Roland KR7/5 manual

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Bom manual de uso

As regras impõem ao revendedor a obrigação de fornecer ao comprador o manual com o produto Roland KR7/5. A falta de manual ou informações incorretas fornecidas ao consumidor são a base de uma queixa por não conformidade do produto com o contrato. De acordo com a lei, pode anexar o manual em uma outra forma de que em papel, o que é frequentemente utilizado, anexando uma forma gráfica ou manual electrónicoRoland KR7/5 vídeos instrutivos para os usuários. A condição é uma forma legível e compreensível.

O que é a instrução?

A palavra vem do latim "Instructio" ou instruir. Portanto, no manual Roland KR7/5 você pode encontrar uma descrição das fases do processo. O objetivo do manual é instruir, facilitar o arranque, a utilização do equipamento ou a execução de determinadas tarefas. O manual é uma coleção de informações sobre o objeto / serviço, um guia.

Infelizmente, pequenos usuários tomam o tempo para ler o manual Roland KR7/5, e um bom manual não só permite conhecer uma série de funcionalidades adicionais do dispositivo, mas evita a formação da maioria das falhas.

Então, o que deve conter o manual perfeito?

Primeiro, o manual Roland KR7/5 deve conte:
- dados técnicos do dispositivo Roland KR7/5
- nome do fabricante e ano de fabricação do dispositivo Roland KR7/5
- instruções de utilização, regulação e manutenção do dispositivo Roland KR7/5
- sinais de segurança e certificados que comprovam a conformidade com as normas pertinentes

Por que você não ler manuais?

Normalmente, isso é devido à falta de tempo e à certeza quanto à funcionalidade específica do dispositivo adquirido. Infelizmente, a mesma ligação e o arranque Roland KR7/5 não são suficientes. O manual contém uma série de orientações sobre funcionalidades específicas, a segurança, os métodos de manutenção (mesmo sobre produtos que devem ser usados), possíveis defeitos Roland KR7/5 e formas de resolver problemas comuns durante o uso. No final, no manual podemos encontrar as coordenadas do serviço Roland na ausência da eficácia das soluções propostas. Atualmente, muito apreciados são manuais na forma de animações interessantes e vídeos de instrução que de uma forma melhor do que o o folheto falam ao usuário. Este tipo de manual é a chance que o usuário percorrer todo o vídeo instrutivo, sem ignorar especificações e descrições técnicas complicadas Roland KR7/5, como para a versão papel.

Por que ler manuais?

Primeiro de tudo, contem a resposta sobre a construção, as possibilidades do dispositivo Roland KR7/5, uso dos acessórios individuais e uma gama de informações para desfrutar plenamente todos os recursos e facilidades.

Após a compra bem sucedida de um equipamento / dispositivo, é bom ter um momento para se familiarizar com cada parte do manual Roland KR7/5. Atualmente, são cuidadosamente preparados e traduzidos para sejam não só compreensíveis para os usuários, mas para cumprir a sua função básica de informação

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  • Página 1

    / 4 3 2 1 Owner’s Manual 02904667 ’03-5-7N Owner’s Manual To resize thickness, move all items on the front cover and center registration marks to left or right Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These se[...]

  • Página 2

    2 To resize thickness, move all items on the front cover and center registration marks to left or right. This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Ce[...]

  • Página 3

    3 USING THE UNIT SAFELY 001 • Before using this unit, make sure to read the instructions below, and the Owner’s Manual. .......................................................................................................... 002a • Do not open or perform any internal modifica- tions on the unit. .............................................[...]

  • Página 4

    4 016 • Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page. .......................................................................................................... 026 • Do not put anything that contains water [...]

  • Página 5

    5 IMPORTANT NOTES 291b In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2, 3 and 4, please read and observe the following: Power Supply 301 • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting[...]

  • Página 6

    6 IMPORTANT NOTES 558a • To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night). 559b • When you need to transport the unit, pack it in shock- absorbent material. Transporting the u[...]

  • Página 7

    7 Introduction Thank you, and congratulations on your choice of the Roland KR-7/5 Intelligent Piano. While the KR-7/5 Intelligent Piano certainly allows you to achieve authentic piano performances, it also features easy-to-use Automatic Accompaniment and numerous other useful functions. In order to enjoy reliable performance of your new keyboard fo[...]

  • Página 8

    8 Introduction ❍ A Variety of Support Functions for Fostering Rich Musical Abilities In addition to score displays that let you see note names and fingerings, and a bouncing ball that keeps track of the notes currently being played, you can also enjoy other powerful practice functions, like repeated practice of a specified segment, and simple pla[...]

  • Página 9

    9 Introduction How To Use This Manual The KR-7/5 Owner’s Manual consists of two volumes, Quick Start and the Owner’s Manual . Please start out by reading “Before You Start Playing” (p. 18) in the Owner’s Manual (this volume). This explains how to connect the KR’s power cord and how to turn on the instrument’s power. After turning on t[...]

  • Página 10

    10 Panel Descriptions KR-7 * The panel diagrams shown in this owner’s manual are those of the KR-7. 1. [Power] switch Pressed to switch the power on and off (p. 19). 2. [Volume] knob Adjusts the overall volume (p. 20). 3. [Brilliance] knob Adjusts the brightness of the sound (p. 20). 4. [Wonderland/Game] button Here you can learn about instrument[...]

  • Página 11

    11 Panel Descriptions 23. Main Buttons → See the Quick Start [Select/Listen to a Song], [Disk] button Use this button to select internal songs or songs from floppy disk (p. 69). [Song Stylist] button [Music Assistant] button [Score Display] button Displays scores (p. 74). You can use the practice function (p. 78). [Session Partner] button [Select[...]

  • Página 12

    12 Panel Descriptions KR-5 1. [Power] switch Pressed to switch the power on and off (p. 19). 2. [Volume] knob Adjusts the overall volume (p. 20). 3. [Brilliance] knob Adjusts the brightness of the sound (p. 20). 4. [Wonderland/Game] button Here you can learn about instruments while having fun. → See the Quick Start Balance 5. [Part Balance] butto[...]

  • Página 13

    13 Panel Descriptions 19. Main Buttons → See the Quick Start [Select/Listen to a Song], [Disk] button Use this button to select internal songs or songs from floppy disk (p. 69). [Music Assistant] button [Score Display] button Displays scores (p. 74). You can use the practice function (p. 78). [Select Various Tones] button 20. Touch Screen This le[...]

  • Página 14

    14 Panel Descriptions Rear Panel 1. MIDI Out/In connectors These can be connected to an external MIDI device to exchange performance data (p. 158). * There is also a MIDI In connector on the bottom panel. The two MIDI In connectors cannot be used simultaneously. 2. Pedal connector Connect the pedal cable of the stand to this connector (p. 18). 3. I[...]

  • Página 15

    15 Contents USING THE UNIT SAFELY .............................................................3 IMPORTANT NOTES ....................................................................... 5 Introduction ...............................................................7 Main Features .......................................................................[...]

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    16 Contents Chapter 3 Song Playback and Practice Functions ........ 69 Playing a Song .................................................................................. 69 Using Keywords to Search for Songs (Song Search) ............ 71 Registering the Songs You Like (Favorites) ................................. 72 Removing Songs from Favorites ...[...]

  • Página 17

    17 Contents Chapter 7 Creating Music Styles .........................134 Creating Original Styles (User Styles) ......................................... 134 Creating New Styles by Combining Internal Music Styles (Style Composer) (KR-7) ........................................................ 134 Creating a Style from a Song You Composed Yourself ([...]

  • Página 18

    18 Before You Start Playing Before You Start Playing Connect the Pedal Cable Insert the pedal cable into the Pedal connector on the rear panel of the KR-7/5. fig.00-01 Connect the Speaker Cable (KR-7) As shown in the diagram, connect the speaker cable leading from the speaker box of the stand to the speaker connector located on the rear panel of th[...]

  • Página 19

    19 Before You Start Playing Before You Start Playing ■ Adjusting the Position of the Music Stand Grasp the music stand with both hands, and pull it toward yourself to adjust the position. fig.mu_stand2 ■ Folding Down the Music Stand 1. Grasp the music stand with both hands, and gently push it in until it stops. 2. Raise the support located on t[...]

  • Página 20

    20 Before You Start Playing Before You Start Playing About the Pedals The pedals have the following functions, and are used mainly for piano performance. fig.00-08.e Damper pedal (right pedal) While this pedal is pressed, notes will be sustained even after you take your fingers off the keys. On an acoustic piano, holding down the damper pedal will [...]

  • Página 21

    21 Before You Start Playing Before You Start Playing Connecting a Microphone You can connect a microphone into the Mic In jack, and enjoy karaoke with the KR-7/5. fig.00-10 1. Connect a microphone (sold separately) to the Mic In jack on the lower-right area of the instrument. 2. Rotate the [Mic Volume] knob in front of the Mic In jack to adjust the[...]

