ARRI 16SR3 инструкция обслуживания

ARRIFLEX 16SR 3 Instruction Manual As of: December 1992 A LL ARTWORK , PICTURES AND TEXTS ARE COVERED BY OUR COPY - RIGHT . T HEY MUST NOT BE COPIED FOR REPRODUCTION ( E . G . ON CD-ROM DISKS OR I NTERNET - SITES ) OR USED IN THEIR ENTIRE FORM OR IN EXCERPTS WITHOUT OUR PREVIOUS WRITTEN AGREEMENT . I F YOU ARE DOWNLOADING PDF- FILES FROM OUR I NTER[...]

ARRIGLOW eyecup iris lever magazine safety latch mne release latch 400ft magazine on-board battery on-board battery adapter running light display push button SET push button SEL push button MODE slide switch on/off push button run LED electronic inching/ phase button inching knob film speed selector carring handle PL mount lock ring PL mount/bayone[...]

1 Contents Safety Specifications • Warning Notes: Operational error or camera error possible! • In order to ensure optimal performance, it is essential that you acquaint yourself with this instruction manual and that you follow the operating instructions de- scribed herein. • Assembly and initial operation should only be carried out by qualif[...]

Contents 2 Contents Safety Specifications ....................................... 1 Product Specifications ..................................... 1 1. The ARRIFLEX 16SR 3 - System-Camera ....................................... 5 2. Installation ................................................... 7 Packing and transport ..............................[...]

3 Contents Finder extension FE-2 .................................... 46 Levelling rod for finder extension EL-3 ............. 47 Heated eyecup HE-3 ..................................... 48 8. Conversion from Normal 16 to Super 16 .............................................. 49 Bridge plates BP-6 and BP-7 ........................... 53 Lightweigh[...]

Intr oduction 4[...]

5 Intr oduction 1. The ARRIFLEX 16SR 3 - System-Camera The ARRIFLEX 16SR 3 is a 16mm/Super 16 camera designed to handle all modern production demands. It utilizes the full range of ARRIFLEX 535 mechanical, optical and electronic accessories. • The format change from Normal 16 to Super 16 can be carried out with very few adjustments. An addi- tion[...]

Intr oduction 6 status and functions of the camera. The ARRIFLEX 16SR 3 provides for on-board speed selection and speed changes while the camera is running up to 1/1000 of a frame accuracy,. without additional electronic accessoriesw. Instant on-the-fly-changes between preselected standard on-board and pro- grammed variable speeds are possible, as [...]

7 Installation 2. Installation Packing and T ransport The camera should be stored in the sturdy ARRI transport case with the magazine attached, without the lens, the viewfinder extension, or the on-board battery. The video camera and the anti flicker processor should be removed for transport or shipping purposes. The AC/DC converter can stay on the[...]

Installation 8 base plate springloaded stop pin adjustable top plate lock lever lock levers support rods[...]

9 Installation Mounting • Press in the spring-loaded stop pin and pull the upper sliding backplate off the base plate . • Attach upper sliding plate with the central tie-down screw (3/8" thread) to the camera base, ensuring that the locating pins align with the holes in the camera base. • Screw the wedge plate of the tripod used onto the[...]

Installation 10 remote switch receptables 24V DC out handgrip adjustment positions[...]

11 Installation Shoulder Set S-3 The shoulder set S-3 has adjustable grips and an integrated shoulder pad which allows comfortable hand-held camera operation. Mounting • Attach the shoulder set with the central clamp screw into the tripod thread (3/8") on the camera base ensuring that the index pin on the shoulder set aligns correctly with t[...]

Power Supply 12[...]

13 Power Supply 3. Power Supply The camera is intended for use with 24 V DC. The acceptable voltage ranges are from 20 to 32 V DC. If the voltage trops below 18 V or rises above 34 V, a protective device prevents the camera from being turned on. Changing the Fuses Main fuse: 10 A Picofuse Accessory fuse: 2,5 A Picofuse • Remove the on-board batte[...]

Power Supply 14 Charger NCL 24 R For all 24 V batteries. To charge the on-board batteries NC 24/1,2 the charger-adapter cable KC 38 is required. For use see product description NCL 24 R. Double Charger NCL 24/1,2 To enable two on-board batteries to be charged simulta- neously. For use see product description NCL 24/1,2. Mains Unit NG 12/24 R The ma[...]

