Roland AT 5 manuel d'utilisation
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Un bon manuel d’utilisation
Les règles imposent au revendeur l'obligation de fournir à l'acheteur, avec des marchandises, le manuel d’utilisation Roland AT 5. Le manque du manuel d’utilisation ou les informations incorrectes fournies au consommateur sont à la base d'une plainte pour non-conformité du dispositif avec le contrat. Conformément à la loi, l’inclusion du manuel d’utilisation sous une forme autre que le papier est autorisée, ce qui est souvent utilisé récemment, en incluant la forme graphique ou électronique du manuel Roland AT 5 ou les vidéos d'instruction pour les utilisateurs. La condition est son caractère lisible et compréhensible.
Qu'est ce que le manuel d’utilisation?
Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Roland AT 5 décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.
Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.
Donc, ce qui devrait contenir le manuel parfait?
Tout d'abord, le manuel d’utilisation Roland AT 5 devrait contenir:
- informations sur les caractéristiques techniques du dispositif Roland AT 5
- nom du fabricant et année de fabrication Roland AT 5
- instructions d'utilisation, de réglage et d’entretien de l'équipement Roland AT 5
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes
Pourquoi nous ne lisons pas les manuels d’utilisation?
Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Roland AT 5 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Roland AT 5 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Roland en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Roland AT 5, comme c’est le cas pour la version papier.
Pourquoi lire le manuel d’utilisation?
Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Roland AT 5, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.
Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Roland AT 5. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.
Table des matières du manuel d’utilisation
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Page 1
AT-5 Owner’s Manual 03345101 ’03-10-2TP To resize thickness, move all items on the front cover to left or right on the master page. Owner’s Manual Copyright © 2003 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Before using this unit, car[...]
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Page 2
2 To resize thickness, move all items on the front cover to left or right on the master page. This product complies with the requirements of European Directive 89/336/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la classe[...]
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Page 3
3 USING THE UNIT SAFELY 001 • Before using this unit, make sure to read the instructions below, and the Owner’s Manual. .......................................................................................................... 002c • Do not open (or modify in any way) the unit or its AC adaptor. ...............................................[...]
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Page 4
4 USING THE UNIT SAFELY 012b • Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when: • The AC adaptor, the power-supply cord, or the plug has been damaged; or • If smoke[...]
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Page 5
5 Important Notes 291b In addition to the items listed under “USING THE UNIT SAFELY” on page 3 and 4, please read and observe the following: Power Supply 301 • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system). 302 • The AC adaptor will begin [...]
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6 IMPORTANT NOTES 558a • To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night). 559b • When you need to transport the unit, pack it in shock- absorbent material. Transporting the u[...]
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7 Main Features We want to take a moment to thank you for your purchase of the Roland AT-5 “Atelier Series” Organ. The AT-5 is an electronic organ which provides a generous collection of rich organ sounds. In addition, it is designed to be easy to learn and use. In order to enjoy reliable performance of your new keyboard for many years to come,[...]
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8 Main Features ■ Main Features of AT-5 ❍ Highly Realistic Rhythms and Automatic Accompaniment Functions All rhythms use data from performances by professional drummers, featuring high-quality patterns with all the grooves and subtle nuance of the real thing. In addition, you can use automatic accompaniments that are perfectly matched to each r[...]
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9 Contents USING THE UNIT SAFELY ........................................................................................................................... 3 Important Notes ............................................................................................................................................... 5 Main Features ...............[...]
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10 Contents Using the Play Functions ............................................................ 36 Transposing to a Different Key (Transpose Buttons)................................................................................ 36 Adjusting the Overall Volume Using an Expression Pedal ............................................................[...]
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11 Contents Connecting with External Devices .............................................. 66 Names and Functions of Jacks and Connectors ......................................................................................... 66 Connecting Audio Equipment ...........................................................................................[...]