  • Página 22

    22 Before You Start Playing Before You Start Playing For more on handling the external display, refer to your display’s owner’s manual. You can also remove the music stand, then place the display there so that it faces forward. For instructions on removing the music stand, refer to “Removing the Music Stand” (p. 19). When using the KR-7 wit[...]

  • Página 23

    23 Before You Start Playing Before You Start Playing Main Screens ■ Piano Screen Immediately after the power is turned on, the Piano screen like the one below is displayed. For details, refer to p. 24. ■ Basic Screen The following screen is called Basic screen. You can usually display this screen by touching <Exit> several times. Follow e[...]

  • Página 24

    24 Chapter 1 Chapter 1 Performance Playing the Keyboard Like a Piano (One-Touch Piano) You can create the optimal settings for a piano performance with the press of a single button. fig.panel1-1 1. Press the One Touch Program [Piano] button. A “Piano screen” like the one shown below will appear. fig.d-piano.eps_60 When you press the One Touch P[...]

  • Página 25

    25 Chapter 1 Performance Chapter 1 Performing with a Variety of Tones (Tone Buttons) The KR-7/5 comes with a many built-in instrument sounds and effects. This lets you enjoy perform in a wide range of musical styles. The built-in sounds are called “Tones.” The sounds are organized into six tone groups, which are assigned to the [Tone] buttons. [...]

  • Página 26

    26 Chapter 1 Performance Chapter 1 ■ Playing Percussion Instruments or Sound Effects You can use the keyboard to play percussion sounds or effects like sirens and animal sounds. fig.panel1-2 1. Press the [Select Various Tones] button and watch the indicator light up. 2. Touch <Drums> or <SFX>. fig.d-drum.eps_60 Each note of the keyboa[...]

  • Página 27

    27 Chapter 1 Performance Chapter 1 ■ Using Keywords to Search for Tones (Tone Search) You can search for tones that match the conditions you set for instrument or musical style. You can also search the tones using the first character of the tone name. 1. Press any Tone button. The tone selection screen appears. 2. Touch <Search>. The follow[...]

  • Página 28

    28 Chapter 1 Performance Chapter 1 Performing with Two Sounds Layered Together (Layer) Two tones sounding together when you press a single key is referred to as a “layer performance.” For instance, it’s possible to play the Tones for both Piano and Strings simultaneously. fig.layer.e 1. Touch <Layer> at the bottom of the Basic screen. f[...]

  • Página 29

    29 Chapter 1 Performance Chapter 1 Playing Different Tones with the Left and Right Hands (Split) Dividing the keyboard into right-hand and left-hand areas, then playing different sounds in each section is called “split performance.” The boundary key is called the “split point.” The split point key is included in the left-hand keyboard area.[...]

  • Página 30

    30 Chapter 1 Performance Chapter 1 Turning On Layer and Split Performance Simultaneously Turning on both layer performance and split performance allows you to split the keyboard into two sections while playing two layered Tones in the right-hand part. fig.d-layersplit.eps_60 ■ Shifting the Keyboard Pitch in Octave Steps (Octave Shift) When using [...]

  • Página 31

    31 Chapter 1 Performance Chapter 1 Adding Reverberation to the Sound (Reverb) Apply a reverb effect to the notes you play with the KR-7/5. Reverb makes it sound as if you are playing in a concert hall. fig.panel1-3 1. Press the [Reverb] button and watch the its indicator light up. A “Reverb screen” like the one shown below appears. fig.d-reverb[...]

  • Página 32

    32 Chapter 1 Performance Chapter 1 3. Touch the slider beneath the icons to adjust the effect selected. Touch and slide the knob on the screen to the right for a deeper reverb, and to the left for less. You can also move the slider with the [-] [+] buttons and the dial. Pressing the [-] [+] buttons simultaneously returns the slider to the initial v[...]

  • Página 33

    33 Chapter 1 Performance Chapter 1 ❍ Selecting the tone to which the effect is applied With “Keyboard” in Advanced 3D set to On, you can select the parts to which the 3D effect is to be applied when the keyboard is played. 1. Press the [Advanced 3D] button and watch the indicator light up. 2. On the Advanced 3D screen, touch <Option>. A[...]

  • Página 34

    34 Chapter 1 Performance Chapter 1 ■ Adjusting the Sound to Achieve the Preferred Tone Quality (Equalizer) (KR-7) The KR-7 features a built-in, five-band digital equalizer. An equalizer boosts or cuts specific sound pitches (frequency ranges) to adjust the sound balance for the overall performance. For example, you can boost the highs to get a cr[...]

  • Página 35

    35 Chapter 1 Performance Chapter 1 You can also move the slider with the [-] [+] buttons and the dial. Pressing the [-] [+] buttons simultaneously returns the slider to “0.” When you touch <Exit>, the equalization is placed in effect, and you return to the previous screen. Cancelling the effect 4. Press the [Equalizer] button and watch th[...]

  • Página 36

    36 Chapter 1 Performance Chapter 1 Adding Effects to Each Tone and Voice ■ Applying Effects to the Sound (Effects) You can apply a wide range of different effects to the notes you play on the keyboard. 1. First, press the Tone button to select a Tone (p. 25). The “Tone selection screen” appears. fig.d-octshift.eps_60 2. Then, touch <Effect[...]

  • Página 37

    37 Chapter 1 Performance Chapter 1 Cancelling the Effect 6. On the Effects screen, touch <Off>. ■ Adding Effects to Mic Vocals (Vocal Effect) (KR-7) With a microphone connected, you can add effects to the microphone vocals. Adding effects to the vocals is referred to as “Vocal Effect.” ❍ How to select Vocal Effect fig.panel1-5 1. Pres[...]

  • Página 38

    38 Chapter 1 Performance Chapter 1 3. When you touch <Exit>, the effect is applied and you return to the previous screen. Cancelling the Vocal Effect 4. Press the [Vocal Effect] button and watch the indicator light go out. The Vocal Effect function is cancelled. ❍ Adjusting the Echo (Echo) 1. Touch <Echo> in Step 2 of “How to select[...]

  • Página 39

    39 Chapter 1 Performance Chapter 1 ❍ Altering Vocals (Transformer) With the KR-7, you can modify the way your voice sounds through the microphone. This is called the “Voice Transformer” function. 1. Touch <Transformer> in Step 2 of “How to select Vocal Effect” (p. 37). fig.d-vo-trans.eps_60 2. Touch any one of the icons. Here’s wh[...]

  • Página 40

    40 Chapter 1 Performance Chapter 1 ❍ Adding Harmonies (Harmonist) You can sing with a harmony accompaniment, even when you’re playing solo. This is called the “Harmonist” function. 1. Touch <Harmonist> in Step 2 of “How to select Vocal Effect” (p. 37). fig.d-vo-harmo.eps_60 2. Touch any one of the icons. Here’s what the differen[...]

  • Página 41

    41 Chapter 1 Performance Chapter 1 ❍ Enabling the start of songs and automatic accompaniment with the sound of your voice (Vocal Count-In) You can start songs and the Automatic Accompaniment by counting into the microphone. 1. Touch <Vocal Count In> in Step 2 of “How to select Vocal Effect” (p. 37). fig.d-vo-coin.eps_60 2. Touch <Arr[...]

  • Página 42

    42 Chapter 1 Performance Chapter 1 2. If the <OFF> icon is selected, touch the <ON> icon. 3. Touch any of the icons to select a Tone. You can also select the Tone by pressing the Tone button. When you sing into the microphone, the sung pitches are played using the selected Tone. Cancelling the effect 4. Touch <OFF>. The Vocal Keyb[...]

  • Página 43

    43 Chapter 1 Performance Chapter 1 ■ Enjoying Karaoke Performances with Music Files 1. Connect a microphone. 2. Adjust the volume level and the amount of echo applied. On the KR-7, use the Vocal Effect function to adjust the echo (p. 38). You can also enjoy this effect with the Voice Transformer function (p. 39) and Harmonist function (p. 40). On[...]

  • Página 44

    44 Chapter 1 Performance Chapter 1 Using the Metronome and Rhythm (Rhythm Partner) The KR-7/5 features a built-in metronome. Additionally, you can have Rhythm patterns play, in the same manner as the metronome, just by pressing the [Rhythm] button. The combination of the internal metronome and rhythm functions is called “Rhythm Partner.” fig.pa[...]

  • Página 45

    45 Chapter 1 Performance Chapter 1 ■ Changing the Metronome Settings ❍ Adjusting the tempo You can adjust the tempo of the metronome. The tempo of the metronome changes automatically if you use an Automatic Accompaniment or play back a song. 1. Press the Tempo [-] or [+] buttons to adjust a tempo. You can adjust the metronome tempo over a range[...]