15 Power Supply DC/DC Converter 24V/12V -22W The DC/DC converter 24V/12V-22W provides DC voltage for 12V accessories through the camera ’ s power supply. The output voltage of the DC/DC con- verter is 12V +/- 1V, maximum power is 1,8 A. The output plugs on the converter are wired as follows: Mounting • Plug DC/DC converter with both plugs into [...]

Magazines 16 4. Magazines Coaxial magazines with or without TC recording unit (time code) are available. They are designed as quick-change magazines and use the same mechanical drive interface as previous 16SR systems. For the HS camera (high speed) special HS magazines are available with or without the TC-recording unit. Do not use HS magazines on[...]

17 Magazines Never close the door when the locking latch is in position „ closed “ as otherwise the latch could be damaged. Never hold the magazine by the door as otherwise the hinge could be damaged. Removing the Loop Protector • Using slight pressure push the loop protector upwards. • Swing out the lower side and remove the loop prote cto[...]

Magazines 18 • • F ilm Core, Core Holder and Clamp Core A film core adapter and a collapsible core are supplied with the camera; these are placed on the supply and take-up film spindles. The film is normally delivered on a core. The film core is attaches to the core adapter on the feed side. The core adapter is secured on the shaft with two cla[...]

19 Magazines Film Head Regardless of how the film head is cut, the film can always be loaded. Optimal for loading is a straight cut through the perforation holes. When cutting the film ensure that no remains of the film fall into the magazine as they could cause scratches on the film, damage to the equipment or a film jam. Cleaning the TC-Magazine [...]

Magazines 20 Loading the Film, Feed Side Feel for the opening for threading. • Guide the film head into the opening and carefully push it further into the opening. Simultaneously feel on the gear when the film engages with the internal sprocket. • Be sure thast dual perforations is correctly loaded (emulsion side inward, B winding). • Careful[...]

21 Magazines • pressure plate. • Hold the gear to keep the loop length stable. Push the film head gently into the smooth take-up channel (picture next page) until it engages with the take-up sprocket. • As soon as the film engages noticeably with the take- up sprocket, turn the magazine drive gear approxi- mately 5 further revolutions in the [...]

Magazines 22 Attaching the Film to the Core Adapter or the Collapsible Core • When in daylight place the magazine with the take- up side facing up. • Open the take-up side of the magazine cover. • Swing back the guide roller arm until it clicks in the open position. Do not pull the guide roller arm upwards. • Pull out some film. • Attach [...]

23 Magazines Collapsible core: • Slide the film head into the opening of the collapsible core. The film head should be pushed a little past the metal tongue of the clamp lever. If the film head is pushed to far into the collapsible core, unwanted noise may be heard. • Lock the clamp lever. Ensure that the film is clamped straight and at the rig[...]

Magazines 24 Unloading the Magazine Preparations • Remove the loop protector. • Check the counter on the magazine. It must show 0, otherwise the film has not been fully exposed. • Open the feed side in daylight. • Swing away the guide roller arm until it clicks - do not pull the guide roller arm upwards. • Pull off the core of the exposed[...]

25 Camera Body 5. Camera Body With the new pitch adjustment you can adjust the camera to optimize the running noise level when different types of film stock are used. The mechani- cally adjustable mirror shutter enables shorter exposure times and allows use of HMI-lights, even with older ballasts. Movement The kinematic film-movement with pitch adj[...]

Camera Body 26 located in the hidden compartment above the heated eyecup connector. • Switch off the camera and remove the on-board battery or the supply cable. If the camera is accidentally switched on while the special key is attached, the mirror shutter could be damaged. Therefore switch off the camera and remove the on-board battery or the su[...]

27 Camera Body • Using the manual inching mechanism adjust the mirror shutter so that the ladjustment screw for the shutter adjustment is visible at the bottom of the lens mount, below the mirror shutter. • Insert the special key into the adjustment screw. The mirror shutter can be damaged if the special key with the protective rubber cover- in[...]

Camera Body 28 TV 1.37 1.66 (S16) 1.66 (S16) T.V . 1.33 1.33 TV 1.78 HDTV 1.85 (S16) TV 1.33 1.33 TV HDTV 1.37 1.78 1.37 – TV 1.33 TV 1.33 1.37 1.85 (S16) – TV 1.33/1.78 1.66 (S16) 1.66 (S16) – TV 1.33 HDTV 1.78 – TV 1.33 1.85 (S16)[...]