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12 Panel Descriptions 1 [Power On] switch ( → p. 15) 2 [Master Volume] knob ( → p. 15) 3 Part Balance [ ▲ ] [ ▼ ] button ( → p. 24, p. 34) 4 Rotary Sound [Fast/Slow] button ( → p. 33) 5 Rhythm select buttons ( → p. 26) Tempo [ ][ ] button ( → p. 29) Fill In button ( → p. 29) [Intro/Ending] button ( → p. 27) [Start/Stop] button ([...]
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Page 13
13 10 [Harmony Intelligence] button ( → p. 31) 11 Transpose [-] [+] buttons ( → p. 36) 12 Upper voice select buttons ( → p. 21) Upper Organ part Upper Orchestral part [Alternate] button Level [ ▲ ] [ ▼ ] button ( → p. 24) 13 Composer Select [-] [+] buttons [Save] button ( → p. 56) Track Mute buttons ( → p. 42) [Reset] button [Play/S[...]
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Page 14
14 Before You Start Playing Setting Up the Music Stand fig.01-03 1. Attach the music stand by inserting it into the two holes. Connecting the AC Adaptor 1. First, make sure that the [Power On] switch at the panel’s left side is OFF (not pushed in). 2. Connect the supplied AC adaptor and power cord. 3. Connect the AC adaptor to the DC In jack on t[...]
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Page 15
15 Before You Start Playing Turning the Power On and Off * Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. ■ Tuning On the Power 1. Make sure of the following before the power [...]
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Page 16
16 Before You Start Playing Restoring All the Factory Default Settings The settings stored in the AT-5 can be returned to their factory settings. This function is called “Factory Reset.” 1. Make sure there is no floppy disk in the disk drive before carrying out the procedure. 2. Turning off the power. 3. While holding down the [One Touch Progra[...]
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Page 17
17 Selecting and Playing Sounds Listening to the Demo Songs The AT-5 contains 8 Demo songs. Here’s how to play the Demo songs, and fully appreciate the sounds, Rhythms, and Automatic Accompaniment that are available with the AT-5. fig.02-01 1. Make sure that a floppy disk is not inserted in the disk drive. If a floppy disk is in the disk drive, p[...]
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Page 18
18 Selecting and Playing Sounds ❍ If the following screen appears If the performance song in the unit has not been saved to a floppy disk, the following message will appear, and it will not be possible to play the Demo songs. fig.02-03 If you don’t mind erasing this song, press the [Rec] button. However, if you wish to save this song, press the[...]
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Page 19
19 Selecting and Playing Sounds Selecting Voices The AT-5 is able to produce the sounds of various instruments. These sounds are called “Voices” (or tones). It is very easy to select voices. ■ Switching the Keyboard Settings With the AT-5, you can have the Upper voice played over the entire keyboard, or split the keyboard into an Upper part a[...]
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Page 20
20 Selecting and Playing Sounds ■ About the Voices and Parts The Upper Register has two parts: “Organ,” “Orchestral.” You can select one voice for each of these parts, and you can layer the voices and play them together. The Lower Register has the part: “Lower.” ■ Functions of the Upper/Lower Sound Select Buttons fig.02-05 Each time[...]
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Page 21
21 Selecting and Playing Sounds ■ Selecting the Upper and Lower Voices Select voices by pressing the Upper and Lower Part buttons. Example: Selecting “Jazz Organ2” for the Upper Organ part, and “Grand Piano” for the Upper Orchestral part. 1. Press the Upper Organ [Jazz] button (indicator lights). The name of the selected voice appears in [...]
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Page 22
22 Selecting and Playing Sounds ■ Selecting a Voice Using the Upper Orchestral [Others] Button Notice that there is an Upper Orchestral [Others] button. By using the Upper Orchestral [Others] button, you can select all voices. 1. Press the Upper Orchestral [Others] button. The voice name appears in the display. fig.02-10 (P.29) The indicator of t[...]
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Page 23
23 Selecting and Playing Sounds Using the Lower of the Keyboard to Play the Bass Voice ([Bass To Lower] Button) You can have the Bass voice played in the root note of chords when you play chords in the keyboard’s Lower part (C2–B3). 1. Press the [Bass To Lower] button (indicator lights). When you play a chord in the Lower part of the keyboard ([...]
