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A good user manual
The rules should oblige the seller to give the purchaser an operating instrucion of Yamaha PSR-630, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.
What is an instruction?
The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Yamaha PSR-630 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.
Unfortunately, only a few customers devote their time to read an instruction of Yamaha PSR-630. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.
What should a perfect user manual contain?
First and foremost, an user manual of Yamaha PSR-630 should contain:
- informations concerning technical data of Yamaha PSR-630
- name of the manufacturer and a year of construction of the Yamaha PSR-630 item
- rules of operation, control and maintenance of the Yamaha PSR-630 item
- safety signs and mark certificates which confirm compatibility with appropriate standards
Why don't we read the manuals?
Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Yamaha PSR-630 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Yamaha PSR-630, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Yamaha service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Yamaha PSR-630.
Why one should read the manuals?
It is mostly in the manuals where we will find the details concerning construction and possibility of the Yamaha PSR-630 item, and its use of respective accessory, as well as information concerning all the functions and facilities.
After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.
Table of contents for the manual
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Page 1
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Page 2
IMPOR T ANT NO TICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly ap- proved by Yamaha may void your authority, granted by the FCC, to use the product. IMPOR T ANT : When connecting this product to accessories and/or another produ[...]
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Page 3
1 • Do not use the instrument near other electrical products such as televi- sions, radios, or speakers, since this might cause interference which can affect proper operation of the other products. • Do not place the instrument in an unstable position where it might acci- dentally fall over. • Before moving the instrument, remove all connecte[...]
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Page 4
2 Congratulations! Important Features T ouch-sensitive 61-ke y ke yboard f or a wide range of dynamic musical e xpression (page 115). A variety of voices, 215 panel v oices (200 panel voices f or PSR-630), 12 drum kits and 480 XG voices, with the maxim um polyphony of 64 voices (32 v oices for PSR-630). V oice set feature automaticaly selects the a[...]
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Page 5
3 User Song recording feature mak es it easy to record and playbac k f our melody tracks with an accompaniment tr ack (page 83). A total of sixteen tr acks can be recorded with the Multi recording function, including ke y- board, har mon y and accompaniment (page 88). Multi P ads record and pla y shor t rh ythmic and melodic sequences that can be u[...]
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Page 6
4 Contents Panel Controls 6 The Music Stand ........................................................ 7 Basic Display Operation 8 The Display Icons ............................................................ 8 The Menus ..................................................................... 10 Shortcuts ...............................................[...]
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Page 7
5 Using Commercially A vailable Music Collections (Sold Separately) ................................................... 66 The Sample Disk ........................................................... 66 Format ........................................................................... 67 Save .........................................................[...]
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Page 8
6 Panel Controls CLICK PHONES PITCH BEND MODULATION MAX MIN T S R 1 1 2 3 2 3 L H L HR S M L M H C 1 C 2 R 1 R 2 H L H L H L H L H L S L H L M O 36 37 39 41 42 38 40 43 45 46 50 51 52 44 47 48 49 53 55 57 54 58 56 62 59 60 61 69 70 63 71 65 64 66 67 72 68 73 75 74 76 77 78 79 80 83 81 82 84 85 86 88 87 89 90 91 93 94 92 95 C1 F1 D1 E1 G1 A1 B1 C2 D[...]
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Page 9
7 Panel Controls ■ T op P anel Controls q ST AND BY/ON Switch ......................... page 14 w MASTER VOLUME Control .................. page 14 e DEMO Button ....................................... page 14 r TEMPO Buttons ................................... page 26 t TRANSPOSE Buttons .......................... page 56 y ACCOMP ANIMENT/SONG VO[...]
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Page 10
8 ACCOMP ANIMENT TRA CK SONG TRACK L R2 R1 REPEAT A CM P VOICE VOICE VOICE RHYTHM 1 BASS CHORD 1 CHORD 2 PAD PHRASE 1 PHRASE 2 FINGERING m M 7 aug sus 4 dim RHYTHM 2 L R1 R2 REVERB HARMONY CHORUS DSP SYNC STOP ONE TOUCH SETTING 4 MELODY 3 MELODY 2 MELODY 1 MELODY REGISTRATION MUL TI PAD BEA T GROOVE & DYNAMICS TEMPO TRANSPOSE MEASURE MEMORY AB [...]
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Page 11
9 Basic Display Operation TEMPO Sho ws the current tempo of accompani- ment/song playbac k (page 26). TRANSPOSE The current tr anspose value (page 56). A CMP/SONG V OLUME In Song/Style Mode (page 11), the ac- companiment or song v olume is displayed (pagse 29,78). REPEA T Indicates the “A” and “B” repeat points when prog r amming a repeat s[...]
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Page 12
10 GROOVE&DYNAMICS VOICE STYLE SONG ACCOMP ANIMENT TRACK SONG TRACK L R2 R1 MENU DISK MUL TI P AD REGIST MEMORY MIDI DIGIT AL EFFECT OVERALL REPEAT ACMP VOICE VOICE VOICE RHYTHM 1 BASS CHORD 1 CHORD 2 PAD PHRASE 1 PHRASE 2 FINGERING mM 7 aug sus 4 dim RHYTHM 2 L R1 R2 REVERB HARMONY CHORUS DSP SYNC STOP ONE TOUCH SETTING 4 MELODY 3 MELODY 2 MEL[...]
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Page 13
11 Shor tcuts T o mak e operation as easy and as efficient as possible , the PSR-730/630 features a n umber of “shor tcuts” which allo w you to jump directly to cer tain functions without ha ving to use the MENU and SUB MENU buttons. All of these shor tcuts w or k in the same way: press and hold a panel button for a f e w seconds to go to the r[...]
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Page 14
12 Setting Up This section contains information about setting up your PSR-730/630 and preparing to play . Be sure to go through this section carefully before using y our PSR-730/630. Power Supply Although the PSR-730/630 will r un either fr om an optional A C adaptor or ba tteries, Y amaha recommends use of the mor e en vironmentall y safe A C adap[...]
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Page 15
13 Setting Up Connections ■ PHONES Jac k ■ SUST AIN Pedal Jack • Be sure that you do not press the footswitch while turning the power on. If you do, the ON/OFF sta- tus of the footswitch will be reversed. • When the sustain or sostenuto pedal func- tions are being used (page 117), some voices may sound con- tinuously or have a long decay af[...]
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Page 16
14 The Demonstration Once you’v e set up your PSR-730/630, try listening to the pre-progr ammed demonstration songs. A total of 15 demo songs are pro vided. • You can either have all the demo songs played continu- ously, or have only one song play (page 77). ON ST AND BY MIN MAX MASTER V OLUME t Trumpet DEMO 1 Switch ON T urn the po wer ON by p[...]
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Page 17
15 The Demonstration • Stopping demo song playback, then start- ing it again by press- ing the [START/ STOP] button will cause demo song playback to automati- cally stop at the end of that song. • If the [DEMO] button is pressed in Style Mode (page 11), the instrument will auto- matically switch to Song Mode (page 11). d R&B 123 456 789 –[...]
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Page 18
16 VOICE VOICE VOICE L R1 R2 DUAL SPLIT VOICE VOICE VOICE L R1 R2 DUAL SPLIT The PSR-730/630 actually includes two v oice sets: the “panel” v oices and percussion kits, and the XG v oices. The panel voices include 215 “pitched” v oices (200 “pitched” v oices for PSR-630) and 12 dr um kits , while the XG voice set includes 480 v oices. W[...]
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Page 19
17 Playing the PSR-730/630 Selecting & Playing R1 V oices 1 Select the V OICE Menu Press the [V OICE] b utton so that the tr iangular indicator appear s in the display next to “V OICE” to the right of the displa y . T he number and name of the currently selected “R1” voice a ppears on the top right of the display panel when the VOICE me[...]
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Page 20
18 Playing the PSR-730/630 One- or two-dig it voice numbers can be enter ed without leading zer os. T o select v oice n umber “23”, for example , simpl y press the [2] button and then the [3] button. T he bars belo w the v oice number on the display will f lash for a fe w seconds, and then disa ppear when the selected voice n umber has been rec[...]
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Page 21
19 Playing the PSR-730/630 ◆ Keyboard P ercussion When one of the 12 panel DR UM KIT v oices are selected you can pla y dif fer ent drums and percussion instruments on the keyboard. The dr ums and per cussion instr uments pla yed by the var ious ke ys ar e mar ked by symbols below the k eys. ● The Drum Kits PSR-730 PSR-630 Kit Name 216 201 Stan[...]
