Kodak V1253 инструкция обслуживания

Ko d a k E a s yS ha r e V 1253 zo om di gi tal c ame ra U s e r ’ s gu id e ww w. kod a k .c o m F o r in te r ac tiv e tuto ri a ls : ww w. kod a k .c o m / go / ho w t o F or he l p w i th yo u r c a m e ra : w w w . ko d a k . c om/ g o/ v1 253s u pp or t[...]

E a s tma n Ko d a k C o mp a n y Roc he s te r , Ne w Yo rk 14650 © Ea s tma n K od a k C omp a ny , 2007 A l l s cr e en im a ge s ar e si m ula t ed . K o d ak , Ea sy Sh a r e , a n d Per f ec t To u c h ar e t r a d em ar k s of E as t m an K o d ak C o m p a n y . 4J62 18_e n[...]

Pr o d u c t f eat u r es ww w . ko d ak. c o m/g o / su p p o rt i Fr ont v ie w NO T E : 6 , 7 , a nd 8 a r e a l so B a t te r y C ha r g i ng li gh t s . 1 Zoom l e v e r (W/ T ) 7 V i de o mode b ut ton 2 S hut t e r but t on 8 F a v or i t e s m ode bu tt on 3F l a s h 9 L e n s 4 F l as h bu tt on 1 0 V i de o l i g ht/ S e l f - t i me r l [...]

ii ww w . ko d ak. c o m/g o / su p p o rt Pr o d u c t f eat u r es Ba ck v i e w 1 L C D 7 J oy st i ck ; O K b ut ton (pr e ss) 2 R ev i e w b u tt o n 8 S h a re b u tt o n 3 Speake r 9 B at t er y c omp ar t ment 4 M e nu b ut t on 1 0 S l o t f or opt i ona l S D or M M C c a r d 5 Delet e b u t t on 1 1 Tr ip od so c ket 6 S tr a p p o s t 1[...]

ww w . ko d ak. c o m/g o / su p p o rt iii T a bl e of con t ent s 1 1 Se t t i n g u p yo u r c am er a ... ... ... .. ... ... ... .. ... ... ... .. ... ... ... .. ... ... ... .. ... ... ... .. ... ... .1 At t a ch i n g t h e s t r ap .. .. .. .. ... .. .. .. ... .. .. .. ... .. .. .. ... .. .. .. ... .. .. .. .. ... .. .. .. ... .. .. .. ... ..[...]

iv ww w . ko d ak. c o m/g o / su p p o rt T a b le of c ont e n ts U nd e r s t an d i ng t h e r e v i e w i co n s .. .. .. .. ... .. .. .. ... .. .. .. ... .. .. .. .. ... .. .. .. ... .. .. .. ... .. .. .. ... 2 8 4 Do i n g m o r e w it h y o u r c a me r a . ... ... ... .. ... ... ... .. ... ... ... .. ... ... ... .. ... ... ... .. ... ..3 0[...]

ww w . ko d ak. c o m/g o / su p p o rt 1 1 S e t t i ng up your c a m e r a IM P O RTA N T: F o r p ac kag e c o n t en t s, see y o u r p r o d u c t p ac ka g e. Atta ch i n g th e st rap L o a di ng t he K L I C -7 004 ba t t e r y F o r in f orma tion on re p l a cing ba tte rie s a n d e xte n ding ba tte ry li f e , s e e pa ge 6 1 .[...]

2 ww w . ko d ak. c o m/g o / su p p o rt S e tti ng up y ou r c a m e ra C h a r gin g t h e ba t te r y C har g e u n t i l al l 3 B a tt e r y C h a r g i n g l ig h t s are lit . I f th e B a tte ry C h a rg i n g li g hts d o n ot turn on d u ri n g US B c h arg i n g , e n s ure : ■ T he US B ca bl e is con ne cte d to a pow e re d US B po [...]

S e t t i ng up y our c a m e r a ww w . ko d ak. c o m/g o / su p p o rt 3 C h arg in g th e b att er y usin g o ther accessor i es Tu rn i n g o n th e ca m e ra P re s s the On / Off bu tto n to tu rn th e c ame ra on i n A u to mode . NO T E : Y ou ca n a l s o p r e s s the A uto / S C N, V ide o , or Favo ri te s b utto n to turn on th e ca m[...]

