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U s er Guide[...]

Ta b le o f Conten ts .......................................................................................................................................................4 Be f o re star ting . . . . . . . . . . . . . . . . . .. .. . .. . . . . . . . .. .. . .. . . . . . . . .. .. . .. .. . .. . . . . . . . .. .. . .. .. . .. . . . . . . . .. ..[...]

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4 Be for e st ar t ing Befo r e star tin g N ote: Fo r e asy read i ng , i Ph one®, i Pa d®, i Pod ® an d ot her c om pa tible t e l e ph on e s or ta ble ts ar e r e fe r r e d to as ' sm ar tp hon e s' i n th e m anu al. Do wnl oad in g th e a p p li ca tion C on n ec t t o th e Ap p St or e SM o r Go o g l e Pla y T M a nd do wn l o[...]

5 Be for e s t ar t ing Hom e scree n # Des c r ip t io n 1 Acces s i ng th e con text ual m en u 2 Acces s i ng th e l a t es t th r ee new s by s cr oll ing d o wn th e s c r een 3 Par ro t Z i k 2.0 b a tt er y l evel 4 Act i vating no i s e c o nt r ol, equ a l i zer , a n d Par r ot C o n ce r t Ha l l eff ect 5 Tr a ck cur r ent l y p l a yin[...]

6 Be for e star t ing Cre a tin g a u ser a cco u nt N ote : To c r e ate an acc oun t or to l ogin, yo ur smar tp hon e m us t be c onn e c ted to i nt e r net. A Par ro t u s er a c cou nt , a F a cebo ok a c cou nt , or a Go ogl e+ a c cou nt i s n ec es s a r y to us e t he Par ro t Z ik 2.0 a p pli ca tion . T he L og In s creen a pp ea r s a [...]

7 Aud io set t ings Audio s ett ings O n th e ho m e s c r ee n , p r e s s , , a n d /o r t o a ctiva t e or deactiva t e th e a u dio s ett i n g s . Wh en th e bu tt on i s or ang e, th e op tion i s a c tivated . Wh en th e bu tt on i s g rey , th e op tion i s d ea ctiva t ed. S l i d e yo ur fi nger l eft i n or d e r to a c ces s t he a ud i[...]

8 Aud io set t ings Parr o t Concert Ha l l e f f e ct The Parr o t C o ncer t Ha l l effec t enab l es yo u t o c r ea te a s p a t i a l i z a tio n eff ect. 1. Pr es s th e a ud i o eff ect yo u wan t. 2. S l i d e th e bu tt on s ver tic a l l y i n or d er to s et th e m u s i c s ou rce o r i ent a tion .[...]

9 P r e set s Pr esets Pr es ets a re r ec or d e d a ud i o s ett i ng s .They enab l e yo u to s et fi ve freq uen c y band s of yo ur cho i c e a n d to a d d a n s patia l iza t i o n eff ect to t hem . You c a n l i n k Sm ar t Au dio Ta g s to th em : a n a r tis t, a n a l b um , a g enr e, a n d a title. You c a n create a nd s har e p r es[...]

10 Pr e se t s S el e cting a f requency 3. S l i d e th e do t up war ds or d ow n w a r ds to s et th e g a i n of th e f r equ ency. T he g a i n en a b l es yo u to m od i fy th e vo l um e of t he s el ec t ed fr equ ency. > The g a in l evel a p pear s on th e t o p o f th e s cr een. S etti ng the gain 4. Pr es s o n e of th e hand l es .[...]

11 P r e set s S etti ng the qua li ty f actor S et t in g t h e P ar r o t Con c er t Hall effec t 1. O n ce t he g a i n a nd qu a l i t y a r e s et, pr es s Next . 2. Pr es s O FF to a c t i vate th e Pa r r ot C on c er t H al l ef fec t. 3. S et th e Par r ot C on c er t Ha l l effe ct. Fo r m o r e i n for m ation , s ee Au d i o s ett i ngs[...]

12 Pr e se t s Do wnl oad in g a p re set N ote: An i nt e r ne t c on nexi on i s ne c e ss ar y t o dow nload pr e sets. 1. Pr es s . 2. Pr es s Tun ed B y . 3. S ea r c h a pr es et b y a r tis t, g enr e or po pu l a r i t y. Y o u c an per for m th e s ea r ch: a m o n g s t pr es ets s har ed by a r tis ts by pr es s i ng Pr em ium ; a m o n [...]

13 He ad phones s e t t ings H ea dp hon es set tin gs To a c ces s th e h ea dp ho n es s ett i ng : 1. Pr es s . 2. Pr es s Set tings . 3. S l i d e yo ur fi nger l eft to a c ces s t he foll o win g s c r ee n s : S c reen Des c r ip t io n Par ro t Z i k 2.0 n a m e Re n a m i n g th e Parr o t Z i k 2.0 The nam e a pp ea r s i n th e B l ueto [...]