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Page 22
20 Playing the PSR-730/630 The Split V oice Mode The SPLIT V OICE mode lets you pla y different v oices with the left and right hands. The “split point” forms a boundar y on the keyboard with the R v oice playing on the right side , and the L voice on the left. • The L voice settings (voice parameters) can be changed as required by using the [...]
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Page 23
21 Playing the PSR-730/630 T hen use the SUB MENU [ ▲ ] and [ ▼ ] b uttons to select the “Split Point” function from within the O VERALL menu . The MIDI note number (see the bottom of the keyboar d) corresponding to the current split point will appear to the right of “Split P oint” on the top line of the displa y . Changing the SPLIT VO[...]
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Page 24
22 Auto Accompaniment The PSR-730/630 has 100 diff erent accompaniment “styles” from e v ery musical type that can be used to provide fully-orchestrated or rh ythm-only accompaniment. J ust select one of the many styles av ailab le and play along. Using Auto Accompaniment 1 Select a Style Press the [STYLE] button to select the STYLE menu (the t[...]
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Page 25
23 Auto Accompaniment F ind the style y ou want by r eferring to the style list (page 142), then pressing the [1] – [0] number b uttons, enter the 1-3 dig its of its style n umber . • Just like the voice numbers, when se- lecting 1 or 2 digit style numbers, if you add [0] at the begin- ning and enter a 3 digit number, it will be immediately rec[...]
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Page 26
24 ● Start with an introduction follo wed b y the MAIN A section Press the [INTRO] b utton so that its indicator lights, pr ess the MAIN/A UTO FILL [A] button (not necessary if its indicator is already f lashing), then press [ST AR T/STOP] . ● Start with an introduction follo wed b y the MAIN B section Press the [INTRO] b utton so that its indi[...]
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Page 27
25 4 Play the Melod y with the Accompaniment As soon as you play any c hor d that the PSR-730/630 can “recognize” on the left- hand section of the keyboar d , the PSR-730/630 will automatically begin to play the chord along with the selected rhythm and an appropriate bass line. The name of the current chord will appear on the display . The chor[...]
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Page 28
26 Auto Accompaniment 4/4 time 3/4 time 1st beat 2nd beat 3rd beat 4th beat ◆ The Beat Indicator When Auto Accompaniment or song playback is started, the four dots of the BEA T indicator pro vide a visual indication of the selected tempo as shown belo w . REPEAT ONE TOUCH SETTING TEMPO AB 100 116 116 Tempo: 001 TEMPO ◆ Changing T empo Y ou can [...]
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Page 29
27 ◆ Accompaniment Sections There are 8 types of Auto Accompaniment sections that allow you to var y the arr angement of the accompaniment to match the song you ar e playing. The y are: Intro, Main A and B, Fill-in (AA, AB, BA, BB) and Ending. By switching betw een them while playing you can put together a single song. ● INTRO Section This is t[...]
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Page 30
28 ◆ The Synchr o Stop Function When the Synchro Stop function is engaged, accompaniment playback will stop completely when all keys in the auto-accompaniment section of the keyboard are r eleased. Accompaniment playback will start a gain as soon as a chord is play ed. T he BEA T indica tors in the displa y will flash while the accompaneiment is [...]
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Page 31
29 Accompaniment V olume Control T he volume of the accompaniment in relation to the keyboar d can be adjusted for the best over all balance by using the A CMP/SONG V OLUME [ ▼ ] and [ ▲ ] b uttons. When either b utton is pressed the cur rent accompaniment v olume setting will appear on the top line of the display for a few seconds. The accompa[...]
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Page 32
30 Changing the Accompaniment Split Point The A UT O A CCOMP ANIMENT split point (the boundar y point between the melod y section and accompaniment section) can be set to an y ke y on the PSR-730/630 keyboard to ma tch your individual playing requirements. 1 Select the Accompaniment Split P oint Function Use the MENU [ ▲ ] and [ ▼ ] buttons to [...]
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Page 33
31 R Voice L Voice Accompaniment R Voice Accompaniment/ L Voice The Auto Accompaniment Fingering Modes T he PSR-730/630 A UT O ACCOMP ANIMENT feature has fi v e dif fer ent finger ing modes which can be selected as follows. 1 Select the Fing ering Mode Function Use the MENU [ ▲ ] and [ ▼ ] buttons to the left of the displa y to move the triangu[...]
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Page 34
32 Then use the SUB MENU [ ▲ ] and [ ▼ ] b uttons to select the “F ingerMode” function fr om within the O VERALL menu. T he abbreviated name of the current f inger ing mode will appear to the right of “FingerMode” on the top line of the displa y . 2 Select the Required Fingering Mode Use the [–] and [+] buttons or Data Dial to select [...]
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Page 35
33 ● The FINGERED 1 Mode The Finger ed 1 mode lets you f inger your own chords on the A UTO A CCOMP A- NIMENT section of the keyboard (i.e. all k eys to the left of and including the split- point key — normally 54) while the PSR-730/630 supplies appropriately orches- trated rh ythm, bass, and chor d accompaniment in the selected style. The FING[...]
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Page 36
34 C Cm 7 C ( ) CM ( ) 7 C (9) C ( ) (9) 6 Caug Cm 6 Cm 7 ( ) Cm b 5 7 CmM b 5 7 Cm ( ) (9) 7 Cm (9) CmM 7 ( ) CmM (9) 7 ( ) Cdim Cdim 7 C (9) 7 ( ) C (13) 7 ( ) C ( b 9) 7 ( ) C ( b 13) 7 Csus 4 C 1+2+5 C b 5 7 C 6 ( ) ( ) CM 7 (9) 7 CM ( # 11 ) ( ) 7 CM b 5 C ( b 5) ( ) C ( # 11) 7 C ( # 9) 7 ( ) C aug 7 Cm 7 (11) ( ) ( ) CM aug 7 ( ) C sus 4 7 ([...]
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Page 37
35 ◆ The Stop Accompaniment Function While the SINGLE FINGER, FINGERED 1, FINGERED 2, or MUL TI-FIN- GER mode is selected chor ds pla y ed in the A UT O ACCOMPNIMENT section of the keyboard are also detected and play ed b y the PSR-730/630 Auto Accompani- ment system w hen the accompaniment is stopped (except when the FULL KEY - BOARD mode is eng[...]
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Page 38
36 ■ Applying Gr oo ve & Dynamics When y ou press the [GROO VE & D YNAMICS] button, the GR OO VE & D YN AM- ICS icon will light, and the Groo ve & Dynamics ef f ect will be a pplied to the accompaniment. ■ Arranging the Groove & Dynamics Eff ect (User Settings) Y ou can ar r ange any of the Groov e & Dynamics settings (B[...]
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Page 39
37 Auto Accompaniment Beat Gr oo ve T emplate List The templates in this list shift the timing of the accompaniments b y beats . These templates add lif elike eff ect to your accompaniments b y conv er ting a specific beat to another and slightly shifting the conv er ted beat. Name: Indicates each template name . No .1"Thru” (No.1) adds no e[...]
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Page 40
38 ● Select the Dynamics T emplate Use the SUB MENU [ s ] and [ t ] b uttons to select the “Dynamics” function from within the GR OO VE & D YN AMICS men u. The name of the currently selected Dynamics T emplate will appear on the r ight of the top line of the displa y . Ref err ing to the “Dynamics T emplate List” belo w , use the [+] [...]
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Page 41
39 ● Set the Expand Rate The Expand Rate widens or narrows the dynamic rang e of the Accompaniment within the range, 0-100 (original)-400%. Use the SUB MENU [ s ] and [ t ] buttons to select the “ExpandRate” function fr om within the GR OO VE & D YN AMICS men u. The curr ently set Expand Rate value will appear on the right of the top line[...]
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Page 42
40 ● Set the Boost Rate The Boost Rate strengthens or weakens the Accompaniment by offsetting the velocity value of the Style da ta, within the range, 0-100 (orig inal)-400%. Use the SUB MENU [ s ] and [ t ] buttons to select the “BoostRa te” function from within the GR OOVE & D YN AMICS men u. The currently set Boost Rate value will appe[...]
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Page 43
41 1 Select a Style Select the STYLE menu and select an accompaniment style as described on page 22. 2 Press the [ONE TOUCH SETTING] Button Press the [ONE TOUCH SETTING] b utton. T he ONE TOUCH SETTING and REGIST [1] icons will appear in the display , and the One T ouc h Setting type 1 panel settings will be recalled. At the same , Auto Accompanime[...]
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Page 44
42 Digital Effects With the digital eff ects built into the PSR-730/630 y ou can add ambiance and depth to your m usic in a variety of ways—such as adding re verb that mak es y ou sound like you are pla ying in a concer t hall or adding har mony notes f or a full, r ich sound With the PSR-730, you can tak e advantage of e ven more sophisticated f[...]
