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Radio Shack MD-1600 manuel d'utilisation

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Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Radio Shack MD-1600 décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

Donc, ce qui devrait contenir le manuel parfait?

Tout d'abord, le manuel d’utilisation Radio Shack MD-1600 devrait contenir:
- informations sur les caractéristiques techniques du dispositif Radio Shack MD-1600
- nom du fabricant et année de fabrication Radio Shack MD-1600
- instructions d'utilisation, de réglage et d’entretien de l'équipement Radio Shack MD-1600
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

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Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Radio Shack MD-1600 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Radio Shack MD-1600 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Radio Shack en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Radio Shack MD-1600, comme c’est le cas pour la version papier.

Pourquoi lire le manuel d’utilisation?

Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Radio Shack MD-1600, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Radio Shack MD-1600. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    Cat. No. 42 -4043 OWNER’S MANUAL Please re ad before using thi s equipm ent. Electronic Keyboard MD-1600 42-4043.fm P age 1 Tuesday, Augus t 3, 1999 6:51 A M[...]

  • Page 2

    2 We rec ommend y ou wri te your MD - 1600’s s erial number here. The nu mber is on the bottom of th e MD-1600 . Serial Num ber _____ __________ __ THE FCC W ANTS YOU TO KNO W This keyboar d compli es with the l imits for a Cl ass B d igital de vice as s pecifie d in Part 15 of FCC Rules . These lim its provide r easonable pr otection against rad[...]

  • Page 3

    3 FEA TURES Your O ptimus MD -1600 Elec tronic K ey- board i s a sta te-of-th e-art m usical inst ru- ment that offers you a vast ar ray of sound s, with 2 -way ba ss ref lex speak ers for stun ning sou nd reprodu ction . You can choo se from 20 0 diffe rent music al instrum ents or sound e ffects an d 100 rhythms , as we ll as accompa niments and [...]

  • Page 4

    4 100 Free Sessions — let you s et the MD-1600 to aut omatical ly play an ac- com panim ent c onsisti ng of a pr erec ord- ed chord prog ressio n with a matchi ng rhyt hm. Synthesizer Function — lets yo u cre- ate up to 32 of your own original tones. Tune Functi on — lets you adjust the pitch of your keyboa rd so you ca n play in tune wi th o[...]

  • Page 5

    5 CONTENTS Preparation ....... ............. ................... ................... ............. .................... ................... 7 Connectin g Power ................ ............. .................... ................... ............. ............. 7 Using Ba tteries .............. ............. .................... ................... .[...]

  • Page 6

    6 Special Features .............. ...... ...... ....... ...... ....... ...... ....... ...... ....... ...... ....... ...... ........ 29 Changing K eys ............ ............ .................... ................... .................... ............ .. 29 T uning the K eyboard ............... .................... ................... ............. [...]

  • Page 7

    7 PREPARATION Note: To conn ect a M IDI device , see “Mak ing the MIDI Co nnections” on Page 41. To con nect a sus tain peda l, see “Usi ng a Sust ain Peda l” on Page 3 1. CONNECTING POWER You ca n power your MD -1600 from ei - ther: • internal batteries (se e “Using Batter- ies” ) • standar d AC power using an option al AC adapter [...]

  • Page 8

    8 Using AC Power You can power yo ur MD-1600 from standa rd AC power us ing a 12-vol t AC adapter ( not suppl ied) and a Size M Adaptap lug. Cautions: Y ou mus t use an AC adapt er that suppli es 12 volts and deliv ers at le ast 1.5 amps. Its center tip m ust be set to negative , and its plug mus t cor- rectly fi t th e M D -1600 ’s DC 12V jack. [...]

  • Page 9

    9 • Once you s et the volume , do not increa se it . Over ti me, your ears adapt t o the vol ume leve l, so a v ol- ume level that doe s not caus e dis- comf ort migh t sti ll da mage your hearing . CONNECTING AN EXTERNAL AMPLIFIER To ampl ify you r MD-1600’ s so und, you can conn ect it to an e xternal amplifie r (not supp lied) usin g an audi[...]

  • Page 10

    10 OPERATION BASIC O PERAT ION 1. Sli de VOLUME to MI N (min imum) . Important: T o prev ent hear i ng dam- age, alwa ys set the MD- 1600’s vol- ume to MI N before y ou turn it on . 2. T o turn on the MD-1600, press POWER . The POWER ind icator lights a nd the d isplay tur ns on. Note: T o s ave power , the keyboar d automatic ally turns of f aft[...]

