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Yamaha CP50 manuel d'utilisation

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Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Yamaha CP50 décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

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Tout d'abord, le manuel d’utilisation Yamaha CP50 devrait contenir:
- informations sur les caractéristiques techniques du dispositif Yamaha CP50
- nom du fabricant et année de fabrication Yamaha CP50
- instructions d'utilisation, de réglage et d’entretien de l'équipement Yamaha CP50
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

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Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Yamaha CP50 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Yamaha CP50 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Yamaha en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Yamaha CP50, comme c’est le cas pour la version papier.

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Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Yamaha CP50, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Yamaha CP50. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    1 CP5 /CP50 Refe rence Manual Y amaha Corp. r eserves the right to update or modify this manual at any time without prior n otice. The most up-to-date version is freely a vailabl e for download from the following web page. http://www .yamaha.co.jp/manual/ Contents Reference Guides ................ ............ ................. ............. ......[...]

  • Page 2

    2 CP5/CP50 Reference Manual Reference Guides Re f e re n c e G u i d e s Y our CP5 or CP50 stage piano comes with three differ ent reference guides — the Owner’ s Manual , the Reference Manual (this document), and the Data List . While the Owner’ s Ma nual is packaged together with th e stage piano as a hardcopy booklet, this Refer ence Manua[...]

  • Page 3

    3 CP5/CP50 Reference Manual Int er nal Design of the CP5 & CP50 P r incipal Components The inter nal design of your CP5 or CP50 is divided into th ree main sections — namely , the T one Generator , the Song Set- ting area, and the Controller . CP5/CP50 MIDI IN Controller MIDI OUT To n e G e n e r a t o r Song Setting Area User Songs Preset Dr[...]

  • Page 4

    4 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator T one Gener ator Y our stage piano's T one Generator produces sounds based on perf ormance data that you create by playing the key- board, operating the sequencer , and using various controllers. In specific terms, the T one Generator is made up of Per - form[...]

  • Page 5

    5 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator Lef t & Right P ar ts The left and right par ts that make up eac h Perfor mance respond to your playing of the keyboa rd or to MIDI input and u se the built-in T o ne Generator to produce the appr opriate sounds in r esponse. The CP5 has four such parts — LE[...]

  • Page 6

    6 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator R oles of Blocks & Common Set tings Area The roles of each of the blocks and the Common Settings area that make up CP5 and CP50 parts are as follows.  Vo i c e B l o c k The V oice block is use d to specify the type of musical-instru ment sound that will be[...]

  • Page 7

    7 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator TRA CK P art Each CP5 or CP50 Perfor mance can also contain a backing tr ack fo r playing back as an acco mpaniment to your key- board perfor mances. Three differ ent types of backing track can be selec ted — namely , Preset Drum Patterns, User Songs, and W ave [...]

  • Page 8

    8 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator NOTICE If you o verwr ite a P erfor mance in the User Perf ormance memory , it will be permanently delet ed. In order to a v oid loosing irr eplaceable data, theref ore, yo u should take special care when selecting where t o stor e newly-cr eat ed Perf ormances. N[...]

  • Page 9

    9 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator HINT Using External P erformance Memories In or der to save Performances in an External Performance memory or to use an External Perfor mance memory from a USB flash-memory device, the USB flash -memory device in question must be pl ugged into your CP5 or CP50. Wh[...]

  • Page 10

    10 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Song Setting Area Song Set ting Ar ea The Song Setting area is used to re cord and play MIDI sequences and audi o files for use as Perfor mance backing tracks. MIDI sequences can take the for m of built-in Preset Drum Patterns (playback only) or User Songs that you can both rec[...]

  • Page 11

    11 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Controller Contr oller Y o ur stage piano’ s Controller consists of the keyboard, pitch bend wheel, knobs, foot pedals, and other input devices used whil e playin g. It is impo rtant to bear in mi nd that th e keyboard itself does not generate any sound; instead, it sen ds no[...]

  • Page 12

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 13

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 14

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 15

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 16

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 17

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 18

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 19

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 20

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 21

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 22

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 23

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 24

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 25

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 26

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 27

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 28

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 29

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 30

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 31

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 32

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 33

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 34

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 35

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 36

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 37

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 38

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 39

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 40

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 41

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 42

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 43

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 44

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 45

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 46

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 47

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 48

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 49

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 50

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 51

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 52

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 53

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Page 54

    54 CP5/CP50 Reference Manual Appendix > MIDI Appendix MIDI Musical Instrument Digital Inter face (MIDI) is a globa l standard designed to allo w per for mance, voice, and other data to be transferred between musical instruments As such, data communication is a ssured even between musical instruments and equipment from differ ent manufacturers. I[...]

  • Page 55

    55 CP5/CP50 Reference Manual Appendix > MIDI  Contro l Change MIDI Control Change message s are used to control volume, stereo panning, and many other parameters, and as shown below , each message type has its own unique control number . Bank Select MSB (Contr ol No. 0) Bank Select LSB (Control No. 32) Bank Select MSB and LSB messa ges are us[...]

  • Page 56

    56 CP5/CP50 Reference Manual Appendix > MIDI Channel Mode Messages All Sound Of f (Control No. 1 20) All Sound Off messages ar e used to silence all sounds being generated by both par ts. Note that the status of channel messages such as Hold 1 and Sostenuto is maintained in such a case. Reset All Contr ollers (Co ntrol No. 1 21) A Reset All Cont[...]

  • Page 57

    57 CP5/CP50 Reference Manual Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Instrument Division, Yamaha Corporation © 2010 Yamaha Corporation MW-B0[...]