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Page 24
24 Selecting and Playing Sounds Adjust the Volume Balance The AT-5 allows you to adjust the volume balance individually for each Part. fig.02-13 The following buttons are used to adjust the volume of a multiple number of Parts. Accomp/SMF [ ▲ ] [ ▼ ] buttons: • Automatic Accompaniment • Playback of performance data from something other than[...]
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Page 25
25 Selecting and Playing Sounds Transpose the Pitch in Octave Units (Octave Shift) The pitch of the sound played by the keyboard can be adjusted in one-octave steps. You can apply an Octave shift to the following three Parts: The Upper Organ Part, Upper Orchestral Part The Lower Part 1. Press the [Utility] button. 2. Press the Menu [ ] and [ ] butt[...]
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Page 26
26 Using the Rhythm Performance The AT-5 lets you enjoy playing along with a rhythmic accompaniment. Selecting a Rhythm The AT-5 features a variety of internal rhythms. These are organized into four groups. fig.03-01 1. Press a Rhythm button to select a Rhythm group. The indicator of Rhythm button will light. That Rhythm will be shown in the displa[...]
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Page 27
27 Using the Rhythm Performance Playing Rhythms (Starting and Stopping the Rhythm) To start the rhythm, press the [Intro/Ending] button or the [Start/Stop] button. You can also make the Rhythm start after playing an Intro, or make the Rhythm stop after playing an Ending. fig.03-03 ■ Starting Rhythms by Pressing the Buttons ❍ Starting with an In[...]
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Page 28
28 Using the Rhythm Performance ■ Stopping the Rhythm ❍ Stopping with an Ending 1. Press the [Intro/Ending] button. An Ending is played, then the Rhythm stops. While the Ending is playing, the [Intro/Ending] button indicator lights, until the Ending finishes the button indicator will be turned off. ❍ Making the Ending Short and Simple 1. Pres[...]
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29 Using the Rhythm Performance Adding Variety to the Rhythm and Automatic Accompaniment You can add variation to the Rhythm by changing the arrangement or by switching the Rhythm pattern. fig.03-04(P.25) What is a Fill In? Fill-ins are short phrases inserted at the ends of melodies (between measures) and in sections of song where the mood changes.[...]
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Page 30
30 Using the Rhythm Performance A Simple Way to Make Automatic Accompaniment Settings (One Touch Program) When using the Arranger function for automatic accompaniment, you can also use the “One Touch Program” function to automatically select panel settings that are appropriate for the selected rhythm. By pressing the [One Touch Program] button,[...]
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Page 31
31 Adding Various Effects to a Voice The AT-5 allows you to add a variety of effects to each voice, and to use various playing techniques to make your performance more expressive. Adding Harmony to a Melody (Harmony Intelligence) You can have harmony corresponding to the chords played in the Lower part of the keyboard added in the highest notes pla[...]
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Page 32
32 Adding Various Effects to a Voice Changing the Type of Harmony Intelligence There are two different Harmony Intelligence. When you press the [Harmony Intelligence] button, the most appropriate voice(s) will be automatically set. The manner in which notes will sound also depends on the Harmony type. 1. Press the [Harmony Intelligence] button (ind[...]
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Page 33
33 Adding Various Effects to a Voice Adding Modulation to the Sound (Rotary Effect) Rotary is an effect which simulates the sound of rotating speakers. There is a choice of two settings: Fast and Slow. The Rotary effect can be applied to the following sounds. • Full Organ, Jazz Organ, Lower Organ fig.04-05 1. Select the voice to which you wish to[...]
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Page 34
34 Adding Various Effects to a Voice Reverb Effect Reverb is an effect that adds a sense of spaciousness to the sound, creating the illusion of playing in a concert hall. fig.04-07 1. Press the Reverb [ ▲ ] or [ ▼ ] buttons to adjust the overall Reverb amount. When you press the up button [ ▲ ], additional Reverb is applied. Pressing the down[...]
