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Kodak ISBN 0-87985-749-8 manuel d'utilisation

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  • Page 1

    © Eastman Kodak Company, 2000 ISBN 0-87985-749-8 Library of Congr ess Catalog Car d No. 97-77797 C i n e m a t o g r a p h e r ’ s Field Guide KODAK MOTION PICTURE CAMERA FILMS 033text_c 1/16/02 11:07 AM Page 1[...]

  • Page 2

    Cinematographer’ s Field Guide Seventh Edition, November 2000 © Eastman Kodak Company, 2000 ISBN 0-87985-749-8 Library of Congress Catalog Card No. 97-77797 033text_c 1/16/02 11:07 AM Page 2[...]

  • Page 3

    9/98 iii C O N T E N T S Page No . I N T R O D U C T I O N . . . . . . . . . . . . . . . . . . . . . . . . . . . . i v K O D A K M OTION PICTU R E CAMER A FIL M S . . . . . . . . . . . . . . . . . . . . . . . M P F - 1 I n t ro d u c t i o n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M P F - 1 Col or T e m p e r a t u r e . . . . . .[...]

  • Page 4

    iv 9/98 I N T R O D U C T I O N Th is poc ket- s i ze d pub li c a tio n pro v i des up- to- dat e and e a sy - to-u se i nfo r ma ti on abo ut a ll K O D A K Mo t ion Pic t ur e Came ra Film s and sever al impor tant re late d subjec ts. W e desi g ned the boo k to he lp you ch oose and ord er the rig ht film s for your need s , an d to help you [...]

  • Page 5

    9/98 v u n d e re x p o s u r e lat i tu de, w ide r speed r an g es, and imp r o v e- men t s in gra in s tr uct u re , sh arp ne ss, cont inuo us- t one r e p r oducti on, a nd co lor s aturat ion. An edge-nu mbe ring sy stem for all K O D A K M o t i o n P i c t u r e Camera Films features both elect ronic- and o p e r a t o r- r ea d chara cter[...]

  • Page 6

    033text_c 1/16/02 11:07 AM Page 6[...]

  • Page 7

    9/98 MPF-1 K O D A K MO TION PICT URE C AM E RA F ILM S I n t ro d u c t i o n This s ecti o n provi des pe r tinen t info r matio n abou t a ll c u r r e ntly av aila ble K O D A K Mo tio n P ic t ur e Camer a Film s. For in f ormation on future fil m updates , see pag e 40. A quick r e f e r en ce c ha rt of all t he film s is on pag e MPF- 4 . [...]

  • Page 8

    MPF-2 9/98 T e ch nica l Info r m a t i o n For t echnical i nformation in the U nited States, c all th e Ko da k In f o r m a t i o n C e n t e r ( K IC ) , 9 : 00 a. m . t o 7:00 p.m. (Easter n time), Monday throu gh Frid ay, at 1 (800) 242- 2424. In Cana da, call 1 (800) 46 5-6325 , Monda y through Friday , fr om 8:30 a.m . to 5:00 p .m . ( E a [...]

  • Page 9

    9/98 MPF-3 wavelen g th-by- wavelength compari so n of film sensi t ivity and spe c tral output o f the lamp can det er mine the exac t filters r e q u i r ed to balance the li ght to the film r e s p o n s e . K O D A K Mo ti on P i c t ur e Fi l m s ha v e a ph o to g r a p h ic lat itude tha t ma kes it unnece ssary to us e u nusu al fi l t [...]

  • Page 10

    KODAK Motion Pictur e Camera Films Code No. Exposure Index (DIN) Film Name 35 mm 1 6 mm super 8 Type Daylight Tungsten See (3200 K) Page 12 (12) with EASTMAN EXR 50D 5245 7245 — Color Negative 50 (18) KODAK WRATTEN MPF-6 Gelatin Filter No. 80A 64 (19) with EASTMAN EXR 100T 5248 7248 — Color Negative KODAK WRATTEN 100 (21) MPF-8 Gelatin Filter N[...]

  • Page 11

    6/00 MPF-5 KODAK Motion Picture Camera Films Code No. Exposure Index (DIN) Film Name 35 mm 1 6 mm super 8 Type Daylight Tungsten See (3200 K) Page 12 (12) with EASTMAN EXR 50D 5245 7245 — Color Negative 50 (18) KODAK WRATTEN MPF-6 Gelatin Filter No. 80A 64 (19) with EASTMAN EXR 100T 5248 7248 — Color Negative KODAK WRATTEN 100 (21) MPF-8 Gelati[...]

  • Page 12

    5 2 4 5 ™ / 7 2 4 5 ™ ( 35 mm , 65 mm/1 6 mm) E A S T MAN EXR 50 D F i l m Da y ligh t E I 50 ( 18 ) E x p o s u r e I ndexes an d F ilter s K O D A KC a m e r a E x p o s u r e Li ght Sour ce F i l t e r s Index (D I N) Tung st e n 300 0 K W R A T T E NG e l a t i n 12 (12) N o . 80 A Tung s t en 320 0 K W R A T T E NG e l a t i n 12 (12) No .[...]

