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Tascam GVI manuel d'utilisation

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Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Tascam GVI décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

Donc, ce qui devrait contenir le manuel parfait?

Tout d'abord, le manuel d’utilisation Tascam GVI devrait contenir:
- informations sur les caractéristiques techniques du dispositif Tascam GVI
- nom du fabricant et année de fabrication Tascam GVI
- instructions d'utilisation, de réglage et d’entretien de l'équipement Tascam GVI
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

Pourquoi nous ne lisons pas les manuels d’utilisation?

Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Tascam GVI ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Tascam GVI et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Tascam en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Tascam GVI, comme c’est le cas pour la version papier.

Pourquoi lire le manuel d’utilisation?

Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Tascam GVI, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Tascam GVI. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    Owner's Manual QuickEdit and GigaPulse Addendum 100206[...]

  • Page 2

    2 CHAPTER 12: QUICKEDIT VIEW ........................................................................................................ 3 Instrument Select Drop-Down Menu .................................................................................................... 3 Undo/Redo ....................................................................[...]

  • Page 3

    CHAPTER 12: QUICKEDIT VIEW QuickEdit is a powerful tool that provides eas y access to instrument/d im ension specific synth parameters like attenuation, pan, tuning, envelopes, filters, LFO’s, and loop points. Edits m ade in QuickEdit are non-destructive, meaning they do not al ter the original GIG file s. Instead, instrument specific QuickEdit m[...]

  • Page 4

    EDIT MODES AND SELECTIONS In a Giga instrument, every keyboard region has its own parameter settings for envelopes, LFOs, filters, and the like. The keyboard regions, each c overing one or more keys, are displayed in th e horizontal strip just above the vi rtual keyboard. You'll notice that one of the regions is always highlighted in bright ye[...]

  • Page 5

    EDIT MODE This affects how changes are applied when m ore th an one region or split is selected for editing. Absolute : When you change a value in the QuickEdit, every selected (bright or dark yellow) region and split is set to exactly the value shown. If the selecte d regions were originally set to various unique values, th ey'll all be chang[...]

  • Page 6

    DIMENSION SELECT DROP-DOWN MENU This is similar to the Keyboard Select menu, but it governs the selection of sp lits within each keyboard region, as displayed in the dimens ion strip area just below the editing tabs. The options are: All splits: Edits will always be applied to every sp lit within a region. In the dim ension selector strips, you can[...]

  • Page 7

    QUICKEDIT ARTICU LATION TABS GVI GENERAL TAB Volume: The Volume knob simply attenuates a region’s playback le vel between 0 and 98 decibels. A Volume value of 0.0 indicates that the region will play back un-attenuated. Pan: This setting sets the pan position by a value from -64 (hard left) to +63 (hard right). Tune: The Tune knob adjusts a region[...]

  • Page 8

    VOLUME MODULATION SECTION Controller Drop-Down: This m enu allows you to assign a MIDI continuous controller for real-tim e volume attenuation control. 8 By assigning the same attenuation controller to groups of related notes or samples, a MIDI cont rolled sub mix capability can be designed into the instrument so that individual sounds can have dis[...]

  • Page 9

    Velocity Curve: There are three general response curves available: Linear , Non-Linear, and Special. See the diagrams below for a graphi cal representation of each curve class. Linear Curve: Non-Linear Curve: 9[...]

  • Page 10

    Special Curve: Velocity Range: Use the velocity range slider to select one of five velocity response offsets for the specified velocity response cu rve (Linear, Non-Linear, Special ). The velocity range is set from High to Low , High producing the largest dy namic range (softer) and Low producing the smallest dynamic range (louder). Scale: This kno[...]

  • Page 11

    INSTRUMENT GLOB AL SECTION Pitch Bend Range: Instrument Global settings a pply to all regions and dimensions of the instrument currently being edited. You can set the Pitch Bend Range between 0 a nd 12 semitones (half-steps). The Pitch Bend Range value represents both the upward and downward transposition boundaries. 11 Piano Release Mode: This opt[...]

  • Page 12

    AMPLITUDE ENVELOPE SECTION Preattack: The Pre-attack level is adjusted with percentage numbers (0-100). It is the very first point of a sample’s ADSR envelope and sets the in itial v olume level of the attack. For example, a Preattack level of 50.00 sets th e beginning of the attack envelope to half the potential volume of the sample. This allows[...]

  • Page 13

    PITCH ENVELOPE SECTION Attack: The pitch Attack time is measured in sec onds (0-60). This value determines the amount of time that it takes for a sustained note to be tu ned from the specified pitch Depth value back to its original pitch. Depth: Pitch Envelope Depth is measured in cents and represents the Attack or Note On pitch of a sample. In oth[...]

  • Page 14

    AMPLITUDE LFO SECTION LFO Frequency: The Amplitude LFO Frequency value can be set between 0.1 and 10 Hz and controls the rate at which the Amplitude LFO oscillates. Control Source: The Control Source selects between Internal LFO, Mod W heel, Breath Control, or a combination of either Internal LFO and Mod Wheel or Internal LFO and Breath Control. In[...]

  • Page 15

    PITCH LFO SECTION LFO Frequency: The Pitch LFO Frequency value can be set between 0.1 and 10 Hz and controls the rate at which the Pitch LFO oscillates. Control Source: The Control Source selects between In ternal LFO, Mod W heel, Aftertouch, or a combination of either Internal LF O and Mod Wheel or Internal LFO and Aftertouch. Synch: This option p[...]

  • Page 16

    GVI FILTER TAB FILTER SECTION Filter Type: This drop-down menu allows you to enable/disable filter ing and select which type of filter will be used from the following lis t: None – The Filter mode is completely byp assed Lowpass – This option filters out high fr equencies above the Cutoff point Highpass – This option filters out low frequenci[...]