4 ww w . ko d ak. c o m/g o / su p p o rt S e tti ng up y ou r c a m e ra Se tti n g th e la n gu a g e a n d d ate /ti m e NO T E : T o c h ange l a ngua ge i n t he fut ur e , se e p a ge 3 6 . T o ch ange da t e & tim e , se e pa ge 36 . S t orin g pi c ture s on a n S D o r M MC c ar d Y ou r c a me ra h a s inte rn a l m e mo ry . Y o u ca[...]

ww w . ko d ak. c o m/g o / su p p o rt 5 2 T akin g p ic tur es/v id eo s Ta k i n g a p i ct u r e 1 P re s s th e On /Off o r A u t o /S C N b utt o n to tu rn on t he ca m e r a . 2 Co m p os e t h e p i c t u r e. 3 P re s s the S hu tte r b utto n hal fw ay to fo cus a nd s e t e xp os u re . Wh e n th e fra mi n g ma r k s tu rn gre e n , p [...]

6 ww w . ko d ak. c o m/g o / su p p o rt T akin g p i c tu r es/ v i d eo s Usin g t h e fra m i n g m a r k s to t a k e pict u r e s F r a mi n g ma rk s i n dica te th e ca me ra focu s are a . I n A u to mo de ( a n d in SCN m o de s d e s i gne d for pi ct ure s of pe opl e ), th e ca mer a a tt e mpt s to foc u s on fa ce s. 1 P re s s the S[...]

T akin g p ic t u res/v id eo s ww w . ko d ak. c o m/g o / su p p o rt 7 Usin g t h e 3 X op tic a l z oom 1 U se t h e L C D t o f r a m e y o u r s ub j ec t . 2 To z o o m i n , p r es s Telep h o t o ( T) . T o zo om o ut, p r e s s Wi de A ngl e ( W ). T he zo om i n di c a t or s h ow s t he zo om s ta t u s . 3 T a ke t h e p ic t u r e or [...]

8 ww w . ko d ak. c o m/g o / su p p o rt T akin g p i c tu r es/ v i d eo s U sing t he se lf- t im e r Us e the se lf- ti me r w he n you w ant to be i n cl ude d i n a pi ctu re , or to e nsu re a ste a dy S hu t te r bu tton pr e s s . Plac e the c a me ra on a tr i p od o r f la t s urf a ce . 1 In a n y Still m o d e , p r e s s th e M e n u [...]

T akin g p ic t u res/v id eo s ww w . ko d ak. c o m/g o / su p p o rt 9 Usin g the fla s h Y ou r ca me ra s a ve s t he f l a s h s e tt i n g, e ve n a fte r y ou tu r n o ff the c a me ra . T o ma k e th e ca me ra re tu rn to its d e f a ult se ttin g s ( s uch a s A u to f l a s h) , tur n o ff M a inta in S e tting s ( se e pa ge 34 ). F l [...]

10 ww w . ko d ak. c o m/g o / su p p o rt T akin g p i c tu r es/ v i d eo s Using di ffe re nt m ode s Ch o os e t he m o d e t h a t be st su i t s y ou r s u bj e c ts a n d su r r o un d i n gs. U s e t h i s mode Fo r Aut o Gene r a l pi ct ur e tak i ng — of fe r s a n e x cel l e nt bal a nc e of i ma ge qual i ty and e ase of us e . Sc e[...]

T akin g p ic t u res/v id eo s ww w . ko d ak. c o m/g o / su p p o rt 11 U s in g Scen e ( SC N ) m o d es Ch o os e a Sc en e m o d e— fo r g r ea t p i c t u r es in pr a c t i c al l y an y s i t u at io n! 1 P re s s the A uto / S C N b u tto n u ntil th e S ce n e ico ns a p pe a r on the LC D . 2 P r e ss t o vi ew s c en e m o d e d e sc[...]

12 ww w . ko d ak. c o m/g o / su p p o rt T akin g p i c tu r es/ v i d eo s Ma n ne r/ Mu s eu m Qu i e t oc casi o ns, l i k e a w e d di ng o r l e c t u r e . F l a sh and soun d a r e d isa b l ed . Pla c e t he c am er a o n stead y s urf ac e or t r ip od . Se l f - P o r tra it C l ose - ups of your se l f. Assu res pro pe r f oc us an d m[...]