  • Page 13

    5 2 4 5 / 7 2 4 5 Process: ECN-2 U s e : E A S T M A N EXR 50 D Film 5245/ 72 45 is a camera fil m int en ded for g en era l m oti o n p ict ure pr oduc t io n. The wide exposure latitude of this negative film makes it es p e cia ll y su it ab l e fo r ou td o or ph ot o gr a ph y un der normal daylight conditions. G e n e r a l P r o p e r t i e [...]

  • Page 14

    1 00T MPF-8 9/98 COLOR NEGA TIVE FILM 5 2 4 8 ™ / 7 2 4 8 ™ ( 35 mm, 65 mm/1 6 m m) E A S T M A N EXR 1 00T F ilm T ungst en EI 1 00 (2 1) E x p o s u r e I ndexe s a nd Fi lter s K O D A KC a m e r a E x p o s u r e L igh t So urc e F i l t e r s I nde x (DIN ) Tun gs t e n 30 00 K W R A T T E NG e l a t i n 6 4 (19 ) N o. 82B Tun gs ten 32 00[...]

  • Page 15

    5248 / 7248 P r ocess: E C N - 2 U se: E A S T M A N EXR 100 T Film 5248/7248 is intend ed for gen eral mot i on pictu re prod u ct i on. T he wid e e x p o s u r e latit u de of this negativ e film ma kes it e specially suitable for indoor and outdoor photog raphy under a wide va riety of conditions . General Proper ties: E A S T M A N E XR 100T [...]

  • Page 16

    VISION 200T MPF-1 0 9/98 COLOR NEGA TIVE FILM 5 2 7 4 ™ / 7 2 7 4 ™ ( 35 mm, 65 mm /1 6 m m) KO D A K V I SIO N 200T Colo r Nega tiv e F ilm T un gs te n EI 2 00 (2 4) E x p o s u r e I nde xes a nd Fi lter s K O D A KC a m e r a E x p o s u r e L i gh t So urc e F i l t e r s I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 125 (2 [...]

  • Page 17

    9/98 MPF-1 1 5274 / 7274 P r ocess: E C N - 2 Use: K OD A K V I S IO N 2 0 0 T C o l o r N e g a t i v e F i l m 5 2 7 4 /7 274 featu res ver y high shar pness , fine grain, accurate flesh-t o-neutr al r e p r o ductio n, a nd wid e under - and ov er - e x p o s u r e la titude f or indoor or out door photog- raph y. En hanc ed sha dow det ail pro[...]

  • Page 18

    200T 5 2 9 3 ™ / 7 2 9 3 ™ ( 35 mm, 65 mm /1 6 m m) E A S T M A N EXR 2 00T F ilm T ungst en EI 200 (2 4) E x p o s u r e I nde x es and Fi lter s K O D A KC a m e r a E x p o s u r e L igh t So urc e F i l t e r s I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 125 (2 2) No. 82B Tun gste n 32 00 K N o n e 200 (2 4) Tun gs ten P ho[...]

  • Page 19

    9/98 MPF-1 3 5293 / 7293 Use: E A S T M A N E X R 2 0 0 T C o l o r N e g a t i v e Fi l m 5 2 9 3 / 72 93 i s intended for g eneral mot i on picture p r odu c tio n . The wide ex posure latitude o f t his negati ve film makes it especiall y suitable for indoor and outdoo r photog r aphy u nder a wide v arie t y of c onditions. Gene ra l P r ope r[...]

  • Page 20

    SFX 200T MPF-1 4 9/98 COLOR NEGA TIVE FILM ( 3 5 mm ) KOD A K SFX 200 T Co lor N egati ve Fi lm T ungs ten E I 20 0 ( 2 4) E x p o s u r e I ndex es an d Fil ters K O D A KC a m e r a E x p o s u r e Light Sour ce F i l t e r s * I ndex (D IN) Tung sten 300 0 K W R A T T E NG e l a t i n 1 25 (22) N o. 82 B Tung st e n 320 0 K N o n e 200 (24) Tung[...]

  • Page 21

    9/98 MPF-1 5 SFX P r oces s: E C N - 2 U s e : K ODAK SFX 200 T Col or Negat i ve Film is op ti - mized for traveling matte shots, so for e g r ound actio n pho tograp hed ag ainst a b lue or gree n scre en can be sepa - rated more cl eanly f rom the ba ckground w hen it’s scann ed into t he d igital format. In c om plex composite shots, thi s ?[...]