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Page 35
35 Adding Various Effects to a Voice Sustain Effect Sustain allows you to add a decay to each voice after the keys are released. The Sustain effect can be added simultaneously to the Upper and Lower parts. 1. Press the [Utility] button. 2. Press the Menu [ ] and [ ] buttons to select the “Sustain.” 3. Press the [Rec] button. 4. Press the Menu [[...]
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Page 36
36 Using the Play Functions Transposing to a Different Key (Transpose Buttons) You can transpose the key of a performance without having to shift the position of your fingers on the keyboard. This feature is called “Key Transpose.” For example: you may play in the familiar C major scale while your music will sound in any key of your choice. fig[...]
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Page 37
37 Using the Play Functions Adjusting the Overall Volume Using an Expression Pedal You can adjust the entire volume using an Expression Pedal. When you depress the Expression Pedal, the volume increases. The volume decreases as you tilt the pedal back. fig.06-03 Adding Decay to the Sound (Damper Pedal) You can connect a damper pedal (sold separatel[...]
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Page 38
38 Using the Play Functions Using the Foot Switch On each side of the expression pedal is a Foot Switch. Different functions are assigned to each of these two foot switches. fig.06-07 With the factory settings, the following functions are assigned to the left and right Foot Switches. Press the right Foot Switch toward the right. The Rotary effect w[...]
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Page 39
39 Record and Playback Your Performance You can use the AT-5’s internal Composer feature to record performances and to play back commercial SMF format music files. fig.08-01 What you can do “Play back SMF music files” You can use the floppy disk drive to play back commercially available music files, and enjoy a wide variety of songs. “Preve[...]
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Page 40
40 Record and Playback Your Performance Playing Back Performance Songs Stored on Floppy Disk In addition to playing back the music you recorded on the instrument and saved to a floppy disk, AT-5 also lets you enjoy a wide variety of commercially available SMF music files. fig.08-26 1. Insert a floppy disk containing commercially available SMF music[...]
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Page 41
41 Record and Playback Your Performance When the performance song loaded from a disk is a Standard MIDI File, “ ” will be displayed after the file name. fig.08-27 2. Press the Select [-] and [+] buttons to select the song. 3. Press the [Play/Stop] button to start playback. Playback of the performance data begins. 4. To stop playback, press the [...]
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Page 42
42 Record and Playback Your Performance Silencing a Specific Track (Track Mute) The indicators for Track Mute button in which performances were recorded will be lit. By turning off these Track Mute button indicators, you can temporarily silence the sound. This is referred to as “Track Mute.” You can practice with the melody muted. fig.08-07 1. [...]
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Page 43
43 Record and Playback Your Performance Recording a Performance You can record the performance that you play. You can also record your performance while playing rhythms or automatic accompaniment. fig.08-02 1. Select the panel settings needed for recording the performance. 2. Make sure that a floppy disk is not inserted in the disk drive. If a flop[...]
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Page 44
44 Record and Playback Your Performance If you press the [Rec] button when a song has been selected from the floppy disk, the selected song will be completely loaded into the AT-5 and the Composer will enter into the recording standby mode. If you wish to record a new song, press the Select [-] and [+] buttons to first select “NEW SONG” before [...]
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Page 45
45 Record and Playback Your Performance Playing Back a Performance Song Play back the performance recorded on the AT-5. fig.08-06 1. Press the [Reset] button. The location at which playback will start will return to the beginning of the first measure (bar). 2. Press the [Play/Stop] button to start playback. After playback reaches the end of the per[...]
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Page 46
46 Record and Playback Your Performance Rerecording Performance Data Recorded on the AT-5 You can record over recorded performance data. fig.08-08 1. Press the [Rec] button to enter into the recording standby mode. The [Rec] button indicator will light, and the [Play/Stop] button indicator will blink. The point at which recording begins is returned[...]
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Page 47
47 Record and Playback Your Performance Erasing a Performance Song If you wish to discard your recording and re-record from the beginning, or if you wish to record a new performance, you must erase the previously- recorded data. fig.08-09 1. Press the Track Mute [Lower] and Track Mute [Upper] buttons simultaneously. The following message, asking yo[...]