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Page 45
43 T hen use the SUB MENU [ ▲ ] and [ ▼ ] buttons to select “Reverb”. The name of the currently selected Rev erb type will appear on the right of the top line of the display . Referring to the Re verb T ype List on page 145, use the [–] and [+] buttons, [1] – [0] number buttons, or Da ta Dial to select the desired Re verb ef fect from 1[...]
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Page 46
44 ■ Chorus Return Level The Cho.Return (Chorus Return Le vel) parameter sets the amount of chor us ef f ect retur ned from the chorus ef f ect stage, thus making it possible to adjust the degree of chorus ef fect applied to the o verall sound. Use the MENU [ ▲ ] and [ ▼ ] buttons to mo ve the tr iangular indicator in the displa y ne xt to ?[...]
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Page 47
45 Digital Effects DSP If you pr ess the [DSP] b utton, the DSP icon will light up, and the DSP eff ect will be turned on. After setting the DSP type, the ef f ect will be applied w hen y ou play the R1, R2 and L voice fr om the keyboar d. ● System Eff ect: Applies to all of the parts input to the mix er . Y ou can set the DSP Depth and DSP Retur[...]
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Page 48
46 Digital Effects ■ DSP Return Level The DSP Return (DSP Return Level) par ameter sets the amount of DSP effect returned from the DSP effect stage, thus making it possible to adjust the deg ree of DSP ef fect applied to the overall sound. Use the MENU [ ▲ ] and [ ▼ ] b uttons to move the triangular indicator in the displa y next to “DIGIT [...]
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Page 49
47 • Harmony can not be turned on when a drum kit is selected for the R1 voice. • Harmony can not be turned on when the Full Keyboard Auto accompa- niment fingering mode is selected even if Auto Ac- companiment is on. Har- mony will be automatically turned off if the Full Key- board fingering mode is selected while the Har- mony effect is on. ?[...]
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Page 50
48 ■ Adjusting the Harmony V olume The volume of the har mony sound in r ela tion to the ke yboar d sound can be adjusted for Harmony types 1 through 16 as follo ws: Use the MENU [ ▲ ] and [ ▼ ] b uttons to move the triangular indicator in the displa y next to “DIGIT AL EFFECT”, then use the SUB MENU [ ▲ ] and [ ▼ ] b uttons to select[...]
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Page 51
49 Pressing the [MUL TI EFFECT] button will cause the Multi Ef fect icon to light on the display . After making part settings f or Ef fect 1/2 and type settings, the Multi Ef f ect will be applied. Applying Multi Effect (PSR-730) • The MULTI EFFECT ON/OFF status will be set automatically ac- cording to the se- lected R1 panel voice. • Some of t[...]
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Page 52
50 ■ Select the Effect T ype for Effect 1/2 Select one of the 42 ef fect types for Eff ect 1 and Eff ect 2 Use the MENU [ ▼ ] and [ ▲ ] b uttons to move the triangular indicator in the displa y next to “DIGIT AL EFFECT”. The icon f or “DIGIT AL EFFECT” will light. Then use the SUB MENU [ ▼ ] and [ ▲ ] b uttons to select “Eff ect[...]
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Page 53
51 The Digital Equalizer (PSR-730) Usually an equaliz er is used to correct the sound output from amps or speakers to match the special character of the room. T he sound is di vided into se v eral frequency bands, then b y raising or lower ing the level f or eac h band, the corr ection is made . Adjusting the sound you play according to the genre?[...]
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Page 54
52 ■ Selecting a Digital EQ T ype. Select one of the 5 Digital EQ types. Use the MENU [ ▼ ] and [ ▲ ] b uttons to move the triangular indicator in the displa y next to “DIGIT AL EFFECT”. • You can jump directly to the “Digital EQ” sub menu of the DIGITAL EFFECTS menu by pressing and holding the DIGITAL EQ but- ton for a few seconds.[...]
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Page 55
53 ■ Setting the Gain (User Setting) Y ou can change the settings for any of the 5 pr eset equalizer types, adjusting the output to meet your o wn needs. Select the equalizer type you wish to use as a base for your settings, then use the SUB MENU [ ▼ ] and [ ▲ ] buttons to select “Lo wGain”.T he current Lo wGain value f or the type you se[...]
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Page 56
54 Use the PSR-730/630 pitch bend wheel to bend notes up (roll the wheel awa y from y ou) or down (roll the wheel tow ard you) while pla ying the ke yboard. The pitch bend wheel is self- center ing and will automatically return to nor nal pitch when released. Setting the Pitch Bend Range The maximum pitch bend range can be set via the PITCH BEND RA[...]
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Page 57
55 The Modulation function applies a vibr ato eff ect to notes pla yed on the k eyboard (R1, R2, L voices). Rolling the MODULA TION wheel all the w ay to wards y ourself minimizes the depth of the eff ect, while rotating it a wa y from y ourself increases it. Changing the Modulation Wheel Function The Modulation Wheel (PSR-730) It’ s possible to [...]
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Page 58
56 T ranspose Setting T ransposition • The Transpose func- tion cannot be applied when a drum kit is the selected voice (page 19). • Press the TRANS- POSE [ ▼ ] and [ ▲ ] buttons simulta- neously to instantly reset the transpose value to “0”. • The new TRANS- POSE value will take effect from the next key played. • When the Transpose[...]
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Page 59
57 Registration Memory The PSR-730/630 Registr ation Memor y f eature can be used to memorize 128 complete control-panel setups (32 banks, 4 setups each) that you can recall whene ver needed. 1 Set Up the Contr ols as Required Make the desired contr ol settings. T he follo wing settings ar e memor iz ed b y the Registration Memor y function: Regist[...]
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Page 60
58 3 Register the Settings While holding the [MEMOR Y] button, press one of the REGISTRA TION MEMOR Y buttons — [1] through [4] . The corresponding REGISTRA TION MEMOR Y n umber will appear below “REGISTRA TION” in the displa y . • Any data that was previously recorded in the Registration Memory location you selected will be erased and repl[...]
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Page 61
59 Ref err ing to the information belo w , use the [1] – [0] number b uttons, the [+] , [–] buttons or the Da ta Dial to enter the name. [+] .................. Select letter (cursor moves right) [–] .................. Select letter (cursor moves left) Dial ............... Change Character [1] – [0] ........... ”Jump” entry [Character Li[...]
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Page 62
60 Registration Memory Recall the Registered Panel Settings • Registration data can- not be recalled when the One Touch Set- ting function is on. • When power is turned on, or the bank is changed, all of the numbers in the REG- ISTRATION MEMORY section of the display will be blank. The Accompanient Freeze Function When the FREEZE function is en[...]
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Page 63
61 The Multi Pads The PSR-730/630 MUL TI P ADS can be used to play a n umber of short pre-recorded rhythmic and melodic sequences that can be used to add impact and v ar iety to y our ke yboard performances. Y ou can also record your o wn MUL TI P AD phrases as described in “MUL TI P AD Recording” on page 106. Some pad phrases simply pla y bac [...]
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Page 64
62 The Multi Pads Playing the MUL TI P ADs Simply tap an y of the MUL TI P ADs a t an y time to pla y bac k the cor responding phrase at the curr ently set tempo. MUL TI P AD playbac k be g ins as soon as the b utton is pr essed. Y ou can ev en play two, three, or four MUL TI P ADs at the same time. Also, y ou can cr eate “r etrig g ered sample?[...]
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Page 65
63 The Multi Pads T urning the CHORD MA TCH Function On/Off T he CHORD MA TCH function can be indi vidually turned on or of f f or each of the MUL TI P ADs, as described below . • The chord match function has no effect with pads that contain percussion phrases. 1 Select the MUL TI P AD Function Use the MENU [ ▲ ] and [ ▼ ] b uttons to select [...]
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Page 66
64 Disk Operations There is a disk dr ive installed in the PSR-730/630. By inser ting a flopp y disk into it, y ou can do many things: record and pla ybac k user songs, sa v e and load user styles (page 98), user pads (page 106), or registration memor y data (page 57). Y ou can sav e an y n umber of user styles and registration data on flopp y disk[...]
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Page 67
65 Disk Operations ■ User Song Data User song data is sav ed directly to the disk without sa ving it in the PSR-730/630 itself. Data T ype Extension Sa ve Load User Style (101-104) .USR OO [Style File Format] User P ad (bank 37-40) .USR OO Registration Memory (bank 01-32) .USR OO User Style + Registr ation Memor y .USR OO User P ad + Registration[...]