  • Page 22

    MPF-1 6 9/98 VISION 250D COLOR NEGA TIVE FILM 5 2 4 6 ™ / 7 2 4 6 ™ (3 5 mm , 65 mm/1 6 mm ) KOD A K V I SI ON 250 D C olor N egat ive F ilm Day li gh t E I 25 0 (2 5) E x p o s u r e Ind exes and Filt ers K O D A KC a m e r a E x p o s u r e Li ght S our c e F i l t e r s Index (DI N) Tung s t en 300 0 K W R A T T E NG e l a t i n 64 (19) N o.[...]

  • Page 23

    9/98 MPF-1 7 5246 / 7246 P r ocess: E C N - 2 U s e : K O D A K VI S IO N 2 5 0D C o l o r N e g a t i v e F i l m 5 2 4 6 /7 246 featu res very h igh sharpne ss, fine grain, accura t e flesh-to-neut ral r e p r o d uctio n, and wi de un der- and over - e x p o s u r e latitude for day light or mixe d light photograp hy. Enhance d shadow detail pr[...]

  • Page 24

    MPF-1 8 9/98 VISION 320T COLOR NEGA TIVE FILM 5 2 7 7 ™ / 7 2 7 7 ™ (35 mm, 65 mm /1 6 m m) KO DAK V I SIO N 320T Colo r Nega tive Film T un gs te n EI 3 20 (2 6) E x p o s u r e I nde xes a nd Fi lter s K O D A KC a m e r a E x p o s u r e L i gh t So urc e F i l t e r s I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 200 (2 4) No[...]

  • Page 25

    9/98 MPF-1 9 527 7 / 7277 P r ocess: E C N - 2 Use: K OD A K V I S IO N 3 2 0 T C o l o r N e g a t i v e F i l m 5 2 7 7 / 7277 le ts yo u crea te a v ery d if f e r ent lo ok — s o f t e r , m o r e pa stel. T his fil m h as v er y wide expo sure lati tude t hat allows y ou to pick up the deta i l in the shadow s withou t losi ng the highl igh[...]

  • Page 26

    MPF-20 9/98 VISION 500T COLOR NEGA TIVE FILM 5 2 7 9 ™ / 7 2 7 9 ™ ( 35 mm, 65 mm /1 6 m m) KO D A K V I SIO N 500T Colo r Nega tiv e F ilm T un gs te n EI 5 00 (2 8) E x p o s u r e I nde xes a nd Fi lter s K O D A KC a m e r a E x p o s u r e L i gh t So urc e F i l t e r s I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 320 (2 6[...]

  • Page 27

    9 / 9 8 M P F - 2 1 5279 / 7279 P r oces s: E C N - 2 Use: K OD A K V I S IO N 5 0 0 T C o l o r N e g a t i v e F i l m 5 2 7 9 /7 279 feat ures very high shar pness , fine grain, accurate flesh-to-n eutr al r e p r odu ctio n, a nd wi de un d er - and over - e x p o s u r e latitu d e for i ndoor or out do or photog- raph y. Enh anc ed sha dow d[...]

  • Page 28

    500T MPF-22 9/98 COLOR NEGA TIVE FILM 5 2 9 8 ™ (3 5 m m, 65 m m ) E A S T M A N EXR 5 00T F ilm T un gs te n EI 5 00 (2 8) E x p o s u r e I nde xes a nd Fi lter s K O D A KC a m e r a E x p o s u r e L i gh t So urc e F i l t e r s I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 320 (2 6) No. 82B Tun gste n 32 00 K N o n e 500 (2 8[...]

  • Page 29

    9/98 MPF-23 5298 P r ocess: E C N - 2 Use: E A S T M A N EXR 500T Film 5298 i s a camer a fi l m intend ed f or g ener al motion pictur e product ion. Th e wide e x p o s u r e latitude of t his film m akes it especia lly s uitabl e for indoor and outdoo r photo g raphy und er low-level i ll u- mi na tio n. Th e fil m o ffer s th e hi ghes t q ua[...]

  • Page 30

    VISION 800T MPF-24 6/00 COLOR NEGA TIVE FILM 5 2 8 9 ™ / 7 2 8 9 ™ ( 35 mm /16 m m) KO DA K VI SIO N 80 0T Col or Ne gative Fil m T un gs te n EI 8 00 ( 3 0) E x p o s u r e Ind exe s and Fil ters K O D A KC a m e r a E x p o s u r e L igh t S o urce F i l t e r s * I nde x (DI N) Tun gs ten 30 00 K W R A T T E NG e l a t i n 500 (2 8) No. 82B [...]

  • Page 31

    6/00 MPF-25 5289/7289 P r ocess: E C N - 2 U s e : K O D A K V I S I O N 8 0 0 T C o l o r N e g a t i v e Film / 5289/7 289 o f fer s excellen t image qua lity a nd t he highest c apture speed availab le in moti on picture fi lms. It deli vers th e spee d a nd lat itud e y ou nee d in low light , fast action, and other fi lming conditions where [...]

