Korg M3 manuale d’uso

1 E 1 E[...]

ii About this manual About the EXB-RADIAS for M3 opera ting manual This EXB-RADIAS for M3 operating manual explains the RADIAS program functions and parameters that ar e available when the EXB-RADIAS synthesizer board is installed in the M3 music workstation/sampler . For details about basic operation of the M3 and on the functions and parameters n[...]

iii T able of contents Introduction ................................................................................... 1 Overview ...................................................................................................................... .1 Program structure ...............................................................................[...]

Table of contents iv Ed iting a vocoder progr am...................................................................................................... ........ 13 Vo co der on/off ..........................................................................................................................................................................[...]

v PROG P2: OSC/Pitch ................................................................................................... 30 2–1: OSC Basic ................................................................................................................................... 30 2–1a: OSC1 .............................................................[...]

Table of contents vi Combination mode ............................................................................ 47 Combi Page Select ..................................................................................................... 47 COMBI P0: Play ..............................................................................................[...]

vii Sequencer mode ................................................................................ 57 SEQ Page Select .......................................................................................................... 57 SEQ P0: Play ............................................................................................................[...]

Table of contents viii Menu Command ........................................................................................................ 64 Copy from Program ......................................................................................................................... 64 Write Formant Motion Data .....................................[...]

1 Intr oduc tion Ov er view The EXB-RADIAS is a synthesizer/vocoder option board that uses Korg MMT (Multiple Modeling T echnology) to provide a wide range of tonal variety and 24 voices of polyphony . When the EXB-RADIAS is installed, you’ll be able to use 128 RADIAS programs in pr ogram bank INT -F . Y ou’ll also be able to save original RADI[...]

Introduction 2 adding breath noise for a wind instrument sound, or as part of a special effect sound. Mixer (MIXER) The mixer adjusts the volume levels of oscillator 1 (OSC1), oscillator 2 (OSC2), and the noise generator (NOISE), and sends the combined signal to the filter (FIL TER). Filter (FILTER A, FILTER B) The filter section consists of two [...]

Program structure 3 Vo co der progr am A vocoder applies the spectral character of the “modulator” (e.g., a signal received fr om the AUDIO INPUT 2 jack) to the “carrier” (e.g., a signal received fr om the AUDIO INPUT 1 jack). The most popular way to use this is to input your voice from a mic connected to the AUDIO INPUT 2 jack, creating th[...]

Introduction 4 C ombination struc ture Y ou can combine RADIAS programs and EDS programs to create mor e complex sounds. RADIAS programs can be used in four timbr es simultaneously . The structure of a combination and the functionality in Combination mode is the same as for combinations that use EDS programs. Song struc ture (Sequencer mode) Y ou c[...]

5 Quick Star t S elec ting and pla ying programs For details on connecting external devices and setting up, refer to “M3 operation guide.” Syn th programs Here’s how to select synth pr ograms and try out various sounds. Selec ting and pla ying 1. Press the PROG switch to enter Program mode. 2. Press the BANK SELECT I-F switch to select progra[...]

Quick Start 6 Vo co der progr ams Let’s select a vocoder program and try out the vocoder function. Y ou’ll need to connect a mic to the AUDIO INPUT 2 jack. Before you connect the mic, set the AUDIO INPUT LEVEL knob to MIN . Selec ting and pla ying 1. Connect your mic to the rear panel AUDIO INPUT 2 jack. 2. Set the MIC/LINE switch to MIC. 3. Se[...]

7 Oper ation E diting a pr ogram In the PROG P0: Play page, you can select and play RADIAS programs, use the contr ol surface to perform quick editing, and adjust the KARMA settings in the same way as for EDS programs. In other pages, you can make mor e detailed edits to the sound. Basic settings for the progr am To edit a RADIAS program, you’ll [...]

Operation 8 OSC2 (Oscillator 2) 1. Use the “W aveform” to select the waveform of oscillator 2. Y ou can choose one of four different waveforms. The most common way to use this is to select the same waveform as oscillator 1, and change its pitch slightly to create a rich sound. 2. Use the “OSC Mod” to select the modulation type for oscillato[...]

Editing a program Amp 9 direction (i.e., if the filter type is LPF , the sound will become darker). Note: EG1 envelope settings are made in the PROG P5: EG/ LFO/SEQ page. ( ☞ p.38“5–1: EG1 (Filter), 5–2: EG2 (Amp), 5–3: EG3”) 5. Use “Keyboard T rack” to specify how keyboard tracking (the keyboard position on which you play) will af[...]