T akin g p ic t u res/v id eo s ww w . ko d ak. c o m/g o / su p p o rt 13 U sing c a m e r a H e lp T o be tte r und e rs t a n d ea ch men u opti on , us e came ra He l p . H i ghl ight a me nu ch oi ce , th e n pr e s s t he Z oom te l e ph ot o (T ) but ton. Unde r sta n din g the pic t u re - t a k i n g ico n s Tu r n on He lp T u rn o ff H e[...]

14 ww w . ko d ak. c o m/g o / su p p o rt 3 W o rki n g with pi c t u re s / v ide os Re v i ew i n g p i c t u r es / v i d eo s 1 P re s s the Re vi e w b utto n. 2 P re s s fo r p re vi ous/ ne x t pi ctur e / v ideo . M a gn i f y i n g a pi c t ur e 1 P r es s T t o m ag n i f y 1 X – 8 X . 2 P re s s to v i e w ot he r pa rts o f a pi ct u[...]

W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 15 D e le ting pic t u r e s/ v ide os 1 P re s s the Re vi e w b utto n. 2 P re s s for pr e vi ou s/n ext pic ture /vi de o . 3 P re s s the D e le te b u tto n. 4 Follo w t h e sc r een p r o m p t s . NO T E : T o d e l e t e p r ot e ct e d pi ct ur e s/v i de o[...]

16 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s Us i n g th e m en u b u tto n i n r evi e w 1 P re s s the Re v ie w butt o n, th e n the M e nu but t on. 2 Pr e s s to hi g h l i g ht a ta b : ■ Re v i e w to v i e w pi ctur e s /vi de os ■ Ed i t t o e d it p ic t u r es / vid eos ■ Set up fo r o the[...]

W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 17 C ropp i n g pic ture s Y ou ca n crop a pi c ture s o that on l y t he de sir e d po rti on of th e pi ctu re re mai n s. 1 P re s s the Re vi e w butto n , th e n t o f i n d a pi ct u r e t o cr o p . 2 P re s s t he M e nu butt on, th e n t o h i ghl i gh t t [...]

18 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s Pla y ing a s o und ta g 1 P re s s t he R e vi e w butt o n, t h e n t o f i nd a ta gg e d p i c t ure . 2 Pr e s s to pl a y t h e s o un d t a g. 3 Pr e s s to a d j u s t th e v o l u m e . 4 P re s s O K to s top play ba c k . U si ng K o dak Pe r fe c t T[...]

W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 19 E ditin g vide os Y ou ca n do i ncre di bl e thi ngs w i th you r vi de os ! Making a p ict u re fro m a v id eo Y ou ca n choo se a s i ngle f r a me from a vi de o , the n mak e a p i ctur e sui ta bl e f or a 4 x 6 -inch ( 10 x 15 c m) p rint. 1 P re s s the R[...]

20 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s Making a v id eo ac tio n p ri n t F r om a vi d e o , yo u c a n ma k e a 4-, 9-, or 16-u p p ictur e , s u ita ble f o r a 4 x 6-i n ch ( 10 x 15 cm) p rin t. 1 P re s s th e Re v i e w butt on, the n to fi n d a vi de o . 2 P re s s the M e nu butt on, th e n[...]

W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 21 Us i ng v i de o bo ok m a r k s Y ou ca n se t b ook mark s a t i nt ere s ti ng pl a c e s i n yo ur vi d e o , th en j ump f r om one b ook ma rk to a no the r . S e tt in g bo ok m a r k s 1 P re s s the Re vi e w b utto n, th e n to f ind a vide o. 2 P re s s[...]

22 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s R un n ing a s l id e sho w U s e S lid e S h o w t o d is p la y y o u r p ic t u r e s / vid eo s o n t h e LC D . NO T E : If y o u hav e a K odak E a sy S h a r e H DT V dock , se e i ts G e t t i ng S t a r te d G ui de . I f y ou h a v e a n E a syS ha r e[...]

W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 23 C h oo s i ng a s li de s ho w transit ion C hoo se h ow the s l ide s how tr a ns i ti ons f r om one p i cture to ano t he r . 1 O n the S li de S h ow me nu, pr e s s to hig hli ght T r a n s i ti on , the n pre ss th e OK bu t t o n. 2 P re s s to s e l e ct a[...]

24 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s D is p lay i ng p ictur es /v id eo s on a telev is ion Y ou ca n di spl a y pi ctur e s /v ide os on a t e l e v isi on , com pu t e r m o ni tor , o r a ny de v ic e e qui p pe d w i th a v ide o i n put. T o c onn e ct th e ca me r a to a te l e vi s i o n, u[...]