29 Camera Body Fibre Optic V iewing Screens The overview shows the available fibre optic viewing screens. Without ARRIGLOW, the fibre optic viewing screens for the ARRIFLEX 16 SR II can be used. (The 16SR 3 screens can also be used in the 16SR II as well). Changing the Fibre Optic Viewing Screens • Switch off the camera and remove the on-board ba[...]

Camera Body 30 Attaching the Magazine onto the Camera Do not use HS magazines on a standard camera or standard magazines on a HS camera. If appropriate press the button on the video carrying handle and swing the handle to the left side of the camera. • If appropriate swing back the on-board battery. • Remove the loop protector and the aperture [...]

31 Camera Body Removing the Magazine • Press the button on the video carrying handle and swing the handle to the left side of the camera. • If appropriate swing back the on-board battery. • Flip the safety lever to the back. • Grasp the upper part of the magazine. • Press down the release lever with the index finger. • Swing the magazin[...]

Optics 32 6. Optics Lenses The ARRIFLEX 16SR 3 has a 54mm PL-mounting flange (positive locking). Lenses with a 41mm ARRI- bayonet can be used with a lens port adapter. All commonly used 16mm and 35mm lenses with an ARRI mount can be used. The following lenses can be used with the Super 16 format: 16mm lenses (with 41mm ARRI bayonet mount) - 11-66mm[...]

33 Optics - 135mm Zeiss Planar T2,1 - 180mm Zeiss Sonnar T3,0 - 300mm Zeiss Tele-Apotessar T3,0 - 600mm converter for Tele-Apotessar T6,0 35mm macro lenses (with 54mm PL-mount) - 16mm ARRI MACRO T2,1 - 24mm ARRI MACRO T2,1 - 32mm ARRI MACRO T2,1 - 40mm ARRI MACRO T2,1 The following lenses can only be used if the viewfinder arm is set vertically: - [...]

Optics 34 54mm PL-Mount The bayonet lock on the PL-mount guarantees secure fastening of all lenses, including heavy lenses. An accurate index pin in the lens mount assures precise mounting of the lens. Four precise index slots in the lens mount on the lens to be attached at a 90 ° direction. Attaching the Lens • Open the bayonet lock . • Push [...]

35 Optics 41mm ARRI Bayonet Lenses with a 41mm ARRI bayonet mount can be used with a PL/bayonet adapter. When changing bayonet mount 41mm lenses, the adapter remains on the camera. Release the bayonet lock of the adapter by pushing the little back release pushbutton on the side of the camera. Attaching the PL/Bayonet Adapter • Open the bayonet lo[...]

Optics 36 Removing the Lens The adapter remains on the camera. • Press in the release button completely. • Unlock the lens by turning counter-clockwise. • Pull the lens straight out of the adapter. • Immediately replace the protective cover for the compensation adapter or another lens. Removing the Lens Port Adapter • Open the bayonet loc[...]

37 Optics lens support ring lens support bridge tie down screw clamp lever[...]

Optics 38 Viewfinder The viewfinder can be swivelled three-dimensionally. It can be swang over approx. 190 ° from the left to the right side of the camera, with an attached video-assist- system approx. 120 ° . The viewfinder can be rotated 360 ° and can be swivelled a further 25 ° outwards for left eye viewing. An automatic image compensator pr[...]

39 Optics The above option allows unrestricetd correction of the finder image. Eyepiece The diopter compensation on the eyepiece is fitted with a scale of 1 to 12. At position 6 middle focus is set. Unscrewing the Eyepiece • Loosen the knurled ring . • Pull off the eyepiece. Screwing on the Eyepiece • Attach the eyepiece to the finder. • En[...]

Optical Accessories 40 accessory shoe tie down screw[...]

41 Optical Accessories 7. Optical Accessories Light-weight Support L WS-2 The light-weight support is necessary if using the light- weight follow-focus device and for the 4"x4" matte box MB-17. The light-weight follow focus device and the 4"x4" matte box MB-17 are pushed onto the rods on the light-weight support and then clamped[...]

Optical Accessories 42 tie down screw knurled screw right focus knob adjustable drive arm lens drive gear tie down lever focus knob knurled screw tie down screw marking disk release knob[...]