Operation 10 EG (En v elope Generat or) An EG (envelope generator) applies time-varying change to a parameter of the sound. EG1 is assigned as the envelope source for filter cutof f frequency , and EG2 is assigned as the envelope sour ce for the amp volume. Y ou can also use a virtual patch to assign an EG as an envelope source for another paramet[...]

Editing a program LFO 11 LFO These are the parameters for the LFOs (Low Fr equency Oscillators). An LFO can apply cyclic change to the sound. LFO1 is internally connected as the modulation source for oscillator 1 waveform. LFO2 is internally connected as the modulation source for the oscillator pitch modulation controlled by the joy-stick. Y ou can[...]

Operation 12 Modulation Sequencers The Modulation Sequencers let you apply time-varying change to sound parameters in a way similar to analog sequencers of the past. A modulation sequencer stores a discreet value for each of sixteen individual steps, and consecutively applies these values to vary the sound over time. Since three modulation sequence[...]

Editing a program Editing a vocoder program 13 E diting a v ocoder program Here’s how to make settings for the vocoder ’s carrier , modulator , and output. These settings are made in the PROG P6-1: Carrier/ Modulator page. Vo co der on/off 1. Use “V ocoder” to turn the vocoder on/off. If this is on (checked), the vocoder will be on. Ca rrie[...]

Operation 14 Fo rmant Motion function The formant motion function lets you use data such as a previously-r ecorded voice as the input to the modulator , causing the vocoder to produce sound. This lets you play the vocoder without having to vocalize into the mic. The EXB-RADIAS contains preloaded data for sixteen formant motions. Assigning a formant[...]

Editing a program Creating your own program 15 Creating y our own progr am Y ou can create original sounds by editing a preloaded program or by editing an initialized pr ogram from scratch. These programs you cr eate can be saved (written) to bank INT -F or to a user bank that has been assigned for saving RADIAS programs. Sa ving a program RADIAS p[...]

Operation 16 E diting a c ombination (C ombination mode) Y ou can use RADIAS programs in the timbres of a combination, and create combinations that use them together with the programs of banks INT -A–E, INT -G, and USER-A–G. Up to four RADIAS programs can be used in one combination. The maximum polyphony of the RADIAS programs will be 24 voices[...]

Editing a song (Sequencer mode) MIDI track settings 17 E diting a song (Sequencer mode) Y ou can use RADIAS programs in MIDI tracks of a song. As for a combination, up to four RADIAS programs can be used in one song. The maximum polyphony of the RADIAS programs will be 24 voices. MIDI track settings The way in which to make settings, the operation [...]

Operation 18 Restoring the fac tory settings (Global mode) Here’s how to r estore the RADIAS pr ograms and the RADIAS formant motion data to the state in which it was when the EXB-RADIAS was installed. Y ou can restor e the EXB-RADIAS to its initially installed state by loading the preloaded data. Never turn off the power while the data is being [...]

19 Pa r ameter guide Program mode P age Selec t For details on how to select each page, refer to the “M3 operation guide.” PROG P0: Play In this page you can select and play programs. Her e you can also perform simple editing of the drum track, EQ, and KARMA function, make settings for the audio inputs and resampling, and view the contr ol surf[...]

Parameter guide 20 0–7: S ampling/Audio In Here you can make settings for analog/digital audio signal input (Analog, S/P DIF), and make settings for sampling in Program mode. For details on the available parameters and menu commands, please see “0–7: Sampling/Audio In” on page 8 of the M3 parameter guide. 0–8: Contr ol Sur face The Contro[...]

PROG P0: Play Tone Adjust 21 The Solo On/Off setting is not saved when you write the program. Exclusive Solo menu parameter The menu’s Exclusive Solo parameter also affects the way that Solo works. When Exclusive Solo is Off (unchecked), you can solo RADIAS oscillator , Drum T rack, and audio inputs at once. When Exclusive Solo is On (checked), o[...]

Parameter guide 22 C ommon T one Adjust Par ameters Unless otherwise noted, all of the Common T one Adjust parameters are Relative . Note: In the list below , the items in parentheses are (value, edit type) respectively . Off . This means that the T one Adjust control has no ef fect. Filter Cutoff. (–99...+99, CC#74) This scales the cutoff fr equ[...]