  • Page 32

    MPF-26 9/00 EKT ACHROME 100D COLOR REVERSAL FILM 5 2 8 5 ™ (35 mm) K O D AK E K TA C H R O M E 1 0 0 D C o l o r R e v e r s al Fi l m Da yl igh t E I 10 0 ( 2 1) E x p o s u r e I n dex es a nd F ilters K O D A KC a m e r a E x p o s u r e Li ght S our c e F i l t e r s Index (D IN) Dayli gh t 5500 K N o n e 100 (21) Meta l H a l ide H.M .I. N o[...]

  • Page 33

    9/00 MPF-27 5285 P r oces s: E-6, cin e machine Use: K ODAK EKT ACHROM E 100D Color Rever sal Film / 5285 i s a 100-spe ed, high-color reve rsal m oti on p i c t u r e cam era fi lm int en ded for p ho tog ra p hy und er daylight illu mi nat ion (5500 K). General Prop erties: KODAK E K TA C H R O M E 1 0 0 D Color R eversal Film / 52 85 offers stri[...]

  • Page 34

    MPF-28 9/98 EKT ACHROME FILM 7 2 4 0 ™ ( 16 m m, S up e r 8 ) E A S T M A N E K T A CH ROME Film T ung sten EI 1 25* (2 2) E x p o s u r e In dexes and Fil ters K O D A KC a m e r a E x p o s u r e Li g ht Sourc e F i l t e r s Index (D IN) Tu ngs ten 3 000 K W R A T T E NG e l a t i n 80 (2 0) N o. 82B Tu ngste n 3 200 K N o n e 125 ( 22) Tu ngs[...]

  • Page 35

    9/98 MPF-29 7 2 4 0 P ro c e s s : V NF-1 or R V N P . Force processing: 1 st op with some loss in quality; u p t o 2 s tops with noticeable quality loss. Use: EASTM AN EKT ACHR O ME F ilm 7240 is a high- speed, color r eversa l c amera film balanced for tungsten light and for dayligh t with an appro p ria t e fi l t e r . Y ou can use i t for co[...]

  • Page 36

    MPF-30 9/98 EKT ACHROME FILM 7 2 3 9 ™ ( 3 5 m m/ 16 mm ) E A S T M A N E K T A CH ROM E Fi lm Day lig ht EI 1 60 ( 23) E x p o s u r e I nde x es and Fi lter s K O D A KC a m e r a E x p o s u r e L igh t So urc e F i l t e r s I nd ex (DI N) Tu ngs ten 30 00 K W R A T T E NG e l a t i n 40 (1 7) No. 80A Tu ngste n 32 00 K W R A T T E NG e l a t[...]

  • Page 37

    9/98 MPF-31 7239 P ro c e s s : VNF-1 or R V N P . F o r ce proc essing: 1 stop wit h some loss in quality ; u p to 2 st o ps wit h noticeab le quality loss. U s e : This hig h -speed c olor r eversal camera film is intended f or p hotograph y u n der low -level d aylight il lumi - nati on . It can b e used for news p hotograph y , sportin g events[...]

  • Page 38

    MPF-32 9/98 EKT ACHROME FILM 7 2 5 0 ™ ( 1 6 m m) E A S T M A N E K T ACHRO ME H igh Speed F ilm T ungs ten E I 400 ( 27) E x p o s u r e Inde x es and Fi lte rs K O D A KC a m e r a E x p o s u r e Lig ht Sourc e F i l t e r s Index (D IN) Tu ngs ten 3 000 K W R A T T E NG e l a t i n 250 ( 25) No. 82B Tu ngste n 3 200 K N o n e 400 ( 27) Tu ngs[...]

  • Page 39

    9/98 MPF-33 7250 P r oce ss: VNF-1 o r R V N P . F o r ce proc essing: 1 s t op wit h some los s in quality ; up to 2 stop s with not i ceab le quality loss. Use: The very hi g h spee d of this colo r reversa l camer a film makes photograp hy p ossibl e with very low-lig ht illu- mination. It can be u sed for color news photography, nig htti me sp[...]

  • Page 40

    MPF-34 9/98 EKT ACHROME FILM 7 2 5 1 ™ (1 6 mm) E A S T M A N E K T ACHRO ME H igh S peed F ilm Da y ligh t E I 400 ( 27 ) E x p o s u r e In dexes and Filt ers K O D A KC a m e r a E x p o s u r e Lig ht Sourc e F i l t e r s Index (D IN) T ungs ten 3000 K W R A T T E NG e l a t i n 100 ( 21) N o. 80A T ungste n 3200 K W R A T T E NG e l a t i n[...]