  • Página 46

    46 Chapter 1 Performance Chapter 1 ❍ Changing the volume The volume of the metronome can be adjusted to ten different levels. 1. On the Metronome screen, touch <Volume>. The available choices for the volume level appear at the bottom of the screen. 2. Touch the volume icon you’ve selected. When you touch , the selection moves to the side,[...]

  • Página 47

    47 Chapter 1 Performance Chapter 1 ❍ Changing the Animation A metronome that moves along with the tempo is usually displayed at the center of the Metronome screen. You can change that picture to an animated bouncing ball, or other animation. 1. On the Metronome screen, touch the <Type>. The animation type will change. Each time you touch th[...]

  • Página 48

    48 Chapter 1 Performance Chapter 1 ■ Playing Rhythm The KR-7/5 features numerous internal rhythm patterns, which, like the metronome, can be played and stopped with the press of a single button. Playing rhythm patterns instead of the metronome lets you enjoy performances that feel like live sessions. 1. Press the [Rhythm] button and watch the ind[...]

  • Página 49

    49 Chapter 1 Performance Chapter 1 ❍ Changing the volume The rhythm volume can be adjusted to ten different levels. 1. On the Rhythm screen, touch <Volume>. The available choices for volume level appear at the bottom of the screen. 2. Select a volume icon. When you touch , the selection moves to the side, allowing you to access other volume[...]

  • Página 50

    50 Chapter 2 Chapter 2 Automatic Accompaniment Music Styles and Automatic Accompaniment What is Automatic Accompaniment? Press the KR-7/5’s One Touch Program [Arranger] button for Automatic Accompaniment’s optimum settings. Automatic Accompaniment is a function that provides you with accompaniment in a variety of musical genres, just by specify[...]

  • Página 51

    51 Chapter 2 Automatic Accompaniment Chapter 2 Performing Using Automatic Accompaniment (One-Touch Arranger) Here’s how to create the settings for Automatic Accompaniment. fig.panel2-1 1. Press the One Touch Program [Arranger] button. The Basic screen like the one shown below appears. fig.d-arrbasic.eps_60 Observe the settings: • The keyboard i[...]

  • Página 52

    52 Chapter 2 Automatic Accompaniment Chapter 2 ■ About Chords A chord is produced when several notes are played simultaneously. Chords are indicated by the pitch of the fundamental note of the chord (the root) and the chord type, which is determined by the other notes of the chord. For example, the C m chord is expressed in terms of the root note[...]

  • Página 53

    53 Chapter 2 Automatic Accompaniment Chapter 2 ■ Viewing Chord Fingerings (Chord Finder) Whenever you are not sure how a certain chord is fingered, you can display the notes of the chord on the screen. 1. On the Basic screen, touch < >. fig.d-arrbasic.eps_60 2. Touch the root of the chord you want to learn about. The chord fingering appears[...]

  • Página 54

    54 Chapter 2 Automatic Accompaniment Chapter 2 Selecting Music Styles (Music Style Buttons) You can select a variety of different Music Styles by pressing the Music Style buttons. Music Styles are divided into six groups, with each assigned to one of the Music Style buttons. fig.panel2-2 1. Press the One Touch Program [Arranger] button. 2. Press on[...]

  • Página 55

    55 Chapter 2 Automatic Accompaniment Chapter 2 5. Touch <Exit>. The display returns to the Basic screen. When you play a chord in the left-hand part of the keyboard, the selected Music Style is automatic. ■ Selecting Music Styles on Disks You can play other User Styles saved to floppy disks or User memory (KR-7) (p. 139). fig.panel2-3 1. In[...]

  • Página 56

    56 Chapter 2 Automatic Accompaniment Chapter 2 ■ Using Keywords to Search for Music Styles (Style Search) You can search for Music Styles that match the tempo of the song, musical genre, or other criteria you set. You can also search Music Styles using the first character of the Style names. 1. Press one of the Music Style buttons. 2. Touch <S[...]

  • Página 57

    57 Chapter 2 Automatic Accompaniment Chapter 2 Playing Only Music Style Rhythm Patterns You can also play only the rhythm patterns of Music Styles. fig.panel2-4 1. Select a Music Style (p. 54). 2. Press the One Touch Program [Piano] button. The performance is set so that only the rhythm patterns are played. 3. Press the [Intro/Ending] button. The R[...]

  • Página 58

    58 Chapter 2 Automatic Accompaniment Chapter 2 Starting and Stopping the Accompaniment Pressing the One Touch Program [Arranger] button activates Sync Start for the accompaniment (which starts the accompaniment simultaneously when you play on the lower section of the keyboard), and automatically sets an appropriate intro for the accompaniment. You [...]

  • Página 59

    59 Chapter 2 Automatic Accompaniment Chapter 2 ❍ Starting at the press of a button 1. Press the [Intro/Ending] button and [Start/Stop] button simultaneously, and the indicators lights go out. The Sync Start function is cancelled. 2. Play a chord on the lower part of keyboard. Choose the chord to be played when the accompaniment begins playing. 3.[...]

  • Página 60

    60 Chapter 2 Automatic Accompaniment Chapter 2 ■ Having a Count Sound Play at the End of the Intro (Countdown) If an intro plays before your performance, you can have a count-in sound played to the end of the intro, helping you hear when to start playing. fig.countdown.e 1. Press the [Metronome] button and watch the indicator light up. The Metron[...]

  • Página 61

    61 Chapter 2 Automatic Accompaniment Chapter 2 Modifying an Accompaniment When you use Automatic Accompaniment, you can easily add Fill Ins to the accompaniment patterns, change arrangements, and make other changes. ■ Changing the Accompaniment Pattern (Fill In Buttons) There are two accompaniment patterns: the Original, and a Variation. In addit[...]

  • Página 62

    62 Chapter 2 Automatic Accompaniment Chapter 2 ■ Changing the Instrumental Makeup of Music Styles (Style Orchestrator) You can change the arrangement of an accompaniment. This function is called “Style Orchestrator.” Each Music Style has four different accompaniment arrangements. fig.panel2-8 ❍ <KR-7> 1. Press the [Style Orchestrator][...]

  • Página 63

    63 Chapter 2 Automatic Accompaniment Chapter 2 2. Touch <Exit>. You are returned to the previous screen. 3. Press the [1] or [2] button to change the arrangement of the accompaniment. ■ Playing Phrases (Phrase) (KR-7) fig.panel2-9 1. Press the [Phrase] button and watch the indicator light up. The instrument is set so that phrases play with [...]

  • Página 64

    64 Chapter 2 Automatic Accompaniment Chapter 2 Adding Harmony to the Right-Hand Part (Melody Intelligence) You can add harmony to the notes you play on the keyboard. While an Automatic Accompaniment is playing, the matching harmony is automatically added to the notes you are playing with the right hand. This function is called “Melody Intelligenc[...]

  • Página 65

    65 Chapter 2 Automatic Accompaniment Chapter 2 Playing Sounds in the Left Hand During a Performance (Lower Tone) Normally, when using Automatic Accompaniment in a performance, sounds are not produced by playing the left-hand part of the keyboard. When you touch the <Lower> icon, you can have Tones from the left side of the keyboard play simul[...]

  • Página 66

    66 Chapter 2 Automatic Accompaniment Chapter 2 Playing the Piano with Accompaniment Added (Piano Style Arranger) Usually with Automatic Accompaniment, you play chords on the left-hand side of the keyboard and the melody on the right-hand side. Chords can also be recognized over the entire keyboard, allowing you to perform using Automatic Accompanim[...]

  • Página 67

    67 Chapter 2 Automatic Accompaniment Chapter 2 Adjusting the Volume Balance for Each Part (Balance) You can adjust the volume balance between the accompaniment and the keyboard, and the volume balance for each of the parts in a Music Style. ■ Changing the Volume Balance between the Accompaniment and the Keyboard (Balance Knob) You can change the [...]

  • Página 68

    68 Chapter 2 Automatic Accompaniment Chapter 2 fig.d-partbal2.eps_60 This shows the volume balance between each of the keyboard’s Tones when layer performance (p. 28) or split performance (p. 29) are used, or the volume balance when using the keyboard to play percussion instruments or sound effects (p. 26). 2. Touch each slider to adjust the volu[...]

  • Página 69

    69 Chapter 3 Chapter 3 Song Playback and Practice Functions Playing a Song Now, let’s try practicing while playing back internal songs, commercial music files, and songs saved to floppy disks. You can use rewind or fast-forward to go to any desired measure, and play back from that point. fig.panel3-1 Selecting the song When playing back songs on [...]

  • Página 70

    70 Chapter 3 Song Playback and Practice Functions Chapter 3 When you touch < >, songs selected from all of the internal songs are played in random order. When you touch < >, all of the songs in the genre you have selected are played in order, starting from the selected song. When the last song is finished, playback resumes from the init[...]

  • Página 71

    71 Chapter 3 Song Playback and Practice Functions Chapter 3 ■ Using Keywords to Search for Songs (Song Search) You can search for songs that match the conditions you set regarding the song tempo or genre. You can also search the songs using the first character of the song name. 1. Press the [Select/Listen to a Song] button. 2. Touch <Search>[...]