PROG P0: Play Tone Adjust 23 R ADIAS T one Adjust P arameters OSC1 W aveform (Saw/Square/T ri/Sine/Formant/Noise/ DWGS/AudioIn, Absolute): Selects the waveform for oscillator 1. OSC1 Mod (W aveform/Cross/Unison/VPM, Absolute): Selects the modulation type for oscillator 1. OSC1 Control1 (000…127/–63…+63, Absolute): Controls a parameter appr op[...]

Parameter guide 24 MSEQ Resolution ( 3 …  , Absolute): Controls the playback speed of the modulation sequence as a timing resolution r elative to the tempo. T one Adjust Default Settings T one Adjust pr ovides an elegant physical interface to the parameters. Most of the factory sounds use the default layout, as shown above. Y ou can also cu[...]

PROG P1: Basic/DT/Ctrls 1–1: Program Basic 25 PROG P1: Basic/DT/Ctrls Here you can make basic settings for RADIAS pr ogram. Here you can: • Select the voice assign mode. • Specify unison and detune. • Select the basic scale for the program. • Select an audio input source for the vocoder or the RADIAS oscillator. • Make virtual patch set[...]

Parameter guide 26 User Octave Scale: The scale you created in the User Octave Scale (Global P3: 3–1a). Ke y (Scale Ke y) [C…B] Selects the key of the specified scale. This setting does not apply to the Equal T emperament scale. If you’re using a scale other than Equal T emperament, the combination of the selected scale and the Key setting m[...]

PROG P1: Basic/DT/Ctrls 1–1: Program Basic 27 RADIAS program Audio In (OSC&Vocoder) Source Insert Effects Insert Effects L/R Bus AUX 1/2 AUX 3/4 Bus = L/R or IFX1-5 Insert Effects Drum Track (EDS) Analog Input 1/2 S/P DIF L/R Insert Effects FireWire L/R Level Pan Level Pan Level Pan AUX Bus = 1/2 Audio Inputs (Send to RADIAS) AUX Bus (Send to[...]

Parameter guide 28 1–2: Vir tual Patch These are the parameters for the V irtual Patch function. V irtual Patch is a function that lets you assign modulation sources such as EG or LFO to a variety of parameters. For each program you can cr eate up to eight of these combinations. 1–2a: Vir tual Patch Src (Source) [EG1…X–Y –Y Mod:#88] Selec[...]

PROG P1: Basic/DT/Ctrls 1–3: DrumTrk Pattern (Drum Track Pattern) 29 1–3: DrumT rk Pattern (Drum T rack Pattern) Here you can select a drum track pattern and specify how it will sound. For details on the available parameters and menu commands, please see “1–3: DrumT rk Pattern (DrumT rack Pattern)” on page 28 of the M3 parameter guide. 1?[...]

Parameter guide 30 PROG P2: OSC/Pitch These pages control the first and most basic elements of RADIAS program’s sounds: the waveform that the oscillators play , the pitch, and output level at which it plays them. For instance, you can: • Select the oscillator 1 waveform and modulation type, and specify waveform parameters according to the modu[...]

PROG P2: OSC/Pitch 2–1: OSC Basic 31 VPM (V ariable Phase modulation): VPM (Variable Phase Modulation) uses a sine wave at a harmonic (integer) multiple of the oscillator 1 fundamental to modulate the phase of oscillator 1, producing metallic-sounding overtones. In contrast to Cross Modulation which produces sounds that have a modulating characte[...]

Parameter guide 32 Co nt ro l2: Formant Offset [–63…+63] Moves the entire formant fr equency spectrum upward or downward. This is equivalent to changing the size of your mouth. A setting of 0 produces the standard formant locations. When Waveform: Noise Co nt ro l1: Resonance [000…127] Adjusts the amount of resonance for the filter pr ovided[...]

PROG P2: OSC/Pitch 2–2: OSC1 Pitch 33 RingSync: This applies Ring and Sync modulation simultaneously. Se mitone [–24…+24] Specifies the amount of detuning relative to oscillator 1 in semitone steps. V alues of ±12 produce a pitch differ ence of one octave, and values of ±24 produce a pitch dif ference of two octaves. At a value of 0 , the [...]