  • Page 41

    9/98 MPF-35 7 2 5 1 P ro c e s s : VNF-1 or R V N P . F o r ce pro c essi ng : 1 st o p with some los s i n qualit y; up t o 2 stops with noticeabl e quality loss . U s e : EASTMAN EKT A CHROME High Speed Film is a very h igh-speed colo r rever sal camera film t hat m akes photography possible in very low-light illumination . Y o u can use it for [...]

  • Page 42

    MPF-36 9/98 PLUS-X NEGA TIVE FILM 5231™/7231™ (35 mm/1 6 mm) EASTMAN PLUS-X Negative Film E x p o s u r e In dex es: (Fo r deve lo pm ent to g amma of 0. 65) D a y l i g h t – 80 (20) T u n g s t en – 64 (19) P ro c e s s : Bla ck and w hit e w it h K OD AK De v elo per D -96 . F o r ce Processing: 1 stop (or mor e) wi th some los s in q u [...]

  • Page 43

    9/98 MPF-37 5 2 3 1 / 7 2 3 1 R e c i p r ocit y Chara cte rist i cs : Y ou do not need to mak e any exp osur e or filte r adjus tm ent fo r expo s ure times f r om 1/ 10,000 t o 1/10 second. At an expos u re t ime of 1 second, i ncreas e exposu re by 1 ⁄ 2 st o p. H a n d l i n g : T o t al dar knes s Availa ble R oll Lengths: For i nformation o[...]

  • Page 44

    MPF-38 9/98 DOUBLE-X NEGA TIVE FILM 5222™/7222™ (35 mm/ 1 6 mm) EASTMAN DOUBLE-X Negative Film E x p o s u r e Ind ex es : ( For dev elo pme nt t o gam ma of 0. 65 ) D a y l i g ht – 250 (25) T u n g s t en – 200 (24 ) P ro c e s s : Bla ck and whit e wit h K ODA K Deve lop er D-9 6. F o r ce Process ing: 1 s t op (or mor e) with s ome loss[...]

  • Page 45

    9/98 MPF-39 5 2 2 2 / 7 2 2 2 R e c i p r ocity Charact eristi cs: No expos ure or filter compensa tion is r e q u i r ed for ex posure times fr o m 1/10,000 to 1 second . H a n d l i n g : T otal da r kness Avail a ble Rol l Lengths: For information on fi lm r o l l lengths, check Kodak's P r of e ss ional Motion Imaging Price Catal o g , or[...]

  • Page 46

    MPF-40 9/98 PLUS-X REVERSAL FILM 7276™ (16 mm, Super 8) EASTMAN PLUS-X Reversal Film E x p o s u r e I n d e x e s * : ( F o r re c o m m e n d e d r e v e r s a l processing) D a y l i g ht – 50 (1 8 ) T u n g s t en – 40 (1 7 ) For nega t ive pro cess ing in a typic a l negat iv e mo ti on p i c t u r e film d eve lop er , us e the fol low[...]

  • Page 47

    9/98 MPF-41 7 2 7 6 Illumination (Incident Light) T abl e f or T u n g s t e n L i g h t (24 frames p er second, 170° shu t ter o p enin g) Len s Ape rtu re f /1 . 4 f / 2 f / 2 . 8 f / 4 f / 5 . 6 f / 8 F o o t c a n d l e s 6 3 1 2 5 2 5 0 5 0 0 1 0 0 0 2 0 0 0 Lighting Contra st Ratios : The sugg es ted ratio of key l i g h t - p l u s - fi ll[...]

  • Page 48

    MPF-42 9/98 TRI-X REVERSAL FILM 7278™ (16 mm, super 8) EASTMAN TRI-X Reversal Film E x p o s u r e I ndexes: ( F o r r e c o m m e n de d r e v e r s a l processing) D a y l i g h t – 200* (24) T u n g s t en – 16 0 (23) For negativ e proc essing in a t y pi cal mo tion p icture nega- tive d evelop er , use the follo win g expos ure indexes: [...]

  • Page 49

    9/98 MPF-43 7 2 7 8 Illuminati on (Inci d ent Ligh t) T a ble for T u n g s t e n L i g h t (24 frames p er sec ond, 170° sh utter op ening) Lens Aper ture f / 1 . 4 f / 2 f / 2 . 8 f / 4 f / 5 . 6 f / 8 F o o t c a n d l e s 1 6 3 2 6 4 1 2 8 2 5 6 5 1 2 KODAK Filter Factors WRATTEN Filter No. 3 8 12 15 21 23A 25 29 96* D a y l i g h t Filte r Fa[...]

  • Page 50

    Inc ident- Light Il luminat io n ( in footc andles) (Frame rate: 24 frames/sec – approx1/50 sec) NOTE: Data applies to both color and black-and-white films. Exp Index Lens Opening (Daylight or T ungsten) f /1.4 f /2 f /2.8 f /4 f /5.6 f /8 f /11 12 200 400 800 1600 3200 6400 13000 16 160 320 640 1250 2500 5000 10000 20 125 250 500 1000 2000 4000[...]