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Page 68
66 T ry playing some of the songs on the included Sample Disk. 1 Inser t the Sample Disk into the Disk Drive . Once the disk is inserted, the menu icon on the display will automatically switch to the song menu, and the currently selected song name and song number will appear at the upper left of the display . The PSR-730/630 will switch into Song M[...]
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Page 69
67 Setting up commer ciall y av ailab le floppy disks (3.5 inc h, 2HD/2DD type) for use with the PSR-730/630 is called formatting F ollow the ste ps belo w to for ma t a disk. 1 Insert the Disk into the Disk Drive Insert a commerciall y av ailable 3.5 inch floppy disk (unformatted) into the disk driv e, with the shutter on the disk to wards the dri[...]
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Page 70
68 Y ou can sav e PSR-730/630 user styles, user pad (banks 37-40) and reg istration memory data (banks 01-32) on f loppy disks. 1 Inser t a Formatted Floppy Disk. If a disk has not been already inserted in the dri v e, insert a formatted flopp y disk. 2 Select a Save Function Save • After formatting, the capacity of a 2HD disk will be 1 Mbyte, an[...]
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Page 71
69 4 Sa ve File Confirmation Use the SUB MENU [ ▼ ] button so that “Save File.... ” appear s on the display , showing the ne w file the da ta will be sav ed to. 0001.USR e: UF–0 Save Fil -001.USR LIVE Rename: -001.USR ng... E Now Savi • Even if you chose a file where data is al- ready saved because you want to overwrite the data, renaming[...]
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Page 72
70 After saving User Style (101-104), User P ad (bank 37-40), and Registration Memory (bank 01-32) data onto a f loppy disk, y ou can reload them into the PSR-730/ 630. Y ou can also load style data fr om the included Sample Disk or commercially available Y amaha Style File disks. Load • If the DISK menu is selected when there is no floppy disk i[...]
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Page 73
71 • When the selected file type is “All,” “Style + Reg,” “Pad + Regist,” “Style + Pad,” step 5 is not necessary. Pro- ceed from step 6. 5 Select the Data to Be Loaded If Necessary If the f ile type selected in step 4 was “Style, ” “Pad , ” or “Re g ist, ” press the SUB MENU [ ▼ ] button so that the sub men u “Sour[...]
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Page 74
72 6 Execute the Load Operation Press the [+] (YES) button, and the load operation will start. Once started, the oper ation can’ t be canceled . As the file is loading, “Now Loading” will appear on the top line of the display . When the load operation is finished , the displa y will r etur n to the “Load From Disk? YES” sub menu. If y ou [...]
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Page 75
73 • While data is copying (“Now Copying” or “Now Reading” is dis- played), never eject the floppy disk or turn the power off. 3 Press the [+] (YES) Button Make sur e that the disk you wish to copy from (source disk) is inserted in the disk driv e, then press the [+] (YES) button. “No w Reading” will appear on the display . The conten[...]
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Page 76
74 • If the DISK menu is selected when there is no floppy disk in- serted into the disk drive, “- - -” will be displayed at the top of the display, and disk operations won’t be possible. 2 Select a Song Copy Function Use the MENU [ ▲ ] and [ ▼ ] buttons to select the Disk function so tha t the triangular indica tor in the display appear[...]
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Page 77
75 • If the DISK menu is selected when there is no floppy disk in- serted into the disk drive, “- - -” will be displayed at the top of the display, and disk operations won’t be possible. 1 Insert the Floppy Disk into the Disk Drive Insert the disk with the f iles you want to delete into the disk dri ve. 2 Select a Delete File Function Use t[...]
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Page 78
76 Song Playback Y ou can playbac k a wonderful variety of songs on the PSR-730/630, including the preset demo songs, the songs on the included Sample Disk, the User Songs y ou record on a flopp y disk and the songs on commercially availab le XG/GM song collection disks. Except for the preset demo songs, a flopp y disk must be inser ted in the disk[...]
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Page 79
77 3 Select Play Mode Press the SUB MENU [ ▲ ] and [ ▼ ] b uttons so that “Play Mode” a ppears on the display . On the right of the top line of the display , the current play mode will be display ed. Use the [–] and [+] b uttons, or the Data Dial to select the play mode f or playback. Song Playback 4 Star t/Stop the Song Press the [ST AR [...]
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Page 80
78 Song Playback ■ Play fr om a Specified Measure Press the [SONG] button to select the SONG menu (the tr iangular indicator will appear next to “SONG” to the right of the display). Use the SUB MENU [ ▲ ] and [ ▼ ] buttons to select the “Measure” parameter in the display . The current measure number will appear to the right of “Meas[...]
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Page 81
79 Song Playback Minus-one Practice Y ou can turn-of f (m ute) any of the parts of a song while it is playing, then pr actice playing that part y ourself along with the other tr acks of the song . T his is called Min us- one playback. Choose any one of the demo or sample disk songs, pr ess one of the TRA CK b uttons 1-16 belo w the display , muting[...]
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Page 82
80 Repeat Play This function allo ws y ou to specify any section of a Demo or Sample disk song for continuous repeat playback. 1 Select the A-B Repeat Parameter While the SONG menu is selected, but no r ecording is in pro g ress, use the SUB MENU [ ▲ ] and [ ▼ ] buttons to select the “ A-B Repea t” par ameter in the display . The MAIN/A UTO[...]
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Page 83
81 Song Playback Song Repeat T he Song Repea t feature is hand y w hen you w ant to r epeat playback of a particular song. 1 Select a Song Number T o select the song , see (pa ge 76). 2 T urn on the Song Repeat After making sure that the “SONG” menu is selected, use the SUB MENU [ ▲ ] and [ ▼ ] buttons so that “SongRe pea t” appears on [...]
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Page 84
82 Next Song The Next Song feature is hand y when the next song you want to play isn’t the one with the next song number . 1 Select the first song you want to pla y T o select the song, see (pa ge 76). 2 Select the next song After making sure that the “SONG” menu is selected, use the SUB MENU [ ▲ ] and [ ▼ ] buttons so that “NextSong”[...]
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Page 85
83 Song Recording Y ou can record your o wn m usic performance on a floppy disk as a user song. • User Songs are recorded on floppy disks. They can’t be recorded unless a floppy disk is in- serted into the disk drive. • The Shortcut functions are not available when one of the Record modes is engaged. • The quick recording method is differen[...]
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Page 86
84 1 Inser t Floppy Disk and Change to Recor d Mode Insert the floppy disk you will use to record the user song into the f loppy disk driv e. Quick Recording Procedure W ith quick r ecording, you can use 5 tracks for recording each song. ● A CMP track ....................... Used to record auto accompaniment notes (such as chord change and sectio[...]
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Page 87
85 2 Select the SONG Recor d Mode Press the [SONG] button to select the SONG record mode. The SONG men u icon will light. The beat indicator dots will flash at the currently set tempo, indicating that the record ready (Synchro Start) mode is engaged. T he track bars for MELOD Y 1–4 and A CMP tracks will flash at the bottom of the display (Record [...]
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Page 88
86 Song Recording 5 Record Recording will begin as soon as you play a note on the keyboar d or press the [ST ART/ST OP] button, and the BEA T indica tor dots will be g in to indicate the current beat as in the Auto Accompaniment mode. The MEASURE par ameter will also sho w the cur rent measure number dur ing recording. • If you start recording wi[...]
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Page 89
87 Song Recording • Before actually starting to record you can try playing the PSR-730/630 the way it is set up by using the “Rehearsal Mode”: press the [SYNC START] button to temporarily disen- gage the record ready mode, rehearse as necessary, then press the [SYNC START] button again to return to the record ready mode. • Whenever you reco[...]
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Page 90
88 1 Engag e the Song Record Mode and Select the User Song In the same way as steps 1 – 3 for Quick Recording , engag e the Song Recording Mode and select the user song number . Multi Recording Procedure 2 Select the Recor d Method Use the SUB MENU [ ▲ ] and [ ▼ ] b uttons so that “Quick Record” or “Multi Record” (recor d method selec[...]
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Page 91
89 Song Recording Press the TRA CK button to select one of the tracks 1–16 for recording. F or example, if you pr ess the T r ack b utton belo w the tr ack 1, the track 1 bar will light, showing that the track 1 is selected for r ecording. If you press the same TRA CK button once again, the track bar will g o out and tha t tr ack will not be reco[...]
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Page 92
90 4 Star t/Stop Recor ding Record the tr ac k(s) in the same way as steps 5-7 for Quic k Recording . Since the recorded accompaniment data is recorded on each accompaniment track, it can be edited using the Song Edit function (page 97). • You can also use Re- hearsal Mode to prac- tice before recording when doing Multi Re- cording. The harmony n[...]