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    72 Chapter 3 Song Playback and Practice Functions Chapter 3 Registering the Songs You Like (Favorites) You can register songs you are currently practicing or enjoy playing to “Favorites,” allowing you to select these songs easily. Selecting the Song 1. Press the [Select/Listen to a Song] button. The Genre Selection screen or the Song Selection [...]

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    73 Chapter 3 Song Playback and Practice Functions Chapter 3 ■ Removing Songs from Favorites This deletes registered songs for Favorites. 1. In the Song Selection screen, select Favorites for the genre. fig.d-song-fvrt.eps_60 2. Touch the name of the song to be deleted. 3. Touch <Del>. A screen like the one shown below appears. fig.m-fvrtdel[...]

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    74 Chapter 3 Song Playback and Practice Functions Chapter 3 Displaying the Score The KR-7/5 can display scores not only for the internal songs, but for music files and performances recorded with the KR-7/5. This is very convenient for performing while reading the music and for checking songs that have been recorded. When you play back a music file [...]

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    75 Chapter 3 Song Playback and Practice Functions Chapter 3 3. Press the [ (Play/Stop)] button. Playback of the song begins, and the score advances along with the progression of the performance. Notes Regarding the Score Display • When playback of a song begins, appears in the Score screen. While this symbol is displayed, performance data is bein[...]

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    76 Chapter 3 Song Playback and Practice Functions Chapter 3 ■ Making Detailed Settings for the Score Display You can change the part appearing on the score display and change the manner in which the score is displayed. 1. Press the [Score Display] button to display the Score screen. 2. Touch <Option>. A screen like the one shown below appea[...]

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    77 Chapter 3 Song Playback and Practice Functions Chapter 3 ■ Saving Scores as Image Data (KR-7) You can take scores that are displayed on the KR-7 and save them to floppy disks. You can also use saved image data to your computer. 1. Insert the floppy disk onto which you want to save the image data in the KR-7’s disk drive. Use a floppy disk fo[...]

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    78 Chapter 3 Song Playback and Practice Functions Chapter 3 Practicing Songs with the Practice Function (KR-7) Try using the KR-7’s practice function to practice a song you like. This feature makes it simple to specify the segment you want for repeated practice, check your own performance against the score, and practice at a slower tempo. ❍ 1 D[...]

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    79 Chapter 3 Song Playback and Practice Functions Chapter 3 Recording Your Performance Once you are able to play the song, try recording your own performance. 3. Touch <Rec>. When the Message screen appears, touch <Close>. 4. Touch < > on the screen. You’ll hear a count, and recording begins. Play along with the accompaniment. C[...]

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    80 Chapter 3 Song Playback and Practice Functions Chapter 3 fig.d-tutoropt.eps_60 2. Touch the icon for the parameter you want to set. The selections appear. 3. Touch the setting icon. Repeat Steps 2 and 3 to set each of the parameters. Set the tempo, practice range and other variables to the values you prefer. 4. Touch <Audition>. The practi[...]

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    81 Chapter 3 Song Playback and Practice Functions Chapter 3 Adjusting the Tempo This changes the song and Music Style tempos. If songs seem difficult to play at their original speed, you may find it helpful to first practice with the tempo slowed down. Then, after becoming more familiar with the song, you can practice it at a gradually faster tempo[...]

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    82 Chapter 3 Song Playback and Practice Functions Chapter 3 ■ Setting the Tempo by Pressing the Button in Time (Tap Tempo) You can also set the tempo by pressing the Performance Pad. This feature is called “Tap Tempo.” By using the Tap Tempo function, you can quickly set the tempo you are thinking of, without specifying the tempo in numerical[...]

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    83 Chapter 3 Song Playback and Practice Functions Chapter 3 ❍ <KR-5> Assigning functions to the Performance Pads 1. Press the [Style Orchestrator/User Function] button and the indicator light goes out. A screen like the one shown below appears. fig.d-usrfunc_5.eps_60 2. Touch for Performance Pad [1] or [2] to assign “Tap Tempo.” 3. Touc[...]

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    84 Chapter 3 Song Playback and Practice Functions Chapter 3 ■ Use Your Voice to Select the Tempo (Vocal Tap Tempo) (KR-7) Just as in “Tap Tempo Function” (p. 82), you can set tempos using your voice. This feature is called “Vocal Tap Tempo.” 1. Connect a microphone (p. 21). 2. Press the [Metronome] button. 3. Touch <Vocal Tap>. fig.[...]

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    85 Chapter 3 Song Playback and Practice Functions Chapter 3 Match the Tempo Before You Begin Playing (Count In) When you’re playing along with a song, you can listen to the tempo before you start playing by adding a count-in. This audible count before the song playback is called a “Count-In.” fig.panel3-3 1. Press the [Metronome] button and w[...]

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    86 Chapter 3 Song Playback and Practice Functions Chapter 3 Muting Some Parts Before Playing (Track Buttons) With commercially available music files for piano lessons, the part for each hand can be played back independently. This makes it easy to practice hands separately. For example, you can follow along with your right hand while you listen to t[...]

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    87 Chapter 3 Song Playback and Practice Functions Chapter 3 Setting Markers for Repeated Practice (Marker) By setting markers at points in a song that you want to practice repeatedly, you can then easily go to and repeat play back of the selected measures. ■ Placing a Marker within a Song You can place two separate markers (Marker A and Marker B)[...]

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    88 Chapter 3 Song Playback and Practice Functions Chapter 3 ■ Playback from a Marker location 1. At the marker screen, touch the measure number of the marker you want to go to. fig.d-mark1-5.eps_60 Playback will start from wherever Marker A or Marker B are set. With the song playing back, playback will continue if you touch Marker A or Marker B o[...]

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    89 Chapter 3 Song Playback and Practice Functions Chapter 3 Moving Markers A and B without changing the interval between them 1. On the Marker screen, touch or in the middle of the screen. For example, if you have Marker A set at the beginning of the fifth measure, and Marker B set at the beginning of the ninth measure, when you touch , Marker A is[...]

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    90 Chapter 3 Song Playback and Practice Functions Chapter 3 Transposing Keyboard Sounds and Songs Played Back (Transpose) By using the “Transpose function,” you can transpose your performance without changing the notes you play. For example, even if the song is in a difficult key with many sharps ( ) or flats ( ), you can transpose it to a key [...]

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    91 Chapter 3 Song Playback and Practice Functions Chapter 3 3. Touch the screen keyboard or , to select the transposition value. Each time you press or , it transposes the key by a semitone. When you touch , a value of “0” is set. You can also use the [-] [+] buttons or the dial to change the transposition value. When you transpose a song or th[...]

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    92 Chapter 3 Song Playback and Practice Functions Chapter 3 Detailed Song Playback Settings ■ Changing the Tone Settings When Playing Back Songs (Play Mode) With the normal setting, GS tones (sounds that are compatible with other GS instruments) will normally be used to play back song data. By changing this setting, you can play back song using K[...]

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    93 Chapter 3 Song Playback and Practice Functions Chapter 3 ■ Hiding the Lyrics (Lyrics) Some commercially available music files for use in karaoke, as well as some of the internal songs include lyrics data. When you play such music files, the lyrics automatically appear in the screen. If you do not want lyrics to appear automatically, set this t[...]

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    94 Chapter 3 Song Playback and Practice Functions Chapter 3 ■ Changing the Parts Assigned to the Track Buttons During SMF Playback (Track Assign) Normally, when playing back Roland Piano Digital-compatible SMFs (p. 189), the left-hand part is assigned to the [3/Lower] button, and the right-hand part is assigned to the [4/Upper] button. However, a[...]

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    95 Chapter 4 Chapter 4 Recording and Saving the Performance With the KR-7/5, you can easily record performances using the five track buttons. A recorded performance can be played back to listen to your own playing, or to add additional parts. You can use the KR-7/5 to make the following kinds of recordings. • Recording just your own keyboard perf[...]

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    96 Chapter 4 Recording and Saving the Performance Chapter 4 Recording a New Song (New Song) This records keyboard performances without the use of the internal songs or Automatic Accompaniment. fig.panel4-1 Settings for recording performances 1. Press One Touch Program [Piano] button. 2. Decide on the tone of the performance. Use the Tone buttons an[...]

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    97 Chapter 4 Recording and Saving the Performance Chapter 4 When recording starts, the [ (Play/Stop)] and [ (Rec)] buttons’ indicators light up. Stop recording 6. Press the [ (Play/Stop)] button. Recording stops. The performance is recorded to the [1/Whole] button. Listening to the Recorded Performance 7. Press the [ (Reset)] button, then press t[...]