  • Page 17

    Note: This parameter is only available if the Cutoff Controller is se t to “ None”. Minimum (Min) Cutoff: This value places a limit on the low est filter cutoff frequency when using a MIDI Cutoff Controller. The low range of th e MIDI controller will start with this value. Resonance (Res): Resonance, also referred to as Q, creat es a peak in am[...]

  • Page 18

    FILTER ENVELOPE SECTION Preattack: The Filter Pre-attack va lue is adjusted with percentage num bers (0-100). Preattack offsets the initial Filter Cutoff va lue for the attack of the Filte r Envelope. For example, a Preattack offset of 50.00 sets the enve lope’s initial Filter Cutoff value to halfway between the lowest Cutoff value (0) a nd the u[...]

  • Page 19

    19 MIDI CONTROL SECTION FILTER ENVELOPE MODULATION e Filter Envelope Modulation con trols I rs. nvert: When enabled, this setting reverses th e incoming MIDI controller data values. ttack, Decay, and Release depth: These sliders allow you to enable MIDI control of Filter r each. KEY RESPONSE SECTION Velocity (Vel) Curve: This parameter allows y ou [...]

  • Page 20

    FILTER LFO SECTION 20 he Frequency: The Filter LFO frequency value can be set between 0.1 and 10 Hz and controls the rate at which t LFO oscillates. Control Source: The Control Source selects between Internal LFO, Mod Wheel, Foot Control, or a combination of either Internal LFO and M od Wheel or Internal LFO and Foot Control. Invert: When enabled, [...]

  • Page 21

    GVI LOOP TAB SAMPLE START SECTION Sample Start: This option alters the sample attack to start after the begi nning of the wave sample. The value is measured in samples and has maximum lim it of 2000 sam ples. This is useful to soften the attack of a sample or to eliminate/create pops at the beginning of a sample. LOOP SECTION This section is only a[...]

  • Page 22

    QUICKEDIT WAVEFORM VIEW The Waveform view provides valu able visual feedback when adju sting Envelope, LFO, and sam ple loop points. There are three basic s ections to the waveform display including the zoom tools, a time display, and the actual waveform window. WAVEFORM VIEW ZOOM TOOLS Zoom Bar: The purple rectangle located just abo ve th e time d[...]

  • Page 23

    simply click and drag one of the handles. WAVEFORM DISPLAY WINDOW In addition to being a simple graphical disp lay for the sam ple waveforms, the Waveform Display window can be used to make changes to Am plitude, Filter, and Pitch Envelopes as well as LFO’s. Once an Envelope or LFO has been selected (see below), an editable envelope appears super[...]

  • Page 24

    CHAPTER 13: GIGAPULSE VIEW GigaPulse is a world class Convoluti on Modeling and Reverb Plug-in that has been integrated directly into GVI for automatic processing of instrument s that are em bedded with GigaPulse convolution presets. An embedded convolution preset is a GIG/Inst rument file that is load ed or stacked into the MIDI Mixer just like ot[...]

  • Page 25

    GIGAPULSE IN THE MIDI MIXER GigaPulse Convolution can be used to model e nvironm ents, instrument bodies, signal paths, digital reverbs, and pretty much anything else you can send audio through. It is up to the library or soundware developer as to how these impulse responses appear to the end-user within GVI. For instance, in the case of GigaPiano [...]

  • Page 26

    INPUT SECTION Bypass: Use the Bypass Button to quickly enable or disable the GigaPulse effect. When Bypass is enabled, the button will be lit up green. Note: If you bypass convolution t hat is an integral part of the in strument’s sound, such as that used in GigaPiano-II, the instrument may essentially become unplayable sonically. Master, Left an[...]

  • Page 27

    Acoustic Space Bank Menu: The Bank Menu brings up a drop-down list of all the available GIG Instrument Banks (GIB) that w ere encoded into the loaded GigaPulse instance b y the instrument designer. Note that [ctrl]+ clicking on the Bank Menu will toggle between the internal embedded preset name and the original ba nk file name that was used to crea[...]

  • Page 28

    28 if the soundw Mute: Silences the Master or the individual channels, but the processing is still On: The On button turns off the individual microphone placements, freeing up CPU ent Select Sum to Mono: This option is only availabl e for the “Center” (Mono) Mic Group right channe Mic Level: Adjusts the volume of the Mast er or individual Left/[...]

  • Page 29

    29[...]

  • Page 30

    MIC REPLACEMENT SECTION The Mic Replacement section is Mic Group specif ic, m eaning that original and replacement Mic selections only affect the currently selected Mic Group. Different microphones have different sonic char acteristics. Microphones come in different quality levels and they also have different directional characteristic s (Omni dire[...]

  • Page 31

    Pattern: Most microphones have a choice of polarity patterns. Some have just one pattern while others have up to 5 patterns. Click on the Pattern Button dropdown to see what is available for each mic. The choice of pa ttern can dramatically affect the sonic character of a microphone. Omni: Short for Omni-directional, this type of microphone records[...]

  • Page 32

    GVI PLACEMENT SECTION There are two types of buttons present in the Placem ent Section window, the source placement (where the perform er is located on th e sound stage) and the microphone placements. The source placement button is square by default and labe led num erically while the microphone placements are round and labeled according to which M[...]

  • Page 33

    MIC TO FX BUS ROUTING SECTION 33 The FX Bus Routing Matrix allows you to independently route each microphon e placement contained within an impulse set to e ither the left or right channel of the FX Bus. The routing section also allows you to create simulated stereo signal from a mono im pulse response. True Stereo: Limits the num ber of Mic Placem[...]