. You can send play data from the Digital Keyboard to music software running on your computer, or you can send MIDI data from your computer to the Digital Keyboard for playback. The following shows the minimum computer system require[...]
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Página 148
Connecting to a Computer E-146 You can transfer song sequencer songs, user rhythms, and other data in Digital Keyboard memory to a computer for storage. You also can load Auto Accompaniment data you download from the CASIO we bsite to the Digital Keyboard, which greatly expands the Auto Accompaniment patterns available to you. A special Data Manage[...]
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Página 149
Connecting to a Computer E-147 You can transfer rhythm data fr om other models by loading it from a memory card, or by usi ng Data Manager to transfer the data from a computer to Di gital Keyboard memory. For information about actual operati ons, see “Importing Data from Various Storage Media” (page E-147). • Note that rhythm data from some m[...]
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Página 150
E-148 Reference Err or Messages Display Message Cause Required Act ion Format 1. The current memory card format is not compatible with this Digital Keyboard. 1. Format the memory card on the Digital Keyboard (page E-137). 2. The memory card capacity is gr eater than 32GB. 2. Use a memory card with a capacity b etween 2GB and 32GB. 3. You are trying[...]
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Página 151
Reference E-149 Meas. Limit You tried to perform an operation during song sequencer song editing or us er music preset editing that would cause the number of measures in the so ng or chord progression to exceed 999. Make sure your edits do not cause the number of measures to exceed the 999-measure limit. Memory Full 1. There is not enough memory ca[...]
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Página 152
Reference E-150 T r oubleshooting Symptom Action Included Accessories I can’t find something that should be included with the product. Carefully check inside all of the packing materials. Power Requirements Power will not tu rn on. • Check the AC adaptor or make sure that the batteries are facing correctly (page E-9). • Replace the batteries [...]
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Reference E-151 Notes keep sounding, without stopp ing. • Turn power off and then back on to initialize a ll Digital Keyboard settings (page E-13). • Replace the batteries with new ones or switch over to AC adaptor power (page E-9). Some notes are cut off while they are playing. Notes are cut off whenever the number of notes being sounded exce [...]
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Reference E-152 Specifications Models CTK-7200/WK-7600 Keyboard CTK-7200: 61 standard-size keys WK-7600: 76 standard-size keys Touch Response 2 types, Off Maximum Polyphony 64 notes (32 for certain to nes, 21 for drawbar organ tones) Tones Built-in Tones 820 User Tones Up to 100 (Tone Editor), up to 50 (Drawbar Edit) Functions Layer, Split Drawbar [...]
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Reference E-153 • Design and specifications are s ubject to change without no tice. MIDI 16 multi-timbre received, GM Level 1 standard Pitch Bend Wheel Pitch Bend Range 0 to 24 semitones Memory Cards Supported Memory Cards SD or SDHC memory cards, 2 GB to 32GB Functions SMF playback, fi le storage, file recall, file delete, card format Inputs/O u[...]
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Reference E-154 Be sure to read and observe the following operating precautions. ■ Locatio n Avoid the following loca tions for this product. • Areas exposed to direct sunlight and high humidity • Areas subjected to temperature extremes • Near a radio, TV, video deck, or tuner The above devices will not cause ma lfunction of the product, bu[...]
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Reference E-155 The table below shows the preset DSPs that can be se lected by the procedure under “To use a DSP” (page E-32). • The “Number” column shows DSP numbers, while the “Screen Name” shows the DSP name that appears on the display. • The DSPs of this Digital Keyboard consist of the 46 “types ” shown in the “DSP Type Li[...]
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Reference E-156 All of the Digital Keyboard’s preset DSPs belong to one of the DSP types shown in the table below. When creating a user DSP (page E-33) or when using the tone editor ( page E-44) to e dit the DSP applied to a tone, you need to select one of the DSP type s in the table. • Type numbers 01 through 14 are single type D SPs, while nu[...]
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Reference E-157 ■ Single Type DSP Parameters 01: Wah This is a “wah” effect that can automatically affect the frequency using an LFO. Parameters and Value Ranges: 1 : Resonance (0 to 127) Adjusts the strength of resonance. 2 : Manual (0 to 127) Adjusts the wah filter reference frequency. 3 : LFO Rate (0 to 127) Adjusts the LFO rate. 4 : LFO D[...]