  • Page 51

    1 F I L TER I NF ORMA T I O N I n t ro d u c t i o n Use t he filter and c olor tem p eratu re c harts i n this s ection as a quick r e f e r ence and g ener al guide. T he valu es are a p p r oximate. They of f er good s t arting points for trial e x p o s u r es in criti cal w o rk. F or less demand i ng wo rk , t he recomm en dat i ons may be a[...]

  • Page 52

    Filter Factors* for KODAK Motion Picture Films Negative Films Reversal Films Filter PLUS-X DOUBLE-X PLUS-X TRI-X No. 3 1.5 1.5 1.5 1.5 No. 8 (K2) 2.0 1.5 2.0 2.0 No. 12 2.5 2.0 2.0 2.0 (Minus Blue) No. 15 (G) 3.0 3.0 2.5 2.5 No. 21 3.5 3.0 3.0 3.0 No. 23A 5 5 5 5 No. 8N5 5 5 6 6 No. 25 8 8 10 10 No. 29 25 20 40 40 No. 96 8 8 8 8 2 * All filters ab[...]

  • Page 53

    3 Below is a convers i on t able of fi lter fa ctor s t o exp osur e i n c r ease in s tops. Ea c h t ime a filt er fact or is d oub led, t he e xposu re needs to be increased by 1 stop. As an example, a filter factor of 2 r e q u i r es a 1- stop exp osur e i ncreas e. A fi lter factor of 4 r e q u i r es a 2-stop exposur e increas e. Use th i[...]

  • Page 54

    4 Conv e rsion Filter s for Co lor Film s These fil ters are int en ded for use whenever s i g n i fic a n t changes in the color temperatu re of t he illumin ation are r e q u i r ed (f or example, d aylight t o ar tifi cial li ght ). T he fi l t e r may b e positi oned b etween the light so urce and other ele - ments of the system or over the[...]

  • Page 55

    5 KODAK Light B alancing Filters Light- b alanci ng fi lter s enable the pho t ograp her to make m i n o r ad justment s in the color qualit y of i ll u minati on to obtai n c ooler (blu er ) o r war mer (y ello wer) colo r r e n d e r i n g . One of the principl e u ses for KODAK Light Balancin g Filte r s is wher e li ght s our ce s f re que nt [...]

  • Page 56

    6 Ne utral Den sity Fil ters In b lack-and-whi te and color p hotograp hy, filt er s su ch as the KODAK WRA TTEN Neutral Density Filter s No. 96 reduce t he intensity of li g ht reaching the fi lm without a f fec ting the ton al rend iti on in th e origi na l sce n e. In m o t i o n - p i c t u r e wor k or other photography, neutral densi ty fi[...]

  • Page 57

    A p p r oxi mate Cor related Co lor T e m p e r a t u r e for V arious Ligh t Sour c e s Source Degrees Kelvin Artificial Light Match Flame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1700 Candle Flame . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1850 40-Watt Incandescent[...]

  • Page 58

    033text_c 1/16/02 11:07 AM Page 58[...]

  • Page 59

    8/99 9 TI PS AN D TE CHN IQUES I n t ro d u c t i o n This coll ection of i deas is prov ided by Kodak p eopl e an d oth ers who work i n t he pr ofess ional moti on pi cture i ndu s- try . The sect i on co v er s topi cs fro m forc e proc essi ng, fl a s h - ing, and shoot ing for televisi on to what you need in the well-sto cked d itty b ag, and[...]

  • Page 60

    1 0 9/00 theatric al pr es entati on a nd t o keep all p ertin ent ac tion withi n this area . The cinem at ogra pher mu st make cer t ain no scene ri g gin g , microp hone b ooms, c ables or lig hts are includ ed in the expan d ed area which will be tr ansmitted on televisi on at 1.33 :1. Subseq u ent inte rpositives , dupli - cate negativ es and [...]

  • Page 61

    1 5 A m b i e n t - B a c k g r ound Ra d ia ti on ( e f fects o n r a w st oc k) Ambie n t gamma radiati on is compose d of two s our c es: a l o w - e n e r gy c omp onen t which arises from t he decay of radionuc li des an d a hi g h-en er gy co mponent whi ch is t he p r oduct of the interacti on of co smic rays with t he earth’s upper atmosp[...]

  • Page 62

    1 6 U n p r ocessed F ilm Bef ore and After Ex p osure Expos ed film, particular ly color , deter iorates more rapi d ly than unex posed film. Proces s films as s oon as possible afte r expos ure. Do not kee p fi l m i n t he camer a or m ag a zin e lon g er t han is necessar y. If you load magazin es a long time ahea d of use, p rotec t them f[...]