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Page 48
48 Record and Playback Your Performance Formatting Disks Floppy disks must first be “formatted” (initialized) before they can be used by the AT-5 to store data. “Formatting” is the process of erasing any data which may have been on the disk and making the format of the floppy disk match the format of the device. The AT-5 cannot use a floppy[...]
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Page 49
49 Record and Playback Your Performance 4. Press the Menu [ ] and [ ] buttons to select “Disk Utility.” fig.08-13 5. Press the [Rec] button. 6. Press the Menu [ ] and [ ] buttons to select “Format Disk.” 7. Press the [Rec] button. The following message, asking you to confirm, will be displayed. fig.08-14 To cancel the procedure, press the [[...]
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Page 50
50 Record and Playback Your Performance Changing the Name of a Performance Song (Rename) A name is automatically assigned to a performance song that you record. However, at some point you may wish to change the name to something more meaningful. fig.08-16 1. Press the Track Mute [Load] and [Save] buttons simultaneously. 2. Press the Select [-] and [...]
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Page 51
51 Record and Playback Your Performance Saving Performance Songs onto Floppy Disk The performance data that you recorded will disappear when the power of the AT-5 is turned off. If you wish to keep the performance data, you can save it on a floppy disk. If the performance data has never been saved to a floppy disk, a “ ” symbol appears in the d[...]
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Page 52
52 Record and Playback Your Performance 4. Press the [Save] button to save the performance. While performance data is being saved to the floppy disk, the following display appears. fig.08-22 ❍ If the following screen will appear If the floppy disk already contains performance data of the same name, the following display will appear. fig.08-23 ●[...]
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Page 53
53 Record and Playback Your Performance Deleting Performance Songs Stored on Disk Follow the steps below to erase a performance song that was saved onto a floppy disk. 1. Insert the floppy disk containing performance songs into the disk drive. 2. Press the [Utility] button. 3. Press the Menu [ ] and [ ] buttons to select “Disk Utility.” fig.08-[...]
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Page 54
54 Record and Playback Your Performance Layering a New Recording onto SMF Music Files You can load commercially available SMF music files into the AT-5, and record your own performance on top of it. During recording, the data you’ve loaded will be played back, while everything you play will be recorded. 1. Insert a floppy disk containing commerci[...]
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Page 55
55 Record and Playback Your Performance Re-recording a Performance Saved on Floppy Disk A song saved on floppy disk can be loaded into the AT-5, and you can then re-record the performances. 1. Into the disk drive, insert the floppy disk that contains the performance data. 2. Press the Select [-] [+] buttons to select the performance data that you w[...]
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Page 56
56 Settings for the Composer Changing the Key When Playing Back Songs SMF Music files or a performance that you recorded can be transposed for playback. 1. Press the [Utility] button. 2. Using the Menu [ ] and [ ] buttons, select “Play Transpose.” 3. Press the Value [-] and [+] buttons to select the value for transpose. Each press of the Value [...]
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Page 57
57 Settings for the Composer Adjusting the Metronome Volume You can adjust the volume of the metronome. 1. Press the [Utility] button. 2. Using the Menu [ ] and [ ] buttons, select “Metronome.” 3. Press the [Rec] button. 4. Using the Menu [ ] and [ ] buttons, select “Metronome Vol.” (Metronome Volume). fig.09-03 5. Press the Value [-] and [[...]
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58 Settings for the Composer Setting the Beat This setting determines the beat to be used when recording performance songs. 1. Press the [Utility] button. 2. Using the Menu [ ] and [ ] buttons, select “Beat.” fig.09-05 3. Press the Value [-] and [+] buttons to set the beat. Setting 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8 To [...]
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Page 59
59 Settings for the Composer Muting Individual Channels of Performance Data You can mute (silence) individual channels of performance data of SMF music files (sold separately). 1. Press the [Utility] button. 2. Press the Menu [ ] and [ ] buttons to select “Ch.Mute” (Channel Mute). 3. Press the Value [-] and [+] buttons to select the channel tha[...]