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Page 93
91 B DSP type ef f ects can be set and recorded for R1/R2/L part(s) when used as System ef fect and for R1 par t when used as Inser tion ef f ect. They can’ t be recorded for the track used as the Accompaniment and/or Har mon y par t. During playback, only the la test setting will be ef fective if se ver al types ar e used f or the tracks in a so[...]
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Page 94
92 Punch In/Punch Out The data recorded on tracks for keyboar d playing (R1/R2/L) can be re-r ecorded in parts with the Punch In/Punch Out feature. 3 Start and Stop Recording Start recording as usual. Ev en though y ou star t pla ying fr om the be ginning, only the data played within the Punch In/Punch Out range will be re-recorded. 2 Use the SUB M[...]
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Page 95
93 Quantize W ith the Quantize feature, the timing of da ta recorded in a user songs can be adjusted. 1 In the Record Read y Mode for the tr ack you want to quantiz e (page 88) or in the Rehearsal Mode, use the SUB MENU [ ▲ ] and [ ▼ ] b uttons so tha t “Quantiz e: YES” appears on the display . Quantize V alue Note 4 Quar ter note 6 Quar te[...]
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Page 96
94 Naming User Songs Y ou can gi ve your own name (8 c haracters or less) to user songs. In the Record Ready Mode (pages 84, 88) for the song you want to name, or in the Rehearsal Mode, use the SUB MENU [ ▲ ] and [ ▼ ] b uttons so that “Song Name” appear s on the display . T he cur rent name for the song will be displayed at the upper right[...]
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Page 97
95 Use the TRA CK buttons to select the track you w ant to c lear . The track bar for the track you selected will light steadily and the track bars for the other tracks will be turned off. Once the desired track has been selected , “ Are Y ou Sure?” will appear on the display . ● Quick Recor d ● Multi Record Press the [+] (YES) button to ac[...]
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Page 98
96 ● Clearing an Entire Song Use the song selection sub menu (pages 85, 88) to be sure that you ha ve selected the song that y ou want to clear . While the SONG record-ready or rehearsal mode (page 87) is engaged use the SUB MENU [ ▲ ] and [ ▼ ] buttons to select the “Song Clear? YES” function. Press the [+] (YES) button and “ Ar e Y ou[...]
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Page 99
97 Song Recording 3 Press the TRA CK button to select the tr ack you will edit. The track bar for the selected track will light. 4 Use the SUB MENU [ ▼ ] b utton so that the voice parameter you wish to c hang e appears on the display . The par ameter and v alue will appear at the top of the display . In the same w ay as f or the r e voice functio[...]
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Page 100
98 Style Recording The PSR-730/630 lets you record up to three original “user styles” which can be used f or auto- accompaniment in the same wa y as the preset styles . The user styles are recorded as style numbers 101, 102, 103, and 104, and each style can be recorded with the full complement of 8 tr ac ks (RHYTHM 1, RHYTHM 2, BASS, CHORD 1, C[...]
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Page 101
99 Style Recording 3 Select the Style Recor d Mode Press the [STYLE] b utton to select the Style record mode. The STYLE menu will automatically be selected and a user style number will appear on the top line of the display . The beat indicator dots will flash at the currently set tempo, indicating that the record ready (synchro start) mode is engag[...]
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Page 102
100 Style Recording 4 If Necessary , Select a User Style Number If the desired user style is not already selected, use the [–] and [+] buttons, [1] – [0] n umber buttons, or the Data Dial to select it. 5 Select a Section to Record Press the [INTRO] , MAIN [A] / [B] , [ENDING] , or [FILL] button to select a section for recording. • Multiple se[...]
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Page 103
101 7 Select a V oice, If Necessar y If necessar y , select a v oice for the track to be r ecorded b y pressing the [V OICE] b utton and selecting in the nor mal way . 8 Record Recording will beg in as soon as you play a note on the keyboard or press the [ST ART/ST OP] button. T he BEA T indica tor dots will beg in to indica te the current beat, an[...]
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Page 104
102 • During recording you can use the TRACK buttons to turn play- back of previously-re- corded tracks on or off as required. • For recording the RHYTHM 1/2 tracks, the instrument sym- bols printed on the front edge of the panel show you the instrument assign- ments to each key. See Keyboard Per- cussion on page 140 for playing each drum/ perc[...]
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Page 105
103 Style Recording Drum Cancel T his function makes it possible to erase specif ic drum instruments from the RHYTHM 1 and RHYTHM 2 tracks. It’ s handy , f or example , w hen you want to er ase just the bass drum recorded on the RHYTHM 1 track. While recording either the RHYTHM 1 or RHYTHM 2 track, use the SUB MENU [ ▲ ] and [ ▼ ] buttons to [...]
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Page 106
104 Quantize V alue Note 4 Quarter note 6 Quarter note tr iplet 8 Eighth note 12 Eighth note triplet 16 Sixteenth note 24 Sixteenth note triplet 32 Thirty-second note 3 Press the SUB MENU [ ▼ ] b utton once so tha t “Ex ecute? NO/YES” appears on the display . T hen pr ess the [+] (YES) b utton to ex ecute the quantiz e function, or the [–] [...]
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Page 107
105 Style Recording Clearing User Style Data T his function makes it possible to clear unneeded data from the PSR-730/630 User Style tracks. ● Clearing an Entire Style While the STYLE record-read y or rehearsal mode is engaged use the SUB MENU [ ▲ ] and [ ▼ ] buttons to select the “ All Clear? YES” function, then press the [+] (YES) butto[...]
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Page 108
106 In addition to the preset MUL TI P AD sets, the PSR-730/630 has 16 user-recordab le sets that you can use to store y our o wn creations . • Material recorded in the MULTI PADs will be retained even after turning the power off. See page 152 for the details. • The recorded data will be lost if the power is turned off, the AC adaptor is unplug[...]
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Page 109
107 2 Select the MUL TI P AD Recor d Mode Press any MUL TI P AD button ( [1] … [4] ) to select the MUL TI P AD r ecord mode (the MUL TI P AD button you press will be selected for recording). The MUL TI P AD menu will automatically be selected and a user pad set number will appear on the top line of the display . The beat indica tor dots will f la[...]
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Page 110
108 6 Record Recording will begin as soon as you play a note on the k eyboar d (synchr o start) or press the [ST AR T/STOP] button, and the BEA T indica tor dots will begin to indicate the current beat as in the Auto Accompaniment mode . If y ou are recording a Chord Match phrase, be sure to base your phrase on a CM7 chord to ensure proper Chord Ma[...]
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Page 111
109 Multi Pad Recording Naming Pads Y ou can give your o wn name (8 c haracters or less) to user pad sets. W ith the Pad Record Read y Mode (or Rehearsal Mode) engaged and the target Pad set selected, use the SUB MENU [ ▲ ] and [ ▼ ] buttons so tha t “Pad Naming... ” a ppears on the display . The curr ent name for the Pad set will be displa[...]
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Page 112
110 The PSR-730/630 REVOICE function lets y ou change the f ollo wing parameters for the R1, R2 and L voices and the A UT O A CCOMP ANIMENT tr acks . ● Revoice Parameters P arameter Display Range Comments V oice V oice Name Assigns a voice n umber to the specified PSR-730/630 voice or tr ack. V olume Volume 0 … 127 Sets the volume of the specif[...]
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Page 113
111 Revoicing 2 If Necessary Select a V oice to Rev oice Use the three rightmost TRA CK buttons to select the v oice you want to re voice: L, R2, or R1. T he selected tracks will be bracketed by two hor iz ontal bars. • The TRACK button below the selected voice can be used to turn the voice on or off. Make sure that the voice is turned on if you [...]
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Page 114
112 Revoicing 1 Select the STYLE REV OICE Mode While the STYLE menu and the style you want to re voice ar e selected, press the [REV OICE] b utton (actuall y , the order her e is not important: you can also pr ess the [STYLE] button after pressing the [REV OICE] button). The [REV OICE] button indicator will light and the RHYTHM 1 track will be brac[...]
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Page 115
113 5 Repeat as Required and Exit When Done Repeat steps 2 and 4 , abov e, to re voice the tracks as r equir ed , then pr ess the [REV OICE] b utton so tha t its indicator goes out to exit from the REV OICE mode. • The REVOICE mode will automatically be exited if the MENU [ ▲ ] and [ ▼ ] buttons are used to select any of the menus to the left[...]
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Page 116
114 Some of the functions in the OVERALL function g roup have already been described in appropr iate sections of this manual. Others will be introduced f or the first time in this section. Refer to the char t below f or the page n umbers on which each function is descr ibed. The char t also lists the full name of each function, the abbre viated nam[...]