Parameter guide 34 PROG P3: Filter Here you can make the basic settings for RADIAS oscillator ’s Filter A and Filter B. Here you can: • Specify the filter routing, select the filter type, and set the cutoff frequency and resonance. • Specify filter modulation by keyboard tracking, velocity, and EG1. 3–1: Filter 3–1a: Filter Routing F ilte[...]

PROG P3: Filter 3–1: Filter 35 THRU: The sound will output directly, without passing through the filter. Fr equenc y (Cutoff F requency) [000…127] Specifies the cutoff fr equency . Higher settings will raise the cutoff fr equency . Note: Frequency can be modified by the time-varying changes produced by EG1, position of the notes on the keyboa[...]

Parameter guide 36 PROG P4: Amp/EQ This page controls the settings for the Drive/W ave Shape, Amp, 3 band EQ section. Here, you can: • Specify drive or wave shaping. • Specify the amp volume level and keyboard tracking. • Specify the pan (stereo position). • Make settings for the three-band EQ. 4–1: Amp/W a v eShape/Driv er 4–1a: Driver[...]

PROG P4: Amp/EQ 4–8: EQ 37 Pickup: This simulates an electromagnetic pickup. Depth adjusts the depth. Note: The above illustration for Pickup shows differences in the output waveform when a sine wave at C4 is input. The transformation will vary depending on the input pitch. Level Boost: Boosts the output level. Depth adjusts the amount of boost. [...]

Parameter guide 38 PROG P5: EG/LFO/MSEQ These parameters let you make EG (Envelope Generator) settings to produce time-varying change in the oscillator pitch, filter , and amp, make LFO settings to produce cyclic changes in the sound, and make settings for the modulation sequencer which applies time-varying change to sound parameters in ways typic[...]

PROG P5: EG/LFO/MSEQ 5–4: LFO1, 5–5: LFO2 39 5–4: LFO1, 5–5: LFO2 Here you can make settings for the LFO (Low Fr equency Oscillator). LFO1 is internally connected as the oscillator 1 Control 1 modulation source. LFO2 is internally connected as the modulation source for the oscillator pitch controlled by the joystick +Y axis (or MIDI control[...]

Parameter guide 40 1st Note: The phase of the LFO will be reset at the first note- on that occurs when no other keys are being pr essed, and will continue to affect all the notes played by that timbr e in the same way , until once again no keys are being held down. Each Note: The phase of the LFO will be reset for each individual note-on, and each[...]

PROG P5: EG/LFO/MSEQ 5–6: MSEQ1, 5–7: MSEQ2, 5–8: MSESQ3 41 Run Mode [One Shot, Loop] Specifies the loop setting for playback. One Shot: The sequence will play for only one cycle, and will maintain the value of the last step. Loop: The sequence will play as a loop, using the sequence type specified by Seq Type . Key Sy nc. [O ff, 1 st Note ,[...]

Parameter guide 42 PROG P6: V ocoder The EXB-RADIAS features a sophisticated vocoder that can be used not just to simulate the classic vocoder sounds of the past, but also to take advantage of advanced possibilities such as shifting the filter frequencies of each band or adjusting their level and panning to create new and original vocoder sounds. [...]

PROG P6: Vocoder 6–1: Carrier/Modulator 43 AUX Send L+R: The mono-mixed signal of AUX buses 1+2 or 3+4 specified by Audio Inputs (Send to RADIAS). AUX Send L: The signal of AUX bus 1 or 3. AUX Send R: The signal of AUX bus 2 or 4. Ga te S7ens (Gate Sensitivity) [000…127] Specifies how fast the gate will respond to the input sour ce. Decreasin[...]

Parameter guide 44 6–2: V ocoder Here you can edit the parameters for all the band pass filters of the carrier , and the envelope follower of the modulator . 6–2a: Filter Fo rmant Shif t [–2…+2] Shifts the cutoff fr equencies of each of the carrier ’s band pass filters. This will significantly change the character of the vocoder output[...]

PROG P7: KARMA Initialize MOD SEQ 45 PROG P7: K ARMA Here you can make KARMA function settings for the RADIAS program. For details on the available parameters and menu commands, please see “PROG P7: KARMA” on page 45 of the M3 parameter guide. PROG P8: IFX Here you can make settings for the insert ef fects. Y ou can use insert effects for RADIA[...]

Parameter guide 46 Co py MOD SEQ This command copies modulation sequence settings from another RADIAS program to the curr ently selected RADIAS program. 1. Choose “Copy MOD SEQ” to access the dialog box. 2. Use the “Program” field to choose the copy-source program and modulation sequence. Choose the program in the upper line, and in the lo[...]