W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 25 R u nni ng a slid e s ho w w it h t he p ho to fr ame d o ck 2 Y our pa ck a g e may i ncl u de a n E as yS ha r e pho to fra m e do ck 2. ( T o purc h as e a c ce ss ori e s, v i si t w w w . k o da k . co m/ go / v1253a cce s s o rie s .) S t a r t slid e s how [...]

26 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s V ie wing pi c tur e s/ vid e os in diff e r e n t w a ys Vie wing as th um bnails ( mu lti- up ) 1 P re s s the Re vi e w b utto n. 2 P re s s W t o c ha n ge fr om s i ngle - pi ct ure vi e w to mul ti - up th umbna il s . 3 P re s s T to re turn to s i n gle [...]

W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 27 S e le c t ing m ult iple pic t u r e s/ vid e o s U s e t h e mu lt i-s ele c t f ea t u r e w h e n y o u h a ve t w o o r m o r e p ic t u r e s/v id eo s t o p r in t , t r a n s f er , d elete, etc . ( M u lt i -s e lect is u s e d m o s t e f f ec tiv ely i [...]

28 ww w . ko d ak. c o m/g o / su p p o rt W o r ki n g wi t h p i c t u r es/v i deo s Unde r sta n din g the r ev i e w icons Pi ctur e s Vid e o s Em ai l t ag Fa vo r i te ta g P ri n t ta g / n u mb er of p ri n ts Pr o t e c t e d P i c t ur e / Vi de o num be r I m ag e s t o r ag e l o c at io n Bl u r w a rni n g Scro l l a rro ws Re vi e [...]

W or k i ng wi th pi c tu r e s /vi d e os ww w . ko d ak. c o m/g o / su p p o rt 29 Und e rs tand ing the b lur w a rn i ng icons I f th e f e a tu r e i s tu rn e d on ( s e e pa ge 33 ) , a bl ur a l e rt ic on i s disp l a ye d duri n g p i c t u r e r e v i ew a n d q u i c kv ie w. G r een— P ictur e is s ha rp e n ou g h f o r a n a cc e [...]

30 ww w . ko d ak. c o m/g o / su p p o rt 4 Do in g mo re w it h yo u r c a m e ra Us i n g th e m en u b u tto n to c h a n g e s e tti n g s Y ou ca n cha nge s et t ings to ge t the b es t re s ul ts fr om y our c a me r a. NO T E : S ome se t t i ngs r e ma i n unt i l y ou c ha ng e the m; others , until you chan ge mod e s or tur n off t he [...]

D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 31 Bu rst C ame r a t a k e s up t o 3 pi ct ur e s w hi l e t h e S hut t e r but t on i s pr e s se d. C apt ure a n e v e n t, suc h as a pe r s on s w i n gi ng a gol f cl ub . On Off ( d e fa u lt ) P res s th e Sh u t ter b u tt o n ha l f w ay to foc us a n d se [...]

32 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra Using t he c ap t u r e plus t ab A F Co n tro l C hoos e a n au to- f ocu s se t t i ng . C ont i nuous A F (de f a ul t f or v i deo) — b e ca us e the ca me r a is alway s f o c u s i n g , t h er e is no n eed t o p r es s the S h utt er b u t t o n hal f w a y do[...]

D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 33 E x p o s u re M e te ri n g Ev alu at e lig ht lev els at s pec if ic ar eas of a sc e n e . M ul t i -Pa t t e r n (de f a ul t )— e v a l uates l i ght i n g c ondi t i ons t hr o ugho ut the i m a ge t o gi v e a n opt i m um pi ct ure e x po sur e . Ide a l f [...]

34 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra U s in g th e v i de o ta b Ma in t a in S e t tin g s Ch oo s e wh ic h set t in gs ar e s av ed , ev en af t er t h e c am er a is tu rn e d o f f . Av a i la b l e o nly i n Au t o m od e. Fl as h Wh it e B al an ce IS O Sp ee d Col or M ode Sh ar pn e s s Ex po s u [...]

D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 35 C ust omizing you r c a m e ra Us e S e t up to cus t omi ze y our ca m e r a . I m age St a bil i z er Im p r ove v id e o stab ilit y . O n (d ef au l t ) Off Pr ess M enu , t o hi ghl i gh t S e tu p , th e n to a c c e s s s e tti n g s Opt i on s L C D B r i ght[...]