  • Page 11

    11 The tone number and na me appear at the top of the dis play. The mi ddle row shows the chor d sym bol , the tempo in beats per minute, the number of the meas ure playin g and the beat coun t in each mea sure. Th e treble and b ass clefs to the right of th e display show the notes as they pla y. The bar graph shows the sound le vel on each of the[...]

  • Page 12

    12 Notes: • Y ou can select th e next highest o r lowest n umbered tone by s imply pressi ng + or – on the keypad . • The nam es of to ne number s 000– 127 are marked to the right of the MD-1 600’ s display . The na mes for tone nu mbers 128–1 67 appear in the tab le below . Mem - ory locat ions 168–199 are reser ved for c ustom to ne[...]

  • Page 13

    13 USING THE DRUM PADS The MD-16 00 has six drum pads that you ca n use to play per cussion sounds indepe ndent of the keybo ard keys. S im- ply tap on a drum pad to play the per- cussio n sound currentl y assigne d to it. To change th e drum pad s ounds, use the mix er function to cha nge the to ne assigne d to Channel 10. Se e “Using the Mixer [...]

  • Page 14

    14 6. Pl ay both the l ow and high-e nd keys to hear th e selected s plit tone s. To select a different l ow-end tone, e nter the three -digit numb er for the new low - end tone while the SP LIT indica tor is on the d ispla y. To sele ct a differen t high-en d tone, press SPLIT to turn off its indi cator, then enter the three-digit numbe r for the [...]

  • Page 15

    15 2. En ter the number fo r the h igh-end base tone on the key pad. 3. Press SPLIT so the S PLIT in dica tor appears . 4. En ter the num ber for the low-end base tone . 5. Press SPLIT so the S PLIT in dica tor disappea rs. 6. Press LA YER so the LA YER indi ca- tor appea rs. 7. Ente r th e numb er of t he laye red tone for t he high-e nd keys. 8. [...]

  • Page 16

    16 Note: Y ou can s elect th e next high - est or lo west nu mbe red au to-rhyt hm by simpl y press ing + or – on t h e ke y- pad. 3. Set MODE to NORMAL . Then pr ess ST ART/STOP to start the selected auto-rh ythm. 4. Adj ust t he vo lume to t he de sir ed leve l. 5. T o chan ge the auto -rhythm s peed, press TEMPO . or . The cur rent tempo set t[...]

  • Page 17

    17 To start a rhythm with an int roduction, sele ct and enter the rhythm, then pr ess INTRO . The in troduction plays, then the sele cted au to-rh ythm a utomati call y start s. Using FILL-IN The FILL-I N feature lets yo u insert a short (1 - to 2-measure) fill-in s egment into a se lecte d auto-r hythm. To insert the fill-in segm ent, press and re[...]

  • Page 18

    18 Notes: • After yo u press th e auto acco mpani- ment key s when usin g concer t chord or s tandard fi ngering, the MD - 1600 pla ys the sam e ch or d unti l you press ot her accompan iment key s to play a d ifferent chord or you pres s ST ART/ STOP . • Y ou can use the M D-1600’s rhyt hm contr ols ( INTRO , NORMAL/FILL-IN , V AR/FILL-IN , [...]

  • Page 19

    19 The numb er of accomp animent key s you pres s determin es the type of chord that play s. This table s hows the type of chord th at plays wh en you pres s one, two, three, or fou r accompan iment key s at the sam e time. The lowes t note you play de termines the key o f the chord . For examp le, if the low - est note is C, the keybo ard plays a [...]

  • Page 20

    20 Standard Fingering The sta ndard finger ing metho d uses st andard for mations o f 3–4 notes , and lets the experienc ed music ian play a wider v ariety o f accompani ment chor ds. You can play these 15 chord types on your MD-1600, in any key, using t he standa rd f ingering method. Notes: • T o pr oduce a simp le variation of a 7, m7, M7, m[...]

  • Page 21

    21 Follow th ese steps to start stand ard fin- gering a uto acco mpaniment. 1. Set MODE to FINGERED . 2. Se lect a nd enter an auto-rhyth m. (See “Se lecting/ Playing an Auto - Rhythm” on Page 15.) 3. T o sta rt the au to- rhyth m bef ore your auto a ccompanim ent, pres s ST ART/ STOP or INT RO . T o sy nchr oni ze t he s tar t o f th e sel ect[...]

  • Page 22

    22 Follow these ste ps to use the keyb oard free sess ion feature. 1. Press RHYTHM . 2. Sel e ct an d ent er an au to- rhyth m. 3. Press FREE SESSION . The FRE E SESSIO N indicator , the auto - accompa niment tone n ame a nd number , and tempo appear . 4. T o sta rt the free sessio n accompa ni- ment, pres s the accomp animent ke y for the root of [...]