43 Optical Accessories Universal Follow Focus Device FF-3 With the Universal follow focus device the operator can focus the lenses from his working position. He uses the follow focus knob or a flexible shaft to focus. This can be attached on the left or the right side. The switchable step-down gear allows the lens to be optimally adapted to the sce[...]

Optical Accessories 44 Changing the Step-Down Gear When the focus knob is pushed in the step-down ratio is 1:1, when the focus knob is pulled out the ratio is 1:0,6. • Depress the button and simultaneously pull the focus knob out to the stop position, or push it in - the gear will be engaged or disengaged. See also the information sheet „ TECHN[...]

45 Optical Accessories 4"x4" Pr oduction Matte Box MB-16 The 4"x4" production matte box is equipped with two rotatable filter stages for two 4"x4" push-through filters. The filter stage has a receptacle at the rear for 4 1/2" diameters filters and a reflex protection ring. It is interchangeable with other filter s[...]

Optical Accessories 46 Finder Extension FE-2 The finder extension used in combination with the levelling rod allows comfortable work with the tripod - the viewing height remains stable. Mounting • Loosen the knurled ring on the viewfinder. • Remove the eyepiece. • Attach the finder extension to the viewfinder, magnifi- cation adjustment on th[...]

47 Optical Accessories Levelling Rod for Finder Extension EL-3 When filming from the tripod the levelling rod holds the finder extension constantly at eye level. The levelling rod for the finder extension can be used for the ARRIFLEX 535 and 535B as well as for the 16SR 3. Mounting • Screw the lock bushing onto the tripod. • Push the short moun[...]

Optical Accessories 48 Heated Eyecup HE-3 The heated eyecup prevents the eyepiece lens from misting up in the cold or in varying temperatures. The temperature of the in-built heater is kept constant by an electronic control. The heated eyecup is supplied with an anatomically shaped eyecup and a folding eyecup. Mounting • If appropriate remove the[...]

49 Adjustment Normal 16/Super 16 8. Adjustment Normal 16 /Super 16 The centre of the image format is 1 mm different for the Super 16 (12.4 x 7.5 mm) than for Normal 16 (10.3 x 7.5 mm). In changing the image format, the lens mount and the viewfinder on the camera must be adjusted 1 mm to centre it. The opening of the Universal film gate is altered m[...]

Adjustment Normal 16/Super 16 50 • Mount the alignment screw SW 1,5 (wrench width 1,5 mm) top right. • Remove stop plate segment and locking knob after removing the fastening intermediate rings and refasten on the opposite side. • Replace the 6 cylinder head screws and screw tight. • Check viewing screen for focus. • Check flange focal di[...]

51 Adjustment Normal 16/Super 16 • When changing to Super 16 remove the rail from the film gate and place it in its case . • When changing to Normal 16 remove the rail from its case and place it in position in the film gate . • Remount the film gate in the reversed order. • Check the tracking. cylinder head screws hiden rail compartment rai[...]

Adjustment Normal 16/Super 16 52 Adjusting the Viewfinder Alignment • Loosen the threaded bushing with special wrench A 16 SR-3 by approx. 2 full turns. • Loosen the worm screw SW 2 by approx. 10 full turns. • Remove the threaded bushing . • Hold the knurled ring firmly and completely unscrew the worm screw . • Untwist the knurled ring an[...]

53 Adjustment Normal 16/Super 16 Bridge Plates BP-6 and BP-7 • Unscrew the 3 screws in the rail in the upper part of the bridge plate. • Turn the rail 180 ° and refasten. The marker must point to “ Standard “ for Normal 16 and to “ SUPER 16 “ for Super 16. Old bridge plates with 15mm support rods for 16SR must be equipped with Normal 1[...]

Adjustment Normal 16/Super 16 54 Lightweight Support • Unscrew the guide screw . • Turn the flange 180 ° . The red dot must be on “ STANDARD “ for Normal 16 and on “ S16 “ for Super 16. • Screw in the guide screw. Video Optic • Unscrew the video camera from the C-mount. • When changing from Normal 16 to Super 16 screw the red int[...]

55 Display and Operating Elements 9. Display and Operating Elements The camera electronics open up a variety of new possibilities: a comprehensive large LCD display ad- vises quickly the chosen settings. The electronics control speed to exactly 1/1000 fps (to 100 fps). Even wit hout an external synchronization unit synchronization is possible on a [...]