36 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra O r i e nt at i o n S e n s or O r ien t pic t u r es/ v ideo s so t h a t t hey ar e d i s p l a ye d w i th th e c o r re c t s i d e u p . O n ( d ef au l t ) Off Ca me ra S o u n d s Ch o os e s o un d ef f e c t s . Th em e— a ppl i e s t he s a me so und e f fe [...]

D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 37 Fo r m a t C A U T I ON: F o r m a t t i n g d e le t e s a l l pi ct u r e s / v id e os , i n c l u di n g t hos e t h at ar e p r o t ec t ed . R em o v i ng a c a rd d ur in g fo rm at ti n g m a y da m a g e t h e ca rd. Me m o r y C ar d — de l e t e s e v e [...]

38 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra T a k ing pa no r a m ic p ic t ur e s Us e pa nor a ma to “s t it ch” up to 3 pi ctu re s i n to a pa nora mi c sce ne . NO T E : F or be st r e su l t s, use a t rip od. O nl y t he p a nor a mi c p i ct ure i s sa v e d; i n dividu al p i ct ur e s a r e no t . ([...]

D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 39 Usin g e xposu re com pe n sa tion to a d j u st pi c ture b r ight ne ss B e fo r e you ta k e a pi ct ure , yo u ca n a dj u st e xpos ure compe ns a ti on to ma k e pi ct u re s da r k e r o r l i gh t e r. ■ P r e ss t o d ec r eas e ex p o su r e c o m p en s [...]

40 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra S ha r in g your p ic t ur e s P re s s the S ha re bu tton to ta g yo ur pic tu re s / vi de o s . Whe n the y a re tr a n sf e rre d to you r co mpute r , y ou ca n s har e the m . T a gg i ng p i ctur e s f or p rint i ng 1 P r e ss t h e Sh ar e b u t t o n. P r es [...]

D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 41 S e c on d— t a g p i c tu r e s / v id e o s o n y o ur c a m e ra 1 P re s s t he S ha re bu tt on . Pr e ss t o f i nd a pi ctu re /vi de o. 2 P re s s to h i g hl ight E mai l , th en pre s s t he OK butt o n. Th e Em ai l i c o n ap p ear s i n t h e st at u s[...]

42 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra Thi r d —t r ansf er and emai l Wh e n yo u t ran sfe r t he ta gg e d pi c ture s/ v ide os to yo u r c omput e r , E a s yS har e s of tw are p rompt s y ou t o se nd the pi ctur e s /v i de os . F o r d e ta i ls , se e He l p in E a s yS har e s of tw are . Tagg i[...]

D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 43 P re ve n t in g c a me ra f a vo ri te s f ro m s yn c h ro ni z i n g w it h th e s of tw a re I f y o u do n ’t w a nt to us e t he f a v o r i t e s f e a tu r e : 1 O p en E as y S h ar e s o f t w ar e. 2 Fr o m t h e To o l s m e n u , s el ec t C am e r a s[...]

44 ww w . ko d ak. c o m/g o / su p p o rt D o in g mo re w ith yo ur c a me ra Tagg i ng p ict ur es/vid eo s fo r alb um s Us e the Album fe a ture t o t ag the p ic tur e s /v ide os in you r c ame ra w i t h a l bum na mes . F i r st— on y our comp ut e r U se Ea sy S ha r e s of t wa r e t o c r e a t e al bu m n am e s on y o ur c o m p ut [...]

D o i ng mo re w i th y o ur c a m e ra ww w . ko d ak. c o m/g o / su p p o rt 45 Pr e- t ag g ing fo r alb u m n am es U se t he Set A l b u m f e at u r e t o p r e- s e l ec t a l b u m n am e s b e f o r e y o u t ake pic t u r es/ v id eo s. Th e n, a l l t h e p i c t u r es /vi d e os y o u t ake a r e t a gg ed w i t h t h o s e alb u m n [...]

46 ww w . ko d ak. c o m/g o / su p p o rt 5 T ra n s f er r in g and p r in t in g pi c t u re s C A U T I ON: B e f o re c o n n e c tin g a n y c a bl e s , i n s t a ll th e s o f tw a re th a t w a s i n cl ude d wi t h y o ur ca m e ra. F a i l ur e t o d o so ma y ca use t he s o f t wa r e t o lo a d in c o r r e c t ly . I ns t al l i ng t[...]