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Page 117
115 ■ T ouch Sensitivity T his function sets the keyboard touch sensiti vity . T he rang e is from “0” to “127”. The higher the value the higher the sensiti vity . When the touch sensitivity v alue is set to “0”, “Of f” appears in the display and the same v olume is pr oduced no ma tter ho w hard you play the k eys. — this setti[...]
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Page 118
116 ■ Metronome When turned “on” the PSR-730/630 metronome will sound during A UTO A CCOM- P ANIMENT playbac k as well as SONG playback and recording . ■ Split V oice Split P oint See page 21. ■ Accompaniment Split P oint See page 30. ■ Fing ering Mode See page 31. ■ V oice Set The VOICE SET f eature brings out the best in each indi v[...]
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Page 119
117 Overall Functions ■ P edal The var ious functions can be assigned to the Pedals 1/2: the f oots witch connected to the SUST AIN jac k (Pedal 1) and the foot controller connected to the FOO T V OL. jack (Pedal 2) on the rear panel. ● Select the Functions to Be Contr olled by the P edals Select one of the 16 functions that can be controlled b[...]
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Page 120
118 Only Pedal 2 Functions EXPRESSION Simultaneously controls the volume of the R1, R2 and L v oices (y our performance). R1 V OLUME Controls the R1 v oice volume. R2 V OLUME Controls the R2 v oice volume. L V OLUME Controls the L v oice volume. A CMP/SONG VOLUME Controls the accompaniment/song v olume in the same w ay as the A CMP/SONG VOLUME [ ?[...]
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Page 121
119 In the rear panel of your PSR-730/630, there are MIDI terminals (MIDI IN, MIDI OUT), a T O HOST terminal, and a HOST SELECT switch. By using the MIDI functions y ou can expand your musical possibilities . This section e xplains what MIDI is , and what it can do , as well as how y ou can use MIDI on your PSR-730/630. MIDI Functions What’ s MID[...]
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Page 122
120 MIDI is an acronym that stands f or Musical Instrument Digital Interface, w hic h allows electronic musical instruments to communicate with eac h other, b y sending and r ecei ving compa tible Note, Control Change, Prog r am Change and v ar ious other types of MIDI data, or messages. The PSR-730/630 can control a MIDI de vice by transmitting no[...]
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Page 123
121 ◆ MIDI T erminal/T O HOST T erminal In order to exchange MIDI da ta between multiple devices, each de vice m ust be connected by a cable. There are two w ays to connect: from the MIDI terminals of the PSR-730/630 to the MIDI ter minals of an external de vice using a MIDI cable , or from the T O HOST port of the PSR-730/630 to the serial port [...]
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Page 124
122 ● Pla y music fr om another k e yboard (no tone generator) using the PSR-730/630 XG tone generator . MIDI keyboard with no tone generator MIDI receive settings (pa g e 126). MIDI OUT MIDI IN PSR-730/630 MIDI receive ● Record perf or mance data (1-16 channels) using the PSR-730/630 Auto Accompa- niment and Multi P ad featur es on a e xter na[...]
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Page 125
123 ● When using a MIDI interf ace with a Macintosh ser ies computer , connect the RS- 422 terminal of the computer (modem or pr inter terminal) to the MIDI interface, then connect the MIDI OUT ter minal on the MIDI interface to the MIDI IN terminal of the PSR-730/630, as sho w in the dia gram below . Set the HOST SELECT switch on the PSR-730/630[...]
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Page 126
124 ■ Connect using the T O HOST terminal Connect the serial port of the personal computer (RS-232C terminal or RS-422 terminal) to the TO HOST ter minal of the PSR-730/630. F or the connection cable , use the cable below (sold separately) that matches the personal computer type. • If you connect from the PSR-730/630 TO HOST terminal to a perso[...]
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Page 127
125 The PSR-730/630 MIDI Functions T he PSR-730/630 has the follo wing MIDI functions. T o access a MIDI function f irst use the MENU [ ▲ ] and [ ▼ ] buttons to move the triangular indica tor in the display ne xt to “MIDI”, then use the SUB MENU [ ▲ ] and [ ▼ ] buttons to select the desired function from within the MIDI men u. When a fu[...]
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Page 128
126 ■ Receive Channel & Receive Mode The PSR-730/630 can simultaneously receiv e data on all 16 MIDI channels, allowing it to function as a 16-channel multi-timbral tone generator . The Receive Channel and Recei ve Mode functions determine ho w each channel will respond to received MIDI da ta. ● Receive Channel The “Receive Ch” function[...]
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Page 129
127 ● Receive Mode T he “Receiv eMode” function specifies the recei ve mode f or the channel selected via the Recei ve Channel function, above. T he recei ve mode settings ar e as follows: • MIDI receive mode settings will be re- tained even after turn- ing the power off. See page 152 for the de- tails. • The initial default set- ting for[...]
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Page 130
128 ■ Initial Data Send T ransmits all curr ent panel settings to a second PSR-730/630 or a MIDI da ta stor ag e device. T o send the initial data select the “Init.Send Sure?”. Then press the [+] (YES) to begin tr ansmission of the initial data. If you want to hav e the song pla y back with the panel settings used for recording, execute the I[...]
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Page 131
129 MIDI Functions ■ MIDI T emplate The MIDI settings can be collected into a template (pattern). Just by selecting the template that fits y our pur pose, you can set all the MIDI settings in one oper a tion. Use the MENU [ ▲ ] and [ ▼ ] buttons to select the MIDI menu so that the triangular indicator in the display appears ne xt to “MIDI?[...]
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Page 132
130 Appendix PSR-730/630 Display MENU/SUB MENU Structure MENU SUB MENU FUNCTION PAGE VOICE Grand Piano (R1 voice name) ............................... R1 voice selection .......................................... 17 STYLE 8Beat Pop1 (Style name) ........................................ Accompaniment style selection ...................... 22 V.Arran[...]
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Page 133
131 PSR-730/630 Display MENU/SUB MENU Structure MENU SUB MENU FUNCTION PAGE DISK Load From Disk? ................................................ Loading data from a disk ................................ 70 Save To Disk? ..................................................... Saving data to a disk ...................................... 68 Format Disk[...]
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Page 134
132 PSR-730/630 Display MENU/SUB MENU Structure MENU SUB MENU FUNCTION PAGE Harmony: 1 Duet ................................................ Harmony type selection .................................. 47 HARMONY Button Harm.Vol ................................................................... Harmony volume setting .................................[...]
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Page 135
133 V oice List Voice Bank Select MIDI Voice Name Number MSB LSB Program Change Number Piano 1 0 112 0 Grand Piano 2 0 112 1 BrightPiano 3 0 112 3 Honky Tonk 4 0 112 2 Midi Grand 5 0 113 2 CP 80 6 0 114 4 Galaxy EP 7 0 117 5 Super DX 8 0 112 5 DX Modern 9 0 112 4 Funk EP 10 0 115 5 Modern EP 11 0 113 5 Hyper Tines 12 0 116 5 New Tines 13 0 114 5 Ve[...]
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Page 136
134 102 0 112 43 Contrabass 103 0 112 46 Harp 104 0 113 46 Hackbrett 105 0 112 106 Shamisen 106 0 112 107 Koto 107 0 112 104 Sitar 108 0 112 105 Banjo Ensemble 109 0 112 48 Strings 110 0 113 48 OrchStrings 111 0 114 48 Symphon. Str 112 0 113 49 SlowStrings 113 0 114 49 Str.Quartet 114 0 115 48 ConcertoStr 115 0 115 49 MarcatoStrs 116 0 112 49 Chamb[...]
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Page 137
135 Piano 1 0 112 0 Grand Piano 2 0 112 1 BrightPiano 3 0 112 3 Honky Tonk 4 0 112 2 Midi Grand 5 0 113 2 CP 80 6 0 114 4 Galaxy EP 7 0 112 5 DX Modern 8 0 112 4 Funk EP 9 0 115 5 Modern EP 10 0 113 5 Hyper Tines 11 0 116 5 New Tines 12 0 114 5 Venus EP 13 0 113 4 Tremolo EP 14 0 114 2 Rock Piano 15 0 112 7 Clavi 16 0 113 7 Wah Clavi 17 0 112 6 Har[...]
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Page 138
136 Solo Brass 119 0 112 56 SoloTrumpet 120 0 114 56 SoftTrumpet 121 0 113 56 Flugel Horn 122 0 112 59 Muted Trp 123 0 112 57 Trombone 124 0 114 57 MelTrombone 125 0 112 60 French Horn 126 0 112 58 Tuba Brass Ensemble 127 0 113 61 BigBandBrs 128 0 112 61 BrasSection 129 0 116 61 MellowBrass 130 0 117 61 Small Brass 131 0 118 61 Pop Brass 132 0 119 [...]