Display and Operating Elements 56 T C TC-recording is turned on (see chapter 12). TC flashes Standby: since the last synchronization more than 8 hours have passed or the TC- generator has malfunctioned. Run: as yet no recording has taken or is taking place (see chapter 12). bat Battery voltage < 20 V. The camera cannot be started. asy The camera[...]

57 Display and Operating Elements Choosing Standard Speed • Set the sliding switch to NORM. • Switch the MODE key to mode 1 (standard). • Switch through on the SEL key to the desired speed - the speed flashes approx. 3 sec. After 3 sec the previously set speed will reappear. • While the light is blinking depress the SET key to set the speed[...]

Display and Operating Elements 58 Film Counter Switching the Total Exposed Film/Take Counter The film counter can only be switched from total exposed film to take counter while in Standby. The take counter is reset every time the camera is restarted. The total counter is reset by hand. To switch: • Switch the MODE key to mode 3 (take or total exp[...]

59 Display and Operating Elements 0007 Total exposed film (number) or take counter (t) in meters (m) or feet (ft). See the table on the next page → Only symbols independent of the mode. In mode 1 the total exposed film is shown. The set unit of measurement is meters. Since last resetting the total exposed film counter, 7m have been filmed. The sl[...]

Display and Operating Elements 60 Mode 1: Standard (Total Exposed Film or Take Counter/Speed) - lower line 25.00 Set standard speed (24,00/25,00/29,97 or 30,00 fps). There is no external synchronization unit, speed unit or remote unit plugged in. PS Programmable speed. There is no external synchronization unit, speed unit or remote unit plugged in.[...]

61 Display and Operating Elements The sliding switch is at PS/CCU. The programmed speed is 23,455 fps. The third position after the comma for the speed setting (1/1000 fps) is displayed in the upper display line. There is no external synchronization unit, speed unit or remote unit plugged in. upper line example Mode 2: Programmable Speed lower line[...]

Display and Operating Elements 62 In mode 3 the take counter is displayed. The set unit of measurement is meters. Since the start of the take 3,2m have been filmed. The power supply is 25V. upper line lower line symbols example Mode 3: Take or Total Exposed Film Counter/Power Supply e03.2 Take (t) or total exposed film counter (count) in meters (m)[...]

63 Display and Operating Elements 17:20 h:min – hours and minutes. 31:25 sec:fps – seconds and positions before the comma of the TC-generator frame rate. See chapter 12. TC Standby: TC-recording is switched on. TC Run: Time Code is being recorded. See chapter 12. Actual time code time is 17:20:31 [hh:mm:ss]. The TC-generator frame rate is 25,00[...]

Display and Operating Elements 64 8A:65 Userbits 1–4. 35:F4 Userbits 5–8. TC UB Standby: TC-recording is switched on. UB TC-recording is switched off. TC UB Run: Time code is being recorded. UB Time code is not being recorded. See chapter 12. The user bits are 8A6535F4. User bits can contain the figures 0-9 and the letters A-F. TC-recording is [...]

65 Display and Operating Elements 269 Temperature in the electronic housing (depress the SET key). To check the acceptable temperature range of –20 ° C - 50 ° C. S 7 Timecode-sensitivity, TC-magazine is attached. S - No TC-magazine is attached. Only symbols independent of the mode. The SET key is not depressed. The temperature in the electronic[...]

Display and Operating Elements 66 Exposure Control and ARRIGLOW When using ARRIGLOW no exposure measurement is possible. To switch between exposure control and ARRIGLOW: • Turn the adjustment knob according to its markings to the stop position until it locks noticeably into place. Exposure Control The exposure meter has an area of measurement of [...]

67 Display and Operating Elements The iris diaphragm is manually adjusted until the exposure field indicator needle is visible in the view- finder, to the left, in the middle measurement field. The middle measurement field stands for correct exposure in a „ normally bright “ scene, the outer points + and - show over- and underexposure of approx[...]

Display and Operating Elements 68 Checking the Mirr or Shutter Setting The mirror shutter setting can also be checked with the lens attached. • In Standby depress the PHASE key and keep de- pressed - the angle symbol appears on the display. After approx. 2 seconds the set shutter angle will be displayed in the upper line. Synchronizing on the Vid[...]