Combi Page Select 0–1: Program T01–08, 0–2: Program T09–16 47 Combination mode C ombi Page Selec t For details on how to select each page, refer to the “M3 operation guide.” C OMBI P0: Play In this page you can select and play combinations. In Combination mode, you can use four RADIAS programs. 0–1: Program T01–08, 0–2: Program T0[...]

48 0–5: K ARMA GE Here you can make KARMA function settings for the Combination mode. In Combination mode you can use four KARMA Modules (Modules [A], [B], [C], and [D]). For details on the available parameters and menu commands, please see “0–5: KARMA GE” on page 125 of the M3 parameter guide. 0–6: K ARMA RT C Here you can view the names[...]

COMBI P1: DT/X–Y/Ctrls Tone Adjust 49 T one Adjust 0–8g: T one Adjust For details on the T one Adjust function, r efer to “M3 parameter guide.” Common T one Adjust Parameters These are the same as the Common T one Adjust Parameters in Program mode. For more information, please see “Common T one Adjust Parameters” on page 22. RADIAS T on[...]

50 C OMBI P2: EQ / Option 2–1: EQ T rim T01–08, 2–2: EQ T rim T09–16 Here you can adjust the volume level going into the EQ. For details on the available parameters and menu commands, please see “2–1: EQ T rim T01–08, 2–2: EQ T rim T09–16” on page 147 of the M3 parameter guide. 2–3: EQ G ain T01–08, 2–4: EQ G ain T09–16 [...]

COMBI P2: EQ / Option 2–5: RADIAS T01-08, 2–6: RADIAS T09-16 51 Combination Audio In (OSC&Vocoder) Source An example of using the AUX bus to input an EDS program into the RADIAS vocoder: • The RADIAS program of timbre 1 is input to the carrier of the vocoder. • The EDS program of timbre 2 is sent via the AUX bus to the carrier of the vo[...]

52 2–7: R ADIAS V ocoder1 Here you can make vocoder -related settings for the combination. Only one instance of the vocoder function can be used in each combination. It can be used on only one timbre. Even if you’ve selected a RADIAS vocoder program in four timbres, it is not the case that all four vocoders will operate. 2–7a: V ocoder On/Off[...]

COMBI P2: EQ / Option 2–8: RADIAS Vocoder2 53 2–8: R ADIAS V ocoder2 2–8a: Filter Fo rmant Shif t [–2…+2] Resonance [000…127] Env . Follow er Sens (Env elope Follower Sensitivity) [000…127] Fr equenc y Offset [–63…+63] Mod Source (Fc Modula tion Source) [EG1…X–Y –Y Mod:#88] Mod Intensity (Fc Modulation Intensity) [–63…+6[...]

54 C OMBI P3: Timbre P arameters 3–1: MIDI T01–08, 3–2: MIDI T09–16 Here you can make MIDI settings for each timbr e 1–16. For details on the available parameters and menu commands, please see “3–1: MIDI T01–08, 3–2: MIDI T09– 16” on page 149 of the M3 parameter guide. 3–3: OSC T01–08, 3–4: OSC T09–16 These settings sp[...]

COMBI P4: Zone/Delay 3–7: Other T01-08, 3–8: Other T09-16 55 of the RADIAS program used by the timbr e. However , a RADIAS program cannot be detuned farther than +/-50 cents. V alues below -50 are treated as -50, and values above +50 are tr eated as +50. For more information, please see “Detune (Use BPM Adjust in Menu)” on page 151 of the M[...]

56 Menu C ommand The menu commands explained here ar e the commands that are displayed and available if the EXB-RADIAS option is installed. For details on other commands, refer to the “M3 parameter guide.” Cop y from Program This command copies settings from a specified pr ogram to the currently selected combination. If you select a RADIAS pro[...]

SEQ Page Select 57 Sequencer mode For details on how to select each page, refer to the “M3 operation guide.” SEQ P age Selec t Page Main cont ent PLA Y P0–1: Play/REC Song selection, playback, and recording. Pr ogram selection for each track. P an and v olume settings etc. for each track. Tr ack playback loop settings. A udio input settings a[...]