  • Page 23

    23 This char t show s the par ts assi gned to each cha nnel. Notes: • Normall y , ke yboard pl ay is assigned to Channel 1 and th e drum pads ar e assigne d to Channe l 10. Wh en you use auto accompa niment, ea ch part is assign ed to Chann els 7–10. • When y ou use the MD-1600 as the sound s ource for anot her MIDI devic e, all 16 c hannels [...]

  • Page 24

    24 5. T o edit ot her chan nels, pr ess or to return to the channel selection screen and repe at Steps 2 –4. To exit th e edi t m ode, pr es s MIXER . The display shows the perfor mance stat us of the ch annels as e dited. Editing the Parameter You ca n change the setting s of six pa- rameters such as ton e, volume, a nd pan (relativ e position o[...]

  • Page 25

    25 Notes: • Y ou can not use tone s 160–1 67 (drum set tones) as b ase tones. • The preset ton e you use as the basis f or a use r tone is not chang ed. • The tone locati ons 168–199 are not empty (b efore yo u store use r tones there). They initi ally conta in dup li- cate ve rsions of tone numbers 128– 159. The user tone you store i n[...]

  • Page 26

    26 Notes: • A new or revi sed use r tone re place s the exis ting user t one. • Layer , split, au to accom paniment, demo tune pla y , an d MIDI functions are all d isabled w hile the ke yboard is in the C ustom T one Synthes izer mode. 1. Se lect the pres et tone (any of the preset tone s except 160 –167) you want to use as a basis f or your[...]

  • Page 27

    27 Touch Sensitivit y ( TchSense ) (–64 to +6 3) — Con trols chang es in the volu me of th e tone depe nding on ho w hard you strike the keys . Y ou ca n speci fy more v olume fo r stronge r strik ing and le ss volu me for lighter striking , or yo u can specif y 00 to set the sa me volume regardles s of how h ard you str ike the keys. Pan ( Pan[...]

  • Page 28

    28 • Determin e the most impo rtant paramete r . The PCM S et and Amp Enve lope Set par ameters are the major fa ctors that deter mine the overall ton e charac teristic . Start out by settin g these two par ameters to get the ge neral soun d you wan t, and then set the other parameter s to add the finis hing touc hes. • Experime nt with differe[...]

  • Page 29

    29 SPECIAL FEATURES CHANGING KEYS The MD-1 600 automati cally selec ts the key of m iddle C each ti me you tur n it on. For added flexibi lity as you play, the MD-1600 le ts you cha nge (transpo se) the m u sica l ke y. Follow thes e ste ps to cha nge ke ys . 1. Repe ated ly pr ess TRANSPO SE/ TUNE/MIDI unti l 00 Trans appear s on the dis play . No[...]

  • Page 30

    30 3. With in 5 se conds , pr ess + or – to raise or lowe r the keyboar d's pitch. Each time y ou press the key , the number o n the d isplay increases or decreases by 1 (cen t). Notes: • The MD-1 600 automat ically resets the tunin g pit ch to th e default value of 00 (cents) each tim e you turn off the ke yboard. • Memory playback us e[...]

  • Page 31

    31 Setting the Pitch Bend Range You ca n adjus t the b end ran ge of pitch controls from 1 to 12 s emitones. Note: The k eyboa rd autom atically se- lects a bend rang e of 2 semi tones the first t ime you tu rn it o n after con necting power. Each time you turn it on after that, it r ecalls the last selecte d bend range. Follow these st eps to adju[...]

  • Page 32

    32 USING THE MEMORY The MD-1600 lets you rec ord up to two separat e songs in memory for later play- back. You can use eit her of two meth - ods to recor d a song — real-tim e reco rdin g (you reco rd as you pl ay) or step re cord ing (you enter notes and chords one-by-o ne). You ca n reco rd on ea ch o f the M D- 1600’s six tr acks s eparatel [...]

  • Page 33

    33 • T o s tart auto ac companim ent duri ng a recordi ng, press SYNCHRO/END- ING instea d of ST ART/STOP in Step 5. Play th e melody keys to s tart recor ding. When you reac h the point where y ou want a ccompanim ent to start, p lay a c hord on the accompa- niment k eys. • T o re cord whi le using f ree sess ion, between Step 4 and 5 of “Re[...]