T r a n s fer r in g a nd pr i nt i n g pi ct ur e s ww w . ko d ak. c o m/g o / su p p o rt 47 T r ans f e r rin g p i c t u r es / v id e o s U s in g th e U SB cab le I f y o u do no t h a v e a n E a s yS h a r e do c k , u s e a K o da k U S B c a bl e, m o d e l U - 8 a n d t h e U SB / A/ V ad ap t e r . U s in g th e p h o to fr ame d o ck [...]

48 ww w . ko d ak. c o m/g o / su p p o rt T r a n s f e r r i ng a nd pr i nt i ng pi c t u r e s U s i n g o t h e r op t i on s Y ou ca n al s o us e th e s e K od ak p r odu ct s to t ra ns fe r y our pi ctu re s/vi d e o s : ■ K o d ak E as y Sh ar e c am er a d o c k , K o d ak E as y S h ar e pr in t er d o c k ( s ee pa ge 5 0 ) ■ Ko d [...]

T r a n s fer r in g a nd pr i nt i n g pi ct ur e s ww w . ko d ak. c o m/g o / su p p o rt 49 C on n e c t in g t h e c am e r a t o a P i ct Br id ge e n a b l e d pr in ter 1 T urn o f f t he ca me ra a n d p ri n te r . 2 Co n ne c t t h e a p p r o p r i at e U S B c ab le f r o m t h e c a m er a t o t h e p r i n t e r . Se e y o u r p r i [...]

50 ww w . ko d ak. c o m/g o / su p p o rt T r a n s f e r r i ng a nd pr i nt i ng pi c t u r e s Using a p r inter that is n ot P ictB rid ge enab led A ft e r you t ra n s fe r pi c ture s f rom the ca m e r a to yo ur com pute r , y ou ca n pri n t t he m from E a s yS h a re s of tw a re . Fo r d e t ail s , se e H e l p in E a s yS ha re s o [...]

ww w . ko d ak. c o m/g o / su p p o rt 51 6 T r ou b le s h o ot in g Ca m e ra pr ob lem s St at us So l ut io n Cam e r a d oes no t tu rn o n ■ Mak e s u r e t h e b at t er y is c ha r g ed a nd ins t alled c o r r ec t ly ( s ee page 1 ). ■ T u rn th e ca m er a o f f , th e n o n a g a i n . C a m e ra d o es n o t tu rn of f C am e r a [...]

52 ww w . ko d ak. c o m/g o / su p p o rt T r ou bl e sh oot i ng C o mp u t er /c o n n ec t i vi ty p r o b lems B at t er y lif e is sh o r t ■ Mak e s u r e t h e c o r r ec t b a t t er y t y pe is in s t alled ( see pag e 61 ). ■ Wi pe t he co nta ct s w i th a cle a n , dr y c l ot h be f ore i n se r t i ng a b at t er y in t he c am e[...]

T r ou bl e s h o ot i ng ww w . ko d ak. c o m/g o / su p p o rt 53 P i c tu r e qu a li ty pr ob l e ms Co m pu t er d oes n ot c ommu ni cat e w i t h th e c a m er a ■ Make s ure t h e b at t er y is c ha r ged an d in st alled c orr ec t ly ( see pa ge 1 ). ■ T u rn o n t h e c a m e ra . ■ Make s ure t h e U SB c ab l e mo d el U - 8 is[...]

54 ww w . ko d ak. c o m/g o / su p p o rt T r ou bl e sh oot i ng Di re c t p r i n ti n g ( P ic tB r id ge e n a b le d pr in te r ) p ro b l e m s Pi c tur e i s t oo l i g ht ■ R e p osi tio n t he cam e ra t o r e duc e th e amou nt of a v a i l abl e l i ght . ■ T urn the f l a s h o f f ( s ee pa g e 9 ). ■ Mov e s o t ha t t he d is [...]

ww w . ko d ak. c o m/g o / su p p o rt 55 7 Ge tti n g h e lp Ca me ra So f t w ar e Ot h e r Em ail, wr it e, or p ho n e K o da k w w w .k od a k .com /go /co ntac t Get s uppo r t f or y our p r od uct (F A Q s , t r o ubl e sh oot i n g i n f or m a tio n , a r ra n g e f o r rep a ir s , et c. ) w w w .k od a k .co m /go /v 125 3su pp or t Pu[...]