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Page 139
137 [PSR-730/630] XG V oice List Piano 228 213 0 0 0 GrandPno 229 214 0 1 0 GrndPnoK 230 215 0 18 0 MelloGrP 231 216 0 40 0 PianoStr 232 217 0 41 0 Dream 233 218 0 0 1 BritePno 234 219 0 1 1 BritPnoK 235 220 0 0 2 E.Grand 236 221 0 1 2 ElGrPnoK 237 222 0 32 2 Det.CP80 238 223 0 40 2 ElGrPno1 239 224 0 41 2 ElGrPno2 240 225 0 0 3 HnkyTonk 241 226 0 [...]
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Page 140
138 410 395 0 35 48 60sStrng 411 396 0 40 48 Orchestr 412 397 0 41 48 Orchstr2 413 398 0 42 48 TremOrch 414 399 0 45 48 VeloStr 415 400 0 0 49 Strings2 416 401 0 3 49 S.SlwStr 417 402 0 8 49 LegatoSt 418 403 0 40 49 Warm Str 419 404 0 41 49 Kingdom 420 405 0 64 49 70s Str 421 406 0 65 49 Str Ens3 422 407 0 0 50 Syn.Str1 423 408 0 27 50 ResoStr 424 [...]
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Page 141
139 597 582 0 66 101 Ring Pad 598 583 0 67 101 Ritual 599 584 0 68 101 ToHeaven 600 585 0 70 101 Night 601 586 0 71 101 Glisten 602 587 0 96 101 BelChoir 603 588 0 0 102 Echoes 604 589 0 8 102 EchoPad2 605 590 0 14 102 Echo Pan 606 591 0 64 102 EchoBell 607 592 0 65 102 Big Pan 608 593 0 66 102 SynPiano 609 594 0 67 102 Creation 610 595 0 68 102 St[...]
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Page 142
140 13 C # -1 *3 Surdo Mute <—— <—— <—— <—— <—— 14 D-1 *3 Surdo Open <—— <—— <—— <—— <—— 15 D # -1 Hi Q <—— <—— <—— <—— <—— 16 E-1 Whip Slap <—— <—— <—— <—— <—— 17 F-1 *4 Scratch Push <—— <—— <[...]
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Page 143
141 13 C # -1 *3 <—— <—— <—— <—— 14 D-1 *3 <—— <—— <—— <—— 15 D # -1 <—— <—— <—— <—— 16 E-1 <—— <—— <—— <—— 17 F-1 *4 <—— <—— <—— <—— 18 F # -1 *4 <—— <—— <—— <—— 19 G-1 <—— &[...]
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Page 144
142 Style List 8BEAT 1 8Beat Pop 1 2 8Beat Pop 2 3 8Beat Uptempo 4 8Beat Standard 5 Folkrock 6 Pop Rock 1 7 Pop Rock 2 8 8Beat Medium 9 8Beat Ballad 10 Epic Ballad 11 Piano Ballad 16BEAT 12 16Beat Pop 13 16Beat Shuffle 1 14 16Beat Shuffle 2 15 16Beat Ballad 1 16 16Beat Ballad 2 17 16Beat Ballad 3 18 Funk 1 19 Soul Ballad 6/8 BALLAD 20 Slow Rock 1 2[...]
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Page 145
143 About Digital Effects (Reverb/Chorus/DSP) T here are three types of digital effects installed in the PSR-630: the rev erb ef f ect (system ef fect), the chor us ef fect (system eff ect) and the DSP effect (can be set as either as a system ef f ect or insertion effect). In the PSR-730, the Multi Ef f ect (EFFECT 1/2: insertion) is ad ded to the [...]
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Page 146
144 ■ When DSP type Is Selected as a Inser tion Effect • The three PSR-630 eff ects or the five PSR-730 effects will be connected as sho wn below . • Since the PSR-730 Multi Eff ect (EFFECT 1/2) is an insertion eff ect, it will be applied to only one par t from among the R1/R2/L par ts . • The signal will enter re verb and chorus according [...]
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Page 147
145 About Digital Effects (Reverb/Chorus/DSP) The Digital Effect List No. Effect T ype Features REVERB 01~04 Hall1~4 System Concert hall rev erb. 05~08 Room1~4 System Small room re verb . 09, 10 Stage1, 2 System Re verb f or solo instr uments . 11, 12 Plate1, 2 System Simulated steel plate re verb . 13 OFF — No eff ect. CHORUS 01~05 Chorus1~5 Sys[...]
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Page 148
146 The Multi Effect List (PSR-730) No . Effect T ype F eatures 01~04 Hall1~4 Concert hall reverb. 05~08 Room1~4 Small room reverb. 09, 10 Stage1, 2 Reverb for solo instruments. 11, 12 Plate1, 2 Sim ulated steel plate rev erb. 13~17 Chor us1~5 Con ventional chorus program with rich, warm chorusing. 18~21 Flanger1~4 Pronounced three-phase modulation[...]
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Page 149
147 Harmony T ype List No. T ype Description 1 Duet This har mon y type produces a duophonic melody with the second v oice below the melody line. 2 T rio This harmony type generates two v oices in addition to the melody voice. 3 4Part Three harmony notes are generated to produce a four-note chord. 4 4 P ar t J azz Similar to the preceding type, b u[...]
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Page 150
148 Refining User Styles with Style File Format Source Pattern Z Source chord root setting X Source chord type setting NTR (Note Transposition Rule) C Note Transposition rule setting NTT (Note Transposition Table) V Note Transposition table setting Other Settings B Highest Key setting N Note range (Low Limit, High Limit) settings M Retrigger Rule ([...]
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Page 151
149 NTT (Note T ransposition T able) Setting V Note T ransposition table setting Set the tab le for making the chord change (transposition) in the source patter n. There are 6 tab les, as e xplained below . Bypass No transposition is done. Melody This table is suitab le for melody line tr ansposition. Use it f or tracks with melodies like PHRASE 1/[...]
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Page 152
150 ■ About the Source Chord T ype When y ou change the chord of the source pattern from the default CM7 to others (see “Source Pattern Settings” on page 148), the chord notes and scale notes will change depending on the currently selected chord type. See page 101 for the information on the chord note and scale note. Refining User Styles with[...]
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Page 153
151 T roubleshooting Something not working as it should? In many cases wha t appears to be a malfunction can be traced to a simple err or that can be remedied immediately . Before assuming that your PSR- 730/630 is faulty , please chec k the following points. PROBLEM POSSIBLE CA USE/SOLUTION The speakers produce a “pop” sound whene ver the pow [...]
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Page 154
152 Data Backup & Initialization ■ Data Initialization All data can be initialized and restored to the f actor y preset condition by turning on the po wer while holding the highest (rightmost) white key on the k eyboar d. “Backup RAM Clear” will appear briefly on the display . • All registration and User Style/Pad memory data, plus the [...]
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Page 155
153 (2) RECEIVE FLOW MIDI → NO TE OFF 8nH IN NO TE ON/OFF 9nH CONTROL CHANGE BANK SELECT MSB BnH,00H BANK SELECT LSB BnH,20H MODULA TION BnH,01H PORT AMENTO TIME BnH,05H DA T A ENTR Y MSB BnH,06H DA T A ENTR Y LSB BnH,26H MAIN VOLUME BnH,07H P ANPOT BnH,0AH EXPRESSION BnH,0BH SUST AIN BnH,40H PORT AMENTO BnH,41H SOSTENUT O BnH,42H SOFT PEDAL B[...]
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Page 156
154 PITCH FINE BnH,63H,19H,62H,rrH,06H,mmH LEVEL BnH,63H,1AH,62H,rrH,06H,mmH P ANPOT BnH,63H,1CH,62H,rrH,06H,mmH REVERB SEND BnH,63H,1DH,62H,rrH,06H,mmH CHORUS SEND BnH,63H,1EH,62H,rrH,06H,mmH V ARIA TION SEND BnH,63H,1FH,62H,rrH,06H,mmH RPN LSB BnH,64H RPN MSB BnH,65H PITCH BEND SENS. BnH,65H,00H,64H,00H,06H,mmH FINE TUNING BnH,65H,00H,64H,01H,06H[...]
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Page 157
155 • A TT ACK TIME applies adjustment to the envelope attac k time set b y the voice . This parameter specifies relative change with the v alue of 64 producing 0 adjustment. • BRIGHTNESS applies adjustment to the cut-off frequency set b y the voice . This parameter specifies relative change with the v alue of 64 producing 0 adjustment. Lo wer [...]