  • Page 34

    34 If you make a mistake, pr ess ST ART/ STOP to stop recording a nd begin aga in from Step 1, or you can edit the con - tents. See “ Editing Memor y Contents” on Page 39. Note: Press af ter you select Track 1 in S tep 3 t o us e the d rum p ads. You ca n start r ecording b y playi ng a drum pad . Thi s d at a is stor ed on Trac k 1 al on g w i[...]

  • Page 35

    35 Notes: • Y ou can u se layer and /or split duri ng memo ry pl ayba ck. • Y ou can cha nge the rhythm duri ng playbac k. • Pressi ng ST ART/STOP during the song re sets it fr om the be ginnin g. • Y ou can set the volume a nd pan posit io n o f th e pl ayback tra cks us ing the mixer . This setting da ta is out put through MIDI OUT . • [...]

  • Page 36

    36 • When MODE is set to NORMAL , specify the chor d using th e root keys an d chord- type ke ys. See “Sp ecif yin g Ch ords in th e Norma l Mode.” 7. Us e the number bu ttons to specify the length of the chord. Se e “Speci- fying the L ength of a Not e” on Page 36. 8. F or each additiona l chord you want to enter , pl ay the chord and us[...]

  • Page 37

    37 To ente r a rest, press 0 then use num- bers 1 throu gh 9 to specify the length of the rest. Correcting M istakes Before fi nishing your step recor ding en- try, you ca n move the entry poi nt back to correct the data yo u entered. However, this operati on deletes all data after the point wher e you ma ke corr ections. 1. Befo re yo u pres s ME [...]

  • Page 38

    38 5. Press ST ART/STOP to start record- ing. T he conten ts of a ny trac ks already r ecorded start to pla y . 6. Pl ay on the k eyboard what y ou want to record on the sel ected track . 7. Press ST ART/ST OP to e nd re cord - ing. This data is stored on the sel ected track in ad ditio n to the notes you played: • tone numbe r • option al peda[...]

  • Page 39

    39 Changing Navigation T rack After yo u record, the display shows th e contents of the last r ecorded or edited track. To di splay a dif ferent track , re- peatedly press TRANSPOSE/TUNE/MIDI until Bend appe ars, then pres s until Navi. Tr. appears . The n p re ss + or – until the track you want appear s on the display . EDITING MEMORY CONTENTS Y[...]

  • Page 40

    40 Editing T echniques and Display Cont ents Key Pressu re (Velo city) — Use the keyb oard, numb er butt ons, or + and – to adjust the key pre ssure. To cha nge the key p ressure u sing the key board, be sure to turn on tou ch respons e. Pitch — Enter a ne w note on the key- board or us e + or – to cha nge to the ne xt higher or lowe r note[...]

  • Page 41

    41 USING MIDI Your MD- 1600 incl udes a feat ure called MIDI (Musical Instrumen t Digital Inter- face) — the unive rsal stan dard for send - ing a nd rece iving p erforma nce data between electroni c musi cal in stru- ments, r egardless of manufac turer. Using MIDI, you can pl ay music on you r MD-1600 an d another in strument at the same time w [...]

  • Page 42

    42 To sen d MIDI data from y our ke yboard, use a MIDI cable to co nnect the MD- 1600’s MIDI OU T termina l to the othe r device’s MIDI IN term inal. To recei ve MIDI data on y our keyboar d, use a MIDI cable to co nnect the MD- 1600’s MIDI I N terminal to the oth er de- vice’s M IDI OUT termina l. Note: You do not nee d to mak e both conne[...]

  • Page 43

    43 Use the Ban k Select setting to s elect the MD-1600’ s tone gr oups to be chang ed by the Pr ogram Numbe r message . • Bank 0 — 0 to 127 (General MIDI tones) • Bank 1 — 128 to 15 9 (synthes ized tones) • Bank 2 — 160 to 167 (dr um sets) • Bank 3 — 168 to 199 (us er tones) Just before send ing a Progra m Change message , send tw[...]

  • Page 44

    44 • This m essage take s more time to process th an other mes sages; when yo u program G M Mode On in the seq uencer , leave at l east a 100 msec pau se before the ne xt message . • GM Mode Off ([F0 ][7E][7F][0 9] [02][F7]) — us ed to tur n of f the MD- 1600’s GM mode. • Reverb Change ([F0][44][0E][09][yy ] [F7]) — switches the key boa[...]

  • Page 45

    45 Local (Local Control) (De fault: On): s et to on to send d ata simu lta- neously to the k eyboard’s speak ers and as MIDI data . Set to oFF to send data only as MIDI d ata (the speaker s on the keyboard remain sile nt). AcompOut (Accom paniment O ut) (Default: Off): set to on to send a uto accompa niment as MIDI data . Set to oFF to turn it of[...]