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Page 60
60 Settings for the Composer Re-recording the Bass Performance You can erase the bass accompaniment of SMF music files and record your own bass performance, or re-record the bass performance of a song that was previously saved on disk. 1. Press the [Utility] button. 2. Press the Menu [ ] and [ ] buttons to select “BassReplaceRec.” 3. Press the [...]
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Page 61
61 Settings for the Composer ■ Function During Playback You can specify whether or not the Expression pedal will function while ATELIER song files are being played back. 1. Press the [Utility] button. 2. Press the Menu [ ] and [ ] buttons to select “Exp. Source.” fig.09-06 3. Press the [Rec] button. 4. Press the Menu [ ] and [ ] buttons to se[...]
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Page 62
62 Adjusting the Effects Sustain Effect Sustain allows you to add a decay to each voice after the keys are released. 1. Press the [Utility] button. 2. Press the Menu [ ] and [ ] buttons to select “Sustain.” 3. Press the [Rec] button. 4. Press the Menu [ ] and [ ] buttons to select “Sustain.” 5. Press the Menu [ ] and [ ] buttons to select t[...]
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Page 63
63 Various Other Settings Turning Initial Touch On/Off (Initial Touch) Initial Touch is a function that translates the force used in playing the keys into a directly proportional amount of volume. It can be switched ON/OFF independently for the Upper and Lower registers. 1. Press the [Utility] button. 2. Press the Menu [ ] and [ ] buttons to select[...]
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Page 64
64 Various Other Settings Preventing Rhythm Tempos from Switching Automatically (Auto Standard Tempo) You can prevent rhythm tempos from switching automatically when you switch rhythms. 1. Press the [Utility] button. 2. Press the Menu [ ] and [ ] buttons to select “AutoStdTempo” (Auto Standard Tempo). 3. Press the Value [-] and [+] buttons to s[...]
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Page 65
65 Various Other Settings Adjust the Standard Pitch (Master Tune) The basic pitch of an instrument is generally considered as the pitch of the middle A note. The “Master Tune” parameter lets you adjust this basic pitch to match the pitch of any other instruments that are playing together with the AT-5. 1. Press the [Utility] button. 2. Press th[...]
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Page 66
66 Connecting with External Devices If you want to hook up an external instrument to the AT-5, then this chapter is for you. Names and Functions of Jacks and Connectors 1 MIDI Out/In Connectors You can connect external MIDI instruments to these connectors to exchange performance information. 2 Damper Pedal Jacks You can connect a damper pedal (sold[...]
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Page 67
67 Connecting with External Devices If You’re Using MIDI ● What’s MIDI? MIDI stands for “Musical Instrument Digital Interface,” and is a unified standard for the exchange of performance data and other information between electronic instruments and computers. The AT-5 is equipped with MIDI connectors to let it exchange performance informat[...]
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Page 68
68 Troubleshooting If the AT-5 does not function in the way you except, first check the following chart. If this does not resolve the problem, consult your dealer or a nearby Roland Service Station. When you press the [Power On] switch, the power doesn’t come on ❍ Power cord is not connected correctly (p. 15). No sound is heard ❍ The [Master [...]
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Page 69
69 Troubleshooting When play the lower part of the keyboard, the bass voice is heard ❍ The [Bass To Lower] button (p. 23) is pressed. ❍ When the [Bass To Lower] button is switched on (lit), the bass voice is played as the root of chords played in the Lower part. Bass voice not playing ❍ The [Bass To Lower] button’s indicator is unlit. Press[...]
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Page 70
70 Display Messages fig.E.00 Meanings: • To protect the copyright, this music file cannot be saved as SMF format. • When you want to save as Atelier format, you can save on a floppy disk. fig.E.01 Meanings: • You can only play the music data. It cannot be saved on a floppy disk or internal memory. fig.E.02 Meanings: • The protect tab on the[...]