58 SEQ P0: Play SEQ P0–1: Play/REC Here you can make basic settings for MIDI track r ecording and playing back in the song, and can select the program that will be used by each track. In Sequencer mode, you can use four RADIAS programs. For details on selecting a song, selecting the program used by each track, and the editable parameters and the [...]

SEQ P1: DT/X–Y/Ctrls Tone Adjust 59 KARMA: Use the sliders and switches to control the KARMA function. Y ou can freely change back and forth between the differ ent functions, without losing any of your edits. T one Adjust 0–2–8f : T one Adjust For details on the T one Adjust function, r efer to “M3 parameter guide.” Common T one Adjust Pa[...]

60 SEQ P2: EQ/Option 2–1: EQ T rim T01–08, 2–2: EQ T rim T09–16 Here you can adjust the volume level going into the EQ. For details on the available parameters and menu commands, please see “2–1: T rim T01–08, 2–2: T rim T09–16” on page 224 of the M3 parameter guide. 2–3: EQ G ain T01–08, 2–4: EQ G ain T09–16 Here you ca[...]

SEQ P2: EQ/Option 2–8: RADIAS Vocoder2 61 2–7c: Modulator Modulator (Modulat or Selec t) [Audio , Formant Motion] Source (A udio Source) [Audio In2, AUX Send L+R, AUX Send L, AUX Send R] Ga te Sens (Gate Sensitivity) [000…127] Th re shold [000…127] Select (Formant Motion Select) [Forman t Motion 00…Forman t Motion 16] Play Mode (F ormant [...]

62 SEQ P3: T rack P arameters 3–1: MIDI T01–08, 3–2: MIDI T09–16 These settings specify how each track will be played. For details on the available parameters and menu commands, please see “3–1: MIDI ch T01–08, 3–2: MIDI ch T09–16” on page 226 of the M3 parameter guide. 3–3: OSC T01–08, 3–4: OSC T09–16 3–3(4)a: OSC Tra[...]

SEQ P4: Zone/Delay 3–7: Other T01–08, 3–8: Other T09–16 63 Track 02...08, 09...16 (Track Number): Here you can make pitch-r elated settings for each MIDI track 2–16. The settings are the same as for track 1. See “T rack 01 (T rack Number)”:. 3–7: O ther T01–08, 3–8: O ther T09–16 3–7(8)a: KARMA/Scale Track 01…16 (Track Num[...]

64 SEQ P10: Pa ttern/RPPR Here you can r ecord patterns, edit them, assign them to song tracks, and make RPPR (Realtime Pattern Play/ Recording) settings For details on the available parameters and menu commands, please see “SEQ P10: Pattern/RPPR” on page 265 of the M3 parameter guide. SEQ P11: Cue List Here you can cr eate cue lists. For detai[...]

Menu Command Load Preload/Demo Data 65 Global mode Here we will explain only the menu commands “Load Preload/Demo Data” and “Set Pr ogram User-Bank T ype.” For details on the other parameters and menu commands, refer to “Global mode” in the M3 parameter guide. ( ☞ M3 parameter guide p. 355) Menu C ommand L oad Pr eload/Demo Data This [...]

66 S et Progr am User-Bank T ype This specifies the bank type for Program mode pr ogram banks USER-A through G. If you’ve set the bank type to RADIAS, the RADIAS programs you cr eate can be saved in the corresponding user bank. As an example, here’s how to set the USER-F bank type to RADIAS. Before you execute, uncheck Pr ogram in Memory Prote[...]

Menu Command Load selected 67 Media mode Here we will explain only the menu commands “Load RADIAS Formant Motions” and “Load a RADIAS Formant Motion.” For details on the other parameters and menu commands, refer to “Media mode” in the M3 parameter guide. ( ☞ M3 parameter guide p. 389) Menu C ommand L oad selected 11) Load RADIAS Forma[...]

68[...]

69 Ap pendices EXB-RADIAS Specifications Appearance and specifications of this product ar e subject to change without notice. (January/’07) EXB-RADIAS (RADIAS synthesizer board) Sy stem MMT (Multiple Modeling T echnology) Sound generator Polyphon y 24 voices *The actual maximum polyphony will depend on the settings of the parameters that make u[...]

IMPOR T ANT NOTICE T O CONSUMERS This product has been manuf actured according to str ict specifications and v oltage requirements that are applicab le in the countr y in which it is intended that this product should be used. If y ou hav e purchased this product via the inter net, through mail order , and/or via a telephone sale, y ou mu st verify [...]