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    98 Chapter 4 Recording and Saving the Performance Chapter 4 Recording With Accompaniment Try recording a performance along with the Automatic Accompaniment. Settings for recording performances 1. Press the One Touch Program [Arranger] button. This chooses the setting for Automatic Accompaniment. 2. Decide on the Music Style. When you have finished [...]

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    99 Chapter 4 Recording and Saving the Performance Chapter 4 Track buttons assignments for recorded performances Performances that have been recorded using Automatic Accompaniment are assigned to the track buttons as shown below. Track button Performance Recorded [R/Rhythm] The rhythm part of an Automatic Accompaniment is recorded here. In addition,[...]

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    100 Chapter 4 Recording and Saving the Performance Chapter 4 Recording Along with a Song Try recording along with internal songs and songs on disks. Here, record your right-hand performance along with the song accompaniment. Settings for recording performances Select a song before you begin recording. When you have selected the song, press the [Sco[...]

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    101 Chapter 4 Recording and Saving the Performance Chapter 4 Listening to the recorded performance 7. Press the [ (Reset)] button, then press the [ (Play/Stop)] button. The recorded performance is played back. When you press the [ (Play/Stop)] button, recording stops. Recording While Selecting the Track Buttons (Redoing Recordings) When you want to[...]

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    102 Chapter 4 Recording and Saving the Performance Chapter 4 Erasing Recorded Performances You can use the following method to delete a recorded performance. 1. Hold down the [Select/Listen to a Song] button and press the [ (Rec)] button. A screen like the one shown below appears. fig.m-songdel.eps_60 2. Touch <OK>. This deletes the recorded [...]

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    103 Chapter 4 Recording and Saving the Performance Chapter 4 3. Touch <Rec Stop> to switch between “Arranger Stop” and “Composer Stop.” Recording Songs Starting with Pickups You can record songs that start with pickup beats (songs that start on a beat other than the measure’s first beat). fig.PU.e Carry out Steps 1–4 on p. 96 to p[...]

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    104 Chapter 4 Recording and Saving the Performance Chapter 4 Using Floppy Disks You can use the KR-7/5’s disk drive to save songs to floppy disks and listen to commercial music files. ■ Inserting and Ejecting a Floppy Disk Inserting a floppy disk 1. With the front of the floppy disk facing up, insert the disk in the disk drive slot until there [...]

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    105 Chapter 4 Recording and Saving the Performance Chapter 4 1. Insert the floppy disk into the disk drive. 2. Press the [Disk] button. 3. Touch <File>. A “Song File screen” like the one below appears. fig.d-songfile.eps_60 4. Touch <Format Disk>. The following screen appears. fig.d-format.eps_60 5. Touch <OK>. Initialization [...]

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    106 Chapter 4 Recording and Saving the Performance Chapter 4 Saving Songs A recorded performance is discarded when you switch off the power or choose another song. Storing recorded performances and other data to floppy disks or the Favorites (KR-7) is called “saving.” Be sure to save important songs to floppy disks or Favorites (KR-7). What are[...]

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    107 Chapter 4 Recording and Saving the Performance Chapter 4 Determining the name of the song to be saved 4. Touch <Rename>. The following “Rename screen” appears. fig.d-songname.eps_60 When you touch , the cursor moves. When you touch the icon for the letter or character to be input, the character appears at the cursor location. For exam[...]

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    108 Chapter 4 Recording and Saving the Performance Chapter 4 Selecting the tone compatibility format (when saving to disks) 8. Touch <KR> or <MT>. Some Tones are unique to the KR-7/5. Data that is recorded using these tones may not play back correctly on other Roland Digital Pianos or Music Players. When you want to save data so that it[...]

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    109 Chapter 4 Recording and Saving the Performance Chapter 4 Deleting Saved Songs This deletes songs that have been saved on floppy disks, or to Favorites (KR-7). To delete a song on a floppy disk, first insert the floppy disk in the disk drive. 1. Press the [Disk] button. 2. Touch <File>. The “Song File screen” appears. 3. Touch <Dele[...]

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    110 Chapter 4 Recording and Saving the Performance Chapter 4 Copying Songs on Disks to Favorites (KR-7) You can take songs saved on floppy disks and copy them to Favorites. You can also copy songs in Favorites to floppy disks. 1. Insert the disk with the song to be copied in the disk drive. 2. Press the [Disk] button. 3. Touch <File>. 4. Touc[...]

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    111 Chapter 4 Recording and Saving the Performance Chapter 4 ■ Copying Songs Saved in Favorites to Disks (KR-7) Songs that’ve been saved to Favorites can be copied onto floppy disks. In this case, in the “Copy Song screen” in Step 4 above, touch the large arrow icon in the center to point the arrow upwards. This sets the KR-7 to copy the so[...]

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    112 Chapter 5 Chapter 5 User Program Registration Saving Performance Settings (User Program) Any collection of settings, including those describing the current status of your data selections or settings Automatic Accompaniment, can be saved to the [User Program] button. You can then call up the stored settings by pressing the [User Program] button.[...]

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    113 Chapter 5 User Program Registration Chapter 5 Calling Up Saved User Programs You can easily call up settings saved to the [User Program] button. 1. Press the [User Program] button. The “User Program screen” appears. 2. Touch the name of the User Program you want to call up. When you touch the name of the User Program, the buttons or other p[...]

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    114 Chapter 5 User Program Registration Chapter 5 Determining the save destination 6. Touch <Disk> or <User>. (KR-7) Touch <Disk> if you are saving to a floppy disk; touch <User> if you are saving to user memory. 7. Touch to select the save-destination User Program number. If a User Program set name is displayed, a User Prog[...]

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    115 Chapter 5 User Program Registration Chapter 5 Deleting Saved User Program Sets You can delete individual User Program sets saved to floppy disks or in user memory. When deleting a set of User Programs on a floppy disk, first insert the floppy disk in the disk drive. → For more on the use of the disk drive, refer to “Using Floppy Disks” (p[...]

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    116 Chapter 5 User Program Registration Chapter 5 ■ Coping Sets of User Programs Stored in the User Memory to Disks (KR-7) You can take User Program sets saved in user memory and copy them to floppy disks. In this case, in the Copy User Programs screen in Step 4 above, touch the large arrow icon in the center to get the arrow to point up. This se[...]

  • Página 117

    117 Chapter 6 Chapter 6 Creating and Editing Songs Multitrack Recording with 16 Parts (16-Track Sequencer) Multitrack recording always you to listen to previously recorded material while continuing to add performances of other parts. The KR-7/5 is capable of multitrack recording of up to sixteen parts. Since each part’s performance is recorded us[...]

  • Página 118

    118 Chapter 6 Creating and Editing Songs Chapter 6 ■ Modifying the Settings of Each Part You can change the Tones and volume, as well as mute the playback, for each individual part in songs recorded with the 16-track Sequencer and the internal songs. → Because commercially available Roland SMF music files are also made up of 16 Parts, you can c[...]

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    119 Chapter 6 Creating and Editing Songs Chapter 6 If the following message appears If you try to display another screen after you’ve changed the song’s settings for each Part, a message like the one below may appear. fig.m-songmod.eps Touch <OK> to change the song’s settings. Touch <Cancel> to discard the changes you’re made. ?[...]

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    120 Chapter 6 Creating and Editing Songs Chapter 6 ❍ Step 2 Start Recording If necessary, choose a recording method. For more on how to record, refer to p. 120. If you record for the first time, there’s no need to select the recording method. Selecting the Part to Record 1. Display the 16-track Sequencer screen (p. 117). 2. Touch the number for[...]

  • Página 121

    121 Chapter 6 Creating and Editing Songs Chapter 6 Changing the Recording Method 1. Press the [Menu] button. The Menu screen appears. fig.d-menu1.eps_50 2. Touch <Rec Mode>. A “Rec Mode screen” like the following appears. fig.d-recmode.eps_50 3. Touch <Rec Mode> to select the recording mode. 4. Touch <Exit>. Returns to the Men[...]

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    122 Chapter 6 Creating and Editing Songs Chapter 6 ■ Repeated Recording at the Same Location (Loop Recording) You can record a specified passage over and over, layering sounds with each pass. This method is called “Loop Recording.” This is handy when recording a Rhythm Part. For example, use this method to make a Loop Recording of a four-meas[...]

  • Página 123

    123 Chapter 6 Creating and Editing Songs Chapter 6 ■ Re-Recording Part of Your Performance (Punch-in Recording) You can re-record part of a passage as you listen to a recorded performance. This recording method is called “Punch-in Recording.” This convenient function lets you record over a specified points in a part as you listen to a prereco[...]

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    124 Chapter 6 Creating and Editing Songs Chapter 6 Composing an Accompaniment By Entering Chords (Chord Sequencer) You can enter a chord progression and choose the places where the accompaniment pattern will change to create an accompaniment for a song. This feature is called “Chord Sequencer.” Thanks to the chord sequencer, you can create an a[...]