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Page 71
71 Display Messages fig.E.30 Meanings: • The performance data is excessively large, and cannot be loaded. • Since the internal memory is full, recording is not possible. fig.E.40 Meanings: • The AT-5 cannot deal with the excessive MIDI data sent from the external MIDI device. Reduce the amount of MIDI data sent to the AT-5. fig.E.41 Meanings:[...]
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Page 72
72 Chord List ● symbol : Indicates the constituent note of chords. ★ symbol : Chord shown with an “ ★ ”can be played by pressing just the key marked with the “ ★ ” (when Chord Intelligence is ON). Cm7 5 CC # DE EF Cmaj7 C#maj7 Dmaj7 E maj7 Emaj7 Fmaj7 C7 C#7 D7 E 7 E7 F7 Cm C#m Dm E m Em Fm Cm7 C#m7 Dm7 E m7 Em7 Fm7 Cdim C#dim Ddim [...]
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Page 73
73 Chord List F# G A A B B F#maj7 Gmaj7 A maj7 Amaj7 B maj7 Bmaj7 F#7 G7 A 7 A7 B 7 B7 F#m Gm A m Am B m Bm F#m7 Gm7 A m7 Am7 B m7 Bm7 F#dim Gdim A dim Adim B dim Bdim Gm7 5 Am7 5 Bm7 5 F#aug Gaug A aug Aaug B aug Baug F#sus4 Gsus4 A sus4 Asus4 B sus4 Bsus4 F#7sus4 G7sus4 A 7sus4 A7sus4 B 7sus4 B7sus4 B m7 5 A m7 5 F#m7 5 G6 Gm6 A6 A 6 B6 Bm6 B 6 B[...]
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Page 74
74 Glossary Arrangement This refers to changes that have been made in an original tune, by adding a new accompaniment or by changing the instruments used. Automatic Accompaniment Accompaniment is played automatically in response to the chords played in the keyboard’s Lower part. Basic Chord This refers to the most commonly used types of chord, wh[...]
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Page 75
75 Glossary About ATELIER Series Sound Generator The ATELIER series come equipped with GM2/GS sound generators. General MIDI 2 The General MIDI 2 is a set of recommended specifications that provide detailed definitions for functionality such as sound editing and effects that had not been defined in the General MIDI, and extend the sound map to allo[...]
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Page 76
76 MIDI Implementation Chart Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Prog Change System Exclusive System Common System Real Time Aux Message Notes Transmitted Recognized Remarks Default Changed Default Messages Altered True Voice Note ON Note OFF Key's Ch's 0, 32 1 5 6, 38 7 10 11 64 65 [...]
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77 Demo Song List To play the Demo Songs, please refer to “Listening to the Demo Songs” (p. 17). * All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws. * No data for the music that is played will be output from MIDI OUT. ■ Profile Hal Vincent Hal consiste[...]
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78 Index A AC Adaptor ..................................................................... 14 Arrangement ............................................................. 29, 74 Arranger Function .......................................................... 30 Auto Std Tempo (Auto Standard Tempo) .................. 64 Automatic Accompaniment ...........[...]
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79 Index Reverb Effect ............................................................. 34, 74 Rhythm ............................................................................ 26 Accompaniment ........................................................ 29 Ending ........................................................................ 28 Fill In ......[...]
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80 MEMO[...]
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81 MEMO[...]
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82 Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. As of July 1, 2003 (Roland) ARGENTINA Instrumentos Musicales S.A. Av.Santa Fe 2055 (1123) Buenos Aires ARGENTINA TEL: (011) 4508-2700 BRAZIL Roland Brasil Ltda Rua San Jose, 780 Sala B Parque Industri[...]
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Page 83
2 To resize thickness, move all items on the front cover to left or right on the master page. This product complies with the requirements of European Directive 89/336/EEC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la classe[...]
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Page 84
AT-5 Owner’s Manual 03345101 ’03-10-2TP To resize thickness, move all items on the front cover to left or right on the master page. Owner’s Manual Copyright © 2003 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. Before using this unit, car[...]