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Reference E-158 08: Flanger Applies wildly pulsating and meta llic reve rberation to sounds. LFO waveform is selecta ble. Parameters and Value Ranges: 1 : LFO Rate (0 to 127) Adjusts the LFO rate. 2 : LFO Depth (0 to 127) Adjusts the LFO depth. 3 : LFO Waveform (sin, tri, random) Selects the LFO waveform. 4 : Feed back (0 to 127) Adjusts the streng[...]
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Reference E-159 14: Lo-Fi Applies various types of noise to the input signal to reproduce a retro Lo-Fi sound. Includes wow and flutter for rotati onal fluctuation like that in tapes and records, a Noise 1 generator that generates continual FM radio type, and a Noise 2 generator that generates record play types scratch noise. Parameters and Value R[...]
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Reference E-160 In addition to the chords that can be fingered w ith Fingered 1 and Fingered 2, the following chords also are recognized. • With Fingered 3, the lowest note fingered is interpreted as the base note. Inverted forms are not supported. • With Full Range Chord, when the low est note fingered is a certain distance from the nei ghbori[...]
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Reference E-161 The following shows the relationship between MIDI IN and MIDI OUT channels and each part. * The A01 part MIDI OUT channel depends on th e keyboard channel setting. For details, see “KeyboardCh (Keyb oard Channel)” (page E-133). • For details about parts, see “How Parts are Organized” (page E-36). Assigning a MIDI Channel t[...]
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Reference E-162 P arameter List To check this setting item: Refer to this column i n the table below: Setting items that are always saved when power is turned off 1 Setting items stored in registration memory (page E-66) 2 When “on” is selected for the “AutoResume (A uto Resume)” setting (page E-134), setting items that are restored to thos[...]
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Reference E-163 Chord Example List Root Chord Type M m dim aug sus4 sus2 7 m7 M7 m7 b 5 7 b 5 7sus4 add9 madd9 mM7 dim7 69 6 m6 ( A # ) /B b B F # / ( G b ) G ( G # ) /A b A F CC # / ( D b ) D ( D # ) /E b E • Since the chord input range is limited, this mode l may not support some of the chords shown abo ve.[...]
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CTK-7200 / WK-7600 L-1 L-1 L-12 L-12 R-1 8 R-1 8 R-15 R-15 R-16 R-16 R-19 R-19 R-17 R-17 R-14 R-14 R-13 R-13 R-20 R-20 L-13 L-13 L-14 L-14 L-15 L-15 L-16 L-16 D-2 D-2 D-1 D-1 D-3 D-3 D-4 D-4 D-5 D-5 D-6 D-6 D-7 D-7 D- 8 D- 8 D-9 D-9 D-10 D-10 D-11 D-11 D-12 D-12 L-17 L-17 C-11 C-11 C-10 C-10 C-12 C-12 C-13 C-13 C-14 C-14 C-15 C-15 C-16 C-16 C-17 C-[...]
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Function T ransmitted Recognized Remarks Basic Channel 1 - 16 1 - 16 1 - 16 1 - 16 Def ault Changed Note Number 0 - 127 0 - 127 * 1 T rue voice After T ouch Control Change X X X O Pitch Bender O O K ey’s Ch’s V elocity O 9nH v = 1 - 127 X 9nH v = 0, 8nH V = ** O 9nH v = 1 - 127 X 9nH v = 0 Note ON Note OFF Mode Mode 3 X 0 - 127 Mode 3 X Def aul[...]
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Program Change O 0 - 127 O 0 - 127 :T rue # System Exclusive O * 2 O System Common X X X X X X : Song Pos : Song Sel : T une A ux Messages Remarks X O X O X X O O X O O X : All sound off : Reset all controller : Local ON/OFF : All notes OFF : Activ e Sense : Reset System Real Time O O X X : Clock : Commands Mode 1 : OMNI ON, POL Y Mode 3 : OMNI OFF[...]
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MA1202-A Printed in China CTK7200/WK7600E1A K This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany.[...]