  • Página 125

    125 Chapter 6 Creating and Editing Songs Chapter 6 → You can only insert an intro at the beginning of a song. When you add an intro, the number of bars corresponding to the length of the intro is inserted automatically. Functions That Can Be Assigned to the Pedals and the Performance Pads → For instructions on assigning functions, refer to “A[...]

  • Página 126

    126 Chapter 6 Creating and Editing Songs Chapter 6 → ”PC” stands for “Program Change,” which is a command that tells an instrument to change the sound it’s using. With songs that rely on the use of a variety of sounds, a “PC” needs to be located at every point within the song where the Tone is to be changed * Some edits can’t be u[...]

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    127 Chapter 6 Creating and Editing Songs Chapter 6 ■ Copying Rhythm Patterns to Create Rhythm Parts The KR-7/5 features numerous internal rhythm patterns. You can copy these rhythm patterns to create a rhythm part. → For more information about the name of Rhythm Patterns, please refer to “Rhythm Pattern List” (p. 187). At Step 3 of “Selec[...]

  • Página 128

    128 Chapter 6 Creating and Editing Songs Chapter 6 ■ Deleting Measures (Delete) You can delete a part of a performance measure by measure. When a portion of a performance is deleted, the rest of the performance is shifted up to fill the gap. Erasing measures in a specified passage is called “deleting.” fig.e_delete.e At Step 3 of “Selecting[...]

  • Página 129

    129 Chapter 6 Creating and Editing Songs Chapter 6 ■ Transposing Individual Parts (Transpose) You can transpose specified parts and tracks individually. At Step 3 of “Selecting the editing function” (p. 125), select <Transpose>. A screen like the one shown below appears. fig.d-e-trans.eps_50 * You cannot transpose performances of the dr[...]

  • Página 130

    130 Chapter 6 Creating and Editing Songs Chapter 6 ■ Exchanging Parts (Part Exchange) You can exchange the notes recorded for a particular part with the notes recorded for another part. This process of exchanging parts is called “part exchange.” At Step 3 of “Selecting the editing function” (p. 125), select <Part Exchange>. A screen[...]

  • Página 131

    131 Chapter 6 Creating and Editing Songs Chapter 6 ■ Modifying the Tone Changes in a Song (PC Edit) In some songs, the instrument sound changes during the course of the song (that is, the Tone changes in the middle of a Part). In such songs, an instruction to switch the Tone is inserted at the place where you want the sound to change. This instru[...]

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    132 Chapter 6 Creating and Editing Songs Chapter 6 Changing the Tempo of Recorded Songs You can change the basic tempo of a composition. The basic tempo was initially set when the song was recorded. 1. Press the Tempo [-] and [+] buttons to choose a tempo. 2. Hold down the [ (Rec)] button and press the [ (Reset)] button. The song’s basic tempo ch[...]

  • Página 133

    133 Chapter 6 Creating and Editing Songs Chapter 6 ■ Adjusting the Tempo at a Particular Measure You can create a tempo change at the beginning of a selected measure. This is handy when you want to make a sudden change in tempo. First, carry out Steps 1–3 of “Changing the Tempo Within the Song” (p. 132) to make the “Tempo Recording” set[...]

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    134 Chapter 7 Chapter 7 Creating Music Styles Creating Original Styles (User Styles) Although the KR-7/5 features a variety of internal Music Styles, you can also create your own. These original Styles are called “User Styles.” You can use either of the two methods described below to create a User Style. Style Composer (KR-7) With this method, [...]

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    135 Chapter 7 Creating Music Styles Chapter 7 A “Style Composer screen” like the one shown below appears. fig.d-stylecomp.eps_50 Selecting the Styles assigned to each part 3. Touch the part to be set. The Part you touched appears in reverse video. 4. Press an Music Style button, then select a Style with the touch screen or the [-]/[+] buttons a[...]

  • Página 136

    136 Chapter 7 Creating Music Styles Chapter 7 ❍ Editing the volume and effect settings for each Part Displaying the Part settings screen 1. At the Style Composer screen, touch <Options>. A screen like the one shown below appears. fig.d-scomp-part.eps_50 Modifying the settings of each part 2. Touch the to select the part with the settings to[...]

  • Página 137

    137 Chapter 7 Creating Music Styles Chapter 7 ❍ Creating Styles in Auto Mode Points to note when creating songs • Use one of the major, minor, or diminished seventh chords to create the song. We recommend using diminished seventh chords to compose the song. • It is convenient to record the sounds shown below for the Parts of the 16-track sequ[...]

  • Página 138

    138 Chapter 7 Creating Music Styles Chapter 7 7. Touch <From> and <For>, then use the [-] [+] buttons or the dial to select the measures to be extracted. Touching <Play> at the bottom of the screen, you can listen to performance of the portion which you chose. 8. Repeat Steps 5–7 to create Styles for all of the Divisions. * If n[...]

  • Página 139

    139 Chapter 7 Creating Music Styles Chapter 7 Saving a User Style You can save the User Styles you create to floppy disks. With the KR-7, you can save Styles to the user memory. When saved to the user memory, User Styles are not deleted when the power is turned off. You can also select Styles saved to the user memory by pressing the Music Style [Us[...]

  • Página 140

    140 Chapter 7 Creating Music Styles Chapter 7 7. Touch to select the save-destination number. If a Style name is displayed, a style is already saved to that number. If you select a number with a previously saved User Style and then save to that number, the previously saved User Style is deleted. If you do not want to delete the User Style being sav[...]

  • Página 141

    141 Chapter 7 Creating Music Styles Chapter 7 Copying Styles on Disks to the User Memory (KR-7) You can take User Styles saved on floppy disks and copy them to user memory. You can also take User Styles saved in user memory and copy them to floppy disks. 1. Insert the disk with the Style to be copied in the disk drive. 2. Press the [User] button. A[...]

  • Página 142

    142 Chapter 8 Chapter 8 Various Settings Changing the Settings for One-Touch Piano You can make detailed settings, such as those for the keyboard touch and tunings, allowing you to set up the KR just the way you want for your piano performances. ■ Procedure 1. Press the One Touch Program [Piano] button. The Piano screen appears. fig.d-piano.eps_5[...]

  • Página 143

    143 Chapter 8 Various Settings Chapter 8 ■ Changing the Tuning (Tuning) ❍ Choosing the Tuning You can play classical styles such as Baroque using historic temperaments (tuning methods). Most modern songs are composed for and played in equal temperament, the most common tuning in use today. But at one time, there were a wide variety of other tun[...]

  • Página 144

    144 Chapter 8 Various Settings Chapter 8 ■ Changing How Rapidly Sounds Are Expressed According to the Force Used to Play the Keys (Hammer Response) (KR-7) You can adjust the timing with which sounds are produced according to the force used to play the keys. This function is called “Hammer Resonance.” When a key is pressed on an acoustic piano[...]

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    145 Chapter 8 Various Settings Chapter 8 ■ Adjusting the Keyboard Touch (Key Touch) You can vary the touch of the keyboard when you play the keys. At Step 3 in “Procedure” (p. 142), touch <Key Touch>. fig.d-p-key.eps_50 Touch any of the icons <Fixed>, <Light>, <Medium>, or <Heavy>, to set the key touch for the ke[...]

  • Página 146

    146 Chapter 8 Various Settings Chapter 8 ■ Changing the Keyboard’s Split Point (Split Point) This sets the point (the split point) where the keyboard is divided when specifying chords in the left hand while using the Automatic Accompaniment and when playing split performances (p. 29). The setting is at “F#3” when the KR-7/5 is powered up. f[...]

  • Página 147

    147 Chapter 8 Various Settings Chapter 8 ■ Assigning Functions to Pedals and Performance Pads (Pedal Setting/User Functions) You can assign a variety of functions to the left and center pedals and to the performance pads. You can call up the assigned functions just by pressing the corresponding pedal or pad. ❍ Assigning Functions to Pedals At S[...]

  • Página 148

    148 Chapter 8 Various Settings Chapter 8 ❍ Functions that can be assigned (Pedals, Performance Pads) * What is the leading bass function? The function that sounds the lowest note of a fingered chord as the bass tone is called “Leading Bass.” When this function is turned on, the Bass Tone changes when chord inversions are used. Usually the ton[...]

  • Página 149

    149 Chapter 8 Various Settings Chapter 8 ❍ Functions that can be assigned (Pedals Only) * The effect may not be applied correctly when you press a pedal if “Pedal EX1–4” is assigned to more than one pedal. → Using the “Bend Up” or “Bend Down” function during a split performance (p. 28) changes the pitch of sounds in the right-hand[...]

  • Página 150

    150 Chapter 8 Various Settings Chapter 8 ■ Changing How Chords Are Played and Specified (Arranger Config) This changes the settings determining how Music Styles are played, and how the keys are pressed to specify chords. What are the Chord Tone and Bass Tone? When the Automatic Accompaniment is stopped, and Sync Start (p. 58) is turned off, chord[...]