69 Accessories 10. Accessories Camera Control Unit CCU-1 The camera control unit CCU-1 for the ARRIFLEX 535 and 535B can also be used on the 16SR 3. It enables manually controlled remote control of the following functions: - Switching the camera on or off. - Choosing the speed. - Checking the set values. - Displays and use of the film counter. - Di[...]

Accessories 70 • Insert the battery pack into the camera control unit and close the battery compartment. Pay attention to the correct polarity of the battery pack! Plugging in the Camera Control Unit • Plug the cable KC 24 (2,4m) or KC 30 (20m) into the socket on the side of the camera control unit, pressing the slide on the plug in the directi[...]

71 Accessories The Main Menu When the camera control unit is switched on the main menu appears on the display. This allows access to the sub-menus and shows the speed currently set on the camera. It also shows if the camera is switched off (OFFLINE), in Standby (STANDBY) or is running (RUN). • Choose the desired menu with the keys 1, 3, 5, 6 or 8[...]

Accessories 72 All chosen speeds within the acceptable range of 5 to 75 fps (5 to 99,999 fps on the HS camera) can be increased or decreased in steps of 1/1000 fps in order to carry out a fine-tuning of the speed. For fine-tuning on the camera see chapter 9. To fine-tune on the camera control unit: • Switch the sliding switch on the camera to PS/[...]

73 Accessories To change the TC-user bits: • Depress key 2 - „ USERBITS “ is displayed against a dark background. • Depress the ENTER key - ready for input of the new user bits. • Enter all 8 user bits with figures 0-9 or letters A-F - the new user bits are displayed. If input is finished with the ENTER key, the unfilled positions will be[...]

Accessories 74 INFO Menu Enables access to the menu points STATUS and COUN- TER, and switching on and off the acoustic signal on the camera control unit. • Choose the desired menu point with key 1 or 2. Switch on or off the acoustic signal with key 4. STATUS Displays the values currently activated on the camera. COUNTER Displays the total exposed[...]

75 V ideo-Assist-System 11. Video-Assist-System The video-assist-system delivers a high-quality, nearly flickerfree monitor image for PAL or NTSC. The video-assist-system consists of the video set, the 1/2" color video camera CCD 2-FR and the anti-flicker pro- cessor AFP-2. The video set consists of the video carrying handle and the video opti[...]

V ideo-Assist-System 76 When using these without the video-assist-system a 100% beamsplitter is used. The video optic can be adjusted from Normal 16 to Super 16. The monitor displays the format filling the monitor surface width-wise (letterbox format on Super 16). Neither the video camera nor the video optic should ever be used as a carrying handle[...]

77 V ideo-Assist-System • Unscrew the 4 screws SW 1,5 (key width 1,5 mm) on the beamsplitter. • Remove the beamsplitter at the bevelled edges (under the markings). • Insert the desired beamsplitter and screw on with the 4 screws . Mounting the Video Optic • Attach the video handle without the video optic. • Screw on with 4 screws, ensurin[...]

V ideo-Assist-System 78 Note: If the video carrying handle remains on the camera when dismounting, the opening on the carrying handle should be closed over with the supplied protec- tive cover. Wiring the Video-Assist-System • Plug the anti flicker processor AFP-2 through the socket MOVIE CAMERA with cable KC 37 into one of the RS-sockets on the [...]

79 V ideo-Assist-System Note: The focussing area of the video optic can be shifted by the gear on the video camera. Positions on delivery (looking at the left side of the camera): Normal 16: Focus is almost at the stop position turning clockwise. Super 16: Focus is almost at the stop position turning counter-clockwise. adjustment screw for north/so[...]

Time Code 80 12. Time Code In modern electronic post-production time code is often used today. Quartz-synchronized film, sound and video recordings have been made possible through the use of equipment with TC-capability. The ARRIFLEX 16SR 3 is equipped with a TC generator which produces 80bit time code corresponding to SMPTE RP136, Format Type C. T[...]

81 Time Code The TC-Symbol has the following meaning: Run Standby TC-Symbol off TC-Symbol blinks TC-Symbol on TC-recording is turned off. Since the last setting of time code or since the last synchronisation more than 8 hours have passed. TC-recording is turned on, no VSU is plugged in, time code is set or externally synchronized, the camera is set[...]