  • Page 63

    1 7 6. Wi nd films emu lsion in and store flat in untaped cans under t he ab ove condi t ions . Sh ootin g for T e l e v i s i o n The telev ision ind u stry is chang i ng. New, advanc ed sta n- d a r ds fo r high-defi ni ti on telev i sion (HDTV) will put mo r e deman ds on the cinem at ograp her . D espite all the unc er- taint i es associ ate[...]

  • Page 64

    1 8 4. Don’t photograph dark- skinned peop le agai ns t very brig ht or very dark ba c kgroun ds. 5. T ry to maint a in a range of 5 to 6 s top s from the bright est t o the darkest part s of the s hot . A li ght i ng ratio of 2 : 1 i s a good starti n g poin t . 6. If you mu s t s hoot whit e or extrem ely brig ht c ostu mes, try to mai nt ain a[...]

  • Page 65

    1 9 • Black clot h • Magazine belt clip s and pi c k • Thi s copy of Cin ema tog r ap h er’s F ield Guide, KODA K Publ i cation No. H-2. T o o l s • Lon g nose p liers • Diagona l cutters • Channel Lock pl i ers • Scr e w d r i v e rs — S t a n d a r d and Ph illips • Jewel er ’s s crew d river set • Allen wr e n c h e s •[...]

  • Page 66

    20 • Insert slate • Log shee ts • Dent al mirr o r • Magn ifi e r • “Dust O f f” ( or equival en t cann ed air) • Bla c k felt marker ( Sharpie) • Lens clea ner and len s tissue • Len s brush • Cotton s wabs • Syring e • Spot remo ver or ae rosol so lv ent • Penli g ht • Cube taps ( 2 or 3) • Dulli n g s p ray • F[...]

  • Page 67

    21 F lashing Camera Film s to L ower Cont rast “Flashi ng” means to delibera tely fog fi lm b y giving i t a u n i f o r m e xposure bef ore pro cessing. The am ou nt an d type of exposur e will v ary with t he “lo ok” desired. This sli ght exp osur e l ow ers t he fi lm’ s cont ras t ( to som e e xten t), primari ly i n the u pp er sca[...]

  • Page 68

    22 Get acquaint ed — Once you have made your choice of labs, get to know the people wh o will do y our wo r k. T e l l them a s much as yo u c an about yourse lf , you r needs and your st y le. Th e mor e you commu nicate wit h them about yourself and your produc tion, the bet t er they c an serve you. Get it In writing — Face-to-face d iscussi[...]

  • Page 69

    Windi n g D esignatio ns In t he s ketch es b elow, the fi lm i s wou nd o n c ores and t he emulsion side of the film faces the cent er of th e roll. All 35 mm cam era films and many 1 6 m m c amera films h ave p e r forat i ons on both e dges — 2R in t he sketch. All one- edge perforated 1 6 mm c amer a films ar e Wind ing B. P e r foratio[...]

  • Page 70

    28 1 6 mm En d Use 6. 2 R - 2 9 9 4 — 1 6 mm film perf orated two ed ges with a p e r f oration pit ch of 0.299 4 (760 5), short pitch, (ANS I/SMPTE 1 0 9 - 1 99 6) 7. 2 R - 3 0 00 — 1 6 mm fi lm perforated two edges with a p e r fo rat io n pit c h o f 0. 300 0 (7 62 0 ), l ong pitch, (ANSI / SMPTE 1 0 9 - 1 99 6) 8. 1 R - 2 9 94 — Sam e a[...]

  • Page 71

    OR D ER IN G R A W STO C K I n t ro d u c t i o n All of the infor m ati on present e d in this fi eld g uid e is int ended to help yo u de ter m i ne — • th e righ t film (pe r f o r mance char acter ist ic s) , i n • th e righ t qu antit ies (s hoot ing tim e/ratio ), a nd • the r ight form at (w id th, perf o rat ion s, wi ndin g, p a c[...]

  • Page 72

    T o i ll ust r ate ou r point , let’s loo k at one examp le: If you orde r a 4 00- ft (1 22 m) roll of 3 5 mm KODAK VIS ION 20 0T Color Negative F i lm 52 74, the CA T No. i s 171 698 4. That numbe r te lls us ex actly w h at you n e ed. T o verif y that n umbe r you shoul d inclu d e: • the n ame of t he film (527 4) • Iden N o . ( V XM71 8[...]

  • Page 73

    Two int er na tion all y recogn i zed sourc es o f tec hnical i n f o r mation for motion picture p r o c e d u r es and standa r d s a r e the Soc iety of Motio n Picture and T e l e v i s i o n Eng ineers ( SMP TE), lo cat e d at 595 West Har tsda le Av e nu e, White Pl ains, New Y ork 1 0 6 07, 9 1 4 - 7 6 1 - 1 1 0 0 , a nd t h e Am e ri c an N[...]