  • Página 151

    151 Chapter 8 Various Settings Chapter 8 Changing the Settings for the Count-In and Countdown 1. Press the [Metronome] button. The Metronome screen (p. 44) appears. 2. Touch <Count In> or <Countdown>. The “Count In settings screen” or the “Countdown settings screen” appears. 3. Touch of each item to make settings. 4. Touch <E[...]

  • Página 152

    152 Chapter 8 Various Settings Chapter 8 Other Settings You can change the tuning, the language shown on the display, and other settings to make the KR-7/5 easier to use. ■ Procedure 1. Switch to the Basic screen, or press the One Touch Program [Piano] button. 2. Touch <Functions>. When you touch <Functions> on the Basic screen, the f[...]

  • Página 153

    153 Chapter 8 Various Settings Chapter 8 ■ Changing the Screen Message When the Power Is Turned On (Opening Message) You can modify this screen to show your favorite phrase when the power is turned on. At Step 3 in “Procedure” (p. 152), touch <Opening Message>. A screen like the one shown below appears. fig.d-openmsg.eps_50 Use to move [...]

  • Página 154

    154 Chapter 8 Various Settings Chapter 8 ■ Selecting Images To Be Shown on the KR-7 and External Displays (User Image Display) (KR-7) You can have image data from computers and other devices shown on the onboard display, or on an external display you’ve connected. You can store two types of image data, “KR-display-use” data, and “external[...]

  • Página 155

    155 Chapter 8 Various Settings Chapter 8 ■ Turning Off the Beat Indicator (Beat Indicator) The beat indicator normally flashes in time with the metronome, Music Style, or song tempo. However, if you wish, it can be set to remain off at all times. At step 3 in “Procedure” (p. 152), touch <Beat Indicator>. A screen like the one shown belo[...]

  • Página 156

    156 Chapter 8 Various Settings Chapter 8 ■ Calibrating the Touch Screen (Touch Screen) If you’ve been using the touch screen for some time, the pointer may be shifted, making the KR-7/5 react incorrectly. You should correct this displacement when necessary by performing calibration (repositioning). At step 3 in “Procedure” (p. 152), touch ?[...]

  • Página 157

    157 Chapter 8 Various Settings Chapter 8 1. Press the [Disk] button. Even when you press the Music Style [User] button (User/Disk screen) or the [User Program] button, the rest of the procedure is the same. 2. Touch <File>. 3. Touch <Format User Memory>. A screen like the one shown below appears. fig.d-touchpanel.eps_50 4. Touch <OK&[...]

  • Página 158

    158 Chapter 9 Chapter 9 Connecting External Devices You can connect the KR-7/5 to external devices such as audio equipment and MIDI instruments. ❍ Connecting MIDI Devices (p. 158) You can connect a MIDI sequencer and record performance data from the KR-7/5, or play performance data from the KR-7/5 on the sequencer. Also, when you connect a MIDI s[...]

  • Página 159

    159 Chapter 9 Connecting External Devices Chapter 9 ■ Making the Connections * To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections. 1. Turn the volume all the way down on the KR-7/5 and on the device you’re about to connect. 2. Switch[...]

  • Página 160

    160 Chapter 9 Connecting External Devices Chapter 9 MIDI Settings With the KR-7/5, you can make MIDI settings like those described below. “MIDI Setting Screen” fig.09-04.eps “Program Change Screen” fig.09-04.eps Making the Settings 1. Switch to the Basic screen, or press the One Touch Program [Piano] button. 2. Touch <Functions>. 3. T[...]

  • Página 161

    161 Chapter 9 Connecting External Devices Chapter 9 Local On : The keyboard and internal sound generator are connected. fig.09- Local Off : The keyboard and internal sound generator are separated. No sound will be produced by the keyboard when it is played. fig.09- → When connecting a unit in the Roland MT series, you don’t need to switch off L[...]

  • Página 162

    162 Chapter 9 Connecting External Devices Chapter 9 Connecting to Audio Equipment When you connect the KR-7/5 to audio equipment, you can play the sounds from the KR-7/5 through the speakers on the audio equipment or record your performances on a tape recorder or other recording device. When connecting, please use audio cables (sold separately) wit[...]

  • Página 163

    163 Chapter 9 Connecting External Devices Chapter 9 Connecting a Computer ■ Connect to the MIDI Connectors You can use a USB MIDI interface cable (sold separately) to connect the KR-7/5 to your computer. If the KR-7/5 is connected to a computer in which sequencer software such as Roland’s “Visual MT” is installed, a song you’ve recorded o[...]

  • Página 164

    164 Chapter 9 Connecting External Devices Chapter 9 Connection Examples: Connection with an Apple Macintosh computer Use a computer cable (sold separately) to connect the Computer connector on the KR-7/5 to the modem port (or printer port) on the Apple Macintosh. Set the Computer switch to “Mac.” When using the Macintosh “Patch Bay” utility[...]

  • Página 165

    165 Chapter 9 Connecting External Devices Chapter 9 MEMO[...]

  • Página 166

    166 Appendices Troubleshooting Case Cause/Remedy The power doesn’t come on. Is the power cord connected and plugged in correctly? (p. 18) The button doesn’t work. Is the panel locked? (p. 157) Turn the power off, then back on. Nothing appears on screen. The KR-7/5 uses a liquid-crystal screen, so text may not be displayed when the ambient tempe[...]

  • Página 167

    167 Troubleshooting Appendices The tuning or pitch of the keyboard or song is off. Have you set transpose? (p. 90) Are the settings for the “Temperament” and “Stretch Tuning” correct? (p. 143) Is the setting for the “Master Tune” correct? (p. 152) Effects cannot be applied to Tones. It’s not possible to apply more than one effect at t[...]

  • Página 168

    168 Troubleshooting Appendices Accompaniment tempo becomes unstable In certain cases, such as when playing Music Styles on disks, the accompaniment may lag when excessive amounts of performance data are used. Song doesn’t play back correctly Song doesn’t play back Does the screen indicate message, like “OK to delete song?” (p. 95) The inter[...]

  • Página 169

    169 Appendices Error Messages Indica- tion Meaning Error 00: To protect the copyright, this music file cannot be saved as an SMF. Also, the music file can not be saved. If you want to save it, please save on the same floppy disk. Error 01: You can only read the music file. It can not be saved on a floppy disk or user memory (KR-7). Error 02: The pr[...]

  • Página 170

    170 Appendices Tone List (KR-7) [Piano] Grand Piano1 PianoStrings Piano Choir Tremolo Dyno Jazzy Vib+Gt Suitcase Vibraphone Harpsi.Doubl Marimba Steel Drums Honky-Tonk Stage Rhodes Ballad Piano Wurly Dyno Rhodes Rock Piano Honky-tonk 2 Clav. Harpsi.Singl Harpsichord UprightPiano Grand Piano2 Bell Piano Piano Oohs Bright Piano E. Grand MIDI Piano1 E[...]

  • Página 171

    171 Tone List (KR-7) Appendices Vibe.w GS Marimba Marimba Xylophone Tubular-bell Church Bell Carillon Santur Organ 1 Organ 2 Pop Organ Detuned Or.1 Detuned Or.2 Church Org.1 Church Org.2 Church Org.3 Full Organ 4 Jazz Organ Rock Organ 2 Reed Organ Accordion Fr Accordion It GS Harmonica Bandoneon GS Nylon Gt. Nylon Guitar Nylon Gt.o Ukulele Steel-st[...]

  • Página 172

    172 Appendices Tone List (KR-5) [Piano] Grand Piano1 PianoStrings Piano Choir Dyno Rhodes Harpsichord Suitcase Vibraphone Harpsi.Doubl Marimba Steel Drums Honky-tonk 2 Stage Rhodes Ballad Piano Tremolo Dyno Jazzy Vib+Gt Wurly Rock Piano Clav. Honky-Tonk Bright Piano Harpsi.Singl UprightPiano Grand Piano2 Bell Piano Piano Oohs E. Grand MIDI Piano1 E[...]

  • Página 173

    173 Tone List (KR-5) Appendices Funk Gt. Funk Gt.2 Overdrive Gt DistortionGt Feedback Gt. Gt.Harmonics Gt.Feedback GS Ac.Bass GS Fing.Bass Picked Bs Fretless Bs. Slap Bass Slap Bass 2 SynthBass101 Synth Bass 1 Synth Bass 2 Synth Bass 3 Synth Bass 4 Rubber Bass Violin Slow Violin Viola Cello Contrabass Trem. Str PizzicatoStr GS Harp Timpani GS Strin[...]

  • Página 174

    174 Appendices Drum Set List * -----: No sound. * [EXC]: will not sound simultaneously with other percussion instruments of the same number. R&B Snare Rock Snare Rock Snare Pop Snare m Pop Snare Ghost Pop Snare m Finger Snap 707 Claps Hand Clap [EXC7] Hand Clap2 [EXC7] Hand Clap Pop Pedal HH [EXC1] Gospel Hand Clap Snare Roll Pop Kick Pop Kick [...]