Time Code 82 TC-Output TC information is constantly available as 80bit LTC on the CCU socket and in Standby also on the ACC socket. Both outputs 5 V asymmetrical. Through the TC-output TC-compatible equipment can be synchronized on the set once (for 8 hours) on the camera ’ s time code or constantly supplied with time code by the camera. The came[...]

83 Time Code Time Code and ESU-1 Also when using the external synchronization unit ESU-1 for synchronizing the camera to other equipment, time code can be recorded. Before attaching the external synchronization unit the TC generator the frame rate must be set to the expected frame rate. The maximum difference between the external synchronization an[...]

Time Code 84 Indicating Time Code or User Bits • Using the MODE key switch to Mode 4 (time code time) or Mode 5 (time code user bits). The time code time indicator will indicate hours:minutes in the upper line and seconds:frame rate in the lower line. In the case of frame rate, only positions before the comma will be shown: 24 24,000 fps 25 25,00[...]

85 Time Code Description Type TCS Kodak Eastman 7222 BW-negative 8 7231 BW-negative 9 7239 Colour reversal 5 7240 Colour reversal 6 7245 Colour negative 6 7248 Colour negative 6 7250 Colour negative 5 7251 Colour negative 4 7292 Colour negative 5 7293 Colour negative 5 7296 Colour negative 5 7297 Colour negative 6 Description Type TCS Agfa Gevaert [...]

Time Code 86 TC Buffer The ARRIFLEX 16SR 3 ensures not only high accuracy of the time code but also allows the TC clock to continue running while the camera is switched off as long as the camera is connected to a power supply. The TC genera- tor needs a power supply of 10mA if the camera is switched off. For changing the battery a short-term buffer[...]

87 Maintenance 13. Maintenance Replacing the Magazine Drive Gear Damaged magazine drive gears must be replaced as they cause noise. • Open the magazine on the take-up side. • Unscrew the 3 screws on the magazine gear. • Replace the gear. • Ensure that the gear has been replaced with the arrows visible. • Screw in firmly the gear. Cleaning[...]

88 Maintenance magazine with magazine throat removed magazine throat[...]

89 Maintenance • Remove the magazine throat assembly . The gear drum and film channel will become visible. • Possibly emulsion or film scraps are in the interior. Clean carefully. Under no circumstances blow substances away! Remove deposits from the film with The ARRI plastic film track cleaning rod or with a paper towel and some spirits. Under[...]

90 Maintenance Necessary Special Tools Depth gauge for PL-mount or Depth gauge A 16 SR-18 Depth gauge cylinder A 16 SR-19 Depth gauge base A 16 SR-20 Depth gauge plate A 16 SR-21 Checking the Flange Focal Distance • Adjust the depth gauge with the gauge cylinder on the gauge base to „ 0 “ . • Turn the mirror shutter downwards with the inchi[...]

91 Maintenance[...]

92 Maintenance Setting Friction on the Viewfinder When friction decreases it is necessary to readjust it. Neessary Special Tools Special key A 16 SR-3 Allen key A 16 SR-16 Allen key A 16 SR-17 Friction Left-Right-Swing (190 ° ) • Loosen the threaded socket with the special key A 16 SR-3 approx. 2 revolutions. • Tighten the endless screw with t[...]

93 Maintenance Friction on Viewfinder Arm (25 ° ) • Loosen or tighten the 3 inner hexagon screws evenly one after the other with the Allen key A 16 SR- 17 until the desired friction is reached. hexagon screws[...]

94 Maintenance Replacing the Electr onic Housing If the electronics break down the entire electronic housing is to be exchanged. The electronic housing on the standard camera is not the same as that on the HS camera and should not be interchanged with it. • Place the camera without the magazine upside down on a soft surface. • Unscrew the 6 scr[...]

95 Maintenance[...]

Appendix 96 Camera-Checks Checking Camera Readiness Wiring Check complete wiring and the position of the plug. Electronics Switch through all modes and check the set values. Time Code Set TC and check TC-sensitivity on all magazines. Batteries Check power supply to all batteries in display mode 3 (take counter/power supply): U > 20 V. Exposure M[...]

97 Appendix ARRIGLOW Let the camera run very slowly with the PHASE key. Watch the right shutter edge through the lens opening: the shutter must be completely closed before the ARRIGLOW light illuminates. Watch the left shutter edge: the light must have gone off before the shutter opens. Magazine The red markings on the casing must no longer be visi[...]