  • Page 46

    46 NOTES ABOUT THE MIDI IMPLEMENTATION CHART The “MIDI Implemen tation Chart ” on Page 58 il lust rates the detai ls of the MD - 1600’s M IDI functio n. An O in th e chart means that the MD-1600 has this fea- ture; X mea ns it does not ha ve this fea - ture. Th is se ction ex pla in s wh at th e MD - 1600 can do. Basic Channel — MIDI uses u[...]

  • Page 47

    47 All Notes Of f — This feature is a kind of panic bu tton: it stop s the s ounds cu r- rently pla ying. Th e MD-1600 only re- ceives this mess age. Active Sensing — Th is mea ns t he MD - 1600’s s ound turns off in the event the conne ction ca ble to MI DI IN ter minal is acciden tally disc onnected . 42-4043.fm Page 47 Tuesday, August 3, 1[...]

  • Page 48

    48 T ROUBLESHOOTING If the MD-160 0 is not perfor ming as it should, t hese suggest ions m ight help. If you still canno t solve the problem, tak e the keybo ard to you r local Radi oShack s tore for ass is- tance. T roub le P ossible Ca use Remed y No so und, e ven if k e ys are press ed. The k eyb oard has turned off automati cally . Tu r n POWER[...]

  • Page 49

    49 CARE AND MAINTENAN CE Your Op tim us MD- 1600 El ectroni c Keyb oard i s an exampl e of supe rior desi gn and craftsm anship. The foll owing sug gestions wi ll help you car e for your MD-1600 so you can enjoy it for years . Keep th e MD-1600 dry. If it gets wet, wipe i t dry imm ediately . Liquids might c ontain mi nerals that can cor rode the e[...]

  • Page 50

    50 SPECIFICA TIONS Number of Keys .......... ............. ................... .................... ............. ................... ........ 73 Drum Pads .................. ............. ................... .................... ................... ............. .......... 6 Polypho nic Sound ....... ................... ............. .............[...]

  • Page 51

    51 Mixer Function Channels .................. ................... ................... ............. .................... ................. 1 6 Paramet ers ........ ................... ....... Program change nu mber , v olume, expr ession, pan coars e tuning, f ine tuning , on/off/solo MIDI ............ .................... ................... . 16 [...]

  • Page 52

    52 APPENDIX NOTE T ABLE 42-4043.fm Page 52 Tuesday, August 3, 1999 6:51 AM[...]

  • Page 53

    53 Lege nd: 1. T one number 2. Maximum polyphony 3. Digital Controlled Oscillator 4. Range type 5. Recommended sound range for General MI DI * Tones without scale * The following shows maximum polyphone for synthesized tones 128 through 159: 141 BASS SLI DE: 24 notes Other tones: 12 notes 42-4043.fm Page 53 Tuesday, August 3, 1999 6:51 AM[...]

  • Page 54

    54 FREE SESSION CHORD PROGRESSION CHART 42-4043.fm Page 54 Tuesday, August 3, 1999 6:51 AM[...]

  • Page 55

    55 42-4043.fm Page 55 Tuesday, August 3, 1999 6:51 AM[...]

  • Page 56

    56 DRUM ASSIGNMENT LIST 42-4043.fm Page 56 Tuesday, August 3, 1999 6:51 AM[...]

  • Page 57

    57 STANDARD FINGERING CHORD C HARTS 42-4043.fm Page 57 Tuesday, August 3, 1999 6:51 AM[...]

  • Page 58

    58 MIDI IMPLEMENTATION CHAR T Remarks *3 Modulation and af ter to uc h for each ch annel are the s ame ef fect. *4 Pitch bend sense , f ine tune, c oars e tune send/r eceive, and RPN Null rec eive *5 In accordance wit h assigna ble jack sett ing *6 GM on/off GM ON :[F0][ 7E][ 7F][09 ][01][ F7] GM OFF : [F 0][7E][7 F][0 9][02] [F7] Reverb change [F0[...]

  • Page 59

    59 NOTES 42-4043.fm Page 59 Tuesday, August 3, 1999 6:51 AM[...]

  • Page 60

    RadioShack A Division of T andy Corporation Fort Worth, T ex as 76102 08A99 Printed i n Japan Limited O ne-Y ear W arranty This pro duct is warrante d by RadioShack aga inst manufac turing defects in mate rial and workma n- ship unde r normal use for one (1) year from the date of purcha se from Rad ioShack comp any-owned stores and authorize d Radi[...]