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Page 158
156 (3-6-1-2) TEMPO CONTROL binary he xadecimal 11110000 F0 Exclusive status 01000011 43 Y AMAHA ID 01111110 7E Style 00000000 01 0ttttttt TT T empo4 0ttttttt TT T empo3 0ttttttt TT T empo2 0ttttttt TT T empo1 11110111 F7 End of Exc lusi ve The internal clock will be set to the receiv ed T empo value. T empo Meta Event is a large da ta block (24-bi[...]
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Page 159
157 The 5 data types listed below are recei ved. System Data Multi Effect Data(Indi vidual module unit) Multi EQ Data Multi Part Data(Individual par t unit) Drums Setup Data(Individual note unit) System Information (3-6-4) SPECIAL OPERA TORS (3-6-4-1) V OLUME ,EXPRESSION AND P AN REAL TIME CONTR OL OFF binary hexadecimal 11110000 F0 Exclusive sta t[...]
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Page 160
158 < Table 1-3 > MIDI Parameter table ( System information ) Address Size Data Prameter Name Description (H) (H) (H) 01 00 00 D 20..7F Model Name 32..127(ASCII) : 0D 0E 1 00 0F 1 00 TO T AL SIZE 10 (Transmitted by Dump Request. Not recei ved. Bulk Dump Onl y) < Table 1-4 > MIDI Parameter Change table (EFFECT 1) Address Size Data Pramet[...]
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Page 161
159 4C 2 00..7F V ari. Param. 6 MSB Refer to the Ef. P arameter List Depend on V ari. Type 00..7F V ari. Param. 6 LSB Refer to the Ef. P arameter List Depend on V ari. Type 4E 2 00..7F V ari. P aram. 7 MSB Refer to the Ef. P arameter List Depend on V ari. T ype 00..7F V ari. Param. 7 LSB Refer to the Ef. P arameter List Depend on V ari. Type 50 2 0[...]
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Page 162
160 08 1 00..7F Insertion Par ameter7 Refer to the Ef. Parameter List 09 1 00..7F Insertion Par ameter8 Refer to the Ef. Parameter List 0A 1 00..7F Insertion Par ameter9 Refer to the Ef. Parameter List 0B 1 00..7F Insertion Par ameter10 Refer to the Ef . Par ameter List 0C 1 00..7F Insertion Par t Part1..16,OFF 7F 0D 1 00..7F MW INS CTRL DPT 0E 1 0[...]
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Page 163
161 nn 13 1 00..7F Re v erb Send 0..127 28 nn 14 1 00..7F V ariation Send 0..127 00 nn 15 1 00..7F Vibr ato Rate -64..+63 40 nn 16 1 00..7F Vibr ato Depth -64..+63 40 nn 17 1 00..7F Vibr ato Delay -64..+63 40 nn 18 1 00..7F Filter Cutoff Freq. -64..+63 40 nn 19 1 00..7F Filter Resonance -64..+63 40 nn 1A 1 00..7F EG Attack T ime -64..+63 40 nn 1B 1[...]
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Page 164
162 < Table 1-8 > MIDI Parameter Change table ( DRUM SETUP ) Address Size Data Prameter Name Description Def ault (H) (H) (H) V alue(H) 3n rr 00 1 00..7F Pitch Coarse -64..+63 40 3n rr 01 1 00..7F Pitch Fine -64..+63[cent] 40 3n rr 02 1 00..7F Level 0..127 Depend on the Note 3n rr 03 1 00..7F Alternate Group 0:off,1..127 Depend on the Note 3n[...]
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Page 165
163 DSP(VARIATIOM) EFFECT TYPE TYPE TYPE LSB MSB 00 01 02 03...07 08 09...15 16 17 18 19 20 21... 000 NO EFFECT 001 [1]HALL1 [2]HALL2 [3]HALL3 HALL HALL 002 [4]ROOM1 ROOM2 [5]ROOM2 [6]ROOM3 ROOM ROOM ROOM 003 [7]STAGE1 [8]STAGE2 STAGE [9]STAGE3 004 PLATE PLATE PLATE 005 DELAY L,C,R [17]DELAY LCR 006 [18]DELAY L,R 007 [19]ECHO 008 [20]CROSS DELAY 00[...]
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Page 166
164 HALL1,HALL2, ROOM1,ROOM2,ROOM3, STAGE1,STAGE2 PLATE (reverb, variation, insertion block) No. Parameter Value See Table Control 1 Reverb Time 0.3–30.0s 0–69 table#4 2 Diffusion 0–10 0–10 3 Initial Delay 0–63 0–63 table#5 4 HPF Cutoff Thru–8.0kHz 0–52 table#3 5 LPF Cutoff 1.0k–Thru 34–60 table#3 6 7 8 9 10 Dry/Wet D63>W –[...]
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Page 167
165 SYMPHONIC (chorus, variation, insertion block) No. Parameter Value See Table Control 1 LFO Frequency 0.00Hz–39.7Hz 0–127 table#1 2 LFO Depth 0–127 0–127 3 Delay Offset 0–127 0–127 table#2 4 5 6 EQ Low Frequency 32Hz–2.0kHz 4–40 table#3 7 EQ Low Gain -12–+12dB 52–76 8 EQ High Frequency 500Hz–16.0kHz 28–58 table#3 9 EQ Hig[...]
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Page 168
166 AMP SIMULATOR (variation, insertion block) No. Parameter Value See Table Control 1 Drive 0–127 0–127 ● 2 AMP Type Off,Stack,Combo,Tube 0–3 3 LPF Cutoff 1.0k–Thru 34–60 table#3 4 Output Level 0–127 0–127 5 6 7 8 9 10 Dry/Wet D63>W – D=W – D<W63 1–127 11 Edge(Clip Curve) 0–127 0–127 mild–sharp 12 13 14 15 16 3BAN[...]
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Page 169
167 T a bl e# 1T a bl e# 4T a bl e#7 T a bl e# 11 LFO F re q uenc yR ever b t i me D e l a y Ti me (400 . 0 ms )R ever b Wid t h ; D e p t h ; H e igh t Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value Data Value 0 0.00 32 1.35 64 2.69 96 8.41 0[...]
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Page 170
168 [P or table K eyboard] Date: 14-APR-1997 Model: PSR-730 MIDI Implementation Char t V ersion: 1.0 Function T ransmitted Recognized Remarks Basic Default 1~16 *1 1~16 *2 Channel Changed 1~16 *1 1~16 *2 Default 3 3 Mode Messages X X Altered ************** X Note 0~127 0~127 Number : T r ue v oice ************** 0~127 V elocity Note ON O 9nH, v=1~1[...]
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Page 171
169 [P or table K e yboard] Date: 14-APR-1997 Model: PSR-630 MIDI Implementation Char t V ersion: 1.0 Function T ransmitted Recognized Remar ks Basic Default 1~16 *1 1~16 *2 Channel Changed 1~16 *1 1~16 *2 Default 3 3 Mode Messages X X Altered ************** X Note 0~127 0~127 Number : T rue voice ************** 0~127 V elocity Note ON O 9nH, v=1~1[...]
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Page 172
170 *1 The tracks for each channel can be selected on the panel. See page 125 for more information. *2 Incoming MIDI messages control the PSR-730/630 as 16 channel multi timbral tone generator when initially shipped (factory set). The MIDI messages don’t affect the panel controls including the Panel Voice selection since they are directly sent to[...]
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Page 173
171 Specifications Keyboards • 61 standard-size keys (C1 — C6) with touch response. Display • Large multi-function LCD display Setup • Stand by/ON • Master Volume : MIN — MAX Control & Number Buttons • MENU ▲▼ , VOICE, STYLE, SONG, SUB MENU ▲▼ , [1] — [0], [+] (YES), [–] (NO) Disk Drive Demo • 15 Songs Voice PSR-730 [...]
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Page 174
172 Index A A C power adaptor ..................................................... 12 Accompaniment styles .............................................. 22 Accompaniment trac ks, song .................................... 86 A uto accompaniment ................................................ 22 A uto accompaniment on/off .........................[...]
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Page 175
173 Index P Panel controls ............................................................. 6 Pedal Function list ................................................... 117 Phones jack .............................................................. 13 Pitch Bend ................................................................. 54 Polarity ................[...]
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Page 176
Limited W arr ant y 90 D A YS LABOR 1 YEAR P AR TS Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models inclu[...]
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Page 177
For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Nie- derlassung und bei Yamaha Ve[...]
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Page 178
M.D.G., EMI Division © 1997 Yamaha Corporation VY78900 808POCP3.3-05E0 Printed in Japan[...]