Appendix 98 T echnical Data Image Format Normal 16: 10,3 x 7,5 mm Super 16: 12,4 x 7,5 mm Magazine Coaxial quick-change magazine for 120m film in the following varieties: - standard magazine - standard magazine with TC-recording unit - HS magazine - HS magazine with TC-recording unit Lens Mounting Flange 54mm PL-mount Lenses with 41 mm ARRI bayonet[...]

99 Appendix Temperature Range -20 ° to +50 ° Power Supply 24 V DC Acceptable voltage range: 20 ... 32 V DC Operation and Display Standard speeds 24; 25; 29,97; 30 fps Other speeds programmable Standard: 5 ... 75 fps at 1/1000 fps exactly HS camera: 5 ... 99,999 fps at 1/1000 fps exactly 100 ... 150 fps at 1/10 fps exactly Total exposed film or ta[...]

Appendix 100 Order Numbers ARRIFLEX 16SR 3 ................................... K1.45999.0 ARRIFLEX 16SR 3 HS .............................. K1.45998.0 Installation ARRIHEAD 2 ......................................... K2.43670.0 Hydro-head ARRI 150 H ......................... K2.50491.0 Hydro-head ARRI 150 M ........................ K2.50463.0 Hydro[...]

101 Appendix Cable KC 27 ........................................ K4.44549.0 Light-weight support LWS-2 ..................... K2.43539.0 Universal follow focus device FF-3 ............ K0.59979.0 Leight-weight follow focus device ............. K2.21541.0 4"x4" production matte box MB-16 ......... K2.44472.0 4"x4" matte box MB-17[...]

Index 102 Index 1/2" color video camera CCD 2-FR ................... 7 5 15mm support rods ........................................... 9 41 mm ARRI bayonet ....................................... 3 5 4"x4" matte box MB-17 ................................... 4 5 4"x4" production matte box MB-16 .................... 4 5 54mm [...]

103 Index C Camera body ................................................. 2 5 Camera control unit CCU-1 ............................... 6 9 attaching starting camera run Camera display .............................................. 5 5 Camera handgrip ............................................ 1 1 Camera run changing .............................[...]

Index 104 D DC/DC converter 24V/12V-22W ...................... 1 5 Depth gauge ................................................... 9 0 Depth gauge cylinder ....................................... 9 0 Depth gauge plate ........................................... 9 0 Dimensions ..................................................... 9 9 Diopter compens[...]

105 Index engaging with film perforation, checking ........ 2 5 Filming from a video monitor ............................. 6 8 Filters ............................................................ 4 5 polaroid .................................................... 6 6 Finder ............................................................ 3 8 extension FE[...]

Index 106 camera display ........................................... 5 5 Image adjustment on video monitor .................... 7 8 Image format .................................................. 9 8 Image steadiness compensation ......................... 3 8 Image storing, video-assist-system ...................... 7 5 Inching knob ...............[...]

107 Index M Magazine attaching ................................................... 3 0 available varieties ....................................... 1 6 cleaning .................................................... 1 8 oading ...................................................... 1 9 removing ................................................... 3 1 un[...]

Index 108 Optics ........................................................... 3 2 Order numbers ............................................. 1 0 0 P PAL-video-assist-system .................................... 7 5 Phase shifting when synchr. on a video monitor ...... 6 8 Pitch adjustment .............................................. 2 5 PL-mount .[...]

109 Index Setting film speed .................................................. 6 6 focus, video image ...................................... 7 8 image, video image .................................... 7 8 mirror shutter opening ................................. 2 6 time code sensitivity ..................................... 8 4 Shoulder pad ......[...]

Index 110 time and user bits display ............................. 8 4 when using the external synchronization unit ... 8 3 Transport ......................................................... 7 Transport case .................................................. 7 Tripod heads, recommended ............................... 7 U Universal film gate, chang[...]

ARRI Ser vice Italy ........................................ ARRI ITALIA S.R.L. Viale Edison 318 20099 Sesto S. Giovanni (Milano) phone: (02) 26 22 71 75 fax: (02) 242 16 92 E-mail: info@arri.it ARRI ITALIA S.R.L. Via Placanica, 97 00040 Morena (Roma) phone: (06) 79 89 02 02 fax: (06) 79 89 02 39 Canada .................................. ARRI Canad[...]