56 ww w . ko d ak. c o m/g o / su p p o rt Gett ing h e l p NO T E : If y o u hav e que stions conce r n i ng t hi s produ ct , yo u ma y spe a k w i t h K oda k cus t om er su pport . Au s t r alia 1 800 267 58 8 Neth e r l ands 0 20 3 46 9372 Aus t r ia 0 179 567 35 7 N ew Zeal and 0 800 880 120 B elgiu m 02 71 3 14 4 5 Nor w a y 2 3 16 21 33 Br [...]

ww w . ko d ak. c o m/g o / su p p o rt 57 8 Ap p e nd i x C a m e ra s pe c ific a t ions CC D — 1/ 1. 7 2 i n . C C D , 4: 3 a s pe c t r a tio ISO sp eed— A uto : 64–400; M a n u a l : 80, 100, 200, 4 00, 800, 16 00, 3200 (IS O 320 0 a va i la b l e f o r p i c tur e size s o f 3. 1 M P or l e s s . ) T a ki ng l e ns— 3 X opt i c a l zo[...]

58 ww w . ko d ak. c o m/g o / su p p o rt A ppe n di x 2. 1 M P (16: 9) : 19 20 x 1080 pi xe ls 1. 2 M P (4: 3) : 128 0 x 960 pi xe ls V i de o c a pt ur e — 1280 x 720 ( HD 720p ) HQ @ 30 f p s 1280 x 720 ( HD 720p ) @ 3 0 f p s 640 x 480 H Q @ 30 f p s 640 x 480 @ 30 fps 320 x 240 @ 30 fps Co l o r m o d e s — H ig h C o lo r , Na t u ral Co[...]

Ap pe nd i x ww w . ko d ak. c o m/g o / su p p o rt 59 C o m m uni ca t i on w it h co m put e r — U S B 2 . 0 high s p e ed (P I M A 15740 p rot oco l ) ; vi a US B cab l e mode l U- 8; E a sy S h are ca me ra d ock , p ri n te r d ock , H D T V dock , o r p hoto fr a m e d o c k 2 V id e o ou tp u t — NTS C or P A L P i c tB ri dg e s u pp o[...]

60 ww w . ko d ak. c o m/g o / su p p o rt A ppe n di x Upgr a din g y our s oftwa re a n d fi r m wa re D ow n l o a d th e l a test ve rs ion s o f th e s of tw a re inc l u de d on the K o da k E a s yS ha re s of tw a re C D a nd th e came ra f i rmw a re ( th e s of tw a r e th a t r uns on th e ca me r a ). V is i t w w w . ko d a k . c om/ g[...]

Ap pe nd i x ww w . ko d ak. c o m/g o / su p p o rt 61 ■ K e e p ba t te r i e s o u t o f the rea ch of ch i ldr e n . ■ D o n ot a ll o w ba tte rie s to to uch me ta l obje c ts , inc lud i n g coins . Ot he rw ise , a b a tte ry ma y sh or t c ircuit, d i s ch a rge e n e rg y, b e c ome h o t, or l e a k . ■ D o n o t disa s s e mb l e [...]

62 ww w . ko d ak. c o m/g o / su p p o rt A ppe n di x L i m i te d war ran ty K oda k w a r ra nts K oda k con sum e r e l e ctro ni c prod ucts a nd a c ce s so r ies ( “Pr od uct s ”), e xcl ud i ng bat te r i e s , t o be fre e fro m m a l fun ct i on s a nd de fe cts in bo th m ate ri a l s a nd w ork ma n s hip fo r o ne y e a r f ro m t[...]

Ap pe nd i x ww w . ko d ak. c o m/g o / su p p o rt 63 K oda k mak e s no o the r e xpr e s s or i mpl ie d w a r ra nty for th i s prod uct , a nd d i s cl a i ms t he imp lie d w a r r a n t i es o f merc h a n t a b ilit y a n d f it n es s f o r a part ic u la r p u rp o s e. In t h e e v e n t th a t th e e xclus i o n of a n y im p li e d w [...]

64 ww w . ko d ak. c o m/g o / su p p o rt A ppe n di x R e gu lato ry c om plia n c e F C C co m p lian ce and ad v iso ry Th i s eq u i p m en t h a s be en t es t ed a n d fo u n d t o c o m p l y w i t h t h e li m i t s f o r a C l as s B d i g i ta l de vi c e , pu rs ua nt to P a rt 15 of the F C C Rule s . The s e li mits a re de s ig n e d[...]