  • Página 175

    175 Drum Set List Appendices * -----: No sound. * [EXC]: will not sound simultaneously with other percussion instruments of the same number. 27 28 29 31 33 35 30 32 34 21 23 22 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C2 C3 C4 C5 C6[...]

  • Página 176

    176 Drum Set List Appendices * -----: No sound. * [EXC]: will not sound simultaneously with other percussion instruments of the same number. 27 28 29 31 33 35 30 32 34 21 23 22 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C2 C3 C4 C5 C6[...]

  • Página 177

    177 Drum Set List Appendices * -----: No sound. * [EXC]: will not sound simultaneously with other percussion instruments of the same number. 27 28 29 31 33 35 30 32 34 21 23 22 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C2 C3 C4 C5 C6[...]

  • Página 178

    178 Appendices SFX Set List * -----: No sound. * [EXC]: will not sound simultaneously with other percussion instruments of the same number. 27 28 29 31 33 35 30 32 34 21 23 22 39 40 41 43 45 47 42 44 46 36 38 37 87 88 84 86 85 51 52 53 55 57 59 54 56 58 48 50 49 63 64 65 67 69 71 66 68 70 60 62 61 75 76 77 79 81 83 78 80 82 72 74 73 C2 C3 C4 C5 C6 [...]

  • Página 179

    179 Appendices Effects List Display Description GS Chorus 1 Applies a light chorus effect with slow undulations GS Chorus 2 Applies a light chorus effect with quick undulations GS Chorus 3 Applies a deep chorus effect with slow undulations GS Chorus 4 Applies a deep chorus effect with quick undulations GS Feedback Chorus A soft sound with a flange[...]

  • Página 180

    180 Appendices Music Style List (KR-7) [Pop/Rock] AmericanPop1 AmericanPop2 Easy Listen Shuffle Pop ShufleFusion Contemporary Funky Pop ’70s 1 ’70s 2 Cool Al Asian Pop Swing Pop Groovin Medium Pop Michael'sPop OrchestraPop Light Pop ’70s 8-Beat British Pop ’60s R&B Fusion West Coast Rollin' Light Fusion Shuffle Rock Power Pop [...]

  • Página 181

    181 Appendices Music Style List (KR-5) [Pop/Rock] AmericanPop1 Funky Pop Easy Listen Asian Pop ShufleFusion Contemporary ’70s 1 ’70s 2 Cool Al Groovin Swing Pop British Pop Shuffle Pop Medium Pop Michael'sPop OrchestraPop Light Pop ’70s 8-Beat ’60s R&B Fusion West Coast Rollin' Power Pop Power Rock Shuffle Rock Hard Rock Techn[...]

  • Página 182

    182 Appendices Chord List * ● symbol : Indicates the constituent note of chords. * ★ symbol : Chord shown with an “ ★ ”can be played by pressing just the key marked with the “ ★ ” (p. 52). Cm7 ( 5 ) CC # DE EF Cmaj7 C#maj7 Dmaj7 E maj7 Emaj7 Fmaj7 C7 C#7 D7 E 7 E7 F7 Cm C#m Dm E m Em Fm Cm7 C#m7 Dm7 E m7 Em7 Fm7 Cdim C#dim Ddim E di[...]

  • Página 183

    183 Chord List Appendices * ● symbol : Indicates the constituent note of chords. * ★ symbol : Chord shown with an “ ★ ”can be played by pressing just the key marked with the “ ★ ” (p. 52). F# G A A B B F#maj7 Gmaj7 A maj7 Amaj7 B maj7 Bmaj7 F#7 G7 A 7 A7 B 7 B7 F#m Gm A m Am B m Bm F#m7 Gm7 A m7 Am7 B m7 Bm7 F#dim Gdim A dim Adim B [...]

  • Página 184

    184 Appendices Internal Song List Folks Annie Laurie © 1993 Roland Corporation Londonderry Air © 1993 Roland Corporation AmazingGrace © 1993 Roland Corporation Ave Maria © 1993 Roland Corporation Clock © 1998 Roland Corporation Entertainer © 1994 Roland Corporation Greensleeves © 1993 Roland Corporation Hallelujah! © 1993 Roland Corporation[...]

  • Página 185

    185 Internal Song List Appendices Practice Beyer 15 © 1996 Roland Corporation Beyer 21 © 1996 Roland Corporation Beyer 25 © 1996 Roland Corporation Beyer 29 © 1996 Roland Corporation Beyer 34 © 1996 Roland Corporation Beyer 38 © 1996 Roland Corporation Beyer 42 © 1996 Roland Corporation Beyer 46 © 1996 Roland Corporation Beyer 51 © 1996 Ro[...]

  • Página 186

    186 Internal Song List Appendices * All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws. Masterpieces → Song files of this genre corresponds to the included collection of printed music entitled “Roland 60 Classical Piano Masterpieces.” Sonate No.15 © 199[...]

  • Página 187

    187 Appendices Rhythm Pattern List Patterns That Can Be Selected with the [Rhythm] Button → “Playing Rhythm” (p. 48) Patterns That Can Be Selected with the Edit Functions → “Copying Rhythm Patterns to Create Rhythm Parts” (p. 127) Beat Pattern Name 2/2 March Swing 0/4 Stick 2/4 March Country Samba 3/4 Waltz 1 Waltz 2 Waltz 3 Country Wal[...]

  • Página 188

    188 Appendices Parameters Stored to Internal Memory Parameters Stored in the User Program → “Saving Performance Settings (User Program)” (p. 112) Parameters Stored in Memory Backup → “Remembering the Settings Even When the Power is Turned Off (Memory Backup)” (p. 155) Parameters that switch immediately after the User Pro- gram name is t[...]

  • Página 189

    189 Appendices Music Files That the KR-7/5 Can Use What Are Music Files? Music Files contain information describing the details of a musical performance, such as “the C3 key on a keyboard was pressed for this amount of time, using this amount of force.”By inserting the floppy disk into the disk drive on the KR-7/5, the performance information i[...]

  • Página 190

    190 Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Prog Change System Exclusive System Common System Real Time Aux Message Notes Transmitted Recognized Remarks Default Changed Default Messages Altered True Voice Note ON Note OFF Key’s Ch’s 0, 32 1 5 6, 38 7 10 11 64 65 66 67 84 91 93 98, 99 100, 101 [...]

  • Página 191

    191 Appendices Main Specifications KR-7 KR-5 <Keyboard> Ke yboard 88 keys (Pr ogressive hammer action keyboard with escapement) 88 keys (Progr essive hammer action keyboard) T ouch Sensitivity 100 levels Ke yboard Mode Whole, Split (adjustable split point), Layer , Arranger , Piano Style Arranger , Manual Drums / SFX <Sound Source> Conf[...]

  • Página 192

    192 Main Specifications Appendices * In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice. Control Song Select, Reset, Play/Stop, Rec, Bwd, Fwd, All Song Play , Random Play , T rack Select, Count-in, Countdown, Playback Balance, Marker Set, Repeat, T empo Mute Other Fun[...]

  • Página 193

    193 “ QS **” refers to the page number in Quick Start. Index Numerics 16-Track Sequencer ................................................................ 117 A AC inlet ...................................................................................... 18 Accompaniment Start and Stop ..........................................................[...]

  • Página 194

    194 Index “ QS **” refers to the page number in Quick Start. F Factory Reset ........................................................................... 155 Factory Setting Favorites ............................................................................ 156 Touch Screen .....................................................................[...]

  • Página 195

    195 Index “ QS **” refers to the page number in Quick Start. Music Style ................................................................................ 50 On Disk ................................................................................ 55 Rhythm Pattern .................................................................. 57 Music Style [...]

  • Página 196

    196 Index “ QS **” refers to the page number in Quick Start. S Saving ....................................................................................... 106 Compatibility .................................................................... 108 User Style .......................................................................... 139 Score .[...]

  • Página 197

    197 Index “ QS **” refers to the page number in Quick Start. T Tap Tempo ................................................................................ 82 Temperament .......................................................................... 143 Tempo ............................................................................ 45 , 57 , 81 Te[...]

  • Página 198

    Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. As of April 1, 2003 (Roland) ARGENTINA Instrumentos Musicales S.A. Av.Santa Fe 2055 (1123) Buenos Aires ARGENTINA TEL: (011) 4508-2700 BRAZIL Roland Brasil Ltda Rua San Jose, 780 Sala B Parque Industrial[...]

  • Página 199

    2 To resize thickness, move all items on the front cover and center registration marks to left or right. This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Ce[...]

  • Página 200

    / 4 3 2 1 Owner’s Manual 02904667 ’03-5-7N Owner’s Manual To resize thickness, move all items on the front cover and center registration marks to left or right Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These se[...]