  • Page 74

    INTERNA TIONAL Kodak Locations and Distributors ARGENTINA El Business Center Bonpland 1930/32 Phone: 54-11-4448 3988 CP B1667JUV Buenos Aires, Argentina FAX: 54-11-4773 6105 AUSTRALIA Kodak (Australasia) Pty ., Ltd. Phone: 613-8371-8520 173 Elizabeth Street T oll free: 1300-139-795 Cobur g, Victoria, Australia 3058 F AX: 613-9355-2962 T oll Free: 1[...]

  • Page 75

    CHILE Kodak Chilena S.A.F . Av . Pr esidente Eduardo Fr ei M 99950 (Panamericana Nor t e – Quilicura) Phone: 56-2-530 8295 Santiago, Chile FAX: 56-2-747 1300 CHINA (Peoples Republic) Kodak (China) Ltd Beijing Liaison Office #1 Guanghua Road, Chaoyang District Kerry Center , 9th Floor Phone: 8610 6561 6561 Beijing 100020, China FAX: 8610 6561 2199[...]

  • Page 76

    FINLAND Kodak OY P .O. Box 49 Mäkelänkatu 91 Phone: +358-087-071 00611 Helsingfors, Finland FAX: +358-087-01352 Contact: Kari Nordberg Mobile: +358-400 451215 FRANCE Kodak Pathé Phone: 01 40 01 30 00 Division Cinéma et Télévision FAX: 01 40 01 34 63 26, rue Villiot E-mail: cinema@kodak.com 75012 Paris France E-mail: www.kodak.fr/go/cinema GER[...]

  • Page 77

    IRAN Kodak (Iran) P .J.S.C. Co. Dowlatshad Bldg, Apt 2 Box No. 154-2 Phone: 98-21-227-6000 T ehran 19395, Iran F AX: 98-21-808-7266 IRELAND Kodak Ltd, Kodak House P .O. Box 66, Station Road Hemel Hempstead Phone: +44 1442 845945 Herts, HP1 1JU England FAX: +44 1442 844458 ISRAEL Delta Film Israel Phone: 972-9-9521888 / 834 (direct line) 16 Hagalim [...]

  • Page 78

    LUXEMBORG N. V . Kodak S.A. Entertainment Imaging Service Center Br ussels Phone: 32-2-719-41-93 Ikaroslaan 18 FAX: 32-2-719-41-99 B-1930 Zaventem Belgium E-mail: www.kodak.fr/go/cinema-benelux MALA YSIA Kodak Malaysia Sdn Bhd Jalan Kemajuan 13-1 46200 Petaling Jaya Phone: 603 757 2722 Selangor , Malaysia FAX: 603 755 5919 MEXICO Kodak de Mexico S.[...]

  • Page 79

    PERU Kodak Américas, Ltda. Av Nicolás Arriole 480 Santa Catalina, La Victoria Phone: 51-1-224 8610 Lima Peru FAX: 51-1-224 7826 PHILIPPINES Kodak Philippines, Ltd. Phone: 632 810 0331 (trunkline) 2247 Chino Roces Avenue 632 813 7916 (direct line) Makati City FAX: 632 840 1956 Philippines 1299 E-mail: ecercado@kodak.com POLAND Kodak Polska EI Offi[...]

  • Page 80

    SP AIN Kodak SA Carretera Nacional VI, Km 23 28230 Las Rozas Phone: 34 1 626 7155 (Madrid) Spain FAX: 34 1 626 7369 SWEDEN Kodak Nordic AB Phone: +46-8-580 235 00 Nettovagen 2 SE-175 85 FAX: +46-8-580 236 05 Jarfalla, Sweden Contact: Iréne Sandström Phone: +46-8-580 236 07 E-mail: irenesan@kodak.com Contact: Karl-Henrik Rassmo Mobile: +46-70-58 2[...]

  • Page 81

    39 UNITED STA TES Eastman Kodak Company 815 West Van Buren, Suite 320 Phone: 312-492-1421 Chicago, Illinois 60607 USA FAX: 312-492-1429 11337 Indian T rail Phone: 972-481-1150 Dallas, T exas 75229 USA F AX: 972-481-1242 6700 Santa Monica Boulevard Phone: 323-464-6131 Los Angeles, California FAX: 323-468-1568 90038-1203 USA 323-468-2124 360 West 31s[...]

  • Page 82

    40 Mot ion Pict ure F ilm Upda tes Eas tma n Kod ak Com pa ny of fers upda t es of th e fi lm sec t io n of the C i n e ma to g ra p he r’ s F ie ld G ui d e as ne w fi l m s a r e intr oduc ed. The u pd ates a r e f ree to o wner s of t he Ci ne ma t og r ap h er ’ s F ie ld G u i d e . T o o bt ai n film upd at e s , ple as e fill in a nd [...]