Ap pe nd i x ww w . ko d ak. c o m/g o / su p p o rt 65 Waste Elec tr ical and Elect r o nic Eq ui p men t lab elin g VC CI Cl as s B I TE Ko rean C lass B I T E Ch i n a R o H S In Eu r o pe: For hu ma n/ e n v ir on m e n t al p r o t ec t ion , it is y ou r r esp o n sib ilit y t o dis p o se o f t h i s equ ip m ent at a c o llec t ion f ac ili[...]

66 ww w . ko d ak. c o m/g o / su p p o rt A ppe n di x Au s tr a lian C - T i ck Ru s si a n G OS T - R MP EG- 4 Us e of th i s prod uc t in an y m a nn e r t h a t c o mpl ie s w ith the M PE G- 4 vis ua l sta nd a rd i s p rohi bi t ed, e xc e pt f or us e b y a cons ume r e ng agi n g i n pe rs ona l a nd non -com me rci a l a ctivi tie s . N1 [...]

ww w . ko d ak. c o m/g o / su p p o rt 67 In d ex 1 A A/ V o ut , 2 4 ab o ut pi ct u r e , v i de o , 2 6 a c ce ss ori e s, 48 b a tte ry , 6 1 b uyi ng, 55 p ri n te r d ock , 48 SD /M MC c a r d , 4 A F a s s is t lig h t , i a l bums se t , 3 5 ta ggi n g p i ctur e s f or , 45 au t o , 1 0 e nha nce me nt, 1 8 f ocu s c on tro l , 16, 32, 3 [...]

68 ww w . ko d ak. c o m/g o / su p p o rt In d e x tr a n s f e r to , 46 co nn e cto r, US B / A/ V , 24, 47 co py pi ctu re s ca rd to me mory, 27 me mo ry to ca rd, 27 to co m pute r v ia US B ca bl e , 46 cr oppi n g pi ctur e s , 17 cu sto m e r su ppo rt , 56 cu sto mi ze ca me r a , 35 D d a te s e t ti ng, 4 da t e st a m p, 3 2 DC - i n ,[...]

ww w . ko d ak. c o m/g o / su p p o rt 69 In d e x I ic o n bl ur , 2 9 i co ns, m o de s, 1 0 Ima g e s t a b iliz e r , 16 , 3 5 i m ag e st o r ag e, 3 5 in f o r matio n a bou t p i c ture s , v ide os, 26 in s t a l lin g b a tte ry , 1 SD /M MC c a r d , 4 so f t war e , 4 6 int e rn a l me mo ry st o r a g e ca p ac i t y , 6 0 ISO s p e ed[...]

70 ww w . ko d ak. c o m/g o / su p p o rt In d e x mu l t im e d ia s lid e s h o w , 2 3 mu l t ip le s ele c t io n s , 27 mu l t i -up, 2 6 N ni gh t l a n ds c a p e , 1 1 n i g ht po rt rait, 1 1 O O K but t on, ii o n/of f butt on, i o nli ne pr i nts, o r de ri ng, 50 o pti ca l zo om, 7 o r ie n t a t io n s e n s o r , 3 6 P p a no r a mi[...]

ww w . ko d ak. c o m/g o / su p p o rt 71 In d e x i n s e rting, 4 pr i n t i n g f ro m , 5 0 s t o r ag e c a p ac it ies , 6 0 s e lec t m u lt ip le p ic t u r e s / vid eo s , 2 7 s e lf -portr ait, 12 s e lf -t im e r , 8 lig h t, i s e rv i c e a n d s u pp ort te le p ho ne nu m b e r s , 56 se t ti n g AF z o ne , 3 3 a u to po w e r o f[...]

72 ww w . ko d ak. c o m/g o / su p p o rt In d e x ta k i n g pi ctur e s , v ide os, 5 te l e phon e su ppo rt, 56 t e levis io n , s lid e s h o w , 2 4 te xt, 11 ti me , s e tt i n g, 4 ti me r, s hu tt e r d e lay , 8 ti p s b a tte ry gu i d e li n e s , 61 ca re & ma i n te na n ce , 59 t r ans fe r , v i a U S B c abl e , 4 6 t ra s h c[...]